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Studying kinematic behavior in speech production is an indispensable and fruitful methodology in order to describe for instance phonemic contrasts, allophonic variations, prosodic effects in articulatory movements. More intriguingly, it is also interpreted with respect to its underlying control mechanisms. Several interpretations have been borrowed from motor control studies of arm, eye, and limb movements. They do either explain kinematics with respect to a fine tuned control by the Central Nervous System (CNS) or they take into account a combination of influences arising from motor control strategies at the CNS level and from the complex physical properties of the peripheral speech apparatus. We assume that the latter is more realistic and ecological. The aims of this article are: first, to show, via a literature review related to the so called '1/3 power law' in human arm motor control, that this debate is of first importance in human motor control research in general. Second, to study a number of speech specific examples offering a fruitful framework to address this issue. However, it is also suggested that speech motor control differs from general motor control principles in the sense that it uses specific physical properties such as vocal tract limitations, aerodynamics and biomechanics in order to produce the relevant sounds. Third, experimental and modelling results are described supporting the idea that the three properties are crucial in shaping speech kinematics for selected speech phenomena. Hence, caution should be taken when interpreting kinematic results based on experimental data alone.
A fundamental question in the study of speech is about the invariance of the ultimate percepts, or features. The present paper gives an overview of the noninvariance problem and offers some hints towards a solution. Examination of various data on place and voicing perception suggests the following points. Features correspond to natural boundaries between sounds, which are included in the infant's predispositions for speech perception. Adult percepts arise from couplings and contextual interactions between features. Both couplings and interactions contribute to invariance. But this is at the expense of profound qualitative changes in perceptual boundaries implying that features are neither independently nor invariantly perceived. The question then is to understand the principles which guide feature couplings and interactions during perceptual development. The answer might reside in the fact that: (1) adult boundaries converge to a single point of the perceptual space, suggesting a context-free central reference; (2) this point corresponds to the neutral vocoïd, suggesting the reference is related to production; (3) at this point perceptual boundaries correspond to the natural ones, suggesting the reference is anchored in predispositions for feature perception. In sum, perceptual invariance seems to be grounded on a radial representation of the vocal tract around a singular point at which boundaries are context-fee, natural and coincide with the neutral vocoïd.
In this paper the issue of the nature of the representations of the speech production task in the speaker's brain is addressed in a production-perception interaction framework. Since speech is produced to be perceived, it is hypothesized that its production is associated for the speaker with the generation of specific physical characteristics that are for the listeners the objects of speech perception. Hence, in the first part of the paper, four reference theories of speech perception are presented, in order to guide and to constrain the search for possible correlates of the speech production task in the physical space: the Acoustic Invariance Theory, the Adaptive Variability Theory, the Motor Theory and the Direct-Realist Theory. Possible interpretations of these theories in terms of representations of the speech production task are proposed and analyzed. In a second part, a few selected experimental studies are presented, which shed some light on this issue. In the conclusion, on the basis of the joint analysis of theoretical and experimental aspects presented in the paper, it is proposed that representations of the speech production task are multimodal, and that a hierarchy exists among the different modalities, the acoustic modality having the highest level of priority. It is also suggested that these representations are not associated with invariant characteristics, but with regions of the acoustic, orosensory and motor control spaces.
Consonants exhibit more variation in their phonetic realization than is typically acknowledged, but that variation is linguistically constrained. Acoustic analysis of both read and spontaneous speech reveals that consonants are not necessarily realized with the manner of articulation they would have in careful citation form. Although the variation is wider than one would imagine, it is limited by the phoneme inventory. The phoneme inventory of the language restricts the range of variation to protect the system of phonemic contrast. That is, consonants may stray phonetically into unfilled areas of the language's sound space. Listeners are seldom consciously aware of the consonant variation, and perceive the consonants phonemically as in their citation forms. A better understanding of surface phonetic consonant variation can help make predictions in theoretical domains and advances in applied domains.
