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Words of wisdom within the African context, conjure the foundational thoughts of ancestors, thoughts which, today find themselves in the public sphere. With its focus on individual thoughts, this pan-African collection, among other things, amplifies the African-centred prism of knowledge as a collective creation, while stretching the boundaries of the concept of wisdom. They depict the intricate and unique African perception and relation to the universe. As Molefi K. Asante wonders, what could be any more correct for any people than to see with their own eyes? Collectively, these sayings constitute a pillar in the edification of a culture that departs from mere hearing, seeing and consumption to the creation of narratives and, hence, knowledge. They focus on the shared experiences and aspirations for freedom, a philosophical outlook heavily anchored on balance, as well as on community. Unfortunately, some are still tempted to dismiss words of wisdom as having no bearing on todays hi-tech and, even, post-modernist global village. Yet, if anything, these words have even more relevance in a cacophonic, estranged and even brutish world tightly in the grip of forces bent on twisting all thought processes toward a particular status quo. Each saying should be perceived as a coin with two sides and should, therefore, not be taken at face value. For, like virtue, each one is capable of turning into vice when stretched too far! As a vital prompt in the project of living, this collection proposes to the reader the advantage and a philosophy of balance as the worthwhile and healthy modus vivendi.
This innovative book is an open invitation to a rich and copious meal of imagination, senses and desires. It argues that cannibalism is practised by all and sundry. In love or in hate, fear or fascination, purposefulness or indifference, individuals, cultures and societies are actively cannibalising and being cannibalised. The underlying message of: Own up to your own cannibalism! is convincingly argued and richly substantiated. The book brilliantly and controversially puts cannibalism at the heart of the self-assured biomedicine, globalising consumerism and voyeuristic social media. It unveils a vast number of prejudices, blind spots and shameful othering. It calls on the reader to consider a morality and an ethics that are carefully negotiated with required sensibility and sensitivity to the fact that no one and no people have the monopoly of cannibalisation and of creative improvisation in the game of cannibalism. The productive, transformative and (re)inventive understanding of cannibalism argued in the book should bring to the fore one of the most vital aspects of what it means to be human in a dynamic world of myriad interconnections and enchantments. To nourish and cherish such a productive form of cannibalism requires not only a compassionate generosity to let in and accommodate the stranger knocking at the door, but also, and more importantly, a deliberate effort to reach in, identify, contemplate, understand, embrace and become intimate with the stranger within us, individuals and societies alike.
African publishing review
(2003)
This book re-examines historical, ethnographic and anthropological productions in various spaces in Senegambia. Just like language, material culture in original forms is powerful in the transmission and affirmation of identity. Unfortunately, archeology has so far played a very minor role in this domain in Senegambia, as the discipline has been confined to the study of eras know as prehistoric and protohistoric, which are little known by story tellers and other traditional communicators. It is generally agreed that archeology generates more inclusive knowledge, given the fact that the essential source of identity for all societal strata is based on the production, consumption, rejection or recycling of material culture. This book democratizes knowledge generation by giving prominence to the social life and identities of ordinary individuals who are often invisible in written and oral sources.
Criminology in Africa
(2004)
Criminology in Africa has been produced with contributions from leading African authors who have focussed on the various problems facing Africa today regarding crime and criminal justice, and they have, at the same time, put forward their ideas and suggestions for coming to terms with these massive problems.
Part One addresses Theological Foundations. The five essays in this section deal with the Bible, Theology and Ecumenism. The subjects of theological methods, contextual hermeneutics, and appropriate curriculum are given special attention. Of course even foundational issues cannot be discussed in a vacuum and so each of the essays addresses these foundational subjects in the light of African realities. Part Two deals with Contemporary Issues. It is particularly in this section that the traditional themes in African theology have been somewhat displaced by concerns which are today very pressing indeed. Three essays are devoted to the question of HIV/AIDS. This disease, which has devastated the African continent, demands a theological and practical response from those who claim to follow Jesus Christ. If the churches do not respond to this crisis with energy and determination we should not be surprised if the next generation wonders whether the Gospel has the power which we claim that it has. Two essays address the question of Islam and Muslim-Christian Relations in Africa. The resurgence of Islam in the world today is a concern of many. For those who believe in Jesus, this is a challenge which demands much wisdom and love. How should we respond to our Muslim neighbours? What are appropriate and thoughtful ways to share the love of Christ? Two further essays appear under the title of The Marginalized. This could, of course, be a much large section. Those who suffer from AIDS could be included in this number, and one might have expected to see at least one essay on the place of women. In this volume, however, the disabled and youth are highlighted. Both groups are clearly in need of the attention of the churches, and both groups are clearly misunderstood and neglected. The final section of Part Two contains essays, which focus attention on Theological Paedagogy. All of the other contributions to this volume make suggestions and arguments about curriculum, resources, and issues of concern for theological educators. The causal aim of this book is that these essays may help us to reflect in an intentional way on the implications of contemporary realities for the future of theological education.
Getting Heard: (Re)claiming Performance Space is the third in a series of publications on art, culture and society released by Twaweza Communications. The aim is to bring to the fore conversations taking place in Kenya about identity, creativity, nationalism and the generation of knowledge. The series is also about the pursuit of freedom through arts, media and culture. In Getting Heard the performance space is shown to offer wider possibilities for knowledge creation. It shows that in post-colonial Africa political leaders have consistently performed over their subjects at local and national levels. There is discussion of: Kenya National Theatre, Story Telling, Radio Theatre, Translation, African Languages, Music, Media and Mungiki This volume opens a window to our understanding of post-colonial Africa through performances.
The Botsotso literary journal started in 1996 as a monthly 4 page insert in the New Nation, an independent anti-apartheid South African weekly and reached over 80,000 people at a time largely politisized black workers and youth with a selection of poems, short stories and short essays that reflected the deep changes taking place in the country at that time. Since the closure of the New Nation in 1999, the journal has evolved into a stand-alone compilation featuring the same mix of genres, and with the addition of photo essays and reviews. The Botsotso editorial policy remains committed to creating a mix of voices which highlight the diverse spectrum of South African identities and languages, particularly those that are dedicated to radical expression and examinations of South Africa's complex society.
This is a story about a house with a history and about the people who lived or worked there. It captures something of the spirit of the times in the worlds of politics and development, and it discusses the links which were established between Oxfam GB in Zambia and the African National Congress of South Africa.
The history of Zimbabwe has always been reflected in its oral and written literature. Much of the serious fiction written in the 1980s and early 1990s focused on the effects of Zimbabwe?s war of liberation. Little has yet been written about post-independence Zimbabwe and the complex and challenging issues that have arisen in the last twenty years. This anthology of twenty-two short stories provides a representative sample of the range and quality of writing in Zimbabwe at the turn of the century, and an impressionistic reflection of the years since independence in 1980. Included are stories by established writers Shimmer Chinodya, Charles Mungoshi, Brian Chikwava; and some younger or less established writers, , Clement Chihota, Wonder Guchu, Chiedza Musengezi, Mary Ndlovu, Vivienne Ndlovu and Stanley Nyamfukudza. The collection also reflects a slightly broader perspective with stories by Alexandra Fuller, Derek Huggins, Pat Brickhill and Chris Wilson, who engage with historical memory of the conflicts out of which Zimbabwe arose, and the lessons to be drawn from living within a culture other than one?s own. Overall, the anthology reaffirms the persistent value attached to imaginative writing in Zimbabwe, and illustrates that the country?s literary tradition is alive and well, and reshaping itself for new times.