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When the Dar es Salaam Declaration on Academic Freedom and Social Responsibility of Academics came up in the early 1990s, African higher-education systems were in a serious, multi-dimensional and long-standing crisis. Hand-in-hand with the imbalances and troubles that rocked and ruined African economies, the crisis in the academia was characterised by the collapse of infrastructures, inadequate teaching personnel and poor staff development and motivation. It was against this background that the questions of academic freedom and the responsibilities and autonomy of institutions of higher-learning were raised in the Dar es Salaam Declaration. In February 2005, the University of Dar es Salaam Staff Association (UDASA), in cooperation with CODESRIA, organised a workshop to bring together the staff associations of some public and private universities in Tanzania, in order to renew their commitment to the basic principles of the Dar es Salaam Declaration and its sister document - the Kampala Declaration on Intellectual Freedom and Social Responsibility. The workshop was also aimed at re-invigorating the social commitment of African intellectuals. The papers included in this volume reflect the depth and potentials of the debates that took place during the workshop. The volume is published in honour of Chachage Seithy L. Chachage, who was an active part of the workshop but unfortunately passed away in 2006.
100 Papers
(2008)
Liesl Jobson's collection is aptly termed 'flash fiction' or 'prose poems'. It comprises 100 short pieces that are beautifully impressionistic - the literary equivalent of a well-times photograph. Jobson was born in Durban, South Africa. Her poetry and prose has been published in journals and anthologies in South Africa and abroad. She won the People Opposing Women Abuse women's writing poetry competition in 2005. She as also awarded a community publishing project great from the Centre for the Book under the auspices of the National Library of South Africa in 2007. This is her debut collection which won the Ernst van Heerden creative writing award for 2006 from the University of the Witwatersrand. She is a freelance writer, photographer ad bassoonist.
Out of the Wreckage
(2008)
Against the Odds
(2008)
Undaunted by hardship, a determined widow, Uridiya, arranges a wife of her choice for her western- educated only son. Little does she know that her son, Jamike, had fallen in love and married a foreigner against her wishes and the expectations of his village. In a show of love, loyalty and commitment he rejects the arranged wife to the disappointment of his mother and the community. Can his defiance succeed against all odds? Set in an Igbo village in Eastern Nigeria from the late 1950?s to early 1970?s and in the United States in the early 1970?s, the author sympathetically handles the powerlessness of the widow in rural African societies and addresses with candor and sensitivity the problems of race, human sexuality, cultural disengagement and the role of love in blurring the ?color line.? Born in Imo State Nigeria, Ben Igwe was educated in Nigerian and American Universities. He holds a Ph.D. in Library and Information Science from the University of Maryland at College Park. He has taught in Universities in Nigeria and the United States. He is currently Chief of the division of Philosophy, Psychology and Religion in the District of Columbia Public Library in Washington, D.C. He lives with his family in Adelphi, Maryland.
Although gender and non-gender scholars have studied men, such an academic exercise requires a critical and focused study of masculine subjects in particular social contexts, which is what this book attempts to do. This empirically rich collection of essays, the seventh of the CODESRIA Gender Series, deals with critical examinations of various shades and ramifications of Africa's masculinities and what these portend for the peoples of Africa and for gender relations in the continent. So much has changed in terms of notions and expressions of masculinities in Africa since ancient times, but many aspects of contemporary masculinities were fashioned during and since the colonial period. The papers in this volume were initially discussed at the 2005 month-long CODESRIA Gender Institute in Dakar. The contributors are gender scholars drawn from various disciplines in the wide fields of the humanities and the social sciences with research interests in the critical study of men and masculinities in Africa. The CODESRIA Gender Series aims at keeping alive and nourishing the African social science knowledge base with insightful research and debates that challenge conventional wisdom, structures and ideologies that are narrowly informed by caricatures of gender realities. The series strives to showcase the best in African gender research and provide a platform for emerging new talents to flower.
Fourth Child
(2008)
Megan Hall's first collection of poems, Fourth Child, has the texture of a carefully wrought, hand-stitched garment. It is something you want to bury your face in, like the familiar scented fabric of an item of clothing that belonged to a beloved who is gone. The Poems combine a dark humour and terrible grief with a lightness and restrained sensuality. Her language has the qualities of dance: uninhibited and polished, accomplished and vivid. Fourth Child shows a poet courageously facing deep feelings while being committed to accurate writing, making beautiful and living things out of the fabric of loss, grief, and emptiness.