In the research field initiated by Lindblom & Liljencrants in 1972, we illustrate the possibility of giving substance to phonology, predicting the structure of phonological systems with nonphonological principles, be they listener-oriented (perceptual contrast and stability) or speaker-oriented (articulatory contrast and economy). We proposed for vowel systems the Dispersion-Focalisation Theory (Schwartz et al., 1997b). With the DFT, we can predict vowel systems using two competing perceptual constraints weighted with two parameters, respectively λ and α. The first one aims at increasing auditory distances between vowel spectra (dispersion), the second one aims at increasing the perceptual salience of each spectrum through formant proximities (focalisation). We also introduced new variants based on research in physics - namely, phase space (λ,α) and polymorphism of a given phase, or superstructures in phonological organisations (Vallée et al., 1999) which allow us to generate 85.6% of 342 UPSID systems from 3- to 7-vowel qualities. No similar theory for consonants seems to exist yet. Therefore we present in detail a typology of consonants, and then suggest ways to explain plosive vs. fricative and voiceless vs. voiced consonants predominances by i) comparing them with language acquisition data at the babbling stage and looking at the capacity to acquire relatively different linguistic systems in relation with the main degrees of freedom of the articulators; ii) showing that the places “preferred” for each manner are at least partly conditioned by the morphological constraints that facilitate or complicate, make possible or impossible the needed articulatory gestures, e.g. the complexity of the articulatory control for voicing and the aerodynamics of fricatives. A rather strict coordination between the glottis and the oral constriction is needed to produce acceptable voiced fricatives (Mawass et al., 2000). We determine that the region where the combinations of Ag (glottal area) and Ac (constriction area) values results in a balance between the voice and noise components is indeed very narrow. We thus demonstrate that some of the main tendencies in the phonological vowel and consonant structures of the world’s languages can be explained partly by sensorimotor constraints, and argue that actually phonology can take part in a theory of Perception-for-Action-Control.
I argue in this study that consonantal strength shifts can be explained through positional bans on features, expressed over positions marked as weak at a given level of prosodic structure, usually the metrical foo!. This approach might be characterized as "templatic" in the sense it seeks to explain positional restrictions and distributional patterns relative to independently motivated, fixed prosodic elements. In this sense, it follows Dresher & Lahiri's (1991) idea of metrical coherence in phonological systems, namely, "[T]hat grammars adhere to syllabic templates and metrical patterns of limited types, and that these patterns persist across derivations and are available to a number of different processes ... " (251). [...] The study is structured as follows: section 1 presents a typology of distributional asymmetries based on data from unrelated languages, demonstrating that the stress foot of each of these languages determines the contexts of neutralization and weakening of stops. Section 2 elaborates the notion of a template, exploring some of its formal properties, while section 3 presents templatic analyses of data from English and German. Section 4 explores the properties of weak positions, especially weak onsets, in more detail, including discussion of templates in phonological acquisition. Section 5 summarizes and concludes the study.
The papers in this volume were originally presented at the Workshop on Bantu Wh-questions, held at the Institut des Sciences de l’Homme, Université Lyon 2, on 25-26 March 2011, which was organized by the French-German cooperative project on the Phonology/Syntax Interface in Bantu Languages (BANTU PSYN). This project, which is funded by the ANR and the DFG, comprises three research teams, based in Berlin, Paris and Lyon. The Berlin team, at the ZAS, is: Laura Downing (project leader) and Kristina Riedel (post-doc). The Paris team, at the Laboratoire de phonétique et phonologie (LPP; UMR 7018), is: Annie Rialland (project leader), Cédric Patin (Maître de Conférences, STL, Université Lille 3), Jean-Marc Beltzung (post-doc), Martial Embanga Aborobongui (doctoral student), Fatima Hamlaoui (post-doc). The Lyon team, at the Dynamique du Langage (UMR 5596) is: Gérard Philippson (project leader) and Sophie Manus (Maître de Conférences, Université Lyon 2). These three research teams bring together the range of theoretical expertise necessary to investigate the phonology-syntax interface: intonation (Patin, Rialland), tonal phonology (Aborobongui, Downing, Manus, Patin, Philippson, Rialland), phonology-syntax interface (Downing, Patin) and formal syntax (Riedel, Hamlaoui). They also bring together a range of Bantu language expertise: Western Bantu (Aboronbongui, Rialland), Eastern Bantu (Manus, Patin, Philippson, Riedel), and Southern Bantu (Downing).
