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Institute
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This study proposes a cross-linguistic, corpus-based, and constructionist analysis of denominal verbs (DNVs) in English, Dutch and German. DNV constructions include various morphological construction types, such as conversion (e.g. English bottle > to bottle), prefixation (e.g. Dutch arm 'arm' > omarmen 'to embrace') and suffixation (e.g. German Katapult 'catapult' > katapultieren 'to catapult'). We investigate the correlation between the distribution of DNV constructions and the typological properties of the languages, focusing on boundary permeability, inflectional complexity, syntactic configurationality and word-class assignment. The study shows that, although the three languages have the same repertoire of DNV constructions at their disposal, a Germanic cline can be detected in their preferences for non-overt vs overt marking of the word-class change. As such, the study highlights the impact of typological factors on the shape of language-specific constructional networks.
"Ausgangssperre light" und "digitales Semester" – Wortgruppenlexeme zwischen Lexikon und Syntax
(2022)
In recent years, the relation between lexicon and syntax as distinct domains has been questioned repeatedly. For all languages under discussion word-like examples that do not fit the category word have been found, so that the boundary between lexical unit and syntactic unit becomes leaky. Furthermore, relative borderlines vary from language to language. One of the problematic domains are phrasemes (phraseological units). This article concentrates on German multi-word lexemes which are very similar to compounds in respect to structure, semantics, and cognitive aspects (rechter Winkel 'right angle'). Though mostly neglected or treated peripherally, this group is not exactly small, and patterns are productive – in contrast to the rest of phrasemes. We argue in favor of a transition between words and phrases and gradient distinctions between categories and a position of the problematic examples close to compounds and rather not among phrasemes. Finally, we look at how theoretical approaches deal with the problem.
Social media, asthe fifth estate, increasingly influence public dis-courses and play a major role in shaping public opinion.Undoubt-edly, they have the potential to promote participation and democra-cy. On the other side, they also constitute a risk for democratic soci-eties, as the spread of hate speech and fake news has shown. As aresponse,forms of counterspeech organisedby civil society have emerged in social media to counter the normalisation of hate speech and democracy-threateningdiscourses. In order to influence dis-course in social media in terms of the fifth estate, counterspeech campaigns must be visible alsoquantitatively. In this ethnographic contrastive study, I analysed the activitiesof the German and Finn-ish Facebook groups of the network #iamhere international. The in-tensity and continuity of their activities is obviously influenced by their strategic organisation: conventionalised rules support them whereas lacking or inconsequent rules seemed to be counterpro-ductive.
Darlegung der strategische Entwicklung der FID der Universitätsbibliothek Johann Christian Senckenberg aus fachlicher und struktureller Sicht: in Hinblick auf ihre Rolle als Partner für die Wissenschaft, der Synergien an der UB JCS durch sechs FID und ihre Positionierung im FID-Netzwerk.
Die strategische Entwicklung der FID aus technischer Sicht wird in Hinblick auf Infrastruktur, Datenmanagement und Community-Arbeit vertieft.
FID Afrikastudien | africanstudieslibrary.org
FID Allgemeine und Vergleichende Literaturwissenschaft | avldigital.de
FID Biodiversitätsforschung | biofid.de
FID Darstellende Kunst | performing-arts.eu
FID Jüdische Studien | jewishstudies.de
FID Linguistik | linguistik.de
This dissertation investigates a special class of anaphoric form, yè, in Ewe known as the logophoric pronoun. This research makes a number of novel observations.
In the first chapter, I introduce the reader to the phenomenon under investigation as well as provide information on Ewe and its dialects and, methodology. In Chapter 2, I present the pronominal system of Ewe which is categorised into strong and weak forms following Cardinaletti & Starke (1994) and Agbedor (1996). The distribution of pronouns is outlined which sets the tone for an overview of logophoric marking. In this respect, I present variations in logophoric marking strategies cross linguistically and show that Ewe differs significantly from other pronouns in this category. In an effort to explain the deviant case of yè, I entertain the idea that yè is a pure logophoric pronoun in the sense of Clements (1975) and thus, its additional de re and strict interpretation does not imply non-logophoricity.
