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Images, the main object of imagological analysis, are by nature value-charged. Despite this fact, previous research has neglected the axiological foundations of imagology. This article discusses in brief some fundamental axiological questions of imagological investigations. The here analysed corpus includes an eighteenth-century visual-textual source (the so-called "Leopold-Stich"), and a famous imagological handbook ("Imagology", by Beller and Leerssen). The analysis starts with the problem of value connotations of the signifier of geocultural spaces and continues with a cluster of questions concerning the nature of value of imagotypical representations. The final part examines two relevant imagological phenomena—diachronic changes in evaluation of certain geocultural spaces and a somewhat opposite phenomenon of evaluative apriorism.
The fall of the Berlin Wall and its literary representations have often been described as a purely (white) German affair, as a discourse regarding (East/West) German identity. Taking on Leerssen's claim for a trans-/postnational imagology, this article provides an analysis of two novels depicting the fall of the Berlin Wall from transnational, not-(only)-German perspectives: Yadé Kara's "Selam Berlin" (2003) and Paul Beatty's "Slumberland" (2008). Comparing images and stereotypes used by both the Turkish-German narrator of Kara's and the African American narrator of Beatty's novel, it aims to undertake an exemplary case study of how imagology may be employed in contexts characterized by complex interferences of national, ethnic/racial, and urban ascriptions of belonging.
This article aims to show that imagology is a promising method for analysing images of the European Other and the Turkish Self as expressed in Ahmet Hamdi Tanpınar's novel "Huzur" (1948; trans. "A Mind at Peace", 2007). The narrative challenges the rhetoric of early Turkish nationalism by promoting a synthesis of the national present with both the melancholically evoked Ottoman heritage and with European cultures. At the same time, the novel's protagonists stand for diverse and often contradicting conceptions of Self and Other and thus provide an insight into the various identity conflicts present in Republican Turkey.
This article outlines a production-oriented imagology and equips the imagological toolkit with concepts and terminology from cultural memory studies, reception aesthetics, narratology, rhetoric, and text linguistics. It thereby presents the theoretical framework which makes it possible to analyse generic elements without a national connotation with regard to their function in generating a national image. Using as examples genres from English Romanticism and how they evoke Englishness, the article highlights the aesthetic complexity of national images and their range of variation. Simultaneously it paves the way for a more nuanced deconstruction of these images.
This article compares two similar yet never compared cases of intra-European othering: Spain and the South Slavic region. Their common denominator is what I call the Periphery Problem: a hierarchical cultural difference between Europe's symbolic centre (Western Europe) and its exotic peripheries. Using paradigmatic examples intertextually linked to Prosper Mérimée, this article focuses both on the centre (exemplified by Mérimée), and the peripheries' recent responses to Mérimée through meta-images (your image of others' image of you). The structural commonalities in characterization and the entanglements of internal and external images show that national characterization in Europe is profoundly a transnational phenomenon.
This article analyses processes of collective and individual identity formation in European travel writing from the late eighteenth and the middle of the nineteenth century and argues that these processes are based not least on the national stereotypes described and performed in the texts. I explore how the genre-specific stylistic elements of multilingualism and intertextuality inform the performance of auto- and hetero-images and in doing so suggest converging travel writing studies and imagological studies. To illustrate my thesis, I analyse travelogues by Charles Dickens and Karl Philipp Moritz.
This article applies imagology to "migration literature" - a genre that is described as a "peripheral phenomenon" in the 2007 handbook "Imagology", but that requires more thorough attention due to the increasing number of significant writings by immigrant authors. Focusing on works by Rafik Schami, Tahar Ben Jelloun, Amara Lakhous, Igiaba Scego, Hatice Akyün, Yoko Tawada, and Emine Sevgi Özdamar, and considering theoretical observations by Edward Said, Salman Rushdie, and Homi Bhabha, this article analyses how most texts prefer arguments and metaphors of everyday life to the traditional images and stereotypes of nationalistic discourse. It concludes by distinguishing two perspectives central to most of them: that of an "in-between" and/or a "Third Space."
How can music history help us understand the establishment of national character? This article discusses a prosaic text by Johann Friedrich Rochlitz as a medium for implementing stereotypical ideas of "the Italian" in German music historiography and, thereby, in public consciousness. It shows how particular musical qualities of the story's fictional protagonists are blurred with ideas of national character. Against this background, the predominant reception of the author Rochlitz in the realm of German music historiography can be reevaluated from a more transnational scholarly perspective. Key to this reassessment is investigation into the categories of fictional and musical characters with regard to notions of both "the German" and "the Italian."
Throughout history, songs have been considered effective instruments to strengthen the formation of collective identities. Eighteenth-century Dutch songwriters engaged with this idea in their striving for national unity. Political songs from that period employ several tropes, and the music often reinforces such images through musical imagery and intertextual references. Moreover, the imagined identities voiced in the songs might have become embodied identities through the performative act of singing. Therefore, for an investigation of the construction of collective identities in songs, the imagological approach can be expanded to musical imagery and take into account cognitive theories explaining the effects of singing.
Italy has experienced a high number of earthquakes. However, the identity of "the Italians" has not yet been defined by their "landscape of wounds." Referring to an earthquake in central Italy (Amatrice) in August 2016, the French satirical magazine Charlie Hebdo published a controversial caricature of two wounded Italians standing alongside the "Lasagnes," a pile of bodies layered like the well- known Italian pasta dish. By analysing the caricature's text, intertext, and context, while drawing on imagology and geopoetics, this article aims to show how earthquakes are linked to Italian cultural stereotypes and national identity.
This article contributes to the European history of musical nationalism with regard to operatic debates in the eighteenth century. The investigation reveals that within operatic debates national categories were used for all levels of the multimedia genre of opera: music, text, composer, and actor. Moreover, the relationship between national character and national taste was a highly critical point: there was general agreement that only outstanding aesthetic abilities enable composers to go beyond their own particular national character. Only in this respect could aesthetic abilities stand above national taste, which was said to be shaped by national character.
Starting from the definition that stereotypes are based on categorization and attribution, this article first deals with the relationship between categorization and stereotyping as well as images and imagology. The multitude of categories and stereotypes used in the process of perception raises the question of which categories are decisive in which social contexts and how different social categories are intertwined. Following an examination of categories, stereotypes, and images, these questions of interdependence lead to the fourth important topic of this article: intersectionality.
In visual narratives such as comics, national images are actually depicted. While Franco-Belgian comics have been the subject of detailed studies regarding the national stereotypes they convey, Flemish comics have been largely ignored. This article focuses on three albums of the Flemish comic series "Suske en Wiske", in which the heroes travel to a fictitious Eastern Bloc country, Japan, and China. It will examine how both heteroimages and auto-image are presented (visually, textually, and as part of the plot), and how comic characters may combine contradictory ethnotypes. As it will turn out, in the early album (1945) ethnotypes are perpetuated, whereas in later ones (1984, 2008) they are rather undermined.