Burnt Offering
(2008)
Burnt Offering is Joan Metelerkamp's seventh colllection of poems. The title comes from a poem in a cycle that embodies the labours of the medieval alchemists - heating and burning, transformation of passionate intensity, the search for an enduring element. In the process malignant doubt is burnt off, and what takes its place is trust in the everyday: 'take this day, here, take it all its clarity, all its gold' - Like all of Metelerkamp's work, these generous poems draw on and weave together, with her distinctive energy and passion, the details of family and rural life, dreams, landscapes and journeys.
Life in translation
(2008)
Azila Talit Reisenberger is a Bible scholar, a rabbi, a mother, a wife, and a poet. In all these selves she grapples with translating her life from Hebrew to English and back again. Life in Translation is full of wry humour, longing, bitterness, sweetness, playfulness, and subversions of traditional meanings and texts - a delightful book that charms and surprises anew with each reading.
Women Writing Zimbabwe
(2008)
The fifteen stories in Women Writing Zimbabwe offer a kaleidoscope of fresh, moving, and comic perspectives on the way in which events of the last decade have impacted on individuals, women in particular. Several stories (Tagwira, Ndlovu and Charsley) look at the impact that AIDS has on women who become the care-givers, often without emotional or physical support. It is often assumed that women will provide support and naturally make the necessary sacrifices. Brickhill and Munsengezi focus on the hidden costs and unexpected rewards of this nurturing role. Many families have been separated over the last decade. Ndlovu, Mutangadura, Katedza, Mhute and Rheam all explore exile's long, often painful, reach and the consequences of deciding to remain at home. In lighter vein, but with equal sharpness of perception, Gappah, Manyika, Sandi, and Holmes poke gentle fun at the demands of new-found wealth, status and manners. Finally, Musariri reminds us that the hidden costs of undisclosed trauma can continue to affect our lives for years afterwards. All of the writers share a sensitivity of perception and acuity of vision. Reading their stories will enlarge and stimulate our own understanding.
Gender studies in Zimbabwe have tended to focus on women and their comparative disadvantages and under-privilege. Assuming a broader perspective is necessary at a time when society has grown used to arguments rooted in binaries: colonised and coloniser, race and class, sex and gender, poverty and wealth, patriotism and terrorism, etc. The editors of Manning the Nation recognise that concepts of manhood can be used to repress or liberate, and will depend on historical and political imperatives; they seek to introduce a more nuanced perspective to the interconnectivity of patriarchy, masculinity, the nation, and its image. The essays in this volume come from well-respected academics working in a variety of fields. The ideals and concepts of manhood are examined as they are reflected in important Zimbabwean literary texts. However, if literature provides a rich vein for the analysis of masculinities, what makes this collection so interesting is the interplay of literary analysis with chapters that provide a critical examination of the ways in which ideals of manhood have been employed in, for example, leadership and the nation, as a justification for violent engagement, in the field of AIDS and HIV, etc. Manning the Nation: Father figures in Zimbabwean literature and society sets the stage for a fresh and engaging discourse essential at a time when new paradigms are needed.
Intwasa Poetry
(2008)
Intwasa Poetry is a book of memorable poems from inside and outside Zimbabwe. The fifteen poets who are brought together in this collection have all read from their work at the Intwasa Arts Festival koBulawayo. There is a diversity in their work. The poems of love, of sensuality, of humour, of compassion, of yearning, of sadness, of loss and of outrage. They range from the intensely personal to reflections of life at this pivotal time in Zimbabwe's history.