This paper follows a new perspective on speech errors within the framework of Articulatory Phonology, as proposed by Goldstein et al. (in prep.). On the basis of kinematic evidence, their work has demonstrated that speech errors are not restricted to categorical exchanges of position of segmental units, but rather gestures that compose segments can exhibit errors that vary from zero to maximal in magnitude.
Here we report results from two perceptual experiments which use stimuli selected on the basis of their articulatory properties only, covering a range of errorful gestural activations. The outcome of the perceptual experiments suggests that different segments show different degrees of vulnerability to (subsegmental) speech errors: While listeners detected errors reliably for some segments, for other segments the reaction to errorful and non-errorful tokens was not distinct. The data suggest that at least for some error types an asymmetric error distribution arises due to perception, while production itself is not asymmetric. However, for error types involving segments whose gestural compositions stand in a subset relationship to each other (as described below), asymmetries may indeed originate in production due to the overall dominance of a gestural intrusion bias observed in the production data of Goldstein et al. (in prep.).
This paper describes the processing of MRI and CT images needed for developing a 3D linear articulatory model of velum. The 3D surface that defines each organ constitutive of the vocal and nasal tracts is extracted from MRI and CT images recorded on a subject uttering a corpus of artificially sustained French vowels and consonants. First, the 2D contours of the organs have been manually extracted from the corresponding images, expanded into 3D contours, and aligned in a common 3D coordinate system. Then, for each organ, a generic mesh has been chosen and fitted by elastic deformation to each of the 46 3D shapes of the corpus. This has finally resulted in a set of organ surfaces sampled with the same number of 3D vertices for each articulation, which is appropriate for Principal Component Analysis or linear decomposition. The analysis of these data has uncovered two main uncorrelated articulatory degrees of freedom for the velum's movement. The associated parameters are used to control the model. We have in particular investigated the question of a possible correlation between jaw / tongue and velum's movement and have not find more correlation than the one found in the corpus.
This paper contributes to the understanding of vocal folds oscillation during phonation. In order to test theoretical models of phonation, a new experimental set-up using a deformable vocal folds replica is presented. The replica is shown to be able to produce self sustained oscillations under controlled experimental conditions. Therefore different parameters, such as those related to elasticity, to acoustical coupling or to the subglottal pressure can be quantitatively studied. In this work we focused on the oscillation fundamental frequency and the upstream pressure in order to start (on-set threshold) either end (off-set threshold) oscillations in presence of a downstream acoustical resonator. As an example, it is shown how this data can be used in order to test the theoretical predictions of a simple one-mass model.
In order to investigate the articulatory processes of the hasty and mumbled speech of clutterers, the kinematic variability was analysed by means of electromagnetic midsagittal articulography (EMMA). In contrast to stutterers, clutterers improve their intelligibility by concentrating on their speech task. Variability is an important criterion in comparable studies of stuttering and is discussed in terms of the stability of the speech motor system. The aim of the current study was to analyse the spatial and temporal variability in the speech of three clutterers and three control speakers. All speakers were native speakers of German. The speech material consisted of repetitive CV-syllables and foreign words, because clutterers have the most severe problems with long words which have a complex syllable structure. The results showed a higher quotient of variation for clutterers in the foreign word production. For the syllable repetition task, no significant differences between clutterers and controls were found. The extremely large and variable displacements were interpreted as a strategy that helps clutterers to improve the intelligibility of their speech.
