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This meticulous and comprehensive documentation of Cameroonian Youth Day Messages and leadership discourse on youth from 1949 - 2009 is a gold mine for researchers, historians and anyone interested in studying youth, politics and society in Africa. The book presents and explores themes and content of Youth Day Messages: how these messages tied in with, or veered away from, key events and issues of the time; how they served as a platform for West Cameroon governments, and the Ahidjo and Biya regimes to articulate their political vision, justify their policies, sell their respective ideologies to the youth; and what lessons could be drawn from them on competing, conflicting and complementary perspectives on youth agency in Cameroon and Africa. Churchill links the Youth Day to ongoing discussions in Africa about the role and place of youths as agents of development in Africa. Most significantly, he finally puts Cameroon's controversial Youth Day in its appropriate historical context - not as a political device created by the Francophone politicians to distort Cameroonian history and erase 'plebiscite day' from the collective memory as Anglophone nationalists claim, but as a British Cameroons colonial legacy, successfully sold to the Ahidjo regime as a day to be commemorated throughout the federation, by leaders of the federated state of West Cameroon. Churchill Ewumbue-Monono, a senior career diplomat, is Minister Counsellor in the Cameroon Embassy in Moscow. A graduate of the International Higher School of Journalism, and the International Relations Institute of Cameroon in the University of Yaounde, he was a 1991-92 Fellow in Public Diplomacy in Boston University, USA. He has served in Cameroon in various professional capacities. Ewumbue-Monono has written extensively on Cameroon's political history, and his books include Men of Courage, published in 2005.
Their Champagne Party Will End! Poems in Honor of Bate Besong : Poems in Honor of Bate Besong
(2008)
Wading the Tide
(2009)
Wading the Tide is an expression of profound emotions touching on a wide range of issues-personal and political-from the birth of the Cameroon nation, her political meandering, until the state of emergency declared on the North West Province in 1992. Accordingly, Doh complains, ridicules, and pays tribute, even as he instructs and guides on timeless matters of life, all in an effort to draw attention to his country's gradual, downward spiral into anomy.
No Turning Back relives the tumultuous beginnings of Africa's democratization experiment in the early 1990s. The main theme of the collection is an investment in hope and in the resilience of Africans. The poems are loud and clear in their castigation of dictatorship and its miseries. They celebrate the mass resolve and thirst for democracy by Africans for whom there is 'No turning back!' 'A lucid and truly memorable collection of poems. Dibussi forces us to turn back and look at the pivotal volcanic moments in Cameroon's history between 1990- 1993... As a student activist and budding journalist during this historic period, Dibussi captures cadences of this struggle eloquently.' Joyce Ashuntantang, Ph.D., Department of English, University of Connecticut, Greater Hartford, USA. 'This collection is an important document chronicling, through verse, the events of an era in a given space with unmitigated passion.' Kangsen Wakai, poet, Houston, Texas, USA '. a subtle yet unapologetic critique of Cameroon's chequered history of predatory governance. The poems provide succor to a people besieged first by the unrealised dreams of a political (mis)marriage and then a false promissory note on which their democratic development is written.' George Ngwane, Chair, National Book Development Council - Cameroon
Neoliberalism has become the dominant development agenda in Africa. Faced with a deep economic and political crisis, African governments have been compelled by powerful external agencies, in particular the Bretton Woods institutions and western states, to pursue this agenda as a necessary precondition for the receipt of development aid. What is particularly striking in Africa, however, is that neoliberal experiments there have displayed such remarkable diversity. This may be due not only to substantial differences in historical, economic and political trajectories on the African continent but also, and maybe more importantly, in the degree of resistance internal actors have demonstrated to the neoliberal reforms imposed on them. This book focuses on Cameroon which has had a complex economic and political history and is currently witnessing resistance to the neoliberal experiment by the authoritarian and neopatrimonial state elite and various civil-society groups. It is the culmination of over twenty years of fine and refined research by one of the leading scholars of Cameroon today.
The Power to Succeed
(2011)
This is the fascinating story of a young girl from a very poor family who raised her head high and raised the dignity of women through her own personal and determined effort. She did not yield to the victimizations of corrupt minds, nor to the temptations of apathy and pessimistic thinking; rather she saw everything optimistically and through many hardships achieved her life's ambitions.
Twelve-year-old Bridget and her friends are excited when they get admitted into one of the most prestigious boarding secondary schools in Kumba, Cameroon. Passing exams is the least of their worries. But surviving the new academic and social culture with hormone driven adolescent boys and unscrupulous seniors remain a challenge. Can the ground rules for survival Bridget and her new girlfriends adopt protect them from the threats they face constantly from the seniors, teachers and the adults in the local community? Can they handle all the distractions in addition to the changes their pubescent bodies are undergoing?
