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Pidgin English is the chief medium of communication for the great majority of Cameroonians. It sustains a world view, culture and way of life. Pidgin embodies concepts that would at best be partially expressed in formal English. A critical understanding of Pidgin English requires not only a thorough grasp of the socio-cultural matrix from which the words and expressions originate but also an immersion in an Afro-centric worldview. Majunga Tok: Poems in Pidgin English is the poet's attempt at capturing these speech patterns of ordinary Cameroonians in written form. Pidgin English, also called broken English, is a lingua franca spoken not only in Cameroon but also in many West African countries, including Nigeria, Ghana, Sierra Leone and Liberia amonst others. This poetry anthology is inspired by the poet's desire to salvage a language that has been subjected to multiple forms of denigration because it is oral. In Cameroon, for instance, Pidgin English has been the target of myriad attacks from self-styled linguistic purists who claim that Pidgin is a bastardized variant of Standard English and, therefore, should not be allowed to thrive. The controversy and denigration directed at Amos Tutuola and his Pidgin English creative genius are vivid examples. This condescending attitude of speakers of Standard English stems from the fact that Pidgin is often associated with illiteracy.
Coils of Mortal Flesh
(2008)
The diverse voices in the poems in this collection are unified in the single voice of the omnipresent persona who appears to be searching for a collective voice, some kind of order or rhythm that would impose meaning to life. Reading the poems constitutes an individual journey. This poetic journey from Awakening that takes the reader to Moonlight Spells and Wreaths and leads her/him through Laments to the Epilogue is a continuous movement in the search for humanity's existence. As a metaphor of self-discovery, the poetic quest is both an expression of, and a search for mankind's elusive self-that single, unbroken umbilical cord that is firmly rooted in the African experience and identity. Ba'bila Mutia teaches oral and written literatures, creative writing, advanced writing and research methodology, at the University of Yaound? I. His poetry and short stories have been featured in anthologies and reviews worldwide, and his work has been broadcast on the BBC. In June of 1993 Mutia was honoured by the Berlin Academy of Arts as special guest writer in an international writers' reading. He is the author of Whose Land? (Longman), Before This Time, Yesterday (Silex/Nouvelles du Sud) and 'The Miracle' in the Heinemann Book of Contemporary African Short Stories.
Green Rape: Poetry for the Environment is an anthology of poems written in strong support of environmental literacy. Each poem is the poet's cry of protest against the rape of natural and built environments. The anthology examines a wide range of issues including the clash of global capitalism with environmental activism. It takes a close look at the major themes in international discourse on environmental degradation, climate change, renewable energy sources, global warming, Gene technology, biodiversity and more. The poet dispels a number of myths, notably the existence of an inexhaustible bank of natural resources at the disposal of Man. He attempts to provide a solution to the abusive and unbalanced utilization of scarce natural resources. In a unique way, the poems contribute to the fostering of environmental awareness that would contribute to the sustainable management of natural resources. The poet invites us to look beyond the doomsday rhetoric about the state of the environment and to commit more of our resources where they will do the most good to lifting the world's population out of poverty. The significance of this anthology to environmental education resides in its contribution to the debate on global sustainable development, especially efforts to protect the environment and eradicate poverty.
The Day God Blinked
(2008)
The Day God Blinked x-rays the politico-economic and socio-moral life of a rich and resourceful country called Ewawa from 1982 to 2007. The country had been ruled by a dynamic and insightful miser known as the Old Man. But because he had been in power for too long, his citizens longed for change. It happened when nobody expected it. The old man died suddenly in his sleep and was replaced by his handpicked successor. Unfortunately, the successor whom everybody had expected would do better plunged the country into terrible economic and moral crises. Lucia, the protagonist, narrates her predicament. To her, Ewawa is rotten in all totality. There is nowhere to turn for salvation. The custodians of the economic, social, moral and spiritual values of the land are not up to the task. The country is without hope. Is all doomed?
