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The morpho-syntax of relative clauses in Sotho-Tswana is relatively well-described in the literature. Prosodic characteristics, such as tone, have received far less attention in the existing descriptions. After reviewing the basic morpho-syntactic and semantic features of relative clauses in Tswana, the current paper sets out to present and discuss prosodic aspects. These comprise tone specifications of relative clause markers such as the demonstrative pronoun that acts as the relative pronoun, relative agreement concords and the relative suffix. Further prosodic aspects dealt with in the current article are tone alternations at the juncture of relative pronoun and head noun, and finally the tone patterns of the finite verbs in the relative clause. The article aims at providing the descriptive basis from which to arrive at generalizations concerning the prosodic phrasing of relative clauses in Tswana.
Relative clauses in Haya
(2010)
This paper gives an overview of the morphology and syntax of Haya relative clause constructions. It extends previous work on this topic (Duranti, 1977) by incorporating data from a number of different dialects and by introducing new data on locative relative clauses. The dialects discussed in addition to the Kihanja data from Byarushengo et al. (1977) include Kiziba, Muleba and Bugabo dialects. Nyambo data taken from Rugemalira (2005) is also compared to Haya in places. The focus of the discussion is on the grammaticality of pronominal elements attached to the verb that refer back to the relativized entity with different types of relativized constituents in Haya. It is shown that there are differences between subjects, objects and locatives in terms of this kind of morphology inside the relative clause, as well as differences between these kinds of morphemes and resumptive pronouns.
Introduction
(2011)
In spite of this long history, most work to date on the phonology-syntax interface in Bantu languages suffers from limitations, due to the range of expertise required: intonation, phonology, syntax. Quite generally, intonational studies on African languages are extremely rare. Most of the existing data has not been the subject of careful phonetic analysis, whether of the prosody of neutral sentences or of questions or other focus structures. There are important gaps in our knowledge of Bantu syntax which in turn limit our understanding of the phonology-syntax interface. Recent developments in syntactic theory have provided a new way of thinking about the type of syntactic information that phonology can refer to and have raised new questions: Do only syntactic constituent edges condition prosodic phrasing? Do larger domains such as syntactic phases, or even other factors, like argument and adjunct distinctions, play a role? Further, earlier studies looked at a limited range of syntactic constructions. Little research exists on the phonology of focus or of sentences with non-canonical word order in Bantu languages. Both the prosody and the syntax of complex sentences, questions and dislocations are understudied for Bantu languages. Our project aims to remedy these gaps in our knowledge by bringing together a research team with all the necessary expertise. Further, by undertaking the intonational, phonological and syntactic analysis of several languages we can investigate whether there is any correlation among differences in morphosyntactic and prosodic properties that might also explain differences in phrasing and intonation. It will also allow us to investigate whether there are cross-linguistically common prosodic patterns for particular morpho-syntactic structure.
Introduction
(2010)
The papers in this volume were originally presented at the Bantu Relative Clause workshop held in Paris on 8-9 January 2010, which was organized by the French-German cooperative project on the Phonology/Syntax Interface in Bantu Languages (BANTU PSYN). This project, which is funded by the ANR and the DFG, comprises three research teams, based in Berlin, Paris and Lyon. [...] This range of expertise is essential to realizing the goals of our project. Because Bantu languages have a rich phrasal phonology, they have played a central role in the development of theories of the phonology-syntax interface ever since the seminal work from the 1970s on Chimwiini (Kisseberth & Abasheikh 1974) and Haya (Byarushengo et al. 1976). Indeed, half the papers in Inkelas & Zec’s (1990) collection of papers on the phonology-syntax interface deal with Bantu languages. They have naturally played an important role in current debates comparing indirect and direct reference theories of the phonology-syntax interface. Indirect reference theories (e.g., Nespor & Vogel 1986; Selkirk 1986, 1995, 2000, 2009; Kanerva 1990; Truckenbrodt 1995, 1999, 2005, 2007) propose that phonology is not directly conditioned by syntactic information. Rather, the interface is mediated by phrasal prosodic constituents like Phonological Phrase and Intonation Phrase, which need not match any syntactic constituent. In contrast, direct reference theories (e.g., Kaisse 1985; Odden 1995, 1996; Pak 2008; Seidl 2001) argue that phrasal prosodic constituents are superfluous, as phonology can – indeed, must – refer directly to syntactic structure.
We show that wh-words are a tool to investigate the prosodic structure of Bàsàa. Our claim is that the end of an Intonation Phrase (IP) can be identified by the presence of a long vowel on the wh-word. We propose that wh-words, which sometimes surface as C´V and sometimes as C´V´V, are underlyingly of the C´V form and they introduce a floating H. Whenever the association of this floating H with the first tone bearing unit that follows the wh-word is prevented by the presence of an IP boundary, a mora is created on the wh-word in order to realize the floating H. We briefly discuss the interface approach of Immediately After the Verb (IAV) focus (Costa and Kula, 2008) and we show that Bàsàa wh-questions and answers do not support this hypothesis. Finally, Bàsàa fronted whphrases, just like Hausa’s fronted foci (Leben et al., 1989), seem to provide support to the idea that intonational effects are also at play in the present tone language.