A collection of six thought-provoking stories, four of which were award-winning-stories at the 1990 literary contest of the national Association of Cameroonian Poets and Writers (APEC). The stories are set in different localities in Africa and Cameroon in particular. The author in a lucid manner explores the theme of women lib- the African way in the lead story. Ebenye, the protagonist, representing the sharp-witted African woman cannot understand why she should cook food without tasting of it. So she decides to take the bold step of eating a piece of the python that she has been ordered to cook for the men of her community. The other stories tackle themes of corruption, poverty, alcoholism, endurance, love and more.
The Last Hope
(2011)
This play was written as part of an evaluation of Africa's oldest and most diverse rainforest conservation initiative in the Korup area, with the aim of highlighting and sharing some lessons learnt from the creation of the Korup National Park, through a period of full activity, to when activities were considerably reduced. It is a fine blend of the results of the evaluation and some carefully developed fictional, artistic materials for the achievement of an overall dramatic effect. Ekpe Inyang gives an informed artistic touch to achieve dramatic effects, succinctly relating the story of Cameroon's first rainforest national park, Korup.
The House of Falling Women
(2008)
House of Falling Women is the story of a young woman with quixotic ideas about improving the lot of women who finds out that the crusader's cloak is an uncomfortable one. Martha Elive, armed with a university education and a substantial legacy from a Dutchwoman she meets while studying abroad on a scholarship, decides to create an institute for the empowerment of women, only to find that the contradictions to be resolved are more firmly anchored in her psyche than elsewhere. In addition to her unexorcised ghosts and the legacies of a chequered love life, she has to contend with recalcitrant public opinion and moral inertia, the opposition of old-guard reactionaries, and the incomprehension of her small-town parents. House of Falling Women is a poignant, often hilarious story of the search by a group of women for a new place in society in a world where women are dissatisfied with the old values and bewildered by the new.
The Wooden Bicycle and Other Stories is a compilation of eight compelling short stories which immediately engage the reader, regardless of which story is selected for reading. Just like the author's other collection of short stories, Cup Man and Other Stories, the book is a depiction of the joys and pains of everyday life in the typical African country or even in the West Indies. This dimension includes an in-depth look at life within the African community in the West - an experience which is, of course daunting as the immigrant struggles to adjust to the new dispensation. Azonga once again shows outstanding skill in narrative techniques by adopting a style that is at once simple and intricate, entertaining and instructive.
The Tragedy of Mr No Balance
(2008)
Tussles : Collected Plays
(2009)
This collection groups together four plays - The Bite, Things Fall in Place, The Will and The Imprisonment of Sende Ghandi - written between 1995 and 2006. The plays in this volume dramatize a comprehensive world view. Through characters and themes chosen for their power to articulate the intended message, the plays paint a convincing and at times funny picture of human beings tussling with daily life. With clearly non-reductionist purpose, the actions all eschew the narrow minority questions so dominant in Cameroon Anglophone drama and instead reach out to concerns of a broader nature. In these plays Nyamndi does more than entertain. He reaches into the psychology of human relations and individual drives, and intimates responses to occasioned challenges. His wide, penetrating mind meanders in society: detecting the drunk before he takes his first drop; uncovering the embezzler even before he lays his hands on the collective holding; steeling the masses before the calamities of misrule descend on them; hoisting the flag of freedom long before revolutionaries come anywhere near the mast. He uses the play for healing purposes.
In Cameroon and Africa, lakes are sacred and often secret places. They fascinate curiosity and have often served as repositories of local histories, memories and dreams. In Mystique, Bime offers the reader a rich and seductive menu of reflection on the significance of legends and myths on and around lakes in Cameroon, Ghana, Benin and Tanzania. She tells her stories with the talent and elegance of a writer who does not only have an ear for what others tell her but who also has the ability to transform what she hears into something uniquely hers and truly universal. Mystique is a must-read and an opportunity for progeny to keep alive a tested and cherished heritage of story-telling. This is truly innovative and culturally relevant entertainment that invites the reader to unchain her spirit to explore. Beatrice Fri Bime, an international management consultant, who enjoys humanitarian affairs, holds a Master of Business Administration (MBA) degree from the University of Wisconsin-Whitewater, USA. A Cameroonian, she has worked in Banking, government, national and international organizations and is author of Some Place, Some Where. She lives with her family in Yaounde.