Babi Yar Symphony
(2008)
This unique work lifts the African question out of the dust. Against the backdrop of prison life, it explores the complex reality of being an African in today's world. Through the tight sensitivity and illuminating knowledge of its two principal characters, themselves victims of misplaced justice, greed and lust, it captures the pain and sadness that almost always comes in the wake of betrayal and egotism. The work's message is strong, and is delivered with equal strength by characters whose individual convictions also sway us to their side. We have here a new, powerful shaft of light on the landscape of recent African writing.
Africa's Political Wastelands: The Bastardization of Cameroon : The Bastardization of Cameroon
(2008)
Africa?s Political Wastelands explores and confirms the fact that because of irresponsible, corrupt, selfish, and unpatriotic kleptocrats parading as leaders, the ultimate breakdown of order has become the norm in African nations, especially those south of the Sahara. The result is the virtual annihilation of once thriving and proud nations along with the citizenry who are transformed into wretches, vagrants, and in the extreme, refugees. Doh uses Cameroon as an exemplary microcosm to make this point while still holding imperialist ambitions largely responsible for the status quo in Africa. Ultimately, in the hope of jumpstarting the process, he makes pertinent suggestions on turning the tide on the continent.
Grassfields Stories from Cameroon is an anthology of short stories. It comprises animal trickster tales, bird survival tales, and human-interest stories. The compendium is a reflection of the mores, cultures, and value systems of the indigenous peoples of the Northwest Province of Cameroon. It is motivated by the author's keen interest in the preservation of Cameroonian oral traditions in written form. These stories deal with the day-to-day life of the sedentary and the globe-trotter. Each story is sufficient onto itself. The author has intentionally avoided chronology in the order of presentation of the stories. Whether you read the stories in the order in which they are presented or dart about as your fancy dictates, you will feel the abundance of richness and entertainment the book contains. The didactic value of this collection of short stories resides in its suitability to readers of all age groups. The uniqueness of the volume lies in its universal appeal. Peter Wuteh Vakunta was born and raised in the village of Bamunka-Ndop in Cameroon where he worked as senior translator at the Presidency of the Republic before immigrating to America. He is an alumnus of Sacred Heart College-Mankon. Vakunta obtained his Bachelor degrees in Cameroon and Nigeria; MA and MSE degrees in Cameroon and the U.S.A. At present, Vakunta and his family live in Madison, U.S.A. He teaches in the Department of French and Italian at the University of Wisconsin-Madison where he is also completing his PhD dissertation titled: Translation in Literature: Indigenization in the Francophone Text. Vakunta is poet, storyteller and essayist. His published works include Better English: Mind Your P's and Q's, Lion Man and Other Stories (short stories), Brainwaves (poems), Pandora's Box (poems). African Time and Pidgin Verses (poems), Square Pegs in Round Holes (essays) and It Takes Guts (essays). Vakunta's literary works have earned him several awards in the U.S.A, U.K and Africa.
The debate is no longer whether to use information and communication technologies (ICT) in education in Africa but how to do so, and how to ensure equitable access for teachers and learners, whether in urban or rural settings. This is a book about how Africans adopt and adapt ICT. It is also about how ICT shape African schools and classrooms. Why do we use ICT, or not? Do girls and boys use them in the same ways? How are teachers and students in primary and secondary schools in Africa using ICT in teaching and learning? How does the process transform relations among learners, educators and knowledge construction? This collection by 19 researchers from Africa, Europe, and North America, explores these questions from a pedagogical perspective and specific socio-cultural contexts. Many of the contributors draw on learning theory and survey data from 36 schools, 66000 students and 3000 teachers. The book is rich in empirical detail on the perceived importance and appropriation of ICT in the development of education in Africa. It critically examines the potential for creative use of ICT to question habits, change mindsets, and deepen practice. The contributions are in both English and French.