This article examines striking similarities between stereotypical characters in Caroline Lee Hentz's US-American plantation novel "The Planter's Northern Bride" (1854), and Charlotte Brontë's classic "Jane Eyre" (1847). Especially, a connection can be made between Hentz's Italian "Madwoman in the attic" Claudia, and Brontë's transatlantic Caribbean counterpart Bertha. An intersectional methodology performed through a close reading will show how both women are literally and metaphorically trapped within spaces and stereotypes. This article transfers imagology into a global setting while extending its scope beyond investigating national characteristics.
A study on "The Travel Journal and Pictures" : Li Danlin's image of foreign lands and cultures
(2022)
This article studies the hetero-images in premodern Chinese painter Li Danlin's travelogue "The Travel Journal and Pictures" with regard to Daniel-Henri Pageaux's and Jean-Marc Moura's theories. Li draws pictures of foreign lands and cultures to express his exoticist interest, following the tradition entailed from "The Classic of Mountains and Seas". He transforms the reality and constructs two forms of hetero-images: those of Western cultures by applying clichés, and stereotyped images of indigenous peoples as "Manyi." These hetero-images give us insights into premodern Chinese ideology and offer an example of Occidentalism as a Sinocentric form of ethnotype.
This study compares and analyses hetero-stereotypes in Flaubert's travelogue "Voyage en Égypte" and Bachmann's prose fictions "Wüstenbuch" and "Das Buch Franza" in order to find out to what extent Flaubert resorts to stereotypical representations of the colonial Orient, and Bachmann perpetuates, transforms, or revises Flaubert's imagological discourse in the age of postcolonialism. Whereas Flaubert's sexist and racist narrative posits white superiority, Bachmann's protagonists subvert the male hegemonic stance of her French predecessor, insisting on white and male inferiority, causing just another stereotypization of race and gender.
The "World Geography" ("Wanguo dili quanji" 萬國地理全集) published in 1844 by the Protestant missionary Karl F.A. Gützlaff was the first geographical account to introduce some European ethnotypes to China. Based on recent archival findings, my article compares this book with both its presumed Western source and its rendering in the 1847 edition of Wei Yuan 魏源's "Maps and Documents of the Maritime Countries" ("Haiguo tuzhi" 海國圖志). It thus explores the role that interlingual and intralingual transfers respectively played first in negotiating and then renegotiating two European stereotypes in their early travels to and within the Qing empire.
Visual representations of sexual violence in the Bosnian War in Jasmila Žbanić's "Grbavica" (2006) and Angelina Jolie's "In the Land of Blood and Honey" (2011) reveal different dimensions of victim feminism. Both directors sought to raise awareness of the issue of wartime rape and to direct viewers' attention to the pain of the distant Other. An intersectional analysis of the two productions (one domestic and one US-based) helps convey the impact of national and gender stereotyping both on self-representations and on representations of Otherness. Moreover, the analysis of a cinematic response to the Western gaze encourages rethinking prevalent images of the so-called Balkans.
Nationality traditionally is one of imagology's key terms. In this article, I propose an intersectional understanding of this category, conceiving nationality as an interdependent dynamic. I thus conclude it to be always internally constructed by notions of gender, sexuality, race, class, religion, age, ability, and other identity categories. This complex and multi-layered construct, I argue, is formed narratively. To exemplify this, I analyse practices of stereotyping in Honoré de Balzac's "Illusions perdues" (1843) and Henry James's "The American" (1877) which construct the so-called 'Parisienne' as a synecdoche for nineteenth-century France.
The ways in which Self and Other are represented in fiction play a significant role in the formation of racial and other stereotypes in any culture. This article is a reading of the children's book "The Brave Rabbit in Africa" (1931) by Slovak modernist author Jozef Cíger-Hronský. It attempts to point out and analyse the ways in which racial and national identities are constructed in the written text of the book. Arguably, the story deploys colonialist motifs typical of Western literature in order to appraise the modern, civilized identity of the young Slovak nation.
This chapter considers the role of prolegomena and authorial interventions in constraining and contextualizing orally derived saga narratives in high medieval Iceland. It examines the question of whether prolegomena were intended to be included in oral renditions of the sagas and, if so, in whose 'voice' they were understood to be spoken. The 'openness' of a saga text - the extent of editorial freedom enjoyed by those concerned with extracting it from the oral milieu - has been much discussed; however, less attention has historically been paid to the freedom which the written texts then afforded any would-be reciter for emending or adapting their content when reading them aloud to a live audience. Prolegomena provide our most instructive source of contemporary commentary on how the written sagas should be understood and transmitted, and they therefore represent distinct and important critical texts in their own right, which inform our understanding of how 'open' or 'fixed' medieval Icelanders understood these extant written sagas to be.
This essay interprets Dante's "Commedia" as an 'open work' (Eco). It grounds its open-endedness in its representations of interruption: from fictional obstacles in the protagonist's path in the "Inferno" to the narrator's anxiety over unfinishedness in the "Paradiso". Taking its cue from Boccaccio's creative rewriting of Dante's life, the essay resists the pressure of 'total coherence' embedded in (and often projected onto) the "Commedia", in order to reclaim the material vulnerability of the text and of its author.
This chapter makes the case for a literary history that accounts for the multilingual nature of medieval Denmark, giving particular attention to Danish, German, and Latin. It relates such a project to current research interests such as crossing the boundaries of national philologies; demonstrates the need for it by reviewing existing surveys of the period; and outlines some lines of enquiry, including the translation and transmission of texts, that it could pursue.
This chapter explores medieval exegetical and affective characterizations of the birthplace of Christ. It focuses in particular on evocations of this birthplace as an exposed, liminal location and argues that the radical exposure endured by Christ at the moment of his birth was crucial to medieval understandings of the significance of the Incarnation. But it also points out that its condition of openness is always in a dialectical relationship with its capacity to enclose and protect.
In "The Book of Margery Kempe", the protagonist shifts between identities and geographies as a nomadic subject, dispersed across compassionate responses to violence that unusually include a recognition of animal suffering. The "Life" of Christina the Astonishing also seizes on the nonhuman aspects of extreme affective experience as her bodily transformations participate in a process of becoming animal. Both texts reflect a medieval fascination with the devotional body as a zone of closure and opening where transhuman and interspecies associations can be safely explored.