No Love Lost
(2008)
No Love Lost is a tale of troubled times in which the storyteller strives to return to wholesomeness a society whose values have jumped the rail. Set in the 'No Man's Land' of Ongola, the novel unravels the corruption and influence-peddling endemic in this African country. Framed around the travails of an unemployed university graduate, the story is the gripping depiction of one man's vendetta against a society at odds with itself. Among others, the novel explores the themes of identity crisis, political gerrymandering, individual and collective greed, love and marriage, and class exploitation to weave an enduring tapestry of great human interest. Written against the backdrop of nascent neo-colonialism No Love Lost combines the traditional and the modern; the private and the public to demonstrate that the quest for truth and justice behooves all and sundry. The author infuses the narrative with oral traditions to capture the reader's attention in a compelling style. This is a refreshing work by a writer whose heart throbs for his people and their plight.
Second Engagement
(2009)
Second Engagement is an enthralling tale of triangular love and the quest for fulfillment. Framed around Gabby and Lizzy, the narrative unravels the secrets surrounding relationships of love. Susan Nde explores the pleasures and tensions of how two individuals in love handle the obstacles on their path to being together. In an exceptionally lucid and graceful style, she weaves an enduring tapestry of great human interest, from divergent dreams, which converge at the point of acceptance and tolerance.
Predicaments
(2011)
In this juvenalia, his first collection of poems, Francis Nyamnjoh takes the reader back in time, even as the past catches up with the present, to show how unchanging and even painful life can be. Accordingly, the poems celebrate, mourn, ridicule, lambast, and lament, thereby highlighting Nyamnjoh's characteristic fascination with the plight of the person in society, a picture which reaffirms his already established role as the conscience of spaces, especially those African.
Stories from Abakwa
(2007)
Childhood and growing up in Mimboland, Cameroon are infused with fascinating stories and adventures. Discover life in Abakwa with Tom and his friend, as they are chased through an orchard for secretly harvesting avocadoes and mangoes. Smile as Mathias Chi's overloaded canoe almost loses balance. Shiver as Roland runs through the dark streets and bleeding corridors of Mvog Mvog. And cry when Big Brother discovers how his siblings suffered when he was away at school. What happens to Esther when she finds the courage to make an announcement at the Abakwa Mountain Foot Radio Station about her husband's disappearance? Will Prudencia and Collette kill or give life? How does Prisca Lum deal with her dwarf husband? Some characters will remind you of people you know - or even of yourself. Drum beats and church bells, thunder and lightning, princes and princesses, visions and deceptions fill the pages. Discover your favorite stories waiting to be told and retold, again and again.
The Fire Within
(2008)
In Africa, there is unrest, and possibly tragedy, when new trends clash with traditional values. With a curmudgeonly stepmother who harasses her even as she spoils her own biological daughter, Mungeu', the protagonist, blazes a path for herself in the face of many odds. But things go terribly wrong when she falls pregnant. The dilemma of whether or not to keep the pregnancy, given society's expectations, flings this young woman into direct confrontation with a life that is beyond her years. She is bent on succeeding: she will keep her baby, and with her training at a girls' craft center, start a business and bring up her illegitimate child. But Mungeu' can only make plans as she realises before long that the authority to dispose of them does not rest with her alone; there are other powerful forces out there.
Oriki'badan
(2009)
ORIKI'BADAN, is an entertaining, revealing, and equally didactic poem in which Doh, through an enchanting metaphorical backdrop, recaptures a memorable era-rich, diverse, challenging, yet gratifying-in the life of a distinguished institution-the University of Ibadan, Nigeria. Characteristically bitter about those in power and the socio-political state of affairs on the African continent, this is a rare shot of Doh paying glaring tribute to his alma mater along with the distinguished faculty and student body that gave Ibadan its character during his days there as a student.
The Crown of Thorns
(2009)
Chief Nchindia held the Elders of his Council in total contempt, inwardly vowing to disagree with them at every point where disagreement was possible. What starts like a big joke develops into grim tragedy: the statue of the god of Nkokonoko Small Monje is discovered to have been stolen and sold to a white man! The tradition demands instant execution of the culprits. Was their Chief involved in the theft? What was worse, the crime or the punishment? Linus Asong was born in the South West Region of Cameroon in 1947. With a combined B.A honours in Education, in 1980 he entered the University of Windsor in Canada whence he graduated with a terminal degree in Creative Writing. He holds an M.A and a PhD in Comparative Literature from the University of Alberta, in Edmonton Canada, and is presently Associate Professor of Literature and Creative Writing at Ecole Normale Superieure Bambili (University of Yaounde 1). Asong is a stand-up humorist, a consummate portrait painter, an accomplished literary scholar, and a celebrated prolific writer with over a dozen novels to his credit.