Disturbing the Peace
(2008)
If Minna has a successful career, a loving husband, wonderful children - all well-deserved - is it compulsory that she must also toil for a reckless sister who has diametrically opposed priorities? Her biased mother thinks so. What if the sister dumps her child on Minna's veranda and vamooses and in trying to find the sister to give back her child, there appear some strange persons and a cult intended on grabbing the child? A decision has to be made and made fast. How could Minna ever envisage that in trying to help her careless sister and baby while taking care of her own family she would end up antagonising everyone in spite of her desperate battle to spread love to all? Just where are her priorities? How prepared is she for the unexpected conclusion to her simmering travails? Hell definitely breaks lose in this emotionally charged family saga in which Emmanuel Achu carves a world where such opposites as love and hate, sympathy and apathy, despair and hope, fear and courage, friendship and enmity reside as bedfellows. Disturbing the Peace is definitely a lyrical treat where you would be shocked to discover that being responsible can equate to being cursed.
The Travail of Dieudonné
(2008)
Dieudonnes life is spun from the threads of one of Africa's grand moral dilemmas, in which personal responsibility is intertwined with the social catharsis occasioned by ambitions of dominance and ever diminishing circles. We encounter Dieudonne at the tail end of his service as 'houseboy' to the Toubaabys, a patronising expatriate couple. In the company of a lively assortment of characters and luring music at the Grand Canari Bar, Dieudonne recounts his life. As he peels layer after layer of his vicissitudes, he depicts the everyday resilience of the African on a continent caught in the web of predatory forces. Yet, this enchanting failure also celebrates the infinite capacity of the African to find happiness and challenge victimhood.
This study investigates the experiences of women journalists during the last phase of Namibia's liberation struggle against South African rule. Black or white, women journalists in Namibia made significant contribu-tions to the liberation cause -including the founding of a high-profiled newspaper -whilst others worked for media sympathetic to the apart-heid government. Based on interviews and deploying feminist media theory, Maria Mboono Nghidinwa pays close attention to the gendered power relationships in the newsrooms of newspapers and radio stations at the time. She looks at the intense political intimidations which tar-geted women and, in particular, the constraints experienced by black women journalists.
The case for privatization, whether defined in a broad or narrow sense, has been forcefully made by its advocates against the backdrop of the much advertised poor performances of state-owned enterprises (SOEs) and theoretical arguments relating to the efficiency of private firms over public enterprises. Consequently, privatization and commercialization have been key components of the structural adjustment programmes foisted by the Bretton Woods institutions on Third World countries. Yet, the empirical findings on privatization, especially outside Africa where they exist, do not portray the strategy to be a panacea that works in all circumstances in all branches of economic activity. In spite of this, since the late 1980s, privatization has been stepped up in almost all African countries. And after about two decades of vigorous implementation of privatization programmes in Africa, there is a compelling need for a comprehensive and systematic analysis of various privatization issues, particularly the economic and social impact. This book thus establishes a clear case for a comprehensive and systematic analysis of the impact of privatization in Africa. Specifically, the book provides a state-of-the art review of privatization issues and research questions as a prelude to an in-depth study of the economic and social impact of privatization. In the light of the rich insights brought to bear on the issues, this book should stimulate the interest of researchers, donors and policy makers to undertake or support the follow-up in-depth research envisaged.
Reforming the African Public Sector: Retrospect and Prospectsis an in-depth and wide-ranging review of the available literature on African public sector reforms. It illustrates several differing country experiences to buttress the main observations and conclusions. It adopts a structural/institutional approach which underpins most of the reform efforts on the continent. To contextualize reform of the public sector and understand its processes, dynamics and intricacies, the book examines the state and state capacity building in Africa, especially when there can be no state without an efficient public sector. In addition, the book addresses a number of theories such as the new institutional economics, public choice and new public management, which have in one way or another influenced most of the initiatives implemented under public sector reform in Africa. There is also a survey of the three phases of public sector reform which have emerged and the balance sheet of reform strategies, namely, decentralization, privatization, deregulation, agencification, co-production and public-private partnerships. It concludes by identifying possible alternative approaches such as developing a vigorous public sector ethos and sustained capacity building to promote and enhance the renewal and reconstruction of the African public sector within the context of the New Partnerships for Africa's Development (NEPAD), good governance and the Millennium Development Goals (MDGs).