Table of Contents:
T. A. Hall (Indiana University): English syllabification as the interaction of markedness constraints
Antony D. Green: Opacity in Tiberian Hebrew: Morphology, not phonology
Sabine Zerbian (ZAS Berlin): Phonological Phrases in Xhosa (Southern Bantu)
Laura J. Downing (ZAS Berlin): What African Languages Tell Us About Accent Typology
Marzena Zygis (ZAS Berlin): (Un)markedness of trills: the case of Slavic r-palatalisation
Laura J. Downing (ZAS Berlin), Al Mtenje (University of Malawi), Bernd Pompino-Marschall (Humboldt-Universitat Berlin): Prosody and Information Structure in Chichewa
T. A. Hall (Indiana University). Silke Hamann (ZAS Berlin), Marzena Zygis (ZAS Berlin): The phonetics of stop assibilation
Christian Geng (ZAS Berlin), Christine Mooshammer (Universitat Kiel): The Hungarian palatal stop: phonological considerations and phonetic data
This article examines the motivation for phonological stop assibilations, e.g. /t/ is realized as [ts], [s] or [tʃ] before /i/, from the phonetic perspective. Hall & Hamann (2003) posit the following two implications: (a) Assibilation cannot be triggered by /i/ unless it is also triggered by /j/, and (b) Voiced stops cannot undergo assibilations unless voiceless ones do. In the following study we present the results of three acoustic experiments with native speakers of German and Polish which support implications (a) and (b). In our experiments we measured the friction phase after the /t d/ release before the onset of the following high front vocoid for four speakers of German and Polish. We found that the friction phase for /tj/ was significantly longer than that of /ti/, and that the friction phase of /t/ in the assibilation context is significantly longer than that of /d/.
A visual articulatory model and its application to therapy
of speech disorders : a pilot study
(2005)
A visual articulatory model based on static MRI-data of isolated sounds and its application in therapy of speech disorders is described. The model is capable of generating video sequences of articulatory movements or still images of articulatory target positions within the midsagittal plane. On the basis of this model (1) a visual stimulation technique for the therapy of patients suffering from speech disorders and (2) a rating test for visual recognition of speech movements was developed. Results indicate that patients produce recognition rates above level of chance already without any training and that patients are capable of increasing their recognition rate over the time course of therapy significantly.
This paper summarizes our research efforts in functional modelling of the relationship between the acoustic properties of vowels and perceived vowel quality. Our model is trained on 164 short steady-state stimuli. We measured F1, F2, and additionally F0 since the effect of F0 on perceptual vowel height is evident. 40 phonetically skilled subjects judged vowel quality using the Cardinal Vowel diagram. The main focus is on refining the model and describing its transformation properties between the F1/F2 formant chart and the Cardinal Vowel diagram. An evaluation of the model based on 48 additional vowels showed the generalizability of the model and confirmed that it predicts perceived vowel quality with sufficient accuracy.
This study examines intraoral pressure for English and German stops in bilabial and alveolar place of articulation. Our subjects are two speakers of American English and three speakers of German. VOICING is the main phonological contrast under evaluation in both word initial and word final position. For initial stops, a few of the pressure characteristics showed differences between English and German, but on the whole the results point to similar production strategies at both places of articulation in the two different languages. Analysis of the pressure trajectory differences between VOICING categories in initial position raises questions about articulatory differences. In the initial closing gesture, time from start of gesture to closure is roughly equivalent for both categories, but the pressure change is significantly smaller on average for VOICED stops. Final stops, however, present a more complicated picture. German final stops are neutralized to a presumed VOICELESS phonological state. English final /p/ is broadly similar to German /p/, but English /t/ often shows no pressure increase at all which is at odds with the conventional account of phonation termination via pressure increase and loss of pressure differential. The results raise the question of whether the German final stops should be considered VOICELESS or some intermediate form, at least as compared to English final stops.
'Correction' is the name of a sentence with contrastive focus' the phonological/phonetic realization of which is a single contrastive pitch accent. These sentences predominantly appear in (fictional) dialogues. The first speaker uses grammatical entities against which the next speaker protests with a sentence nearly identical except that it contains a prosodically marked corrective element. This paper makes contrastive focus visible by means of 'KF' (contrastive focus).
The present study, based on a typological survey of ca. 70 languages, offers a systematization of consonantal insertions by classifying them into three main types: grammatical, phonetic, and prosodic insertions. The three epenthesis types essentially differ from each other in terms of preferred sounds, domains of application, the role of segmental context, their occurrence cross-linguistically, the extent of variation and phonetic explication.
The present investigation is significantly different from other analyses of consonantal epentheses in the sense that it neither invokes markedness nor diachronic state of the processes under discussion. Instead, it considers the different nature of the epenthetic segments by referring to the representational levels and/or domains which are relevant for their appearance.