' The United Nations-organised plebiscite on 11 February 1961 was one of the most significant events in the history of the southern and northern parts of the British-administered trust territory in Cameroon. John Percival was sent by the then Colonial Office as part of the team to oversee the process. This book captures the story of the plebiscite in all its dimensions and intricacies and celebrates the author's admiration for things African through a series of reminiscences of what life was like in the 1960s, both for the Africans themselves and for John Percival as a very young man. The complex story is also a series of reflections about the effect of the modern world on Africa. It is a thorough, insightful, rich and enlightening first-hand source on a political landmark that has never been told before in this way. In a vivid style with a great sense of humour, Percival's witty, cogent, eyewitness and active-participant account deconstructs the rumours and misrepresentations about the February 1961 Plebiscite which was a prelude to reunification and to the present day politics of 'belonging' in Cameroon. ''One of the major merits of this book is to provide us with a deeper insight into the role of those actors who have never been the subject of plebiscite studies, namely the Plebiscite Supervisory Officers.'' - Piet Konings, African Studies Centre, Leiden, The Netherlands John Percival-Anthropologist, Writer, Television Broadcaster of many innovative BBC series on the environment, history and anthropology. As a young graduate he was recruited and sent to serve in the Southern Cameroons as a Plesbiscite Supervisory Officer in 1961. He died in 2005 after a recent return visit to Cameroon with Nigel Wenban-Smith who writes an epilogue. This posthumous memoir has been edited by his wife, Lalage Neal.'
Precipice
(2008)
Madam Essin stood watching the young people holding each other. She looked at the young man who was her son. How handsome he looked. When he smiled he had that elusive curve on his lips that reminded her of her husband. She had been unable to resist that curve of the lips even after eight years of marriage. When her husband smiled she had the feeling he was looking down on her in amused condescension. This used to annoy her but she could not resist the charm he exuded. Now here she was an abandoned wife with an estranged son. Her thoughts roved as she watched them, plunging into the past, the present and the future. The girl brought back the past. She wished she could obliterate that past from her life and her son's. In Precipice, Susan Nkwentie Nde, in her first novel, has a way of weaving past intrigues and present emotions to keep all guessing about what will be. She opens up her characters for the reader to enter and inhabit their minds and bodies in a compelling story of love and estrangement, happy accidents, quest and survival.
Not Yet Damascus
(2007)
A literary monument erected by a poet for poets with a vision for poetry as a special annunciation and the poet as a seer, spokesperson, recorder, analyst, adjudicator and advocate with poetic vision and poetic understanding. Bill Ndi, the poet has the rare gift of slipping into the self and psyche of his society to empty the dark depths where the treasures of burden and sadness are hidden. He empties and exposes them to the world to see how even personal repression of feelings by far outweighs those imposed throughout History by tyrants. It is above all, his greatest task of filling these depths with the joys and expectations of the society. This objective stance by the poet places him above the fanatic whose subjectivity pushes the world adrift and makes of the poet a universal man of peace.
Tale of an African Woman
(2008)
The village of Yakiri has been cursed by ancestral wrath because of the treatment of Yaa, the first girl who wrestled her male goatherd peers to earn the right to be initiated into the society of manhood. Her struggle is taken up generations later by Yaya, the granddaughter of Tafan and Wirba. Orphaned like her forebear, Yaya becomes a star student in the village's primary school and promises to go far. But, ask the villagers, is it right to invest in an education for an African girl who may become the property of another village? An educated woman will abandon the farm where she is needed, wear high heels and try to order men around! In the midst of it all, one Irish missionary, living in Africa and for the most time with Africans, literally wiggles his way into hearts and minds. With his intervention, Yaya leaves the village to school in the city, but her troubles as a woman have not really begun. Yarns of cultural borrowing, indigestion and transcendence reveal the simple and complex ways in which community matters are confronted and decided. This happens in shrines where seers are consulted and cowry shells thrown, in palm wine houses, but also around the school and presbytery. The untold stories and perspectives of girls and women burst through in illuminating and uplifting ways. Quarrels, squabbles, near collisions and mutual conversions give way to innovative traditions.
The Convert : A Two-Act Play
(2007)
' ''This play tackles the theatrically attractive but ethically complex issue of Christian fundamentalism. Nyamnjoh, as a sociologist is well qualified to explore the social problems and psychological pressures which give rise to the born-again phenomenon, and the strong appeal of fundamentalist religion. The Convert, however is no schematic sociological tract. It deals with the conflicting imperatives in 21st century West Africa, which push ordinary people into extraordinary situations, and provides no easy solutions to the issues raised. Although the play revolves around the Ultimate Church of Christ and the four main characters affected by it, the audience is given a deftly sketched picture of a corrupt world beyond it, lacking in spiritual or community values. [..] The characterization. is remarkable for its avoidance of any obvious protagonist; the audience is allowed no clear character with whom to identify. The four main characters . have both virtues and flaws, each providing insights into ways the consumer-oriented materialism of modern life impacts upon African spirituality and community values. - David Kerr, Professor in Literature and Drama, University of Botswana ''''At the core of the implicit philosophy in Nyamnjoh's The Convert . is the theatrical manifesto that contemporary society has not only to liberate itself, and its productive powers from 'Pentecostal', freak religions and distortion, it also has to liberate these same productive capacities from their present prostration. There is a deep, engaging humanism that pervades The Convert, but it is a humanism emblematic, to speak analogously, of the Aeschylean variety.'''' - Bate Besong, Africa Review of Books.'''