Drawing on various disciplinary perspectives, this book re-focuses the debate on what makes a good health system, with a view to clarifying the uses of social science research in thinking about health care issues in Africa. The explosion of the HIV/AIDS pandemic, the persistence of malaria as a major killer, and the resurgence of diseases like tuberculosis which were previously under control, have brought about changes in the health system, with implications for its governance, especially in view of the diminished capacity of the public health facilities to cope with a complex range of expanded needs. Government responsibilities and objectives in the health sector have been redefined, with private sector entities (both for profit and not-for profit) playing an increasingly visible role in health care provisions. The reasons for collaborative patterns vary, but chronic under-funding of publicly financed health services is often an important factor. Processes of decentralisation and health sector reforms have had mixed effects on health care system performance; while private health insurance markets and private clinics are pointers to a growing stratification of the health market, in line with the intensified income and social differentiation that has occurred over the last two decades.These developments call for health sector reforms.
This sixth volume of the CODESRIA Gender Series is a collection of discourses, perspectives, practices and policies on the role of the female gender in science and technology, particularly in the African context. Although widely advocated as the indisputable foundation for political and economic power in the modern world, science and technology remains marked by various layers and dimensions of gender inequality that work to the disadvantage of girls and women. Despite the fact that a lot of awareness has been created, and gender issues are now more readily acknowledged by various development initiatives in Africa, participation in science and technology still remains a hurdle as far as girls and women are concerned. A common theme that runs through the book is how feminine identities, ideologies of domesticity and gender stereotypes, and the inadequacy or lack of clear policies facilitate the invisibility of women in science and technology. This notwithstanding, women have never ceased devising clever and ingenious ways that would enable them to master nature, from the margins. The book provides a window onto the current state of female participation in science and technology in Africa, along with an analysis of the historical backgrounds, current educational and professional contexts, and prospects for the future. While it is evident that more research needs to be done, with more groups in different regions, this volume brings together a rich and inspiring collection of qualitative insights on gender, science and technology in Africa. The CODESRIA Gender Series acknowledges the need to challenge the masculinities underpinning the structures of repression that target women. The series aims to keep alive and nourish African social science research with insightful research and debates that challenge conventional wisdom, structures and ideologies that are narrowly informed by caricatures of gender realities. It strives to showcase the best in African gender research and provide a platform for emerging new talents to flower.
Xenophobia is a political discourse. As such, its historical development as well as the conditions of its existence must be elucidated in terms of the practices and prescriptions that structure the field of politics. In South Africa, its history is connected to the manner citizenship has been conceived and fought over during the past fifty years at least. Migrant labour was de-nationalised by the apartheid state, while African nationalism saw it as the very foundation of that oppressive system. However, only those who could show a family connection with the colonial/apartheid formation of South Africa could claim citizenship at liberation. Others were excluded and seen as unjustified claimants to national resources. Xenophobia's current conditions of existence are to be found in the politics of a post-apartheid nationalism were state prescriptions founded on indigeneity have been allowed to dominate uncontested in condition of passive citizenship. The de-politicisation of a population, which had been able to assert its agency during the 1980s, through a discourse of 'human rights' in particular, has contributed to this passivity. State liberal politics have remained largely unchallenged. As in other cases of post-colonial transition in Africa, the hegemony of xenophobic discourse, the book shows, is to be sought in the character of the state consensus. Only a rethinking of citizenship as an active political identity can re-institute political agency and hence begin to provide alternative prescriptions to the political consensus of state-induced exclusion.