In this paper it is argued that several typologically unrelated languages share the tendency to avoid voiced sibilant affricates. This tendency is explained by appealing to the phonetic properties of the sounds, and in particular to their aerodynamic characteristics. On the basis of experimental evidence it is shown that conflicting air pressure requirements for maintaining voicing and frication are responsible for the avoidance of voiced affricates. In particular, the air pressure released from the stop phase of the affricate is too high to maintain voicing which in consequence leads to a devoicing of the frication part.
This study investigates supralaryngeal mechanisms of the two way voicing contrast among German velar stops and the three way contrast among Korean velar stops, both in intervocalic position. Articulatory data won via electromagnetic articulography of three Korean speakers and acoustic recordings of three Korean and three German speakers are analysed. It was found that in both languages the voicing contrast is created by more than one mechanism. However, one can say that for Korean velar stops in intervocalic position stop closure duration is the most important parameter. For German it is closure voicing. The results support the phonological description proposed by Kohler (1984).
Corno quase nenhuma outra disciplina lingüística, a fonologia passou por uma evolução turbulenta nas duas últimas décadas. Ao contrário da abordagem cöássica da Gramática Gerativa, que se concentrou na descrição de cadeias de segmentos fonológicos e de suas transformações em virtude de regras fonológicas, a Fonologia Não-linear colocou as relações prosódicas em enunciados em primeiro plano. A sílaba foi redescoberta como unidade prosódica; muitos trabalhos foram dedicados à análise de estruturas silábicas e de relações de sonoridade. Acima da sílaba, o pé a palavra fonológica foram utilizados como unidades prosódicas relevantes para a descrição das estruturas de acento e entonação. Abaixo da sílaba, reabilitou-se a mora já conhecida a partir da Filologia Clássica. No presente artigo, descrevem-se, a partir de exemplos do alemão e de outras línguas, as duas abordagens principais da Fonologia Não-linear, a Fonologia Autosegmental e a Fonologia Métrica. Procura-se mostrar que, com esses modelos, alguns fenômenos prosódico-fonológicos que antes só podiam ser descritos com grandes dificuldades ou eram até mesmo indescritíveis podem ser analisados de maneira adequada e elegante.
What governs phonology
(2000)
There is every reason to welcome the revised edition (2009) of Thomas Olander’s dissertation (2006), which I have criticized elsewhere (2006). The book is very well written and the author has a broad command of the scholarly literature. I have not found any mistakes in Olander’s rendering of other people’s views. This makes the book especially useful as an introduction to the subject. It must be hoped that the easy access to a complex set of problems which this book offers will have a stimulating effect on the study of Balto-Slavic accentology.
All's well that ends well
(2009)
A few years ago, Jasanoff adopted the central tenet of my accentological theory, viz. that the Balto-Slavic acute was a stød or glottal stop, not a rising tone (cf. Kortlandt 1975, 1977, 2004, Jasanoff 2004a). Of course, nobody will believe Jasanoff’s claim that he arrived at the same result independently thirty years after I published it and ten years after we discussed it when he came to Leiden to visit us. Though at the time he haughtily dismissed “the tangle of secondary hypotheses and “laws” that clutter the ground in the field of Balto-Slavic accentology” (Jasanoff 2004b: 171), he has now recognized the importance of Pedersen’s law, Hirt’s law, Winter’s law, Meillet’s law, Dolobko’s law, Dybo’s law and Stang’s law and largely accepted my relative chronology of these accent laws, including the loss of the acute shortly before Stang’s law (cf. Jasanoff 2008). He has also accepted my split of Pedersen’s law into a Balto-Slavic and a Slavic phase (to which a Lithuanian phase must be added), my thesis that the tonal contours of Baltic and Slavic languages are post-Balto-Slavic innovations (cf. Jasanoff 2008: 344, fn. 10), and the rise of a tonal distinction on non-acute initial syllables before Dybo’s law which I discussed at some length in my review (1978) of Garde’s monograph (1976). This is great progress.
West Slavic accentuation
(2009)
At the time of the earliest reconstructible dialectal divergences, which belong to the Late Middle Slavic period of my chronology (stages 7.0 - 8.0 of Kortlandt 1989a, 2003, 2008), the West Slavic languages represented the most conservative part of the Slavic dialects (cf. Kortlandt 1982b: 191 and 2003: 231).
