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One of the most important insights of Optimality Theory (Prince & Smolensky 1993) is that phonological processes can be reduced to the interaction between faithfulness and universal markedness principles. In the most constrained version of the theory, all phonological processes should be thus reducible. This hypothesis is tested by alternations that appear to be phonological but in which universal markedness principles appear to play no role. If we are to pursue the claim that all phonological processes depend on the interaction of faithfulness and markedness, then processes that are not dependent on markedness must lie outside phonology. In this paper I will examine a group of such processes, the initial consonant mutations of the Celtic languages, and argue that they belong entirely to the morphology of the languages, not the phonology.
This paper follows a new perspective on speech errors within the framework of Articulatory Phonology, as proposed by Goldstein et al. (in prep.). On the basis of kinematic evidence, their work has demonstrated that speech errors are not restricted to categorical exchanges of position of segmental units, but rather gestures that compose segments can exhibit errors that vary from zero to maximal in magnitude.
Here we report results from two perceptual experiments which use stimuli selected on the basis of their articulatory properties only, covering a range of errorful gestural activations. The outcome of the perceptual experiments suggests that different segments show different degrees of vulnerability to (subsegmental) speech errors: While listeners detected errors reliably for some segments, for other segments the reaction to errorful and non-errorful tokens was not distinct. The data suggest that at least for some error types an asymmetric error distribution arises due to perception, while production itself is not asymmetric. However, for error types involving segments whose gestural compositions stand in a subset relationship to each other (as described below), asymmetries may indeed originate in production due to the overall dominance of a gestural intrusion bias observed in the production data of Goldstein et al. (in prep.).
The papers in this volume were presented at the eleventh meeting of the Austronesian Formal Linguistics Association (AFLA 11), held from April 23-25 at the Zentrum für Allgemeine Sprachwissenschaft, Berlin, Germany. The conference was organized by Hans-Martin Gärtner, Joachim Sabel, and myself, as part of the research project Clause Structure and Adjuncts in Austronesian Languages. We gratefully acknowledge the financial support by the German Research Foundation (Deutsche Forschungsgemeinschaft). We would like to thank Wayan Arka, Agibail Cohn, Laura Downing, Silke Hamann, S J Hannahs, Ray Harlow, Nikolaus Himmelmann, Yuchua E. Hsiao, Lillian Huang, Ed Keenan, Glyne Piggott, Charles Randriamasimanana, Joszef Szakos, Barbara Stiebels, Jane Tang, Lisa Travis, Noami Tsukido, Sam Wang, Elizabeth Zeitoun, Kie Ross Zuraw, and Marzena Zygis for reviewing the abstracts. We are thankful to Mechthild Bernhard, Jenny Ehrhardt, Fabienne Fritzsche, Theódóra Torfadóttir and Tue Trinh for their help during the conference. I would like to thank Theódóra for providing essential editorial assistance.
This article presents new experimental data on the phonetics of syllabic /l/ and syllabic /n/ in Southern British English and then proposes a new phonological account of their behaviour. Previous analyses (Chomsky and Halle 1968:354, Gimson 1989, Gussmann 1991 and Wells 1995) have proposed that syllabic /l/ and syllabic /n/ should be analysed in a uniform manner. Data presented here, however, shows that syllabic /l/ and syllabic /n/ behave in very different ways, and in light of this, a unitary analysis is not justified. Instead, a proposal is made that syllabic /l/ and syllabic /n/ have different phonological structures, and that these different phonological structures explain their different phonetic behaviours.
This article is organised as follows: First a general background is given to the phenomenon of syllabic consonants both cross linguistically and specifically in Southern British English. In §3 a set of experiments designed to elicit syllabic consonants are described and in §4 the results of these experiments are presented. §5 contains a discussion on data published by earlier authors concerning syllabic consonants in English. In §6 a theoretical phonological framework is set out, and in §7 the results of the experiments are analysed in the light of this framework. In the concluding section, some outstanding issues are addressed and several areas for further research are suggested.
In this paper the issue of the nature of the representations of the speech production task in the speaker's brain is addressed in a production-perception interaction framework. Since speech is produced to be perceived, it is hypothesized that its production is associated for the speaker with the generation of specific physical characteristics that are for the listeners the objects of speech perception. Hence, in the first part of the paper, four reference theories of speech perception are presented, in order to guide and to constrain the search for possible correlates of the speech production task in the physical space: the Acoustic Invariance Theory, the Adaptive Variability Theory, the Motor Theory and the Direct-Realist Theory. Possible interpretations of these theories in terms of representations of the speech production task are proposed and analyzed. In a second part, a few selected experimental studies are presented, which shed some light on this issue. In the conclusion, on the basis of the joint analysis of theoretical and experimental aspects presented in the paper, it is proposed that representations of the speech production task are multimodal, and that a hierarchy exists among the different modalities, the acoustic modality having the highest level of priority. It is also suggested that these representations are not associated with invariant characteristics, but with regions of the acoustic, orosensory and motor control spaces.