Africa is richly blessed with cultural and natural heritage, key resources for nation building and development. Unfortunately, heritage is not being systematically researched or recognised, denying Africans the chance to learn about and benefit from heritage initiatives. This book offers a preliminary discussion of factors challenging the management of intangible cultural heritage in the African communities of Zanzibar, Mauritius and Seychelles. These islands are part of an overlapping cultural and economic zone influenced by a long history of slavery and colonial rule, a situation that has produced inequalities and underdevelopment. In all of them, heritage management is seriously underfinanced and under-resourced. African descendant heritage is given little attention and this continues to erode identity and sense of belonging to the nation. In Zanzibar tensions between majority and minority political parties affect heritage initiatives on the island. In Mauritius, the need to diversify the economy and tourism sector is encouraging the commercialisation of heritage and the homogenisation of Creole identity. In Seychelles, the legacy of socialist rule affects the conceptualisation and management of heritage, discouraging managers from exploring the island's widerange of intangible heritages. The author concludes that more funding and attention needs to be given to heritage management in Africa and its diaspora. Rosabelle Boswell is a senior lecturer in the Anthropology Department at Rhodes University, South Africa and a specialist of the southwest Indian Ocean islands. Her research interests include ethnicity, heritage, gender and development. Boswell's PhD was on poverty and identity among Creoles in Mauritius and her most recent work is onthe role of scent and fragrances in the heritage of the Swahili islands of the Indian Ocean region.
Developing a Sustainable Economy in Cameroon is an ambitious effort as the authors try to set a blue print for Cameroon's economy. In the 1980s facing economic crisis, and as dictated by the structural adjustment programme, Cameroon sharply cut public investment expenditures before later cutting government consumption which were followed by privatisation, liquidation of public companies and reduction in the size of the public sector. All these measures are believed to have had devastating effects on the economy. Given the performance of the economy so far the authors suggest that much more effort, with a strong commitment of the main stakeholders, is required to guarantee sustainable economic development in Cameroon. Truly, very few countries in Africa possess such enormous human and natural resources as Cameroon does. This volume brings out the challenges Cameroon faces in its quest for development as well as for designing appropriate strategies for addressing those development challenges.
When the Dar es Salaam Declaration on Academic Freedom and Social Responsibility of Academics came up in the early 1990s, African higher-education systems were in a serious, multi-dimensional and long-standing crisis. Hand-in-hand with the imbalances and troubles that rocked and ruined African economies, the crisis in the academia was characterised by the collapse of infrastructures, inadequate teaching personnel and poor staff development and motivation. It was against this background that the questions of academic freedom and the responsibilities and autonomy of institutions of higher-learning were raised in the Dar es Salaam Declaration. In February 2005, the University of Dar es Salaam Staff Association (UDASA), in cooperation with CODESRIA, organised a workshop to bring together the staff associations of some public and private universities in Tanzania, in order to renew their commitment to the basic principles of the Dar es Salaam Declaration and its sister document - the Kampala Declaration on Intellectual Freedom and Social Responsibility. The workshop was also aimed at re-invigorating the social commitment of African intellectuals. The papers included in this volume reflect the depth and potentials of the debates that took place during the workshop. The volume is published in honour of Chachage Seithy L. Chachage, who was an active part of the workshop but unfortunately passed away in 2006.
100 Papers
(2008)
Liesl Jobson's collection is aptly termed 'flash fiction' or 'prose poems'. It comprises 100 short pieces that are beautifully impressionistic - the literary equivalent of a well-times photograph. Jobson was born in Durban, South Africa. Her poetry and prose has been published in journals and anthologies in South Africa and abroad. She won the People Opposing Women Abuse women's writing poetry competition in 2005. She as also awarded a community publishing project great from the Centre for the Book under the auspices of the National Library of South Africa in 2007. This is her debut collection which won the Ernst van Heerden creative writing award for 2006 from the University of the Witwatersrand. She is a freelance writer, photographer ad bassoonist.
Out of the Wreckage
(2008)
Against the Odds
(2008)
Undaunted by hardship, a determined widow, Uridiya, arranges a wife of her choice for her western- educated only son. Little does she know that her son, Jamike, had fallen in love and married a foreigner against her wishes and the expectations of his village. In a show of love, loyalty and commitment he rejects the arranged wife to the disappointment of his mother and the community. Can his defiance succeed against all odds? Set in an Igbo village in Eastern Nigeria from the late 1950?s to early 1970?s and in the United States in the early 1970?s, the author sympathetically handles the powerlessness of the widow in rural African societies and addresses with candor and sensitivity the problems of race, human sexuality, cultural disengagement and the role of love in blurring the ?color line.? Born in Imo State Nigeria, Ben Igwe was educated in Nigerian and American Universities. He holds a Ph.D. in Library and Information Science from the University of Maryland at College Park. He has taught in Universities in Nigeria and the United States. He is currently Chief of the division of Philosophy, Psychology and Religion in the District of Columbia Public Library in Washington, D.C. He lives with his family in Adelphi, Maryland.
