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The Landmarks Series is a research and publications outfit funded by the Landmarks Research Foundation to publish recent outstanding doctoral dissertations on any aspect of Nigerian linguistics, languages, literatures and cultures. This study is a departer from most previous work on Yoruba Grammar in the sense that rather than being purely a descriptive grammar; it attempts to provide a theoretical analysis of the internal and external syntax of Yoruba nominal expressions using the Chomskyan Principles and Parameters approach to syntax. This Generative theory attempts to characterize the grammar of all natural languages in terms of a set of universal principles that all languages share, and a set of parameters along which languages may vary. The book emphasizes the empirical motivation behind major theoretical proposals in that framework, and shows how views on the nature of universal grammar and cross-linguistic variation have developed over the years as a consequence of a massive increase in cross-linguistic syntactic research.
Women?s contributions against apartheid under the auspices of the Namibian liberation movement SWAPO and their personal experiences in exile take center stage in this study. Male and female leadership structures in exile are analysed whilst the sexual politics in the refugee camps and the public imagery of female representation in SWAPO?s nationalism receive special attention. The party?s public pronouncements of women empowerment and gender equality are compared to the actual implementations of gender politics during and after the liberation struggle.
This report on the broadcast media in Nigeria finds that liberalisation efforts in the broadcasting sector have only been partially achieved. More than a decade after military rule, the nation still has not managed to enact media legislation that is in line with continental standards, particularly the Declaration on Freedom of Expression in Africa. The report, part of an 11-country survey of broadcast media in Africa, strongly recommends the transformation of the two state broadcasters into a genuine public broadcaster as an independent legal entity with editorial independence and strong safeguards against any interference from the federal government, state governments and other interests. The report was written by Mr. Akin Akingbulu Executive Director, Institute for Media and Society, IMS, Nigeria.
This book is a comprehensive appraisal of the political history of Nigeria since colonisation, with emphasis on political parties. The author argues that party coalitions in Nigeria can be explained by the factors of heterogeneity as well as the political systems the country has experimented with. He asserts the influence of the institution of the presidency in the current trend towards a two-party system.
A Dirty Game
(2011)
Mayor Foti is accused of killing his predecessor by a veteran journalist whom he desperately wants dead. He hires assassins to kill the journalist only for the assassins to kill his own son instead. As a consummate embezzler of public funds, Mayor Foti is determined to be filthy rich and above the law. He sends his other son to Germany to assist with siphoning abroad of stolen money. For how long will Mayor Foti have the last laugh? Heavy drinking and a cardiac arrest are waiting round the corner. Whom for? Here indeed is a dirty game!
A collection of six thought-provoking stories, four of which were award-winning-stories at the 1990 literary contest of the national Association of Cameroonian Poets and Writers (APEC). The stories are set in different localities in Africa and Cameroon in particular. The author in a lucid manner explores the theme of women lib- the African way in the lead story. Ebenye, the protagonist, representing the sharp-witted African woman cannot understand why she should cook food without tasting of it. So she decides to take the bold step of eating a piece of the python that she has been ordered to cook for the men of her community. The other stories tackle themes of corruption, poverty, alcoholism, endurance, love and more.
The Raped Amulet
(2008)
An extraordinary story of a young man from Africa who tries hard to reconcile the ways he had grown up with, and those he was experiencing in his host country - Great Britain. The story is set in Coventry, in the English Midlands and is told by Dion Ekpochaba, a postgraduate student at the University of Warwick. Dion, fresh from his motherland, Cameroon, loses an amulet, a cherished heritage of his ancestry and becomes desperate about the loss. He meets an elderly English man, Tom Jones who makes a startling revelation: the amulet had just been desecrated by his dog and thrown into the depths of a lake in the campus. Dion became so flabbergasted that Tom Jones thought he might have gone out of his mind. The two strangers tried to understand each other to no avail. However, the misfortunes of time turn the tides, resulting in a friendship, which provides grounds for mutual understanding and respect for each other's ways. Read on and spark your views on making the world a better place.
