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Issues of gender, marriage and family are at the heart of the main cultural wars of our time and have led to a number of legal and societal reforms in many African countries. These reforms, generally initiated by the state and dictated by the neoliberal model of human rights, often have to come to terms with local resistance, mainly from religious circles. What is the modus operandi of these reforms? What are the power relationships that structure them? How are they perceived and received by African societies? What are the terms of religious resistance? These questions are at the heart of this volume which examines the margins of docility and indocility of African societies to legal reforms aimed at promoting the neoliberal model of sexuality, marriage and the family. Emphasis is placed on the centrality of the state and the power struggle with other stakeholders in the deconstruction and reconstruction of gender relations. Few empirical studies have illustrated the issue of power struggles surrounding the social production of gender norms. This book is the outcome of an international conference organized at the Institute of Dignity and Human Rights of the Center for Research and Action for Peace (CERAP) in Abidjan, in June 2017, on the following theme: 'State, Religions and Gender in West and Central Africa'. The main objective of the conference was not only to highlight the results of a research project on the reception of the recent modification of the family code in Côte dIvoire but also to broaden the discussion to similar case studies in other countries of West and Central Africa such as Senegal, Niger, Benin, Cameroon and Mali.
Boxing is no Cakewalk! : Azumah 'Ring Professor' Nelson in the Social History of Ghanaian Boxing
(2019)
Boxing is no cakewalk! Azumah Ring Professor Nelson in the Social History of Ghanaian Boxing explores the social history of boxing in Ghana and its interesting nexus with the biography of Azumah Nelson, unquestionably Ghanas most celebrated boxer. The book posits that sports constitute more than mere games that people play. They are endowed with enormous political, cultural, economic and social power that can influence peoples lives in various ways. Boxing is no cakewalk! interrogates the social meaning and impact of boxing within the colonial and postcolonial milieux of popular culture in Ghana. Consequently, it reconsiders the prevailing conception of boxing as adversative to enlightened human culture by arguing that it is a positive formulator of individual and national identities. The historicising of sports and the lives of sportspersons in Ghana provides an eloquent backdrop for an understanding of the past social dynamics and their effect in the present. The books analytical narrative offers an intellectual contribution to the promising areas of social and cultural history in Ghanas historiography and the scholarly discourse on identity formation and social empowerment through the popular culture of sports.
Studies of Yoruba culture and performance tend to focus mainly on standardised forms of performance, and ignore the more prevalent performance culture which is central to everyday life. What the Forest Told Me conveys the elastic nature of African cultural expression through narratives of the Yoruba hunters' exploits. Hunters' narratives provide a window on the Yoruba understanding and explanation of their world; a cosmology that negates the anthropocentric view of creation. In a very literal sense, man, in this peculiar world, is an equal actor with animal and nature spirits with whom he constantly contests and negotiates space.
Gender Terrains in African Cinema reflects on a body of canonical African filmmakers who address a trajectory of pertinent social issues. Dipio analyses gender relations around three categories of female characters the girl child, the young woman and the elderly woman and their male counterparts. Although gender remains the focal point in this lucid and fascinating text, Dipio engages attention in her discussion of African feminism in relation to Western feminism. With its broad appeal to African humanities, Gender Terrains in African Cinema stands as a unique and radical contribution to the field of (African) film studies, which until now, has suffered from a paucity of scholarship.
There are little strokes that fell great oaks and often unattended cracks in a diversity of our socio-economic and political institutions can ultimately lead to a total collapse of systems. Cracks and Other Short Stories is an anthology that offers readers an insight into some of the major cracks in our personalities and institutions as a subtle means of encouraging everyone to investigate them further and seek lasting solutions for the good of humanity. Cracks signal that things are out of sorts and need timeous repair, healing and mending before systems become dysfunctional and torturous to humanity. Thus, each story in this impeccable collection deals with specific metaphorical cracks which require problem solving for the betterment of society.
Uwiruwiru hwazuro nhasi namangwana muunganidzwa wemanyukopfungwa atinopakurirwa nananyanduri vane unyanzvi hwekudzamisa ndangariro nekuumba zviumbwapfungwa zvinotekenyedza. Mashoko ari munhetembo idzi anoputika senhondo dzemusasa achitanda sedandemutande pakubata mazera ose uye zviitiko zvakasiyana-siyana zvinosanganikwa nazvo mukurarama kwevanhu. Vananyanduri vari mubhuku rino vakashandisa misambo nezvidavado zvinomwisa mvura kuumba nhapitapi dzenhetembo dzinoti kutekenyedza pfungwa, kuvaraidza nekudzidzisa hupenyu hune mutsa. Kuvaverengi vanhasi namangwana, heino mbuva yehupenyu, ibatisisei In this collection, in Shona, are essays by Zimbabwean poets; words in these poems explode like camp battles serving as a web for dealing with all ages and the various events involved in people's lives.