The Barn
(2008)
As a veteran playwright and actor, Kwo Victor Elame Musinga is more than just a pioneer in popular theatre. His simple but profound messages demonstrate a depth of understanding and insight into human nature and the nature of society. The texts he crafts are universal and timeless in their content and appeal, even as the themes and situations that inspire them are localized in specific places, experiences and histories. The Barn is a collection of three topical plays. Njema captures the predicament of love in a context where innocence and trust are preyed upon by deceit, dishonesty, promiscuity, waywardness, callous indifference to human life, the reckless abandon of parental authority and wisdom by youth in a hurry to celebrate sexuality, irresponsible manhood with or without the connivance of girls/women, and HIV/AIDS and its terror. Invitation to God addresses elitism and fair-weather friendship even among believers. In Moka, the theme of friendship is explored through the simple act of dishonesty and greed, especially to those with whom one should be nothing but virtuous, open, generous and kind. In these plays Kwo Victor Elame Musinga explores the virtues of being human, while addressing the dark side of humanity.
Souls Forgotten
(2008)
' ''One day, Mama Ngonsu told her son: ''''Normally, a child grew up and stayed around to help his parents. The world has changed, and things are no longer as they used to be. Things must not be normal all the time, otherwise life would not be life.'''' When Emmanuel Kwanga gets a University scholarship, he travels from the lake and hills of Abehema to the Great City. Everyone in the village has invested in him their hopes for the good life. When the life they've imagined is cut short by the University guillotine, Emmanuel Kwanga must struggle to make sense of what the good life means - for himself and for Abehema - in a world where things are no longer as they used to be. This novel is about coming of age and coming to terms in Mimboland. It is also about the fragility of life and the strength of the human spirit. The filth and screaming splendor of the city and the perplexed tranquility of the village are juxtaposed, as the tension and conviviality between tradition and modernity are lived and explored. Roads and drivers, dreams and public transport link different geographies. Faltering along or speeding away, these spaces of risk, frustration and solidarity are filled with popular songs as vehicles for understanding events and relationships. With every crossing of the Pont de Maturit? the story flows, and its mysteries surge. In this novel, the worlds of the living and the dead intermingle, as do the natural and the supernatural, the visible and the invisible.'''
Salvation Colony
(2009)
Dennis Nunqam Ndendemajem, the spectral social misfit of No Way To Die, having failed to die by suicide, is pursued by the hatred of friends and family relations. He seeks refuge in The Salvation Colony of the Angels of Limbo Church of Africa - a veritable paradise for all whom society has sidelined and whom chance or choice have led thereto. Refuge Dennis finds at the Salvation Colony, thanks to the kindly founding spiritual and material patron, the highly reputable but extremely devilish Pastor Sixtus Shrapnell, fondly referred to as Our Father. At the Colony, though completely dehumanized, Dennis maintains self-value and something to live for in life - God. In dispensing so completely and successfully with any authorial presence in this extremely rare but deeply psychological novel, Asong pushes the art of African fiction to a great new height. The novel shows his intellectual and perhaps formal vortex. His iridescent flushes of exquisite know-how in art, philosophy and psychology make the work worth a thinker's time.
Son of the Native Soil
(2009)
Son of the Native Soil is a work whose quiet maturity glows in both subject and style. Here, love heals but the force of hate is very real. The hero, Lucas Achamba, by charisma and love undertakes to unite Dudum clan which politicking and egotism have split. His quick success stirs bitter rivalry and heartless cruelty that decide his fate. Nature is jumpy and even hysterical at this, and Ambanasom exposes it with fine evocative mastery. The style is refined and honeyed by sonal devices and visual tropes that half conceal subtle slashes at human foibles.