The Wages of Corruption
(2009)
Corruption is endemic in Cameroon. Twice, Transparency International have accorded the country the infamous first place in corruption. As one of many concerned Cameroonians, Sammy Oke Akombi was moved and they realized that something was in fact wrong somewhere and something had to be done somehow. This collection of short stories is his contribution to the collective resolve by concerned Cameroonians to wage a war against this most unusual friend of fairness. The stories seek to elicit awareness about a social ill that is ironically championed by the very politicians, functionaries, educator, leaders and power elite whose duty it is to keep society healthy and on the rails. The stories are on corruption in different segments of society and about the people who perpetrate it. Almost everyone is immersed in it and so must make every effort to resurface from it. It takes only the will to stay alive because the wages of corruption like any other sin can only be death.
Beware the Drives
(2008)
This collection of verse, which has mostly short poems, some of which are two-liners, is an outcome of several years of keen observation of the very nature of man. The observation brought this writer to the conclusion that man is dominated by fear and in his effort to conquer it, he resorts to unbridled aggression. Such aggression has been very instrumental in much of the success that humanity has been able to achieve, so far. But at the same time, the same aggression in man's nature has been responsible for the pleasure he takes in the ruthless destruction of his own kind, the environment in which he cushions himself, plants and animals.
The role of higher education in establishing structures and procedures in society and industry is clearly articulated in scholarly discussions. The narrative has recently taken a new momentum in Kenya with acknowledgement of the creative industry involves many youth, as an area that impacts on the economy. In unravelling the link between higher education and industry, the authors focus on leadership and governance in higher education and its expected and perceived contribution to the shaping of the creative industry. Through analysis of cases, the authors interrogate the processes and structures that govern the teaching and practice of the creative subjects, noting how these affect the creative industry in Kenya. This document approaches the creative disciplines from the perspectives of the students, lecturers and university administrators. The three voices provide a balanced view of what higher creative arts education in Kenya is. The multiple authorship of the book further provides a balanced account of the development of these disciplines in higher education, and their growth in industry. The key concepts here are the development of the creative industry and how higher education should contribute to the same.
There is a general agreement that piracy; counterfeiting and passing off are unfair. However, there is often surreptitious - or even open - sympathy for, say, those who purchase counterfeit designer fashions or the latest technical gadgets. The pirate is even sometimes represented as a daring evil hero. In this book, Prof. Dora Nkem Akunyili, Director General of Nigeria's National Agency for Food and Drug Administration and Control, presents a unique study of a global phenomenon in which law-breaking and profiteering prevail at the cost of human health and life - and of the ways in which this can be fought by appropriate legislation, regulation and enforcement.
National Culture in Post-Apartheid Namibia : State-sponsored Cultural Festivals and their Histories
(2015)
National Culture in Post-Apartheid Namibia' addresses the challenges of creating a 'national' culture in the context of a historical legacy that has emphasised ethnic diversity. The state-sponsored Annual National Culture Festival (ANCF) focuses on the Kavango region in north-eastern Namibia. Akuupa critically examines the notion of Kavango-ness as a colonial construct and its subsequent reconstitution and appropriation. He analyses the way in which cultural representations are produced by local people in the postcolonial African context of nation building and national reconciliation by bringing visions of cosmopolitanism and modernity into critical dialogue with the colonial past. Competing cultural festivals are used as celebratory social spaces in which performers and local people participate whilst negotiating a sense of national belonging in an ongoing tension between the need to celebrate diversity, yet strive for unity. This is the first study to discuss the comprehensive role played by those cultural festivals, which were organised in the ethnic homelands during the time Namibia fell under South African control.