' Dancing with Life is a collection of short stories by Christopher Mlalazi. He has had stories published in anthologies inside and outside Zimbabwe, this is his first collection. ''Christopher Mlalazi may well be the most promising young writer in Zimbabwe today. His fiction captures the edgy energy of townships where young people have learned to be light on their feet, their dancing born of economic necessity and mocking disrespect for traditional authority. Mlalazi depicts contemporary life in Zimbabwe with an uncompromising determination to explore grievous social wounds and with a creative panache that will win him readers within and beyond his home country.'' - Patricia Alden, Professor of African Literature, St Lawrence University ''Christopher Mlalazi is the rising voice of the ghetto, with all its violence, sharp anger, bitter protestations and tangible promise of a better tomorrow.'' - Raisedon Baya, Writer and Columist ''This collection sparkles with wit, sizzles with style and dances with life. It is a welcome addition to Zimbabwe's growing canon and will be read and enjoyed for years to come.'' - Petina Gappah, Writer and Critic'
Long Time Coming brings together short stories and poems from thirty-three writers that provide snapshots of this turbulent period in Zimbabwe's history. Snapshots of living in a country where basic services have crumbled: where shops have no food, taps no water, banks no money, hospitals no drugs, bars no beer. Snapshots of characters surviving against seemingly insurmountable odds. Horrific snapshots of the abuse of power, of violence and oppression, of the destruction of dreams. But this is Zimbabwe and there are lighter moments and moments of hope: in some of life's simple pleasures, in the coming of the rains, in the wink and the smile of a stranger, in a challenge to patriarchy, in the inner strength of the people, in fighting back. The writers are Raisedon Baya, Wim Boswinkel, Diana Charsley, Brian Chikwava, Julius Chingono, Mathew Chokuwenga, Bhekilizwe Dube, John Eppel, Peter Finch, Petina Gappah, David Goodwin, Anne Simone Hutton, Monireh Jassat, Ignatius Mabasa, Fungai Rufaro Machirori, Judy Maposa, Deon Marcus, Christopher Mlalazi, Gothataone Moeng, Wame Molefhe, Linda Msebele, Mzana Mthimkhulu, Peter Ncube, Thabisani Ndlovu, Pathisa Nyathi, Andrew Pocock, John S. Read, Bryony Rheam, Lloyd Robson, Ian Rowlands, Owen Sheers, Chaltone Tshabangu and Sandisile Tshuma.
Target2-Securities (T2S) is a project of the Eurosystem (central banking system of the Euro area) aiming to create a common platform to settle securities transactions in central bank money. This platform is another step of the European Union towards harmonization of capital markets and enhancement of competitive conditions in the Euro area. T2S is planned to go live in 2013 and to operate on a full costrecovery and non-profit base.
Inauguration of the newly constructed House of Finance of Goethe University Frankfurt am Main
(2008)
A RECENT SURVEY SHOWS THE IMPORTANCE OF DEDICATED GOVERNANCE STRATEGIES FOR MANAGING SERVICE-ORIENTED ARCHITECTURES IN BANKS. IN ORDER TO IMPLEMENT NOVEL GOVERNANCE STRATEGIES, THE EXISTING IT ORGANIZATION HAS TO BE ADAPTED ACCORDINGLY. THIS REPORT PRESENTS ENHANCEMENTS OF CLASSICAL IT ORGANIZATIONS.
The correspondence between the terminology used for querying and the one used in content objects to be retrieved, is a crucial prerequisite for effective retrieval technology. However, as terminology is evolving over time, a growing gap opens up between older documents in (long-term) archives and the active language used for querying such archives. Thus, technologies for detecting and systematically handling terminology evolution are required to ensure "semantic" accessibility of (Web) archive content on the long run. As a starting point for dealing with terminology evolution this paper formalizes the problem and discusses issues, first ideas and relevant technologies.
This article focuses on the ius theutonicum Magdeburgense, its meaning and functions, attempting to understand what ius theutonicum meant for contemporaries. It starts with the present interpretation of the term. This is followed by a detailed analysis of the available medieval privileges for Magdeburg law issued for towns in Galician Rus’. The result was not an identification or "reconstruction" of a particular "law" or combination of different "laws" adopted in town courts of Galician Rus’ under the term ius theutonicum. It was rather the recognition that the notion called ius theutonicum in medieval documents was an adaptable pattern applicable to different conditions, a model with many variants or a general set of principles which was filled with real content and adapted to concrete circumstances.
The partial faunal reserve of Pama is situated in the province of Kompienga, in the South-East of Burkina Faso, with typical Sudanian savanna vegetation. Adjacent to the Arli National Park and the Pendjari National Park, it is part of the so-called WAP complex, one of the largest wildlife areas in West Africa. Up to now, only little has been known about its flora. The present study aimed at reducing this gap in knowledge, and represents an important tool for conservation and research. The list of species was compiled from the surveys carried out from 2001 to 2004, additional relevé data, and herbarium specimens. We found 450 species, which belong to 244 genera and 73 families. The most species-rich family is Poaceae (83 species), followed by Fabaceae (64), Cyperaceae (24), Rubiaceae (22), Euphor- biaceae (20), Combretaceae (15), Asteraceae (14), Caesalpiniaceae (14), Mimosaceae (12), and Convolvulaceae (11).