It appears that the complexity of Slavic historical accentology is prohibitive for most non-specialists in the field. It may therefore be useful to approach the subject from a number of different angles in order to render it more accessible to a wider audience. In the following I shall discuss the separate accent paradigms and their development from the Late Balto-Slavic system, which is structurally similar to that of modern Lithuanian, up to the end of the Proto-Slavic period, when the system resembled what we find in modern Serbo-Croatian. The numbering of the stages 1.0 through 10.12 is the same as in my earlier publications (1989, 2003, 2005, 2006a, 2008b). For the rise and development of the accentual system up to the end of the Balto-Slavic period I may refer to my discussion (2006b, 2008a) of Olander’s dissertation (2006). It resulted in a system of four major and two minor accent types.
After the very well-organized Leiden conference for which we must be grateful to Tijmen Pronk, it seems appropriate for me to review some of the papers, as I did after the previous conferences in Zagreb and Copenhagen. The aim of this review is merely to point out some of the differences of opinion which require further debate.
Like its predecessor in Zagreb, the conference on Balto-Slavic accentology in Copenhagen was a great success. The enthusiasm of the organizers Adam Hyllested and Thomas Olander proved highly effective in stimulating discussion among the participants. While in Zagreb most papers dealt with Slavic data, in Copenhagen the emphasis was on Balto-Slavic problems.
Hittite ammuk 'me'
(2005)
In the Indo-European department of Leiden University, Alwin Kloekhorst has initiated a discussion on Hittite ammuk ‘me’. The central question is: where did the geminate come from? This has led me to reconsider the origin of the Indo-European personal pronouns against the background of my reconstruction of Indo-Uralic (2002: 221-225). For the historical data I may refer to Schmidt (1978).
Koivulehto and Vennemann have recently (1996) revived Posti’s theory (1953) which attributed Finnic consonant gradation to Germanic influence, in particular to the influence of Verner’s law. This theory disregards the major differences between Finnic and Saami gradation (cf. Sammallahti 1998: 3) and ignores the similar gradation in Nganasan and Selkup (cf. Kallio 2000: 92).
The Indo-Uralic verb
(2002)
C.C. Uhlenbeck made a distinction between two components of Proto-Indo-European, which he called A and B (1935a: 133ff.). The first component comprises pronouns, verbal roots, and derivational suffixes, and may be compared with Uralic, whereas the second component contains isolated words, such as numerals and most underived nouns, which have a different source. The wide attestation of the Indo-European numerals must be attributed to the development of trade resulting from the increased mobility which was the primary cause of the Indo-European expansions. Numerals do not belong to the basic vocabulary of a neolithic culture, as is clear from their absence in Proto-Uralic (cf. also Collinder 1965: 112) and from the spread of Chinese numerals throughout East Asia. Though Uhlenbeck objects to the term “substratum” for his B complex, I think that it is a perfectly appropriate denomination.
Most scholars nowadays reconstruct a static root present with an alternation between lengthened grade in the active singular and full grade in the active plural and in the middle. I am unhappy about this traditional methodology of loosely postulating long vowels for the proto-language. What we need is a powerful theory which explains why clear instances of original lengthened grade are so very few and restrains our reconstructions accordingly. Such a theory has been available for over a hundred years now: it was put forward by Wackernagel in his Old Indic grammar (1896: 66-68). The crucial element of his theory which is relevant in the present context is that he assumed lengthening in monosyllabic word forms, such as the 2nd and 3rd sg. active forms of the sigmatic aorist injunctive.
S.R. Ramsey writes (1979: 162): "The patterning of tone marks in Old Kyoto texts divides the vocabulary into virtually the same classes as those arrived at by comparing the accent distinctions found in the modern dialects. This means that the Old Kyoto dialect had a pitch system similar to that of proto-Japanese. The standard language of the Heian period may not actually be the ancestor of all the dialects of Japan, but at least as far as the accent system is concerned, it is close enough to the proto system to be used as a working model. The significance of this fact is important: It means that each of the dialects included in the comparison has as much to tell, at least potentially, as any other dialect about Old Kyoto accent."