Mind Searching
(2007)
In Mind Searching Nyamnjoh has attempted to do something rather clever - to expose, through the attitudes, feelings and thoughts of one man and a very simple story, the hypocrisy and corruption of Cameroon society and humanity in general, often using understatement and irony in good effect. The commentary is unremittingly cynical and returns again and again to corruption, callous squandering, exploitation, prostitution, and other fairly worn butts. The book depicts a society where basic freedoms are shackled, and thinking aloud treasonable. Hence the mental ramblings of the narrator and central character Judascious Fanda Yanda, in the form of an extended monologue full of observations, anecdotes and asides written from the point of view of an apparently insouciant naive. The basic method is to foreground the opinions and conversational elegance of the narrator, while having events going on as a background to his thoughts. We trace the narrator's progress from a disenchanted 'Damn? de la Terre' to a comfortably well off Private Secretary to a Vice Minister over a number of years. It is a clear illustration of how the system perpetuates its mediocrity and buys off any spark of initiative. Nyamnjoh has a good command of ironic tone and sound control over form and structure. He employs a very fluent style, and often has very urbane and neat turns of phrase. He captures the bored, superior, cynical and ultimately predatory tone of voice of his narrator extremely well.
The Bad Samaritan
(2009)
The Bad Samaritan is set in a kleptomaniac and highly corrupt imaginary African country called Ewawa. Due to mismanagement, financial institutions collapse. Salaries are slashed and there is unprecedented unemployment leading to country exodus. Professor Esole and his wife are not only aggrieved by the salary slashes, but also by the dubious closure of the Post Office Savings Bank with their savings. Desperate for money, they resort to borrowing from private sources at exorbitant interest rates. Esole toddles into politics with the aim of righting things. Will his nai͏̈ve approach to politics make or mar?
Perspectives on Translation and Interpretation in Cameroon is the first volume of a book series of the Advanced School of Translators and Interpreters (ASTI) of the University of Buea. It opens a window into the wide dynamic and interesting area of translation and interpretation in a multilingual Cameroon that had on the eve of independence and unification opted for official bilingualism in French and English. The book comprises contributions from scholars of translation in the broad area of translation, comprising: the concept of translation and its pedagogy, the history of translation and, the state of the art of translation as a discipline, profession and practice. The book also focuses on acquisition of translation competences through training, and chronicles the history of translation in Cameroon through the contributions of both Cameroonian and European actors from the German through the French and English colonial periods to the postcolonial present in their minutia. Rich, original and comprehensive, the book is a timely and invaluable contribution to the growing community of translators and interpreters in Africa and globally.
Stranger in his Homeland
(2010)
Stranger in His Homeland completes the long-awaited trilogy of Linus Asong's fictitious village of Nkokonoko Small Monje, separately treated in The Crown of Thorns and its sequel A Legend of the Dead. However, it leads us back not to events after A Legend of the Dead, but to the crisis that created the passionately exciting The Crown of Thorns. Honest, enthusiastic, arrogant and self-righteous, Antony Nkoaleck, the first graduate of his tribe means well. But his society, entrenched in corruption, sees things differently and therefore judges him according to its own norms. Just one or two errors on Antony's part are enough to cost him his job with the government, the coveted throne of Nkokonoko Small Monje, and finally his life. It is a sad story, strongly reminiscent of Myshkin's fate in Dostoevysky's novel The Idiot, a story in which the Russian novelist vividly shows the inability of any man to bear the burden of moral perfection in an imperfect world.
The Disillusioned African
(2007)
This humorous tale of the na?ve and curious African student-cum-philosopher wandering between North and South, the rural and the urban, has been in gestation for a period of nearly two decades. With allusion to traditions of the philosophical novel and the picaresque, Nyamnjoh's protagonist travels from his African village to the sharply divided and socially cruel world of 1980s Britain. By casting aside his disillusion and the traps of servitude and victimhood, The Disillusioned African reveals his creative potential for curiosity and adventure. He brings a bird's eye view, always affectionate, gently mocking, to the cultural idiosyncrasies of the new world he encounters, which throws his own African culture, politics and socio-economic realities into light relief. Praise for The Disillusioned African 'Whatever the imagined future for Africa, this courageous book will certainly provide, for both its foreign readers and the young generation of Cameroonians, a provocative insight into the complex web of despair, frustration, paradox and hope . on the eve of the 21st century.' - Louise Cuming, Catholic University of Central Africa 'In his characteristically humorous style, Nyamnjoh portrays the various social ills in society and castigates the political elite he holds largely responsible.' - Piet Konings, African Studies Centre, Leiden, The Netherlands. 'Francis Nyamnjoh . has a particular way of saying very serious things in the most unserious manner. He entertains, and in the process he moralises, he teaches, he gives you lessons. learning experience and philosophy to give you a view of the dilemma of the African.' - Sammy Beban Chumbow, Professor of Linguistics, University of Yaounde I
Civil society and empowerment have become buzz words in neoliberal development discourse. Yet many unanswered questions remain on the actual nature and configuration assumed by civil society in specific contexts. Typically, while neoliberals perceive civil-society organisations as vital intermediary channels for the successful implementation of desired economic and political reforms, they are inclined to blame the current resurgence of the politics of belonging for the poor record of these reforms in Africa and elsewhere. This book rejects such notions and argues that the relationship between civil society and the politics of belonging is more complex in Africa than western donors and scholars are willing to admit. Konings argues that ethno-regional associations and movements are even more significant constituents of civil society in Africa than the conventional civil-society organisations that are often uncritically imposed or endorsed. He convincingly shows how the politics of belonging, so pervasive in Cameroon, and indeed much of Africa, during the current neoliberal economic and political reforms, has tended to penetrate the entire range of associational life. This calls for a critical re-appraisal of prevalent notions and assumptions about civil society in the interest of African reality. Hence the importance of this book!