The following essay in comparative literature focuses on three comedies that perhaps satisfy the aforementioned conditions, namely Ludvig Holberg's 'Mascarade' of 1724, Carlo Goldoni's 'I Rusteghi' of 1760, and Georg Büchner's 'Leonce und Lena' of 1836. My interest is typological, not genealogical, i.e. I do not claim that the later authors knew the earlier dramas; for the three authors belong to different cultures and write their texts in different languages - Danish, Venetian, and German. Still, even if am not interested in the question, I cannot exclude such knowledge either. There are similarities not only in the main structure, but also in the details; and Holberg is possibly known to Goldoni and certainly to Büchner.
The following paper is about artists doing experimental and performative art who expect the spectators to become participants in the process of artwork production. The artwork is thus produced through a process of participation. As a researcher, I was similarly expected to participate in the artwork process. As I observed, the artists worked at having their agency in the artwork process recognized by the participating spectators. At the same time, the artists create a certain proximity to the spectators-participants through performing art, which I call "performing proximity." By involving the participants in their art-in-process, they make use of their agency to redefine the artworld and enlarge it into other social worlds. I also discuss how artists' ability to enact redefined social worlds can be compared to agency in performative social science and in biographical research.
Volatile organic compounds (VOCs) were analyzed in air and snow samples at the Jungfraujoch high alpine research station in Switzerland as part of CLACE 5 (CLoud and Aerosol Characterization Experiment) during February/March 2006. The fluxes of individual compounds in ambient air were calculated from gas phase concentrations and wind speed. The highest flux values were observed for the aromatic hydrocarbons benzene (14.3 µg m−2s−1), 1,3,5-trimethylbenzene (5.27 µg m−2s−1), toluene (4.40 µg m−2s−1), and the aliphatic hydrocarbons i-butane (7.87 µg m−2s−1), i-pentane (3.61 µg m−2s−1) and n-butane (3.23 µg m−2s−1). The fluxes were used to calculate the efficiency of removal of VOCs by snow, and the effect of temperature on removal efficiency. The removal efficiency was calculated at – 24◦C (−13.7◦C) and ranged from 37% (35%) for o-xylene to 93% (63%) for i-pentane. The distribution coefficients of VOCs between the air and snow phases were derived from published poly-parameter linear free energy relationship (pp-LFER) data, and compared with distribution coef- ficients obtained from the simultaneous measurements of VOC concentrations in air and snow at Jungfraujoch. The coefficients calculated from pp-LFER exceeded those values measured in the present study, which indicates more efficient snow scavenging of the VOCs investigated than suggested by theoretical predictions.
Samples of freshly fallen snow were collected at the high alpine research station Jungfraujoch (Switzerland) in February and March 2006 and 2007, during the Cloud and Aerosol Characterization Experiments (CLACE) 5 and 6. In this study a new technique has been developed and demonstrated for the measurement of organic acids in fresh snow. The melted snow samples were subjected to solid phase extraction and resulting solution analysed for organic acids by HPLC-MS-TOF using negative electrospray ionization. A series of linear dicarboxylic acids from C5 to C13 and phthalic acid, were identified and quantified. In several samples the biogenic acid pinonic acid was also observed. In fresh snow the median concentration of the most abundant acid, adipic acid, was 0.69 µg L−1 in 2006 and 0.70 µg L−1 in 2007. Glutaric acid was the second most abundant dicarboxylic acid found with median values of 0.46 µg L−1 in 2006 and 0.61 µg L−1 in 2007, while the aromatic acid phthalic acid showed a median concentration of 0.34 µg L−1 in 2006 and 0.45 µg L−1 in 2007. The concentrations in the samples from various snowfall events varied significantly, and were found to be dependent on the back trajectory of the air mass arriving at Jungfraujoch. Air masses of marine origin showed the lowest concentrations of acids whereas the highest concentrations were measured when the air mass was strongly influenced by boundary layer air.