A fundamental question in the study of speech is about the invariance of the ultimate percepts, or features. The present paper gives an overview of the noninvariance problem and offers some hints towards a solution. Examination of various data on place and voicing perception suggests the following points. Features correspond to natural boundaries between sounds, which are included in the infant's predispositions for speech perception. Adult percepts arise from couplings and contextual interactions between features. Both couplings and interactions contribute to invariance. But this is at the expense of profound qualitative changes in perceptual boundaries implying that features are neither independently nor invariantly perceived. The question then is to understand the principles which guide feature couplings and interactions during perceptual development. The answer might reside in the fact that: (1) adult boundaries converge to a single point of the perceptual space, suggesting a context-free central reference; (2) this point corresponds to the neutral vocoïd, suggesting the reference is related to production; (3) at this point perceptual boundaries correspond to the natural ones, suggesting the reference is anchored in predispositions for feature perception. In sum, perceptual invariance seems to be grounded on a radial representation of the vocal tract around a singular point at which boundaries are context-fee, natural and coincide with the neutral vocoïd.
It has been hypothesized that sounds which are less perceptible are more likely to be altered than more salient sounds, the rationale being that the loss of information resulting from a change in a sound which is difficult to perceive is not as great as the loss resulting from a change in a more salient sound. Kohler (1990) suggested that the tendency to reduce articulatory movements is countered by perceptual and social constraints, finding that fricatives are relatively resistant to reduction in colloquial German. Kohler hypothesized that this is due to the perceptual salience of fricatives, a hypothesis which was supported by the results of a perception experiment by Hura, Lindblom, and Diehl (1992). These studies showed that the relative salience of speech sounds is relevant to explaining phonological behavior. An additional factor is the impact of different acoustic environments on the perceptibility of speech sounds. Steriade (1997) found that voicing contrasts are more common in positions where more cues to voicing are available. The P-map, proposed by Steriade (2001a, b), allows the representation of varying salience of segments in different contexts. Many researchers have posited a relationship between speech perception and phonology. The purpose of this paper is to provide experimental evidence for this relationship, drawing on the case of Turkish /h/ deletion.
This article deals with the Tashlhiyt dialect of Berber (henceforth TB) spoken in the southern part of Morocco. In TB, words may consist entirely of consonants without vowels and sometimes of only voiceless obstruents, e.g. tft#tstt "you rolled it (fem)". In this study we have carried out acoustic, video-endoscopic and phonological analyses to answer the following question: is schwa, which may function as syllabic, a segment at the level of phonetic representations in TB? Video-endoscopic films were made of one male native speaker of TB, producing a list of forms consisting entirely of voiceless obstruents. The same list was produced by 7 male native speakers of TB for the acoustic analysis. The phonological analysis is based on the behaviour of vowels with respect to the phonological rule of assibilation. This study shows the absence of schwa vowels in forms consisting of voiceless obstruents.
The current paper explores these two sorts of phonetic explanations of the relationship between syllabic position and the voicing contrast in American English. It has long been observed that the contrast between, for example, /p/ and /b/ is expressed differently, depending on the position of the stop with respect to the vowel. Preceding a vowel within a syllable, the contrast is largely one of aspiration. /p/ is aspirated, while /b/ is voiceless, or in some dialects voiced or even an implosive. Following a vowel within a syllable, both /p/ and /b/ both tend to lack voicing in the closure and the contrast is expressed largely by dynamic differences in the transition between the previous vowel and the stop. Here, vowel and closure duration are negatively correlated such that the /p/ has a shorter vowel and longer closure duration. This difference is often enhanced by the addition of glottalization to /p/. In addition to these differences, there are additional differences connected to higher-level organization involving stress and feet edges. To make the current discussion more tractable, we will restrict ourselves to the two conditions (CV and VC) laid out above.
In this study, cross-dialectal variation in the use of the acoustic cues of VOT and F0 to mark the laryngeal contrast in Korean stops is examined with Chonnam Korean and Seoul Korean. Prior experimental results (Han & Weitzman, 1970; Hardcastle, 1973; Jun, 1993 &1998; Kim, C., 1965) show that pitch values in the vowel onset following the target stop consonants play a supplementary role to VOT in designating the three contrastive laryngeal categories. F0 contours are determined in part by the intonational system of a language, which raises the question of how the intonational system interacts with phonological contrasts. Intonational difference might be linked to dissimilar patterns in using the complementary acoustic cues of VOT and F0. This hypothesis is tested with 6 Korean speakers, three Seoul Korean and three Chonnam Korean speakers. The results show that Chonnam Korean involves more 3-way VOT and a 2-way distinction in F0 distribution in comparison to Seoul Korean that shows more 3-way F0 distribution and a 2-way VOT distinction. The two acoustic cues are complementary in that one cue is rather faithful in marking 3-way contrast, while the other cue marks the contrast less distinctively. It also seems that these variations are not completely arbitrary, but linked to the phonological characteristics in dialects. Chonnam Korean, in which the initial tonal realization in the accentual phrase is expected to be more salient, tends to minimize the F0 perturbation effect from the preceding consonants by taking more overlaps in F0 distribution. And a 3-way distribution of VOT in Chonnam Korean, as compensation, can be also understood as a durational sensitivity. Without these characteristics, Seoul Korean shows relatively more overlapping distribution in VOT and more 3-way separation in F0 distribution.