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This paper presents an exploratory production study of Bharatanatyam, a figurative (narrative) dance. We investigate the encoding of coreference vs. disjoint reference in this dance and argue that a formal semantics of narrative dance can be modeled in line with Abusch’s (2013, 2014, 2015) semantics of visual narrative (drawing also on Schlenker’s, 2017a, approach to music semantics). A main finding of our investigation is that larger-level group-boundaries (Charnavel, 2016) can be seen as triggers for discontinuity inferences (possibly involving the dynamic shift from one salient entity to another).
This paper argues that extant approaches to presupposition projection that either rely on strict linear order (Schlenker, 2009) or hierarchy (Romoli and Mandelkern, 2017) cannot provide a uniform account of data drawn from head-final languages. While building on Schlenker’s theory, this paper resolves the issues by restricting the calculation of local contexts to specific points in the parsing process. The consequence is that the theory makes a prediction robust to the head directionality parameter
This paper argues that traces only range over individual semantic types and cannot be type shifted into higher types to circumvent this restriction. The evidence comes from movement targeting positions where DPs must denote properties and the behavior of definite descriptions in these positions. These constraints on possible traces demonstrate that syntactic operations impose active restrictions on permissible semantic types in natural language.
We present an experiment which tests children’s comprehension of the requirements of use of pronouns and definites. An adult-like use of definites and pronouns imposes different but related requirements. In the case of definites, a unique referent is required in the context, whereas in the case of a pronoun, the referent in the context has to be salient. In this experiment, we use a novel word task to test three-year-olds’ sensitivity to these requirements. Our results show that children are adult-like in their sensitivity to salience in their comprehension of pronouns, compared to definites. However, they failed to show sensitivity to the uniqueness requirement on the use of definites.
This paper addresses the question of how to account for the semantic variability of weak free adjuncts. Weak free adjuncts are non-clausal adjuncts that associate with an argument of the main predicate, contribute propositional content, and can interact with temporal or modal operators, which leads to different, adverbial-clause-like interpretations. I focus on a specific type of weak adjuncts, non-clausal as-phrases, and propose a unified semantic analysis for the full range of interpretational possibilities that takes into account the interpretational contingency on different syntactic positions. I show that this analysis improves on Stump’s (1985) original analysis of weak adjuncts. I then go on to discuss the limitations of both Stump’s account and the unified account. Both accounts fail to capture that the interaction of weak adjuncts with modal operators underlies certain restrictions on the properties of the modal operators—an observation that has not been discussed in the literature so far.
This paper investigates the interpretation of Japanese -toka and -tari, two nonexhaustive particles that receive conjunctive interpretations in upward-entailing environments, but disjunctive interpretations in downward-entailing and question contexts.
We analyze -toka and -tari as items that introduce unstructured sets of alternatives in a Hamblin-style alternative semantics (Hamblin, 1973; Kratzer and Shimoyama, 2002), and derive their conjunctive and disjunctive readings via an interaction between these sets and the semantics of the environment containing them.
Tiwa (Tibeto-Burman; India) has two series of epistemic indefinites: one whose epistemic effects arise via an anti-singleton constraint similar to Spanish alg´un (Alonso-Ovalle and Men´endez-Benito, 2010), and another, wide-scope indefinite whose epistemic effects must be derived differently. I propose that for these latter indefinites, ignorance arises not through domain constraints, but as a result of their choice functional nature through competition with other indefinites. Tiwa’s wide scope indefinites then constitute a new kind of epistemic indefinite, showing that ignorance implicatures for indefinites can arise through different sorts of competition.
This paper argues that Double Access sentences in English (Smith, 1978) are a kind of loose talk. When the meaning of a Double Access sentence is computed literally, the result is infelicity. Double Access sentences can be used meaningfully only when rescued by pragmatics which intervenes to interpret the embedded clause loosely. A formal model for loose interpretation, building on Klecha (2018), is provided.
This paper compares the modal particle fei (Schlieben-Lange, 1979; Thoma, 2009) with the modal particle/sentence adverb aber (not to be confused with the conjunction aber, ‘but’). Intuitively, both items express some form of contrast and correction. We will show that both are special among discourse particles in the following sense: They make a contribution that is interpreted at a level distinct from the level where at-issue content (Potts, 2005) is interpreted, as is standard for modal particles (see Gutzmann, 2015 and the references therein). But more interestingly, they exclusively relate to propositions that have not entered the Common Ground via being the at-issue content of an assertion made by the addressee.