Practices of rewriting and mouvance are central to medieval culture, but have been neglected by contemporary scholarship. This paper highlights how collaborative forms of writing such as religious song engage with complex theological thought, opening up a discourse from which the laity had previously been excluded. Using forms which defy conventional author-based aesthetic norms, these songs explore poetic practices which are both collective and inclusive.
Openness and intensity : Petrarch's becoming laurel in "Rerum vulgarium fragmenta" 23 and 228
(2022)
Our paper offers a comparative reading of Rvf 23 and 228, which describe the poetic subject's transformation into (23), or implantation with (228), the laurel tree that normally represents the poet's beloved, Laura. Bringing Petrarch's poems into dialogue with philosophical works that consider the nature of plant existence as a form of interconnectedness and porosity to the outside, we argue that the becoming tree these poems stage is a form of desire to be understood not as lack but as intensity.
This essay follows the productive discussion of Giorgio Agamben's "The Open: Man and Animal" that took place as part of the 'Openness in Medieval Culture' conference at the ICI Berlin. The essay attempts to develop a speculative notion of openness within Agamben's work, in particular by connecting the question of openness to the question of the promise: the promise of the resolution of the question of man and animal ("The Open"); the promise of the Franciscans' vow, or 'sacramentum' ("The Highest Poverty"); and the promise of language ("The Sacrament of Language").
The monastic enclosure
(2022)
The moral and physical enclosure of monks and nuns is central to the founding documents of Western monasticism. But even there it encountered the need for monasteries to interact with their societies, through recruits, hospitality, and the monastic economy. The increasing intensity of this tension is traced through key reforming texts, until later English visitations open up religious houses to closer scrutiny, ironically aided by inmates' quandary over whether to conceal or reveal their secrets.
This article draws on the nearly 1800 letters which survive from the Benedictine convent of Lüne, near Lüneburg in northern Germany, and were written between c. 1460 and 1555. It explores the textual and visual strategies which nuns in the later Middle Ages used to negotiate their enclosed status. It suggests that the language and imagery of openness were a means for the nuns to remind those outside the convent wall of their presence and purpose in life.
A small, blind-tooled volume sits on a table covered in green baize: one clasp is open, the other is closed; and a slip of paper emerges from it reading 'Veritas odium parit' ('truth breeds hatred'). This detail occurs in the foreground of a portrait by Hans Holbein of a young man identified as the Cologne patrician Hermann von Wedigh III (Metropolitan Museum of Art, New York). A study of the physical features of the book and of the history of the brief text - actually an ancient and then Erasmian adage - leads to a new interpretation of the painting in the context of humanist friendship. The book is seen to be a multivalent simile for the work of art authored by the artist as well as for the sitter himself, raising questions about the implications for these of a medium that can be opened and closed. The half-open condition of the book is understood to reflect the complementary pressures of openness and closedness, accessibility and intimacy, that characterized the Renaissance republic of letters.
What are called 'natural languages' are artificial, often politically instituted and regulated, phenomena; a more accurate picture of speech practices around the globe is of a multidimensional continuum. This essay asks what the implications of this understanding of language are for translation, and focuses on the variety of Afrikaans known as Kaaps, which has traditionally been treated as a dialect rather than a language in its own right. An analysis of a poem in Kaaps by Nathan Trantraal reveals the challenges such a use of language constitutes for translation. A revised understanding of translation is proposed, relying less on the notion of transfer of meaning from one language to another and more on an active engagement with the experience of the reader.
To what extent does cultural distance interfere with or limit literary experience? What kind of intimacy is needed to make a text into a work? This essay seeks to answer these questions by focusing on the writings of Arvind Krishna Mehrotra. In doing so, it suggests that the challenges of cultural distance may be most acute when dealing with texts from homo-linguistic literary environments, and that we might overcome these challenges by undertaking a world literary criticism that attends to localized fields and materials without forgetting the charge of particular works.
What if one thinks not in terms of shared meanings or contents, but rather in terms of iterable gestures available for reenactment in different times and places in order to conceive of a cross-cultural world of literature? This essay sets out to explore, within the discursive mode of the lyric, whether the notion of gesture could be more helpful than meaning-based translation to account for the transferability of literary texts and for envisioning a form of community based on the shareability of certain gestures. To do so, it will look at how the act-event of reading described by Derek Attridge is processed in two cases in which poems are transferred from an earlier authoritative tradition into a new one.
The contentious discourse around world literature tends to stress the 'world' in the phrase. This volume, in contrast, asks what it means to approach world literature by inflecting the question of the literary. Debates for, against, and around 'world literature' have brought renewed attention to the worldly aspects of the literary enterprise. Literature is studied with regard to its sociopolitical and cultural references, contexts and conditions of production, circulation, distribution, and translation. But what becomes of the literary when one speaks of world literature? Responding to Derek Attridge's theory of how literature 'works', the contributions in this volume explore in diverse ways and with attention to a variety of literary practices what it might mean to speak of 'the work of world literature'. The volume shows how attention to literariness complicates the ethical and political conundrums at the centre of debates about world literature.
This essay examines extractivism as both a project and a process that is bolstering new forms of imperialism on a world scale. It argues that extractivism is as much grounded in material accumulation as it is in cultural extraction to create new forms of value. The writings of indigenous writers such as Hansda Sowvendra Shekhar offer an important key to understanding the work of the literary in making visible and resistant that which extractivism seeks to exploit for profit.
This paper reads 'The Detainee's Tale as told to Ali Smith' (2016) as an exemplary demonstration of the work of world literature. Smith's story articulates an ethics of reading that is grounded in the recipient's openness to the singular, unpredictable, and unverifiable text of the other. More specifically, Smith's account enables the very event that it painstakingly stages: the encounter with alterity and newness, which is both the theme of the narrative and the effect of the text on the reader. At the same time, however, the text urges to move from an ethics of literature understood as the responsible reception of the other by an individual reader to a more explicitly convivial and political ethics of commitment beyond the scene of reading.
Opponents of World Literature fear that its advent marks the end of the 'work of literature'. J. M. Coetzee's "The Childhood of Jesus" (2013) presents a world in which the work of literature has indeed been forgotten. Migrants arrive in a new life 'washed clean' of the burden of the European tradition. Simón, who dimly recalls the old life, feels that something is missing in the new. He longs for something altogether 'other'. Might Simón learn from the exceptional child David to perceive the 'likeness' in this world? Are we to read Coetzee's novel like Simón or like David - and with what consequence for our understanding of the work of literature in a time of World Literature?