Chapter 3 demonstrates that yè is sensitive to contexts which portray the intention of an individual. Following Sells (1987), the antecedent of yè must have an intention to communicate. I broadly categorize logophoric contexts into reportative (direct-indirect speech) or non-reportative (speaker’s mental attitude, reporter’s observation or background knowledge of a situation). Based on this categorization, indirect speech report (Clements 1975), dis- course units such as a paragraph or an episode (Clements 1975), and sentential adjuncts such as purpose, causal and consequence clauses (Culy 1994a) are reviewed. The logophoric pro- noun occurs in the complement of attitude verbs (Clements 1975), also termed logocentric (à la (Stirling 1994)) or logophoric predicates (à la (Culy 1994a)) as well as with non-attitudinal verbs (e.g. va ‘come’ or wO ‘do’ as in sentential adjuncts). I argue contra Clements (1975) and Culy (1994a) that yè can occur with perception predicates. I further provide three new instances of non-reportative contexts which are compatible with yè namely, as-if clauses, benefactive na clauses and alesi ‘how’ clauses. I show, corroborating previous studies that contexts which are necessary for the licensing of yè include all of the aforementioned except causal clauses. Among these contexts, the complementizer be or regarding cases where there is no be, an element in C (due to the Doubly-Filled-Comp Filter (DFCF) c.f. Chomsky & Lasnik (1977)), is sufficient to license yè. Following Bimpeh & Sode (2021), yè is licensed by feature checking (in the spirit of von Stechow (2004)): be bears the interpretatble [log] feature which checks the uninterpretable [log] feature of yè. I include a redefinition of logophoricity as pertaining to Ewe.
Given the disparity found in the literature concerning the interpretation of yè: Ewedome (pronounce EVedome) has only de se readings (Bimpeh 2019); while ‘pure’ Ewe, Mina (variety of Ewe spoken in Togo) Pearson (2015), Danyi (O’Neill 2015) and Anlo (pronounced ANlO) (Satık 2019) has de re readings; chapter 4 aims at lending empirical support to the ungoing discussion by verifying the interpretation of yè. Two acceptability judgment tasks were conducted namely, truth value judgment task and binary forced choice task. The results corroborates Pearson (2012, 2015) and others’ discovery that yè has a de re interpretation in the Ewedome (contra Bimpeh (2019); Bimpeh et al. (2022)), Anlo and Tonu (pronounced TONu) dialects of Ewe.
In chapter 5, I discuss the relation between logophoricity (yè, yè a) and Control (PRO). I show that yè may be restricted to a set of verbs which obligatorily require the morpheme a ‘potential marker’ (Essegbey 2008), in subject position. This set of verbs are those that are known as control verbs c.f. (Landau 1999) in English. As a result of this restriction, research such as Satık (2019) claims that yè a is the overt instantiation of PRO in English. According to the Ewe facts, it appears as though on one hand, yè and PRO share similar properties in logophoric contexts and on the other hand, yè in combination with the potential marker, a also share properties with PRO in subject control environments. Against this background, I discuss the relation between yè, yè a and PRO and show that neither yè in isolation nor yè in combination with a, contrary to Satık (2019), is the overt instantiation of PRO. I clarify that the potential morpheme a is not cliticised or combined with the logophoric yè. The two forms are seperate morphemes. The potential marker a only shows up in control environments because a sub-class of verbs require it for grammaticality purposes. As such, the property of de se-ness does not come from yè by itself, yè a or a but rather from the sub-class of verbs which require the potential marker a...
As kindergartens and schools closed down during the first wave of the COVID-19 pandemic in Germany, two hashtags emerged on Twitter: #CoronaEltern (#CoronaParents) and #CoronaElternRechnenAb (#CoronaParentsDocumentTheCosts). In this paper, we examine the positioning practices around both hashtags as expressions of “digital activism” (Joyce 2010: VIII). One characteristic of the hashtag campaign is that political demands are hardly ever made directly. Rather, the participants resort to five main linguistic patterns: (1) they address different target groups; (2) they refer to different protagonists; (3) in the subcorpus #CoronaEltern specifically, they constitute themselves as a collective through (4) the recurring use of first-person narratives; (5) and generalization and typification. Our findings show that #CoronaParents are not just parents in times of a pandemic: #CoronaParents are only those who see themselves as such, participating in an evolving, at times misunderstood community.
Der inhaltlich umfassende Sammelband von Sarah Brommer und Christa Dürscheid bündelt vorrangig Forschungsarbeiten von Studierenden, die sich im Feld der Mensch-Mensch- und Mensch-Maschine-Kommunikation in einer sich stetig technisch weiterentwickelten Welt verorten. Die Forschungsarbeiten, die im Rahmen des Seminars "Mensch. Maschine. Vertrauen." an der Universität Zürich im Wintersemester 2019 entstanden sind, nehmen verschiedene Kommunikationssituationen und aktuelle Phänomene in den Blick, die bis dato noch als Forschungsdesiderate zu konstatieren sind: z. B. (A) Formen interpersonaler Mensch-Maschine-Kommunikation in medialen Formaten wie WhatsApp oder Tinder, (B) Perspektiven auf Streitgespräche mit Robotern oder die Frage nach Vertrauen im Umgang mit Pflegerobotern, (C) Kommunikationssituationen mit Siri oder Smart Homes und (D) Biohacking als technische Entwicklung in Bezug auf das Einsetzen von u.a. Chips in den menschlichen Körper. Insgesamt beinhaltet der Band zwölf Beiträge, die sich überwiegend zunächst aus linguistischer Perspektive den Forschungsgegenständen nähern und diese dann weiterführend in ethische Fragen und gesellschaftspolitische Zusammenhänge einbetten.