Getting Africa Out of the Dungeon : Human Rights, Federalism, and Judicial Politics in Cameroon
(2019)
Using one of the continents supposed pathfinders, Cameroon as case-study, this book interrogates judiciary in Africa in three domains. First, as the third branch of government, second, as the acknowledged umpire of federalism, and, finally, as a means of reversing the institutionalization of in-human rights and injustice administration in Africa. While examining the roots and causes of the persisting human rights and justice administration problems in Cameroon particularly, and Africa in general, the book through the tumbu-tumbu Long-Distance Government Theory (LDGT), argues for a rethinking and freeing of strategies currently used from close to a century of colonial and neo-colonial bondage, under the confusing covers of independence and of advanced democracy. The book challenges Africa to consider a mentality change, for a real judiciary transformative change. The book will interest legal practitioners, social anthropologists, development studies and political science practitioners, among other such practitioners in the social sciences and humanities.
Arguably, one of the long waited political handover of power, globally, happened in November 2017 in Zimbabwe when the former and now late 37- year long serving and divisive President, Robert Gabriel Mugabe was forced out of power by a combination of forces that were spearheaded by the militarys Operation Restore Legacy. Mugabes departure ushered in President Emmerson Dambudzo Mnangagwas reign. This transition has variously been characterised as marking the inauguration of the Second Republic or New Dispensation or as heralding a new Zimbabwe that is Open for Business. From the moment of the investiture of President Mnangagwas government, anticipations of seismic changes to the order of doing business by both the incoming government and the larger Zimbabwean society in general, were extremely high. There was an expectation that international cooperation with global partners, especially in the West, would be restored alongside the reinvigoration of a near comatose domestic economy. But, did this ever happen? This volume interrogates the impact of the introduction of the Mnangagwa administration from November 2017. The book seeks to broadly dissect and troubleshoot issues of continuity and change from Mugabes reign into Mnangagwas Second Republic. In doing so the book attempts to respond to the grand question: To what extent has Mugabeism that was the hallmark of Mugabes reign, continued or discontinued into the Second Republic? The volume, which comes as a sequel to The end of an era? Robert Mugabe and a conflicting legacy, is sure to generate interest and responses from students and academics in the fields of History, International Studies, Political Science, Sociology and Social anthropology, as well as from practitioners in the human rights, transitional jusrtice, conflict resolution, security studies and diplomatic fields.
It is 1979. The first Commonwealth Heads of Government Summit on African soil is due to take place in Zambia, graced by Queen Elizabeth herself. Barely a week before this much anticipated event, a white British couple, Henry and Laura Hinckley, are brutally killed on their farm on the outskirts of the capital city, Lusaka. The unknown perpetrators are at large, their motive unclear. Fearing a media backlash, the British government applies pressure on the Zambian authorities to bring the culprits to book, threatening to cancel the Queen's trip altogether - a move that would result in huge embarrassment for the Zambian government. Detective Maxwell Chanda, head of the Special Crimes Investigative Unit, is the man tasked with leading the investigation. He is a wise, steady hand, but will he be able to piece together the seemingly disparate evidence in just five days? Will he be able to hold firm under the intense political pressure which insists on putting expediency above accuracy? Five Nights Before the Summit offers a rich tapestry of context and character in a story that engages the reader in the pursuit of justice.
Words That Matter
(2019)
Words That Matter attempts to spark conversation around social issues that are often neglected either for their lack of beauty or sheer rigidity. These issues are mainly cultural and political. It further seeks to community hope in its purest form, unfailing and evermore willingly to rewrite situations brightly however dark initially. Find thusly sarcasm and humour, folly and wisdom, discord and harmony, and death and life, all interwoven in revealing just how sound existence can be (or should be henceforth). Above all, get lost and find new paths in these verses!
It's been ten years since open data first broke onto the global stage. Over the past decade, thousands of programmes and projects around the world have worked to open data and use it to address a myriad of social and economic challenges. Meanwhile, issues related to data rights and privacy have moved to the centre of public and political discourse. As the open data movement enters a new phase in its evolution, shifting to target real-world problems and embed open data thinking into other existing or emerging communities of practice, big questions still remain. How will open data initiatives respond to new concerns about privacy, inclusion, and artificial intelligence? And what can we learn from the last decade in order to deliver impact where it is most needed? The State of Open Data brings together over 60 authors from around the world to address these questions and to take stock of the real progress made to date across sectors and around the world, uncovering the issues that will shape the future of open data in the years to come.
Blooming Cactus
(2019)
'From invisibility to invincibility, Mikateko takes us through verses of despair, assault, discrimination, fear and hopelessness that girls and women encountered in a system that does not serve their interests to the life of purpose, power and freedom that girls and women continue to wedge in the face of all odds. This is one anthology that has the power to break and mend you. Mikateko has freed us all!' - Dr. Toyin Ajao (PhD), Researcher, Teacher and Storyteller
Writing Grandmothers, Africa Vs Latin America Vol 2 is a continuation of the cross-continental anthologies series, particularly focussing on African and Latin American writers. It continues on from where Experimental Writing, Africa Vs Latin America, Vol 1. The anthology has 6 nonfiction pieces, 10 fiction pieces, and 67 poems and translations of poems in the two dominant languages of the two continents, English and Spanish. There is work from poets and writers from Honduras, Mexico, USA, UK, Cuba, Costa Rica, El Salvador, Peru, Argentina, Brazil, Chile Puerto Rico, Spain, Nigeria, South Africa, Malawi, Zimbabwe, Kenya, Equatorial Guinea, and Ghana all collaborating on the theme of using the folktale or oral African story telling traditions and finding solutions to problems bedeviling the two continents, which were felt as a result of colonialism and or post colonialism.