This essay identifies in the materialist strand of world literature theory, especially Pascale Casanova and the Warwick Research Collective, a reliance upon a priori structures (the worldsystem) and prioritisation of the literary registration of inequality. By contrast, I contend, world-literary critics who wish to maintain the dissident spirit of postcolonialism ought to demonstrate a shared equality. By reference to the philosophies of Bruno Latour, Gilles Deleuze and Jacques Rancière, this essay sets out the case for an alternative to world-systems critique: one that maintains literature's potential for creating new forms of resistance, dissent, and, crucially, equality.
A trio of themes recur across prominent Western theories of laughter: violence, the human/nonhuman, and error. The paper traces this trio through a series of frequently cited paradigms for understanding laughter, including superiority, incongruity and relief theories, Henri Bergson's theory of laughter and V. S. Ramachandran's false alarm theory; and argues that it reflects a shared, if partially submerged concern with the instability and demise of a particular figure of the human, one that is circumscribed by the culturally specific (if globally influential) values of Eurocentric/Western thought, largely corresponding to Sylvia Wynter's 'Man'. This suggests that laughter has an ambiguous immanent potential for both undermining and/or reasserting, de- and/or restabilising the illusion of Man's universalizing drive to identify itself with the human per se.
In recent decades, mass spectrometry has moved more than ever before into the front line of protein-centered research. After being established at the qualitative level, the more challenging question of quantification of proteins and peptides using mass spectrometry has become a focus for further development. In this chapter, we discuss and review actual strategies and problems of the methods for the quantitative analysis of peptides, proteins, and finally proteomes by mass spectrometry. The common themes, the differences, and the potential pitfalls of the main approaches are presented in order to provide a survey of the emerging field of quantitative, mass spectrometry-based proteomics.
Rethinking Romanticism with Spinoza : encounter and individuation in Novalis, Ritter, and Baader
(2021)
Siarhei Biareishyk setzt sich mit Berührung bei Novalis, Joachim Ritter und Franz Baader auseinander, bei denen er ein materialistisches Denken findet, das starke Parallelen zur Philosophie Spinozas zeigt. Mit Novalis erweist sich Berührung - und nicht 'Begegnung' wie etwa bei Gilles Deleuze - als eine zentrale Denkfigur für Individuierungsprozesse und Konzepte der Transindividualität. Der um Novalis angesiedelte Kreis der 'Freiberger Romantik' bildet so ein interessantes Scharnier zwischen einem Denken von Berührung und aktuellen Debatten um einen neuen Materialismus.
The chapter engages the nature-culture divide with the generative ambivalences of weathering in both language and physics. Taking the different uses of the enantiosemic and ambitransitive verb as indicative of the human's fraught relationship with its environment and itself, it analyses multiple ways in which 'weathering' can involve subject-object relations, objectless subject-predicate relations, or even subjectless processes, and proposes to think them with mechanics, thermodynamics, and chaos theory.
Adapting MAIN to Arabic
(2020)
Counter to the often assumed division of labour between content and function words, we argue that both types of words have lexical content in addition to their logical content. We propose that the difference between the two types of words is a difference in degree. We conducted a preliminary study of quantificational determiners with methods from Distributional Semantics, a computational approach to natural language semantics. Our findings have implications both for distributional and formal semantics. For distributional semantics, they indicate a possible avenue that can be used to tap into the meaning of function words. For formal semantics, they bring into light the context-sensitive, lexical aspects of function words that can be recovered from the data even when these aspects are not overtly marked. Such pervasive context-sensitivity has profound implications for how we think about meaning in natural language.
Preface: New language versions of MAIN: Multilingual Assessment Instrument for Narratives - revised
(2020)
With increasing importance of organizational effectivity and efficiency measures like Balanced Scorecard and optimization of employee work behavior to achieve higher organizational efficiency, Human Resource activities concerning leadership development and academic leadership research are growing. Throughout the course of the twentieth century, a multitude of empirical studies show primarily positive relationships between different constructs of leadership models and desirable variables of organizational behavior. It becomes apparent, though, that in academic research the selection of analyzed leadership models and their consequences is very heterogeneous. This Master Thesis has the objective to contribute to Leadership Research by applying a comparative empirical study in the–until today–often neglected study population of in-house and sales personnel within the pharmaceutical industry. For this purpose, an online employee survey with N = 137 participants from a leading pharmaceutical company in Germany was conducted. Based on contemporary leadership theory, a range of Hypotheses regarding consequences of modern leadership models is empirically tested. The results of the study reconfirm Identification with Manager, Trust & Loyalty and Employee Satisfaction as consequences of Authentic as well as Transformational leadership. Work context as in-house vs. sales setting shows moderating effects on some of the leadership-consequences relationships. As the research involves multiple structurally different variables as well as constructs and compares feedback of different study populations, tangible management implications to boost desirable work attitudes and behaviors can be derived and appropriately adapted to match the respective work context. Ramifications for future scientific research are also presented.
This paper is about what Ninan (2014) (following Wollheim 1980) calls the Acquaintance Inference (AI): a firsthand experience requirement imposed by several subjective expressions such as Predicates of Personal Taste (PPTs) (delicious). In general, one is entitled to calling something delicious only upon having tried it. This requirement can be lifted, disappearing in scope of elements that we will call obviators. The paper investigates the patterns of AI obviation for PPTs and similar constructions (e.g., psych predicates and subjective attitudes). We show that the cross-constructional variation in when acquaintance requirements can be obviated presents challenges for previous accounts of the AI (Pearson 2013, Ninan 2014). In place of these, we argue for the existence of two kinds of acquaintance content: (i) that of bare PPTs; and (ii) that of psych predicates, subjective attitudes and overt experiencer PPTs.
For (i), we propose that the AI arises from an evidential restriction that is dependent on a parameter of interpretation which obviators update. For (ii), we argue that the AI is a classic presupposition. We model both (i) and (ii) using von Fintel and Gillies’s (2010) framework for directness and thus connect two strands of research: that on PPTs and that on epistemic modals. Both phenomena are sensitive to a broad direct-indirect distinction, and analyzing them along similar lines can help shed light on how natural language conceptualizes evidence in general.
The goal of this paper is to evaluate two approaches to quantification in event semantics, namely the analysis of quantificational DPs in terms of generalized quantifiers and the analysis proposed in Schein (1993) according to which quantifiers over individuals contain an existential quantifier over sub-events in their scope. Both analyses capture the fact that the event quantifier always takes scope under quantifiers over individuals (the Event Type Principle in Landman (2000)), but the sub-events analysis has also been argued to be able to account for some further data, namely for adverbs qualifying ‘ensemble’ events and for mixed cumulative/ distributive readings. This paper shows that the sub-events analysis also provides a better account of the Event Type Principle if a broader range of data is considered, including cases with non-existential quantifiers over events: unlike the generalized quantifiers analysis, it can successfully account for the interpretation of indefinites in bare habituals and sentences that contain overt adverbs of quantification.