A correct interpretation of the genitive plural forms in Slavic and related languages requires a detailed chronological analysis of the material. At every stage of development we have to reckon with both phonetically regular and analogical forms. Analogy operates quite often along the same lines in different periods. Explaining an analogic change amounts to indicating a model, a motivation, and a stage of development for its effectuation. If one of these cannot be indicated, we must look for a phonetic explanation.
In this paper we provide an account of the historical development of Polish and Russian sibilants. The arguments provided here are of theoretical interest because they show that (i) certain allophonic rules are driven by the need to keep contrasts perceptually distinct, (ii) (unconditioned) sound changes result from needs of perceptual distinctiveness, and (iii) perceptual distinctiveness can be extended to a dass of consonants, i.e. the sibilants. The analysis is cast within Dispersion Theory by providing phonetic and typological data supporting the perceptual distinctiveness claims we make.
In this article I reanalyze sibilant inventories of Slavic languages by taking into consideration acoustic, perceptive and phonological evidence. The main goal of this study is to show that perception is an important factor which determines the shape of sibilant inventories. The improvement of perceptual contrast essentially contributes to creating new sibilant inventories by (i) changing the place of articulation of the existing phonemes (ii) merging sibilants that are perceptually very close or (iii) deleting them. It has also been shown that the symbol š traditionally used in Slavic linguistics corresponds to two sounds in the IPA systemsystem: it stands for a postalveolar sibilant (ʃ) in some Slavic languages, as e.g. Bulgarian, Czech, Slovak, some Serbian and Croatian dialects, whereas in others like Polish, Russian, Lower Sorbian it functions as a retroflex (s). This discrepancy is motivated by the fact that ʃ is not optimal in terms of maintaining sufficient perceptual contrast to other sibilants such as s and ç. If ʃ occurs together with s and sj there is a considerable perceptual distance between them but if it occurs with ç in an inventory, the distance is much smaller. Therefore, the strategy most languages follow is the change from a postalveolar to a retroflex sibilant.
In this paper it is argued that several typologically unrelated languages share the tendency to avoid voiced sibilant affricates. This tendency is explained by appealing to the phonetic properties of the sounds, and in particular to their aerodynamic characteristics. On the basis of experimental evidence it is shown that conflicting air pressure requirements for maintaining voicing and frication are responsible for the avoidance of voiced affricates. In particular, the air pressure released from the stop phase of the affricate is too high to maintain voicing which in consequence leads to a devoicing of the frication part.
This paper evaluates trills [r] and their palatalized counterparts [rj] from the point of view of markedness. It is argued that [r]s are unmarked sounds in comparison to [rj]s which follows from the examination of the following parameters: (a) frequency of occurrence, (b) articulatory and aerodynamic characteristics, (c) perceptual features, (d) emergence in the process of language acquisition, (e) stability from a diachronic point of view, (f) phonotactic distribution, and (g) implications. Several markedness aspects of [r]s and [rj] are analyzed on the basis of Slavic languages which offer excellent material for the evaluation of trills. Their phonetic characteristics incorporated into phonetically grounded constraints are employed for a phonological OT-analysis of r-palatalization in two selected languages: Polish and Czech.
The contribution of von Kempelen’s “Mechanism of Speech” to the ‘phonetic sciences‘ will be analyzed with respect to his theoretical reasoning on speech and speech production on the one hand and on the other in connection with his practical insights during his struggle in constructing a speaking machine. Whereas in his theoretical considerations von Kempelen’s view is focussed on the natural functioning of the speech organs – cf. his membraneous glottis model – in constructing his speaking machine he clearly orientates himself towards the auditory result – cf. the bag pipe model for the sound generator used for the speaking machine instead. Concerning vowel production his theoretical description remains questionable, but his practical insight that vowels and speech sounds in general are only perceived correctly in connection with their surrounding sounds – i.e. the discovery of coarticulation – is clearly a milestone in the development of the phonetic sciences: He therefore dispenses with the Kratzenstein tubes, although they might have been based on more thorough acoustic modelling. Finally, von Kempelen’s model of speech production will be discussed in relation to the discussion of the acoustic nature of vowels afterwards [Willis and Wheatstone as well as von Helmholtz and Hermann in the 19th century and Stumpf, Chiba & Kajiyama as well as Fant and Ungeheuer in the 20th century].