Although gender and non-gender scholars have studied men, such an academic exercise requires a critical and focused study of masculine subjects in particular social contexts, which is what this book attempts to do. This empirically rich collection of essays, the seventh of the CODESRIA Gender Series, deals with critical examinations of various shades and ramifications of Africa's masculinities and what these portend for the peoples of Africa and for gender relations in the continent. So much has changed in terms of notions and expressions of masculinities in Africa since ancient times, but many aspects of contemporary masculinities were fashioned during and since the colonial period. The papers in this volume were initially discussed at the 2005 month-long CODESRIA Gender Institute in Dakar. The contributors are gender scholars drawn from various disciplines in the wide fields of the humanities and the social sciences with research interests in the critical study of men and masculinities in Africa. The CODESRIA Gender Series aims at keeping alive and nourishing the African social science knowledge base with insightful research and debates that challenge conventional wisdom, structures and ideologies that are narrowly informed by caricatures of gender realities. The series strives to showcase the best in African gender research and provide a platform for emerging new talents to flower.
Fourth Child
(2008)
Megan Hall's first collection of poems, Fourth Child, has the texture of a carefully wrought, hand-stitched garment. It is something you want to bury your face in, like the familiar scented fabric of an item of clothing that belonged to a beloved who is gone. The Poems combine a dark humour and terrible grief with a lightness and restrained sensuality. Her language has the qualities of dance: uninhibited and polished, accomplished and vivid. Fourth Child shows a poet courageously facing deep feelings while being committed to accurate writing, making beautiful and living things out of the fabric of loss, grief, and emptiness.
Burnt Offering
(2008)
Burnt Offering is Joan Metelerkamp's seventh colllection of poems. The title comes from a poem in a cycle that embodies the labours of the medieval alchemists - heating and burning, transformation of passionate intensity, the search for an enduring element. In the process malignant doubt is burnt off, and what takes its place is trust in the everyday: 'take this day, here, take it all its clarity, all its gold' - Like all of Metelerkamp's work, these generous poems draw on and weave together, with her distinctive energy and passion, the details of family and rural life, dreams, landscapes and journeys.
Life in translation
(2008)
Azila Talit Reisenberger is a Bible scholar, a rabbi, a mother, a wife, and a poet. In all these selves she grapples with translating her life from Hebrew to English and back again. Life in Translation is full of wry humour, longing, bitterness, sweetness, playfulness, and subversions of traditional meanings and texts - a delightful book that charms and surprises anew with each reading.
Women Writing Zimbabwe
(2008)
The fifteen stories in Women Writing Zimbabwe offer a kaleidoscope of fresh, moving, and comic perspectives on the way in which events of the last decade have impacted on individuals, women in particular. Several stories (Tagwira, Ndlovu and Charsley) look at the impact that AIDS has on women who become the care-givers, often without emotional or physical support. It is often assumed that women will provide support and naturally make the necessary sacrifices. Brickhill and Munsengezi focus on the hidden costs and unexpected rewards of this nurturing role. Many families have been separated over the last decade. Ndlovu, Mutangadura, Katedza, Mhute and Rheam all explore exile's long, often painful, reach and the consequences of deciding to remain at home. In lighter vein, but with equal sharpness of perception, Gappah, Manyika, Sandi, and Holmes poke gentle fun at the demands of new-found wealth, status and manners. Finally, Musariri reminds us that the hidden costs of undisclosed trauma can continue to affect our lives for years afterwards. All of the writers share a sensitivity of perception and acuity of vision. Reading their stories will enlarge and stimulate our own understanding.