Doughty human rights crusader, Albert Mukong was incarcerated for six years in some of Cameroon's worst detention centres under the despotic regime of late President Amadou Ahidjo. This book details his personal account of the discipline and punishment that the Cameroonian state has systematically dished out to dissidents who have dared to stand their ground. Until his death in 2004, Albert Mukong was without doubt, Anglophone Cameroon's most conspicuous political prisoner, spokesperson and champion human rights advocate. The particular detention he recounts in this book is evidence of how nationalists such as Ruben Um Nyobe, Ernest Ouandie, Bishop Ndongmo and others, have in their struggles sacrificed enormously so that freedom and democracy might see the light of day in their reluctant Cameroon.
Initially considered something of a black sheep within the Anglophone Cameroon literary genres, the Anglophone novel has gradually grown to carve out a respectable niche for itself in the Anglophone Cameroon sub-system, imposing itself in a way that makes it impossible for critics to ignore it. Now a vibrant genre, it even threatens to overtake drama and poetry, both of which have enjoyed more critical attention. This book is a study of how Anglophone Cameroon has contributed in extending the possibilities of the novel as a literary form, and of some of the established conventions necessary for a fruitful evaluation of the growing body of the Cameroonian novel in English. In this eclectic and compelling book, Ambanasom sets out to achieve three primary objectives: to introduce the reader to the extensive body of Cameroonian novels in English, to re-examine the distorting and limiting criteria upon which the critical assessment of the Cameroonian novel in English has so far been based, and to bridge the widening chasm between literary theory and actual critical practice. To achieve these objectives, Ambanasom begins by elaborating an alternative and flexible theoretical framework which he christens the 'Socio-Artistic Approach' and which, according to him, is 'concerned with both a text's thematic, moral, cultural or ideological issues, on the one hand, and its central literary analysis, on the other.' He then proceeds to use this new critical framework to examine twenty-seven major Cameroonian novels in English. There are critical voices, already emerging within the Anglophone Cameroonian literary circles, calling for rigorous teaching and practice of theory in the interpretation of literary works, setting in motion a critical discourse. Such a call is salutary, and welcome. Those university lecturers whose responsibility it is to teach theoretical courses should take this call very seriously, moving from theory to hands-on practice. This book is Ambanasom's contribution to that critical debate.
No Way to Die
(2009)
What happens when a young man of talent and visions of greatness falls victim to a cruel set of circumstances over which he has no control? No Way to Die is such a story. Dennis Nunqam Ndendemajem gives up! Even when he is given a second chance to start again, he refuses to gather the broken pieces of his life together. He refuses to rebuild, and refuses to live. But he also finds no way to die.
The Akroma File
(2009)
Faced with debts at home and threatened by poverty, Akroma a brilliant and well-educated Ghanaian, using unorthodox means, successfully gets into Cameroon. He is bent on making a fortune. Drawing on his tremendous presence of mind and, capitalising on the early discovery that in Cameroon there is no conscience that money cannot buy, this illegal alien, travelling under three criminal identities, builds up a great amount of wealth. But he cannot buy the entire police force. One police man, Inspector Kum Dangobert, will get even with him, even if it means death. The rest of this very readable novel is about what happens when the Ghanaian evil genius is pitted against the best Cameroonian police superintendent. It is the clash of giants that ends in a cataclysm.
The Death of Asobo-Ntsi
(2011)
This novel re-visions history through narrative fiction: the history of his people that has long been silenced and distorted as a colonial strategy, the history of an African community at the crossroads. Asobo-Ntsi, the stubborn yet proud Fon of Nyen, is faced with some challenges amongst which are: his seven- and nine-man council that is not happy with his dictatorship and tax laws, a disgruntled quarter that attempts to secede, and also, the encroaching colonialist, Nwuoupang, with his church and administration. How Asobo-Ntsi handles these challenges is expressed powerfully and movingly with great narrative artistry that absorbs the reader and keeps him/her enthralled to the end.