Korean is a generalized classifier language where classifiers are required for numerals to combine with nominals. This paper presents a number construction where the classifier is absent and the numeral appears prenominally. This construction, which I call the classifier-less number construction (Cl-less NC), results in a definite or a partitive reading where the referent must be familiar: ‘the two women’ or ‘two of the women’. In order to account for this, I argue that Korean postnominal number constructions are ambiguous between a plain number construction and a partitive construction. After motivating and proposing an analysis for the partitive structure, I argue that Cl-less NC is derived from the partitive construction, explaining its distributional restriction and the interpretation.
Bulgarian belongs to the South Slavic language group but exhibits specific linguistic features shared with the non-Slavic languages of the Balkan Sprachbund. In this paper, we discuss linguistic and cultural aspects relevant for the Bulgarian adaptation of the revised English version of The Multilingual Assessment Instrument for Narratives (LITMUS-MAIN). We address typological properties of the verbal system pertaining to a differentiated aspectual system and to a paradigm of verbal forms for narratives grammaticalized as renarrative mood in Bulgarian. Further, we consider lexical, derivational and discourse cohesive means in contrast to the English markers of involvement and perspective taking in the MAIN stories.
Over the six months in which Vajiko Chachkhiani's "Living Dog Among Dead Lions" was exhibited at the Georgian Pavilion at the 57th Venice Biennale in 2017, heavy rain was pouring inside the installation. This artificially generated process provokes thoughts on the nature of the here and now as well as of the afterlife and of the future appearance of the hut's water-sensitive insides. Eventually, the spaces and furniture exposed to rain and water stagnation will begin to rot and disintegrate, and mould and moss might grow over them. Its viewers feel caught between what they see and what they hope to see; between their perceptions and expectations, in an exceptional time zone where 'natural' weathering is being performed as a subject of meditative observation.
This paper gives an introduction to the Cantonese adaptation of Multilingual Assessment Instrument for Narratives (MAIN), which is part of the Language Impairment Testing in Multilingual Settings (LITMUS) battery. We here discuss the motivation for adapting this assessment instrument into Cantonese, the adaptation process itself and potential contexts for use of the Cantonese MAIN.
The adaptation of the Multilingual Assessment Instrument for Narratives (LITMUS-MAIN; Gagarina, et al., 2019) to Catalan contributes to advancing our knowledge of the development of children’s narrative skills in a diversity of languages using the same protocol, making it possible to evaluate narratives also in Catalan-speakers. The adaptation of MAIN will be very useful in Catalonia, because it is a region where two official languages (Catalan and Spanish) coexist, Catalan being the language of schooling, so that most of the population is bilingual. However, currently there is no instrument for assessing narrative skills that allows for parallel assessment of Catalan in bilingual children. For these reasons, this adaptation will be of great value to promote the study of narratives in the bilingual population considering Catalan within the possible language combinations. The present paper describes the process of adapting MAIN to Catalan and reports results from the first pilot study using the Catalan MAIN.
This paper describes the process of adapting the Multilingual Assessment Instrument for Narratives (LITMUS-MAIN) to Danish and the use of MAIN in a Danish context. First, there is a brief description of the Danish language followed by details of the process of translating and adapting the MAIN manual to Danish. Finally, we briefly describe some of the research contexts in which the current and previous MAIN materials have been piloted and applied.
This contribution provides an overview of the current state of affairs with respect to the Dutch version of the Multilingual Assessment Instrument for Narratives (MAIN). We describe properties of the Dutch MAIN, the creation of the Dutch MAIN, and the results of recent research with this new instrument to measure narrative competence.
The Epistemic Containment Principle (ECP) requires that epistemic modals take wider scope than strong quantifiers such as every or most (von Fintel and Iatridou, 2003). Although fairly robust in its realization, a few systemic classes of counterexamples to the ECP have been noted. Based on these, previous work has argued for two claims: subjective modals obey the ECP, whereas objective ones don’t (Tancredi, 2007; Anand and Hacquard, 2008); and every respects the ECP, whereas each violates it (Tancredi, 2007). This paper argues that explicit Questions Under Discussion (QUDs; Roberts, 1996; Ginzburg, 1996) also systematically influence the ECP: scopal orderings that provide relevant answers to the given QUDs are preferred, and this tendency can override the ECP. To support this claim, the paper presents an experimental study. The results corroborate the existence of systematic QUD effects on the ECP, and support the view that the ECP is derived from a confluence of various pragmatic and lexical biases.
Imposters are grammatically third-person expressions used to refer to the firstperson speaker or second-person addressee (e.g. ‘the present authors’ when used to refer to the first-person writer, ‘Mommy’ or ‘Daddy’ when used by parents for self-reference in child-directed speech). Current analyses of imposters differ in whether they derive the unusual referential properties of imposters using syntactic means or attribute them to semantic and pragmatics. We aim to shed light on these competing approaches by means of a psycholinguistic experiment focusing on first-person imposters that investigates the kinds of pronouns (first-person vs. third-person) used to refer to imposter antecedents. Our results show that manipulating the prominence of the first-person speaker does not significantly boost the acceptability of first-person pronouns in imposter-referring contexts. However, our results suggest that a purely syntactic approach may not be sufficient either, as psycholinguistic processing factors also appear to be relevant.
This paper presents the Croatian version of the Multilingual Assessment tool for Narratives (MAIN), outlines its development and describes the research that has used it to assess narrative skills in monolingual and bilingual speakers. The Croatian version of MAIN has so far been used in three research projects and results have been presented in five peer-reviewed articles (published or in press) covering a total of 175 children in the age range from 5;0 to 9;0 (20 with developmental language disorder) and 60 adults, age range from 22 to 76. The accumulated results indicate that MAIN can differentiate narrative skills of speakers in distinct age groups and can distinguish children with language disorders form children with typical language development.
Following Hannah Arendt's remarks on refugee camps as spaces of 'worldlessness', I examine how, in films on European asylum facilities, systemic violence 'makes itself known' in images of nature. Nature separates and isolates ("La Forteresse", "Forst"), it constitutes a sphere of domination and control ("View from Above"), and it functions directly as a murder weapon ("Purple Sea"). Nature, in these films, indicates the Outside within, haunted by the latent and ghostly presence of systemic violence.
The essay investigates the meteorological phenomena represented in Dante Alighieri's Commedia and their interrelation with the subjectivity of the dead in Hell, Purgatory, and Heaven. Examining how the dead weather the afterlife and how the elements affect them, in turn, the essay takes the complex enantiosemy of the word 'weathering' as a conceptual guiding thread for the exploration of dynamics of exposure ('Inferno'), vulnerability ('Purgatorio'), and receptivity ('Paradiso').