Gender studies in Zimbabwe have tended to focus on women and their comparative disadvantages and under-privilege. Assuming a broader perspective is necessary at a time when society has grown used to arguments rooted in binaries: colonised and coloniser, race and class, sex and gender, poverty and wealth, patriotism and terrorism, etc. The editors of Manning the Nation recognise that concepts of manhood can be used to repress or liberate, and will depend on historical and political imperatives; they seek to introduce a more nuanced perspective to the interconnectivity of patriarchy, masculinity, the nation, and its image. The essays in this volume come from well-respected academics working in a variety of fields. The ideals and concepts of manhood are examined as they are reflected in important Zimbabwean literary texts. However, if literature provides a rich vein for the analysis of masculinities, what makes this collection so interesting is the interplay of literary analysis with chapters that provide a critical examination of the ways in which ideals of manhood have been employed in, for example, leadership and the nation, as a justification for violent engagement, in the field of AIDS and HIV, etc. Manning the Nation: Father figures in Zimbabwean literature and society sets the stage for a fresh and engaging discourse essential at a time when new paradigms are needed.
Intwasa Poetry
(2008)
Intwasa Poetry is a book of memorable poems from inside and outside Zimbabwe. The fifteen poets who are brought together in this collection have all read from their work at the Intwasa Arts Festival koBulawayo. There is a diversity in their work. The poems of love, of sensuality, of humour, of compassion, of yearning, of sadness, of loss and of outrage. They range from the intensely personal to reflections of life at this pivotal time in Zimbabwe's history.
' Dancing with Life is a collection of short stories by Christopher Mlalazi. He has had stories published in anthologies inside and outside Zimbabwe, this is his first collection. ''Christopher Mlalazi may well be the most promising young writer in Zimbabwe today. His fiction captures the edgy energy of townships where young people have learned to be light on their feet, their dancing born of economic necessity and mocking disrespect for traditional authority. Mlalazi depicts contemporary life in Zimbabwe with an uncompromising determination to explore grievous social wounds and with a creative panache that will win him readers within and beyond his home country.'' - Patricia Alden, Professor of African Literature, St Lawrence University ''Christopher Mlalazi is the rising voice of the ghetto, with all its violence, sharp anger, bitter protestations and tangible promise of a better tomorrow.'' - Raisedon Baya, Writer and Columist ''This collection sparkles with wit, sizzles with style and dances with life. It is a welcome addition to Zimbabwe's growing canon and will be read and enjoyed for years to come.'' - Petina Gappah, Writer and Critic'
Long Time Coming brings together short stories and poems from thirty-three writers that provide snapshots of this turbulent period in Zimbabwe's history. Snapshots of living in a country where basic services have crumbled: where shops have no food, taps no water, banks no money, hospitals no drugs, bars no beer. Snapshots of characters surviving against seemingly insurmountable odds. Horrific snapshots of the abuse of power, of violence and oppression, of the destruction of dreams. But this is Zimbabwe and there are lighter moments and moments of hope: in some of life's simple pleasures, in the coming of the rains, in the wink and the smile of a stranger, in a challenge to patriarchy, in the inner strength of the people, in fighting back. The writers are Raisedon Baya, Wim Boswinkel, Diana Charsley, Brian Chikwava, Julius Chingono, Mathew Chokuwenga, Bhekilizwe Dube, John Eppel, Peter Finch, Petina Gappah, David Goodwin, Anne Simone Hutton, Monireh Jassat, Ignatius Mabasa, Fungai Rufaro Machirori, Judy Maposa, Deon Marcus, Christopher Mlalazi, Gothataone Moeng, Wame Molefhe, Linda Msebele, Mzana Mthimkhulu, Peter Ncube, Thabisani Ndlovu, Pathisa Nyathi, Andrew Pocock, John S. Read, Bryony Rheam, Lloyd Robson, Ian Rowlands, Owen Sheers, Chaltone Tshabangu and Sandisile Tshuma.
Target2-Securities (T2S) is a project of the Eurosystem (central banking system of the Euro area) aiming to create a common platform to settle securities transactions in central bank money. This platform is another step of the European Union towards harmonization of capital markets and enhancement of competitive conditions in the Euro area. T2S is planned to go live in 2013 and to operate on a full costrecovery and non-profit base.