This book richly documents the battles fought by the Anglophone community in Cameroon to safeguard the General Certificate of Education (GCE), a symbol of their cherished colonial heritage from Britain, from attempts by agents of the Ministry of National Education to subvert it. These battles opposed a mobilised and determined Anglophone civil society against numerous machinations by successive Francophone-dominated governments to destroy their much prided educational system in the name of 'national integration'. When Southern Cameroonians re-united with La R?publique du Cameroun in 1961, they claimed that they were bringing into the union 'a fine education system' from which their Francophone compatriots could borrow. Instead, they found themselves battling for decades to save their way of life. Central to their concerns and survival as a community is an urgent need for cultural recognition and representation, of which an educational system free of corruption and trivialisation through politicisation is a key component.
Royalty and Politics is the fascinating autobiographical account of a life rich in controversy, leadership, service, achievement and innovation. Born 1925 into the prominent and influential royal family of Mankon in the Bamenda Grassfields of Cameroon, Solomon Anyeghamotü Ndefru least expected becoming king, only to find himself the chosen one following the death of his father in 1959. As Fo Angwafo III of Mankon, one of the most educated 'traditional rulers' at the dawn of independence, he succeeded into Parliament first as an independent, and subsequently as a member of the Cameroon National Union. He has served as First National Vice-President of Paul Biya's Cameroon People's Democratic Movement since 1990. In this unique, analytical and insightful reflection 50 years into his reign, Fo Angwafo III discusses growing up in colonial times; his surprise appointment as king; the 1961 Cameroon Plebiscite and his initiation into politics; being king and politician; coping with the hostility of the modern power elite towards his active involvement in politics; churches, schools and politics; life as an agriculturist; and investments in tending the Kingdom of Mankon. He argues that the best way of consolidating traditions is to make them modern, and that modernity can only make sense to the extent that it is firmly grounded in traditions. In many ways he feels his life encapsulates this negotiation and reconciliation of continuity and change.
Someplace, Somewhere
(2009)
Someplace, Somewhere is an exemplary piece of socio-political satire. It is a collection of short reflective stories that highlight the predicament of a people and exposes the ills of a society where neglect and decay are the nauseating lure and allure of everyday life. Carefully knit, this collection vividly provokes the nostalgia of the round-the-hearth rural evening story-telling atmosphere of yesteryears. Indeed, Bime has this knack for the fine details of story-telling, which blends so magically with her flare of crude humour, a combination that makes her social satire simply irresistible.
Shadows From The Abyss
(2009)
This is the first volume of a patriotic poet whose heart is on fire. The poems touch on a variety of issues, some personal and private, other public - past and current. They range from family, love and longing; friendship and marriage, to culture, politics, corruption and death. They are cadenced and vibrant with different emotions: nostalgia, regret and outrage; loss, pain and pathos tinged with a touch of wistfulness and irony. In style and themes, they reveal a keen observer, a budding poet struggling to find her stride; to mine the shallows and the deeps of human experience, to give a unique expressive voice to the human condition. With a wide range of emotions, Mbunda touches on a variety of turbulent issues muddying the waters. But she is not without hope; she believes the volcano will only erupt if her call is unheeded.
The personality of the highly charismatic foremost African Nationalist, Kwame Nkrumah as featured once in a while in Ghanaian fiction. For example, the celebrated Ghanaian novelist, Ayi Kwei Armah draws attention to the corrupt nature of the Nkrumah regime in his famous novel, The Beautyful Ones Are Not Yet Born. But this is by far the very first time that Kwame Nkrumah and his era have been made the main subject of a full-length novel.
The collaborative context of language learning in Teletandem (TELLES; VASSALLO 2006) involves the principles of autonomy, reciprocity and separation of languages, as well as the mediation of the partnerships (in Vygotskian terms). This article aims to discuss the formats of teletandem mediation, by focusing on the strategies used to reconcile the management of interactions (SALOMÃO 2008) through reflective journals in our specific educational context This qualitative investigation is based on the analysis of a corpus of reflective journals produced after teletandem sessions by Brazilian students and the feedback offered by the mediators. The Brazilian participants wrote journal entries after practicing teletandem with speakers of the following foreign languages: English, German, Italian, and Spanish. They address a wide range of topics, covering aspects of technology, foreign language learning, methodological issues, as well as comments on the relationship with their partners. The data suggest great potential of the journals and the feedback for participants, mediators and coordinators to evaluate specific issues of collaborative language learning in the teletandem, as well as other relevant aspects for the pedagogical supervision of the project.