One of the theoretical tensions that has arisen from Anthropocene studies is what Dipesh Chakrabarty has called the 'two figures of the human', and the question of which of these two figures of the human inheres in the concept of the Anthropocene more. On the one hand, the Human is conceived as the universal reasoning subject upon whom political rights and equality are based, and on the other hand, humankind is the collection of all individuals of our species, with all of the inequalities, differences, and variability inherent in any species category. This chapter takes up Deborah Coen's argument that Chakrabarty's claim of the 'incommensurability' of these two figures of the human ignores the way both were constructed within debates over how to relate local geophysical specificities to theoretical generalities. This chapter examines two cases in the history of science. The first is Martin Rudwick's historical exploration of how geologists slowly gained the ability to use fossils and highly local stratigraphic surveys to reconstruct the history of the Earth in deep time, rather than resort to speculative cosmological theory. The second is Coen's own history of imperial, Austrian climate science, a case where early nineteenth-century assumptions about the capriciousness of the weather gave way to theories of climate informed by thermodynamics and large-scale data collection.
This chapter argues that paying attention to the weather and its associated processes of geological, biological, and social weathering can destabilize knowledge traditions that insist on dichotomies. Looking to specific histories and current conditions in Guyana and Suriname, this chapter shows how notions of weathering can accommodate a wide range of referents, ranging from the weathering of rock to socio-political and historical afterlives of violent colonial displacements.
This essay restages Arendt's 'Auseinandersetzung' with Heidegger regarding 'political beginnings'. Sketching Heidegger's exceptionalist account of 'new beginnings' and Arendt's dispute with him in relation to the tension between the spheres of 'philosophy' and 'politics', I trace her position about 'political founding'. I claim that Arendt invites us to recognize the 'principle of an-archy' innate to 'political beginnings', which cannot be absorbed by exceptionalist invocations of the 'history of Being'.
Radiating exposures
(2020)
The brief explorations of radiation exposures presented within this essay draw primarily from nuclear art and culture and contribute to the field of nuclear aesthetics, which has long been fixated on the problem of visibility and the representation of nuclear residues. The examples draw primarily from photographic technologies and other aesthetic registers that capture visual residues of radiation. The challenges of nuclear aesthetics are also political and social. This constellation of objects and inquiries is meant to explore the fraught political, environmental, and social relations between radiation, visibility, toxicity, through the concept of exposure. They offer feminist glimpses into other ways of thinking exposure, as it develops in relation to (often imperceptible) toxicity that is not inscribed into a logic that partitions the passive victim of suffering from some pure or unaffected subject. They are examples that are both forms of exposure specific to the nuclear while also, perhaps, helping to expose more nuanced and complex ways of understanding forms of exposure that extend beyond nuclearity.
Enduring ornament
(2020)
This is an essay about rust. Iron usually plays the part of strength, stubbornness, and impenetrability, but rust registers the dimension of time in the material, reminding us that it always carries the potential for its own decomposition. While great expense is incurred to stave off iron's oxidization, we read the uselessness that rust precipitates as an interruption of the instrumental logics that sustain racial capitalism. Looking to the rusted ring that became Elsa von Freytag-Loringhoven's "Enduring Ornament" (1913), we consider how the discarded and defunctionalized lend themselves to ornamental redeployment. The essay then turns to works by the contemporary American artists David Hammons and Andrea Fraser, both of which transform Richard Serra's rusty steel sculptures into a backdrop for fleeting gestures of impromptu reclamation. Attending to questions of susceptibility and monumental weathering, these reflections look to rusty leakages that play out the impossibility of refusing the environment. Rust, we suggest, is a material archive of exposure that does not keep itself, but flakes apart and seeps away.
The essay confronts the question of weathering by considering its excess to the conceptual dimension and relating it to what Jacques Derrida names (the) 'trace'. The study of the 'logic' of weathering/the trace is confronted with Giorgio Agamben's critique of Derrida's project. Their two different conceptions of language, of its presuppositional structure, and of its order of 'metaphysical presence' are considered, in particular by turning to Werner Hamacher's work on these and related matters.
Preface
(2020)
The intensifying ecological devastation of the planet is being registered across scientific disciplines and activist, artistic, or more broadly cultural endeavours in ways that rethink the temporal dimensions of a catastrophe that can no longer be considered 'looming'. In many political contexts - trying to get scientists heard, mobilizing state power and international agreements to curb the extractivist rapaciousness of global capitalism - it might still seem essential to create a sense of urgency, of a rapidly closing interval, last chance, now or never. Yet taking stock not only of the planetary sum totals of global climate change but its present local manifestations, the devastations of neocolonial extractivism, the irreversible extinctions of countless species, destruction of ecotopes on land and in the sea, has produced a growing awareness that in many crucial senses, it is 'too late' - that the time can no longer be given as 'five minutes to midnight' but has moved a lot closer to the dead of night, whether this is being regarded primarily as a question of the cumulative loss of biodiversity as part of what is now known as the 'sixth mass extinction' or as the approach of several 'tipping points' of global climate change, such as the current ice sheet disintegrations in the polar regions, the greenhouse gas release triggered by the loss of permafrost, and irreversible desertifications. The complexion of ecology, over these last years, has turned from juicy green to dark and brittle. The most decisive recent interventions, while acknowledging the overwhelming pessimist thrust of ecological thought, have tried to use a more complex, more differentiated account of the temporality of environmental ruination in order to reflect on the diminished possibilities for life in these ruins while avoiding familiar registers both of science fiction dystopias and self-healing planets.
This chapter explores the intrinsic relationship between weather/weathering and the imaginary of the sea, which features in the work of artist Arthur Bispo do Rosário. Bispo was a black man who spent most of his life in psychiatric institutions. There is an important interplay between his psychotic deliriums and the production of hundreds of objects, many of them ships or forms that relate to the sea. These objects open up a discussion on decoloniality as they are embedded with marks left by the transatlantic slave trade.
What is the effect of weathering in a confined space? What if this space is the bathroom of the famous Mexican painter Frida Kahlo? Writer Mario Bellatin and photographer Graciela Iturbide venture into this once intimate room and through a series of artistic interventions breathe new life into it. The logic of the archive is their guiding principle: in order to preserve what has been locked away and stored, it must be exposed and put to new uses.
This paper describes in detail the development of the Polish version of the Multilingual Assessment Instrument for Narratives (LITMUS-MAIN). We first describe its two earlier versions, the unpublished version and the published version, developed in 2012, as well as the revised version. We also justify the differences between the unpublished Polish version developed in 2012 and the original MAIN. Then we summarize the results from studies that used the unpublished version of the Polish MAIN. We end with outlining a study that could be conducted to compare the two slightly different procedures in order to examine whether the results obtained with MAIN are resistant to changes in the procedure details.
