Refine
Year of publication
Document Type
- Article (387)
- Part of Periodical (290)
- Book (207)
- Review (55)
- Report (52)
- Other (23)
- Part of a Book (20)
- Doctoral Thesis (9)
- Working Paper (7)
- Conference Proceeding (6)
Language
- French (1060) (remove)
Has Fulltext
- yes (1060) (remove)
Keywords
- Literatur (36)
- Gabon (26)
- Gabun (26)
- literature (25)
- Literaturwissenschaft (15)
- Europa (12)
- Vendée (France) (12)
- Deutschland (10)
- Rezeption (10)
- Vergleichende Literaturwissenschaft (10)
Institute
- Extern (126)
- SFB 268 (45)
- Geschichtswissenschaften (44)
- Gesellschaftswissenschaften (12)
- Philosophie (12)
- Neuere Philologien (10)
- Rechtswissenschaft (8)
- Frobenius Institut (6)
- Institut für Sozialforschung (IFS) (6)
- Institut für Ökologie, Evolution und Diversität (6)
Ousmane Semb ne started writing by 1952. The Black Docker, his first novel inspired by the Marseille experience was published in 1956 by Debresse. In 1957, Amiot Dumont published O Pays, mon beau Peuple, a caustic critic of the colonial plight. This second inaugural piece, clearly autobiographical and sentimental is followed up by a vast knowledge of the strike of the Dakar-Niger railway workers: God s Bits of Wood published in 1960 by Livre Contemporain. In 1961, Pr sence Africaine pulished his collection of short stories, Volta que, in 1964 the first volume of l Harmattan which is a replay of the 28th September 1958 referendum in black Africa and in 1966 Vehi-Ciosane followed by The Money Order. To this date with six published novels and a renown Cinematographer, Ousmane Semb ne with the help of his sharp pen and his critical and observant look decides to examine the fate that the new bourgeoisie and the administrative bureaucracy mete on the downtrodden of this ignominious beauty, Dakar, the Capital of an African nation in the wake of independence. Thanks to a money order that Ibrahima Dieng wants to cash, the film maker/writer takes this character through the urban administrative labyrinth, through neighbourly disputes and through family life in the neighbourhood, highlighting and pointing in passing the crossings, abuses, vices and vicissitudes which make up this segment of life, in every aspect, exemplary. The story unfolds with the arrival of a postman carrying a letter and a problematic money order; it ends on the image of the postman handing a letter to Dieng, when a woman carrying a baby on her back comes in and interrupts them to expose the origins of her misfortunes, asking for help.
Nous publions ici les soixante-deux lettres écrites entre 1912 (ou 1913) et 1937 à Hélène et Alfredo Casella. Celui-ci, qui avait été un des premiers compositeurs à rejoindre la Société Musicale Indépendante, y assumait les fonctions de Secrétaire Général, et était efficacement secondé dans cette tâche par sa femme Hélène Kahn-Casella dont il devait se séparer en 1919. Quelques-unes de ces lettres ont été reproduites dans l´ouvrage de René Chalupt : Ravel au miroir de ses lettres (Robert Laffont, 1956).
Lettres d'Anton Pannekoek
(1976)
The aim of this study is to look into the reasons for the institutional character assumed by the exchanges of prisoners from the early 9th until the end of the lOth century in the context of the Arab-Byzantine struggle in the Middle East. Over a period of 161 years, 20 official exchanges involving several hundrends of prisoners took place at the bed of the river Lamis near Tarse by the Cilician frontier. ...
Dans l’image traditionnelle des « religions orientales », forgée dans ses caractéristiques essentielles par Franz Cumont, les villes portuaires jouent un rôle important en tant que centres de distribution. Cumont considérait comme tout naturel que les dieux du Levant aient suivi les grands flux commerciaux et humains de l’Orient vers l’Occident. Les marchands orientaux, qui constituaient le principal groupe mobile, avaient selon lui fait office de « missionnaires » dans les villes portuaires occidentales. ...