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Advancement in science and technology that has been achieved by human beings does not necessarily imply they are freed from environmental problems. Buddhism since the very be-ginning has been in harmony with nature; the Buddha was fond of nature; however, it is very little its sources speak about the interconnection between human and environment. The ques-tion of the significance of cultural ecology comes into prominent in these days as there has been increasing environmental problems happen. Borobudur Buddhist temple in Central Java contains some ideas or elements that can be used to cope with the problems mentioned. Inter-estingly, the whole body of the monument was inspired by the teachings of the Buddha and Buddhism in which the Causal Law having impetus in the theory dependent-origination (Pratyasamutpada) is reflected clearly in the reliefs of Mahakarmavibangga in Kamadhatu base level. For a better understanding of this law, the connection with cosmology in Maha-yana Buddhism is discussed in brief. It is found that there are various natural elements were depicted and crafted by the artists in a high standard of art as the manifestations of the Bud-dha’s teachings. Amongst the natural elements depicted here, tree, plant, or forest are domi-nant elements, which appear almost in all reliefs either in the main walls or balustrade. The relatedness amongst the elements is shown beautifully in complex relationship amongst them, and this has moral, aesthetical, spiritual, and ecological messages that need to be known for spiritual ascendance. When the interaction amongst them should be accomplished it is re-quired an ethical principle as how to maintain harmony with those natural elements, animals and human beings for a better world order and happy life.
GOeTHEO : Ausgabe 13
(2015)
GOeTHEO : Ausgabe 12
(2015)
GOeTHEO : Ausgabe 11
(2014)
GOeTHEO : Ausgabe 10
(2014)
GOeTHEO : Ausgabe 9
(2013)
GOeTHEO : Ausgabe 8
(2013)
'Блаженный человек' и 'старый Бог' : Эссе о ницшеанском апокалипсисе современного существования
(2015)
"Wohin ist Gott? rief er, ich will es euch sagen! Wir haben ihn getödtet, - ihr und ich! Wir alle sind seine Mörder!" Diese berühmten Sätze des 'tollen Menschen' aus Friedrich Nietzsches Werk 'Die Fröhliche Wissenschaft' sind keineswegs an bekennende Fromme gerichtet, um sie von ihrem Gottesglauben abzubringen und vom Atheismus zu überzeugen. Sein entsetzter Ausruf richtet sich vielmehr an die Atheisten oder sonstige Ungläubige. Aber diesen Ausruf tat er auch nicht, um sie in ihrem wissenschaftlichen oder unwissenschaftlichen Unglauben zu bestärken. Nein! Er ruft ihnen diese schier unglaubliche Wahrheit zu, um sie mit der Frage zu konfrontieren, ob sie, die Gott getötet haben, überhaupt wissen, was sie angerichtet haben, ob sie sich der Konsequenz ihrer ungeheuerlichen Tat bewußt sind.Der 'tolle Mensch' distanziert sich dabei keineswegs von seinen gottlosen Zuhörern; im Gegenteil: ausdrücklich rechnet er sich ihnen zu. Aber im Gegensatz zu den angeredeten Gottesmördern hat er begriffen, was für eine furchtbare Existenzkatastrophe sie gemeinsam heraufbeschworen haben.
Wer ist aber dieser Gott, den Nietzsche den 'alten Gott' nennt, und den er, der 'tolle Mensch' und seine Zuhörer auf dem Marktplatz der Moderne getötet haben?
The ancient Egyptians were accustomed to use "travel" and "individualism" as metaphors for the journey of one's life, as an expression of an individual’s aspirations in pursuit of a goal, whether on land or sea. ,A person who exhibits unusual attitudes or deviates from the cultural path of Egyptian society, will face obstacles and serious difficulties such as drowning, drifting, or disaster, while at the same time being tested by the gods, who could integrate him back into society and the Egyptian culture again, or leave him in the depths of darkness. In this context, our paper aims to shed light on the importance of individualism and how it is used as the basis for deviation from the prevalent cultural path. It also examines the relationship between individualism and the Egyptian culture, social identity, and self-representation. It also deals with individualism as an expression of human ambition, and its implications. Additionally, it discusses the issue of determinism and divine fate and their impact on the orientation of humans travelling through life, as opposed to human free will.