Forest Echoes
(2010)
Forest Echoes is a literary quilt revealing a mature poet bestriding generations as he patches together a people's culture, their philosophy, history, along with their attendant woes into a subtle, sometimes disillusioning even, yet purposeful and poignant whole. Nol Alembong is not afraid to be himself in this work: a scholar, teacher, parent, traditionalist and, above all, an Anglophone-Cameroonian. Whatever the case, these are magisterial and equally influential individual traits that have merged into a united whole in forging this poet's identity and concerns as evident from the thematic panorama of the poems. In 'Forest Echoes', the title poem, for example, one encounters a poet who, though steeped in his people's struggles, has been able to stand back, watch and evaluate the effects of the interactions of time, events, and society. It is this ability of his, as an involved yet detached observer, along with the trend of events that have scarred his people's lives, which have yielded the powerful emotions that he has assembled in this thematically lush, historically nostalgic, and overwhelmingly evocative collection.' - Dr. Emmanuel Fru Doh
This inaugural Democracy Index for Botswana is intended to set a benchmark for democracy to be measured against. The tool, developed and honed by Idasa over many years, assesses the depth of democracy in a country through five focus areas: participation, elections, accountability, political rights, and human dignity. The research relies on expert analysis to answer a set of questions that interrogate how closely, in practice, democracy meets the broad ideal of self-representative government. More specifically, to what extent can citizens control elected officials and government appointees who make decisions about public affairs? And how equal are citizens to one another in this accountability process? The purpose of the scores is to assist citizens in making their own judgements, based on the information made available, to stimulate national debate and to provide democracy promoters with a tool for identifying issues and needs that can be addressed by education, advocacy, training, institution building and policy revision. Idasa's Democracy Index - initially developed for South Africa - is being expanded into Southern Africa in an effort to broaden the capacity of individuals and organisations monitoring and supporting democratic governance efforts in the region.
Pour Qui File La Comete
(2017)
The appearance of a comet in some African beliefs is taken as a bad omen. In the 1960s, appeared in this imaginary land a comet whose shape resembles that of a sword and it can be seen only at dawn. People at once related this appearance with sad events. Soon after the appearance of the comet this land experienced painful events of civil war. Adouma, the main character of the story and son of a Marabout (an Islamic scholar), has attended both schools, Coranic and French. He lived through this troubled period which took place between 1960 and 1990. He waged war and also endured the harms of war. It is an enthralling and moving narrative that combines fantastic story with auto-fiction.
This book is an uncompromising analysis of Senegal's decentralisation policy in rural areas. It discusses the state's inability to promote local development, despite this being its main raison d'?tre in a context of poverty. To identify reasons for the shortcomings, the author goes beyond policy statements and explores, sociologically, the compatibility of the behaviour and the cultural context of actors with the pursuance of local development objectives. Yet, there are indeed solutions to the actors' lethargy and to the weak coverage of the initiatives undertaken. The solutions can be found in the methodical and civic mobilisation around more ambitious actions that are more adapted to receptive localities, though opened to modernity and perfectly anchored in the culture for positive results. Rosnert Ludovic Alissoutin holds a PhD in Law. Since 1995, he has been working as a consultant on development issues in Senegal and Africa, particularly local development issues. The particularity of his approach lies in the rejection of scientific exclusivism and recourse to a multi disciplinary, open and flexible analysis of the complexity of human development. It is this perspective that informed his doctoral thesis on La Gestion de l'eau en milieu aride, which discusses legal, anthropological, geographical, and sociological issues. For additional information on his profile and work, visit his website: http://www.ralissoutin.com.
The Lady with the Sting
(2010)
The Lady with the Sting is sequel to The Lady with a Beard. In the two novels Alobwed'Epie compares and contrasts the masculinity and femininity of the two heroines Emade, and her daughter Ntube. In the first novel, Emade shuns her sex and clinks to a false masculine mask. In spite of her achievements she fails to debunk the old system. In The Lady with the Sting, her daughter Ntube, a less charismatic heroine, allows nature take its course and in the end she seizes the opportunity the erring old system gives her and destroys it. Alobwed'Epie, author of The Death Certificate, The Lady with a Beard, The Day God Blinked, and The Bad Samaritan was born at Ngomboku in Kupe-Muanenguba Division, South-West Region, Cameroon. He studied at the Universities of Yaoundé and Leeds, and teaches Creative Writing at the University of Yaoundé 1, Cameroon.
She Seized The Balls
(2011)
In She Seized The Balls, Ntube's exploits can best be described as guided by the hand of providence. In a bid to inherit her father's compound and live comfortably, she destroys the old sacred village grove and fells totemic trees. An epidemic breaks out, killing mostly the elderly. Ntube is accused of causing it because of the destruction of the sacred places. She is brought before the clan council several times but she tantalizes the council with her flawless defences. In due course, she rebuffs her former husband's bid for reconciliation; falls in love with an influential personality and begets a child with him. She uses the man to achieve the building of a bridge across the river that had enclaved the clan for centuries. With her elevated status among her people she becomes the first woman to be given the prerogative to pour libation in a patriarchal society.