Ouafa and Thawra is a nomadic collection: well-travelled and restless, but with roots firmly in revolutionary Tunisia, a tumultuous country - where people are sweet/ where even the hypocrisy is sweet. Arturo Desimone travels fearlessly between genres, too, with sketches deepening the reading experience and a postscript essay on Tunisia before and after the 'Arab Spring' adding context to the poems (and offering the controversial but sound claim that the Arab Spring was catalysed by the events of 2003 in Iraq). Desimone is wholly original: his poems simultaneously draw on a breathtaking, freewheeling sense of linguistic innovation, and on a timeless well of imagery and mythology.' - Jacob Silkstone, managing editor of Asymptote journal, co-founder of The Missing Slate
This book outlines the contribution of the Missionary Sisters of the Immaculate Conception (MIC Sisters) towards girl child education in Malawi with particular focus on the establishment, growth and development of Marymount Girls' Secondary School in Mzuzu., from 1963 to 2010. The appraisal by former students of Marymount, reveals the courage of the pioneering Sisters towards the empowerment of fellow women in places where they were sent to evangelize in spite of numerous challenges that they encountered in the process. The history of Marymount shows that education of the girl child provides a viable means to development and improvement of life at family, nation and world level.
The emergent so-called Fourth Industrial Revolution is regarded by some as a panacea for bringing about development to Africans. This book dismisses this flawed reasoning. Surfacing how investors are actually looting and plundering Africa; how the industrial internet of things, the gig economies, digital economies and cryptocurrencies breach African political and economic sovereignty, the book pioneers what can be called anticipatory economics which anticipate the future of economies. It is argued that the future of Africans does not necessarily require degrowth, postgrowth, postdevelopment, postcapitalism or sharing/solidarity economies: it requires attention to age-old questions about African ownership and control of their resources. Investors have to invest in ensuring that Africans own and control their resources. Further, it is pointed out that the historical imperial structural creation of forced labour is increasingly morphing into what we call the structural creation of forced leisure which is no less lethal for Africans. Because both the structural creation of forced labour and the structural creation of forced leisure are undergirded by transnational neo-imperial plunder, theft, robbery, looting and dispossession of Africans, this book goes beyond the simplistic arguments that Euro-America developed due to the industrial revolutions.
Urbanization in Africa also means rapid technological change. At the turn of the 21st century, mobile telephony appeared in urban Africa. Ten years later, it covered large parts of rural Africa and thanks to the smartphone became the main access to the internet. This development is part of technological transformations in digitalization that are supposed to bridge the urban and the rural and will make their borders blurred. They do so through the creation of economic opportunities, the flow of information and by influencing peoples definition of self, belonging and citizenship. These changes are met with huge optimism and the message of Information and Communications Technologies for Development (ICT4D) for Africa has been one of glory and revolution. Practice, however, reveals other sides. Increasingly, academic publications show that we are facing a new form of digital divide in which Africa is (again) at the margins. These technological transformations influence the relation between urban and rural Africa, and between Africa and the World, and hence the field of African Studies both in its objects as well as in its forms of knowledge production and in the formulation of the problems we should study. In this lecture, Mirjam de Bruijn reflects on two decades of research experience in West and Central Africa and discusses how, for her, the field has changed. The author was forced to decolonize her thinking even further, and to enter into co-creation in knowledge production. How can these lessons be translated into a form of critical knowledge production and how does the study of technological change inform the redefinition of African Studies for the 21st century?
Reading the animal text in the landscape of the damned looks at the diverse texts of our everyday world relating to nonhuman animals and examines the meanings we imbibe from them. It describes ways in which we can explore such artefacts, especially from the perspective of groups and individuals with little or no power. This work understands the oppression of nonhuman animals as being part of a spectrum incorporating sexism, racism, xenophobia, economic exploitation and other forms of oppression. The enquiry includes, physical landscapes, the law, women's rights, history, slavery, language use, economic coercion, farming, animal experimentation and much more. Reading the animal text in the landscape of the damned is an academic work but is accessible, theoretically based but robustly practical and it encourages the reader to take this enquiry further for both themselves and for others.
Nation, Power and Dissidence in Third Generation Nigerian Poetry in English is a theoretical and analytical survey of the poetry that emerged in Nigeria in the 1980s. Hurt into poetry, the poets collectively raise aesthetics of resistance that dramatises the nationalist imagination bridging the gap between poetry and politics in Nigeria. The emerging generation of poetic voices raises an outcry against the repressive military regimes of the 1980s and 1990s. Ingrained in the tradition of protest literature in Africa, the third-generation poetry is presented here as part of the cultural struggles that unseat military despotism and envisage a democratic society.