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Erwin Wittstock (1899-1962), the writer of German expression from Romania, has created a monumental body of works (short stories and novels), which stem from German history and culture from Transylvania. The characters he created are projections of his own life. His novel Januar ’45 oder Die höhere Pflicht, reviewed in the present article from an intercultural point of view, is dedicated to the problem of deportation, a topic which was taboo in the communist regime. His work on the topic is shaped into a novel in Balzacian style, the author writing from the perspective of an eye witness. The problematic invites the description of power, of terror and of repression in totalitarian states. As member of the German community in Romania he depicts the Transylvanian multiethnic and multicultural society in his fiction. The elements of interculturality in his novel can be summarized as: social interethnic relations, imagology, respectively the outlining of the image of otherness, also on a linguistic level.
This article focuses on the phenomenon of interculturality within the framework of “Poveştile Peleşului”/”Tales of the Pelesh” by Carmen Sylva, the Poet-Queen. Being of German origin and having studied in Germany, but transposed as queen of the Romanian people to a totally different cultural space, Carmen Sylva wants to present the culture of her adoptive country to her home country. She succeeds in doing this through her own works or by translating some Romanian literary works into German, which she propagates in the German language space. Starting from a theoretical basis referring to interculturality, this article refers to the hybrid character of “Poveştile Peleşului”/”Tales of the Pelesh”, to some aspects of presenting alterity, concluding that the author is extremely interested in the culture of the Romanian people, whose language she learned, her ultimate scope being that of bringing the two cultures – the German and the Romanian culture – closer to one another.
Erinnerungsdiskurs und Identitätskonstruktion in Carmen Elisabeth Puchianus Roman "Patula lacht"
(2013)
The novel of Romanian-born German author Carmen Elizabeth Puchianu Patula lacht, was published in 2012 by the Karl Stutz Passau publishing house in Germany. The novel is hybrid in nature, with discourse oscillating constantly between the factual and the fictional, many of the events being autobiographical and rendered in the form of recollections. The present article sets out to analyse Carmen Elizabeth Puchianu’s above-mentioned novel in terms of the recollection techniques used. This study is based on research in literary and cultural theory issued over the past several years. The interference between recollection and identity – which is not regarded as an entity proper but rather as one that is built and enriched with multiple facets throughout the narrative – is also investigated.
The book Dante und das Gedächtnis [Dante and Memory], published in 2021 by Schwabe Verlag Basel, is a complex interdisciplinary study addressing the issue of memory in the works of the medieval Italian writer and philosopher Dante Alighieri. The study is focused on a “historical approach”, but the investigation of the Commedia and Vita Nova makes use of narratological concepts as well. Monaco sets out to identify and interpret the reflections on memory present in Dante’s work.
The well-documented and systematized study comprises a lot of new information about the poet, politician, and exile Dante Alighieri
Background: The COVID-19 pandemic has spurred large-scale, inter-institutional research efforts. To enable these efforts, the German Corona Consensus (GECCO) dataset has been developed previously as a harmonized, interoperable collection of the most relevant data elements for COVID-19-related patient research. As GECCO has been developed as a compact core dataset across all medical fields, the focused research within particular medical domains demanded the definition of extension modules that include those data elements that are most relevant to the research performed in these individual medical specialties.
Main body: We created GECCO extension modules for the immunization, pediatrics, and cardiology domains with respect to the pandemic requests. The data elements included in each of these modules were selected in a consensus-based process by working groups of medical experts from the respective specialty to ensure that the contents are aligned with the research needs of the specialty. The selected data elements were mapped to international standardized vocabularies and data exchange specifications were created using HL7 FHIR profiles on the appropriate resources. All steps were performed in close interdisciplinary collaboration between medical domain experts, medical information scientists and FHIR developers. The profiles and vocabulary mappings were syntactically and semantically validated in a two-stage process. In that way, we defined dataset specifications for a total number of 23 (immunization), 59 (pediatrics), and 50 (cardiology) data elements that augment the GECCO core dataset. We created and published implementation guides and example implementations as well as dataset annotations for each extension module.
Conclusions: We here present extension modules for the GECCO core dataset that contain data elements most relevant to COVID-19-related patient research in immunization, pediatrics and cardiology. These extension modules were defined in an interdisciplinary, iterative, consensus-based approach that may serve as a blueprint for the development of further dataset definitions and GECCO extension modules. The here developed GECCO extension modules provide a standardized and harmonized definition of specialty-related datasets that can help to enable inter-institutional and cross-country COVID-19 research in these specialties.
The present text is dedicated to an anthology of German poetry from Romania, which was collected in 1980 but could not be published during the communist dictatorship and was subsequently published in 2022 to great success on the German book market. The anthology illustrates the fact that a modern movement parallel to the one in Germany emerged within the insular German-language literature in Romania, developing a set of very distinct particularities.