This paper provides the background to the process of translation and piloting of the Serbian version of the Multilingual Assessment Instrument for Narratives (LITMUS-MAIN), Multilingvalni Test za Procenu Narativa (MTPN). Our review of the sparse research literature on Serbian children’s narrative abilities reveals a need for a well-designed narrative instrument, which will enable researchers and practitioners to assess the production and comprehension of narratives in children of a wide age range, typically and atypically developing, monolingual and bilingual, crucially allowing for cross-linguistic comparisons. We encountered two kinds of challenges during the process of translation and adaptation of the instrument from English into Serbian. The first concerned the lack of established Serbian technical terminology needed to describe test administration to the future users of the test: researchers and practitioners working in different disciplines such as linguistics, psychology, Speech and Language Therapy. The second challenge concerned the translation of linguistic structures required to produce a successful rendition of the narrative: in contrast to English, but in line with other Slavic languages, Serbian relies heavily on verbs marked for perfective aspect in story-telling. Our discussion of preliminary data from four Serbian monolingual children, aged 5;5-10, demonstrates that MTPN is a successful tool in assessing narrative abilities in children acquiring Serbian.
The adaptation of the Multilingual Assessment Instrument for Narratives (LITMUS-MAIN) for use with Slovak speaking children is a vital step in the process of creating a transparent evaluation of children’s narrative abilities. Since its first translation and adaptation in 2012, new pilot data from different groups of children has been collected in Slovakia. This paper describes the process of adapting the instrument to fit the Slovak language and reports on analyses of narrative production in monolingual (103 Slovak-speaking children) and bilingual (37 Slovak-English speaking) pre-school children. Within a pilot study, the story elicitation method was also compared (telling vs. retelling) within a small sample of 10 monolingual Slovak-speaking children. All results show transparent and detailed possibilities in terms of finding a meaningful evaluation that can evaluate a child’s complex narrative abilities.
This paper presents the Italian version of the Multilingual Assessment tool for Narratives (MAIN), describes how it was developed and reports on some recent uses of MAIN within the Italian context. The Italian MAIN has been used in different research projects and for clinical purposes; results have been presented at conferences and in peer reviewed papers. The results indicate that MAIN is an appropriate assessment tool for evaluating children’s narrative competence, in production and comprehension from preschool age (5 years) to school age (8 years) in typical language development, bilingual development and language delay/disorders.
This paper describes the experience of using the Norwegian and Russian versions of LITMUS-MAIN to elicit narrative data from bilingual Norwegian-Russian children as well as from Norwegian- and Russian-speaking monolinguals (Rodina 2017, 2018). The paper reports on the slight adaptations to the standardized design, procedure and analysis that were done to make the tasks more suitable for this specific population. It highlights the advantages, challenges, and potential associated with the task against a backdrop of the research conducted with Norwegian-Russian bilinguals in Norway.
This paper introduces the Kam version of the Multilingual Assessment Instrument for Narratives (LITMUS-MAIN). Kam is a minority language in southern China which belongs to the Kam-Tai language family and is spoken by the Kam ethnic minority people. Adding Kam to MAIN not only enriches the typological diversity of MAIN but also allows researchers to study children’s narrative development in a sociocultural context vastly distinctly different from the frequently examined WEIRD (Western, Educated, Industrialized, Rich, and Democratic) societies. Moreover, many Kam-speaking children are bilingual ethnic minority children who are “left-behind” children living in Mainland China, growing up in a unique socio-communicative environment
A translation process is often seen as only a simple code exchange, but, in fact, it always requires an adaptation of terms, expressions, and structures, which is not exactly straightforward. This paper describes the process of translating and adapting the Multilingual Assessment Instrument for Narratives (LITMUS-MAIN) to Brazilian Portuguese. A brief description of the project, concerning both historic and linguistic aspects, was done in order to emphasize the cultural and linguistic challenges faced during the process.
This paper introduces the Mandarin version of the Multilingual Assessment Instrument for Narratives (LITMUS-MAIN) and describes the adaptation process. The Mandarin MAIN not only extends the empirical coverage of MAIN by including one of the most widely spoken languages in the world, but also offers an important tool to assess the narrative abilities of monolingual and bi-/ multi- lingual children acquiring Mandarin as a first, heritage, second, or additional language across the globe.
This paper briefly presents the current situation of bilingualism in the Philippines, specifically that of Tagalog-English bilingualism. More importantly, it describes the process of adapting the Multilingual Assessment Instrument for Narratives (LITMUS-MAIN) to Tagalog, the basis of Filipino, which is the country’s national language. Finally, the results of a pilot study conducted on Tagalog-English bilingual children and adults (N=27) are presented. The results showed that Story Structure is similar across the two languages and that it develops significantly with age.
In this paper, we present some features of the European Spanish adaptation of the Multilingual Assessment Instrument for Narratives (LITMUS-MAIN), most of them related to specificities of the Spanish grammar as compared to English, the source language of the original MAIN (Gagarina et al., 2012). These two languages differ in e.g. 1) the use of 3rd grammatical person to address the hearer; 2) the ways of maintaining nominal cohesion: English (non-pro drop) vs. Spanish (pro-drop); 3) the verbal paradigm with regard to morphological tense and aspect morphology. Finally, preliminary results for micro- and macrostructure measures in the narratives of children with Spanish as L1 and L2 confirm their consistency across MAIN stories and procedures.
This paper presents a short overview of Turkey and the Turkish language, and then outlines the process of adapting the Multilingual Assessment Instrument for Narratives (MAIN) to Turkish and how the Turkish MAIN has been used with monolingual and bilingual children. The grammatical features of Turkish, the critical points in the adaptation process of MAIN to Turkish and our experiences of extensive piloting of the Turkish MAIN with typically developing monolingual children are described.
Torwali, a Dardic language of the Indo-Aryan family spoken in the District Swat in Pakistan, is an endangered language that lacks a literary tradition. This paper gives a background on the Torwali language and people, and describes the development of an orthography for Torwali and the establishment of Torwali-medium schools by the local organization Idara Baraye Taleem-o-Taraqi ‘institute for education and development’ (IBT). Finally, the process of adapting the Multilingual Assessment Instruments for Narratives (MAIN) to Torwali is outlined.
This paper describes the revision of the Vietnamese version of the Multilingual Assessment Instrument for Narratives (LITMUS-MAIN). We first introduce the Vietnamese language and Vietnamese-speaking populations after which we describe the translation and adaptation process of the Vietnamese MAIN and present results from monolingual and bilingual children.