Während es jedem unbenommen ist, eine Sprache oder einen Dialekt schön oder häßlich zu finden, wird immer wieder versucht, sprachästhetische Urteile zu begründen. In diesem Essay werden Urteile über die deutsche Sprache gesammelt und linguistisch betrachtet, d.h. nicht nach den sozio-kulturellen Assoziationen, die sie auslöst (Giles/Niedzielsky 1998: social connotation hypothesis), sondern nach sprachlichen Merkmalen (inherent value hypothesis), was Versuche nicht ausschließt, sozio-kulturelle Assoziationen linguistisch zu legitimieren. Konsens scheint darüber zu bestehen, daß die romanischen Sprachen, und unter diesen besonders das Italienische, schöner klingen als die germanischen Sprachen, und unter diesen besonders das Deutsche, während das Deutsche durch Ableitung und Zusammensetzung Wortbildungsmöglichkeiten hat und nutzt, die anderen Sprachen versagt sind. Was die Aussagekraft solcher Vergleiche mindert, ist ihr Eurozentrismus; ästhetische Urteile über „exotische“ Sprachen sind noch selten.
Während es jedem unbenommen ist, eine Sprache oder einen Dialekt schön oder häßlich zu finden, wird immer wieder versucht, sprachästhetische Urteile zu begründen. In diesem Essay werden Urteile über die deutsche Sprache gesammelt und linguistisch betrachtet, d.h. nicht nach den sozio-kulturellen Assoziationen, die sie auslöst (Giles/Niedzielsky 1998: social connotation hypothesis), sondern nach sprachlichen Merkmalen (inherent value hypothesis), was Versuche nicht ausschließt, sozio-kulturelle Assoziationen linguistisch zu legitimieren. Konsens scheint darüber zu bestehen, daß die romanischen Sprachen, und unter diesen besonders das Italienische, schöner klingen als die germanischen Sprachen, und unter diesen besonders das Deutsche, während das Deutsche durch Ableitung und Zusammensetzung Wortbildungsmöglichkeiten hat und nutzt, die anderen Sprachen versagt sind. Was die Aussagekraft solcher Vergleiche mindert, ist ihr Eurozentrismus; ästhetische Urteile über „exotische“ Sprachen sind noch selten.
Funktionsverbgefüge stehen seit jeher in der Sprachkritik, die sich nun auch auf digitale Räume ausbreitet. Vertreten wird dort die These, Funktionsverbgefüge und ihre entsprechenden Basisverben seien äquivalent und könnten in allen Kontexten durch die verbalen Entsprechungen ersetzt werden. Dies kann durch die vorliegende korpusbasierte und textlinguistische Studie am Beispiel des Gefüges Frage stellen widerlegt werden. Anhand eines extensiven Datenmaterials aus den Wikipedia-Artikel-Korpora des IDS zeige ich die semantischen, grammatischen und textlinguistischen Unterschiede zwischen dem Basisverb und dem Funktionsverbgefüge im Gebrauch auf, die sich in der Anreicherung, Verdichtung, Perspektivierung, Gewichtung und Wiederaufnahme von Informationen im Text manifestieren.
In a similar way to dramatic performances and plays, song lyrics establish a complex discourse structure whereby listeners are placed in a position to overhear ‘the pretence of a conversation constructed to convey the performer’s meaning’ (Nahajec 2019: 25; see also Short 1996: 169). In Taylor Swift’s songwriting, listeners are positioned not only to eavesdrop on the narratives presented but are also invited to conceptualise and enact particular roles and scenarios in the discourse. This paper offers a stylistic analysis of songwriting and narrative structure across Swift’s oeuvre to identify how disnarration strategies are used to build stories in her two sister albums written and produced during the Covid-19 pandemic, folklore (2020) and evermore (2020). Specifically, this study examines how disnarration characterises the albums’ narrators, establishes narrator-narratee relationships and invites listeners to adopt a participatory role in the meaning-making process. Through close analysis of four songs across the two albums, this paper builds on developing studies of the stylistics of songwriting (see West 2019) and argues that disnarration strategies foreground particular themes within the discourse, such as nostalgia, wistfulness and regret, and contribute to the fictionalisation and self-aware storytelling characteristic of these albums’ storyworlds.