Depiction verbs such as paint license i(mage)- and p(ortrait)-readings; for instance, Ben painted a cow can convey that Ben produced an image of an unspecific cow or a portrait of a specific cow. This paper takes issue with a property-based intensional analysis of depiction verbs (Zimmermann, 2006b, 2016) and instead argues for an extensional account. Accordingly, the i-reading is rooted in the introduction of worldly representations by the explicit noun cow as such, whereas the p-reading is rooted in the interpolation of an implicit representation via coercion. This take on the ambiguity captures the following key traits. On i-readings, only representations are accessible to quantifiers and anaphors; moreover, intensional effects such as substitution failure disappear once ordinary objects and representations are adequately distinguished. P-readings, by contrast, involve representations that depend on the portrayed ordinary objects as particulars; correspondingly, only ordinary objects are accessible to quantifiers and anaphors. The proposal is spelled out in Asher’s (2011) Type Composition Logic.
'Je-desto'-Sätze scheinen in struktureller Hinsicht Einzelgänger zu sein. Das Ungewöhnliche ist, dass sie wie eine obligatorische Verb-dritt-Konstruktion daherkommen: An erster Stelle steht scheinbar der durch je eingeleitete Nebensatz im linken Außenfeld bzw. Vor-vor-Feld, dann folgt die desto-Konstituente, die das Vorfeld einnimmt, und dann an dritter Stelle das finite Verb des Matrixsatzes. Angesichts der Semantik der involvierten Konstituenten ist diese Strukturbeschreibung ungewöhnlich und widerspricht plausiblen Erwartungen. Der Aufsatz bietet eine Analyse, nach der der 'je'-Satz und die 'desto'-Konstituente zusammen eine komplexe Konstituente bilden, die eine einzige, ganz reguläre Einheit konstituiert, was bedeutet, dass der Gesamtsatz eine ziemlich reguläre Verb-zweit-Struktur ist.
Wie Hashtags bei Twitter als Teile von Komposita verwendet werden, zeigt Markus Majewski in seinem Beitrag #Erdogan-Diktatur - Hashtags als Elemente von Substantivkomposita in politischen Tweets. Als Grundlage dient ihm das Korpus aus Tweets von SpitzenpolitikerInnen der großen Parteien während des Wahlkampfs, in dem er alle Substantivkomposita mit einem Hashtag als Bestandteil wie #Energiewende auf funktionale, graphematische und strukturelle Aspekte untersucht. Insbesondere bei der Schreibung der Komposita zeigt sich eine große Kreativität. Zudem lassen sich Twitter-spezifische Kommunikationsfunktionen der Hashtag-Erstglieder beobachten.
"Habt ihr schon mal davon gehört gehabt?" Fällt Ihnen bei diesem Satz etwas auf? Wie würden Sie den Satz interpretieren, insbesondere die Zeitform des Prädikates hören? Weist sie, Ihrer Meinung nach, eher auf Expressivität, seine Abgeschlossenheit, die (Vor-)Vorvergangenheit eines Geschehens oder eine einfache Vergangenheit hin? Im letzteren Fall würde der Satz die gleiche Semantik ausdrücken wie ohne das zweite Partizip II: Habt ihr schon mal davon gehört? Im Fokus dieser Arbeit stehen empirische Evidenzen zum Gebrauch des doppelten Perfekts und Plusquamperfekts in der deutschen Sprache. Im Rahmen dieser Untersuchung wurde ein Fragebogen mit 202 deutschen Muttersprachlern durchgeführt. Die Ergebnisse dieser Studie zeigen, dass das doppelte Plusquamperfekt bei der Interpretation von ca. 86% der untersuchten deutschen Muttersprachler akzeptiert wird. Weiterhin deuten die Ergebnisse dieser Studie auf viele Unterschiede bei der Akzeptanz der doppelten Konstruktionen zwischen Studierenden verschiedener Fachrichtungen hin.
The paper proposes a new semantics for good-predications involving finite if -and that-clauses. The proposal combines a standard semantics for conditionals with a standard semantics for the positive form of gradable adjectives and a minimal semantics for modal good. The predicted truth-conditions and conditions of use solve the mood puzzle presented in the first part of the paper. The remainder of the paper defends the classical notion of comparative goodness in terms of a comparison between possible worlds against Lassiter (2017)’s challenge.
'Enough'-/'too'-constructions (E/T constructions) have an implicative reading: e.g., "Mary was clever enough to leave early yesterday" entails Mary left early yesterday. I argue that this implicative reading is not due to the lexical semantics proper of 'enough'/'too', but due to its bi-clausal structure (e.g., the above-mentioned example is analyzed as "Mary left early yesterday because she was clever enough"). I analyze 'enough' and 'too' simply as degree modifiers that involve a comparison: 'enough' means reaching the lower bound of an interval, while 'too' means exceeding the upper bound of an interval. Then inspired by Schulz (2011), Baglini and Francez (2015), and Nadathur (2016), I relate the semantics of E/T constructions to causal dependence: due to some sufficiency/excess, the infinitival complement clause in E/T constructions is episodically or generically (depending on its aspect being perfective or imperfective) true/false. I also argue that this infinitive has its tense and aspect marked on the main predicate of sentences, resulting in the seeming correlation between aspect and implication in languages that overtly make a distinction between perfective and imperfective aspects (e.g., French).