The Multilingual Assessment Instrument for Narratives (MAIN), an assessment tool in the Language Impairment Testing in Multilingual Settings (LITMUS) battery, aims to improve the assessment of bilingual children. This paper describes the process of adapting MAIN to Urdu. Given the lack of language assessment tools for Urdu-speaking children, the Urdu MAIN is an important new instrument that is made widely and freely accessible to researchers and practitioners, allowing them to examine the narrative abilities of children acquiring Urdu as a first, heritage, second, or additional language.
Using MAIN in South Africa
(2020)
South Africa is a country marked by cultural and linguistic diversity with 11 official languages. The majority of school children do not receive their formal schooling in their home language. There is a need for language assessment tools in education and rehabilitation contexts to distinguish between children with language learning problems and/or SLI, and language delay as a result of limited exposure to the language of learning. The Multilingual Assessment Instrument for Narratives (LITMUS-MAIN) provides clinicians and researchers with an appropriate and culturally relevant tool to assess bilingual children in both languages. So far MAIN has been widely used in Afrikaans-English bilingual children. However, translating and adapting MAIN to our other nine official languages to achieve functional and cultural equivalence is more challenging.
This paper presents the adaptation of MAIN to Gondi (Dantewada), Halbi and Hindi for Gondi-Hindi and Halbi-Hindi bilinguals. The Gondi and Halbi communities and the context in which Gondi-Hindi and Halbi-Hindi bilingual children are growing up are described, and the adaptation process is outlined together with its theoretical underpinnings. Finally, results from a study of 54 Halbi-Hindi bilinguals from Grade 3 (Mean age = 8.5 years), Grade 5 (Mean age = 10.9 years) and Grade 7 (Mean age = 12.9 years) are presented. The results showed that, for the macrostructure of Grade 3 and Grade 5, L1 retelling was significantly better than L2 retelling, though this pattern was not found in Grade 7 where the performance was at the same level across languages for retelling. Narrative macrostructure was consistently higher in tellings than in the retellings regardless of languages and grades.
Irish (Gaeilge) is the first official language of the Republic of Ireland. It is a fast-changing, endangered language. Almost universal bilingualism (i.e. almost all Irish speakers also speak English), frequent code-switching to English, and loan words are features of the sociolinguistic context in which the language is spoken. This paper describes the adaptation of the Language Impairment Testing in Multilingual Settings - Multilingual Assessment Instrument for Narratives (LITMUS-MAIN, Gagarina et al., 2019) to Irish. Data was collected using the retell mode (Cat story) and the comprehension questions. Eighteen children participated ranging in age from 5;3 to 8;7 (six female and 12 male). Results suggest that story structure is not sensitive to exposure to Irish at home and indicate that MAIN Gaeilge (Irish) is a promising tool for assessing language in Irish-speaking children from a range of Irish language backgrounds.
The Multilingual Assessment Instrument for Narratives (LITMUS-MAIN) was developed to assess the narrative abilities of bi- and multilingual children in the various languages that they speak. This paper presents the details of the adaptation of MAIN to three Indian languages, Kannada, Hindi and Malayalam. We describe some typological features of these languages and discuss the challenges faced during the process of adaptation. Finally, we give an overview of results for narrative comprehension and production from Kannada-English and Hindi-English bilinguals aged 7 to 9.
Immigration in Iceland has a short history and so does the Icelandic language as an L2. This paper gives a brief introductory overview of this history and of some characteristics of the Icelandic language that constitute a challenge for L2 learners but also make it an interesting testing ground for cross-linguistic comparisons of L1 and L2 language acquisition. It then describes the adaptation process of the Multilingual Assessment Instrument for Narratives (LITMUS-MAIN) to Icelandic. The Icelandic MAIN is expected to fill a gap in available assessment tools for multilingual Icelandic speaking children.
This paper describes the rationale for the adaptation of the Multilingual Assessment Instrument for Narratives (LITMUS-MAIN) (Gagarina et al., 2012, 2015, 2019) to Scottish Gaelic (Gaelic) and presents some preliminary results from the macrostructure measures. Gaelic is a heritage minority language in Scotland being revitalised through immersion education, which spans across all levels of compulsory education (preschool, primary and secondary level). MAIN was adapted to Gaelic for two reasons: (i) to gauge the language abilities of children attending Gaelic immersion schools using an ecologically valid test, and (ii) to help identify areas of language impairment in children with Developmental Language Disorders within a broader battery of language tasks. Preliminary results from the macrostructure component indicate a wider range of Gaelic language abilities in six- to eight-year-old typically developing children in Gaelic-medium education. These results set the stage for future use of the tool within this context.
This paper describes the current state of affairs concerning the West Frisian adaptation of the Multilingual Assessment Instrument for Narratives (MAIN). We provide a short description of the West Frisian language, the process of adapting MAIN into West Frisian and the results of recent research using this adaptation.
This paper presents an overview of the adaptation of the Multilingual Assessment Instrument for Narratives in Greek, focusing on its use in Greek academic and diagnostic settings. A summary of the properties of the Greek language and the concomitant challenges these language-specific properties posed to MAIN adaptation are presented along with a summary of published studies with monolingual Greek-speaking children and bilingual children with Greek as L2, with and without Developmental Language Disorder.
This paper describes Estonian version of the Multilingual Assessment Instrument for Narratives (LITMUS-MAIN) to Estonian. A short description of Estonian, some challenges in the adapting MAIN to Estonian, the first experiences of using the Estonian MAIN and a summary of the first results are presented.
This article takes the renowned study "Der Akt des Lesens" (1976) by Wolfgang Iser and its translation "The Act of Reading" (1978) as its starting point. The differences between the two texts are discussed in terms of Iser's own idea of translatability as a cultural practice that was outlined in the short text "On Translatability". This theoretical frame will shed light on the decisions made in his own translations, and will help to develop a conceptualization of self-translation as a practice inherent in cultural change. [...] I will propose a combination of two concepts, Iser's 'translatability' (in II.) and the notion of 'autocommunication' by Lotman (III.), to suggest a concept of self-translation that entails three interrelated aspects: a) translation as a rewriting of the text as such, b) translation as continued work on one's argument as well as c) the re-translation back to the original source as a manifestation of a change in one's thought structure - Änderungen der eigenen Denkstruktur, as one of Werner Heisenberg's papers is entitled, and to which I will come back in my conclusion (IV.). Hence, the focus is mainly systematic and conceptual, however, I will first comment on my example of self- and re-translation and start with a comparison of different versions of Iser's "Der Akt des Lesens" and the shorter texts that led to the actual monograph.