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In the recent historiography on the canon law of the early modern Spanish Empire, legal historians have been considering many forms of normativity. Nevertheless, law still remains, and there is no reason to think otherwise, as a primary source of legal orders. In the case of canon law, many of the legislations drafted remained largely unknown due to their lack of recognitio by the Holy See and pase regio granted by the Spanish Monarch. Such texts were not printed and only circulated in manuscript form, likely resulting in a very low and uncertain degree of compliance. During the 20thcentury, gradually but fragmentally, many of these texts became known in academic publications. The book reviewed here finally gathers together in a single volume all the legislative texts drafted at church assemblies celebrated in the archdiocese of Santafé (today Bogotá) before 1625. ...
In a similar way to dramatic performances and plays, song lyrics establish a complex discourse structure whereby listeners are placed in a position to overhear ‘the pretence of a conversation constructed to convey the performer’s meaning’ (Nahajec 2019: 25; see also Short 1996: 169). In Taylor Swift’s songwriting, listeners are positioned not only to eavesdrop on the narratives presented but are also invited to conceptualise and enact particular roles and scenarios in the discourse. This paper offers a stylistic analysis of songwriting and narrative structure across Swift’s oeuvre to identify how disnarration strategies are used to build stories in her two sister albums written and produced during the Covid-19 pandemic, folklore (2020) and evermore (2020). Specifically, this study examines how disnarration characterises the albums’ narrators, establishes narrator-narratee relationships and invites listeners to adopt a participatory role in the meaning-making process. Through close analysis of four songs across the two albums, this paper builds on developing studies of the stylistics of songwriting (see West 2019) and argues that disnarration strategies foreground particular themes within the discourse, such as nostalgia, wistfulness and regret, and contribute to the fictionalisation and self-aware storytelling characteristic of these albums’ storyworlds.
Book Review: Nault, L.R. and Rodriguez, J.G. (Editors). 1985. The leafhoppers and planthoppers
(1988)
Book Review: Nault, L.R and Rodriguez, J.G. (Editors). 1985. The Leafhoppers and Planthoppers. John Wiley & Sons, New York. 500 pp.
Max Weber's two sociologies
(2003)
Review Essay of: Max Weber, Gesamtausgabe. Abteilung I: Schriften und Reden, Band 22-1: Wirtschaft und Gesellschaft. Die Wirtschaft und die gesellschaftlichen Ordnungen und Mächte. Nachlass, Teilband 1: Gemeinschaften. Edited by Wolfgang J. Mommsen in collaboration with Michael Meyer, Tübingen: J.C.B. Mohr (Paul Siebeck) 2001, 402 pp.
In the past 30 years, the end of the Cold War and the breakdown of the modernist frame of politics have promoted the historical turn of international law. A non-Eurocentric narrative of international law is needed not only to help it go beyond the geographical and conceptual self-justification, but also to open itself to other normative orders. This presents an intellectual and normative challenge to legal historians, who increasingly explore the normative dialogue and competition in interstitial areas, such as South and Southeast Asia in their existence between the Islamic, Sinocentric and European orders. It is this issue and this important era of globalisation that Clara Kemme’s book examines roughly over the period from 1500 to 1900, in particular how the key concepts of tribute and treaty were understood through diplomatic ideas and practices in South and SoutheastAsia, how the treaty system as a product of international law became global and why it prevailed over other systems of order (2). ...
On 26th November 2010 around 3000 psychiatrists rose up for a minute's silence in the great hall of the International Congress Centrum in Berlin. What they had heard before, was deeply impressive and memorable to the audience. Professor Frank Schneider, president of the German Society for Psychiatry, Psychotherapy and Neurology (DGPPN) asked the psychiatric victims and their relatives of the Nazi era for forgiveness to an extent as only a few German Doctors done before. ...