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This study reports on the results of an airflow experiment that measured the duration of airflow and the amount of air from release of a stop to the beginning of a following vowel in stop vowel-sequences of German. The sequences involved coronal, labial and velar voiced and voiceless stops followed by the vocoids /j, i:, ı, ɛ, ʊ, a/. The experiment tested the influence of the three factors voicing of stop, place of stop articulation, and the following vocoid context on the duration and amount of air as possible explanation for assibilation processes. The results show that the voiceless stops are related to a longer duration and more air in the release phase than voiced ones. For the influence of the vocoids, a significant difference could be established between /j/ and all other vocoids for the duration of the release phase. This difference could not be found for the amount of air over this duration. The place of articulation had only restricted influence. Velars resulted in significantly longer duration of the release phase compared to non-velars. A significant difference in amount of air between the places of articulation could not be found.
The present article is a follow-up study of the investigation of labiodentals in German and Dutch by Hamann & Sennema (2005), where we looked at the perception of the Dutch labiodental three-way contrast by German listeners without any knowledge of Dutch and German learners of Dutch. The results of this previous study suggested that the German voiced labiodental fricative /v/ is perceptually closer to the Dutch approximant /ʋ/ than to the corresponding Dutch voiced labiodental fricative /v/. These perceptual indications are attested by the acoustic findings in the present study. German /v/ has a similar harmonicity median and a similar centre of gravity to Dutch /ʋ/, but differs from Dutch /v/ in these parameters. With respect to the acoustic parameter of duration, German /v/ lies closer to the Dutch /v/ than to the Dutch /ʋ/.
'Correction' is the name of a sentence with contrastive focus' the phonological/phonetic realization of which is a single contrastive pitch accent. These sentences predominantly appear in (fictional) dialogues. The first speaker uses grammatical entities against which the next speaker protests with a sentence nearly identical except that it contains a prosodically marked corrective element. This paper makes contrastive focus visible by means of 'KF' (contrastive focus).
The present study, based on a typological survey of ca. 70 languages, offers a systematization of consonantal insertions by classifying them into three main types: grammatical, phonetic, and prosodic insertions. The three epenthesis types essentially differ from each other in terms of preferred sounds, domains of application, the role of segmental context, their occurrence cross-linguistically, the extent of variation and phonetic explication.
The present investigation is significantly different from other analyses of consonantal epentheses in the sense that it neither invokes markedness nor diachronic state of the processes under discussion. Instead, it considers the different nature of the epenthetic segments by referring to the representational levels and/or domains which are relevant for their appearance.
(Non)retroflexivity of slavic affricates and its motivation : Evidence from polish and czech <č>
(2005)
The goal of this paper is two-fold. First, it revises the common assumption that the affricate <č> denotes /t͡ʃ/ for all Slavic languages. On the basis of experimental results it is shown that Slavic <č> stands for two sounds: /t͡ʃ/ as e.g. in Czech and /ʈʂ/ as in Polish.
The second goal of the paper is to show that this difference is not accidental but it is motivated by perceptual relations among sibilants. In Polish, /t͡ʃ/ changed to /ʈʂ/ thus lowering its sibilant tonality and creating a better perceptual distance to /tɕ/, whereas in Czech /t͡ʃ/ did not turn to /ʈʂ/, as the former displayed sufficient perceptual distance to the only affricate present in the inventory, namely, the alveolar /t͡s/. Finally, an analysis of Czech and Polish affricate inventories is offered.
The distribution of trimoraic syllables in German and English as evidence for the phonological word
(2000)
In the present article I discuss the distribution of trimoraic syllables in German and English. The reason I have chosen to analyze these two languages together is that the data in both languages are strikingly similar. However, although the basic generalization in (1) holds for both German and English, we will see below that trimoraic syllabIes do not have an identical distribution in both languages.
In the present study I make the following theoretical claims. First, I argue that the three environments in (1) have a property in common: they all describe the right edge of a phonological word (or prosodic word; henceforth pword). From a formal point of view, I argue that a constraint I dub the THIRD MORA RESTRICTION (henceforth TMR), which ensures that trimoraic syllables surface at the end of a pword, is active in German and English. According to my proposal trimoraic syllables cannot occur morpheme-internally because monomorphemic grammatical words like garden are parsed as single pwords. Second, I argue that the TMR refers crucially to moraic structure. In particular, underlined strings like the ones in (1) will be shown to be trimoraic; neither skeletal positions nor the subsyllabic constituent rhyme are necessary. Third, the TMR will be shown to be violated in certain (predictable) pword-internal cases, as in Monde and chamber; I account for such facts in an OptimalityTheoretic analysis (henceforth OT; Prince & Smolensky 1993) by ranking various markedness constraints among themselves or by ranking them ahead of the TMR. Fourth, I hold that the TMR describes a concrete level of grammar, which I refer to below as the 'surface' representation. In this respect, my treatment differs significantly from the one proposed for English by Borowsky (1986, 1989), in which the English facts are captured in a Lexical Phonology model by ordering the relevant constraint at level 1 in the lexicon.
Identity effects in phonology are deviations from regular phonological form (i.e. canonical patterns) which are due to the relatedness between words. More specifically, identity effects are those deviations which have the function to enhance similarity in the surface phonological form of morphologically related words. In rule-based generative phonology the effects in question are described by means of the cycle. For example, the stress on the second syllable in cond[ɛ]nsation as opposed to the stresslessness of the second syllable in comp[ǝ]nsation is described by applying the stress rules initially to the sterns thereby yielding condénse and cómpensàte. Subsequently the stress rules are reapplied to the affixed words with the initial stress assignment (i.e. stress on the second syllable in condense, but not in compensate) leaving its mark in the output form (cf. Chomsky and Halle 1968). A second example are words like lie[p]los 'unloving' in German, which shows the effects of neutralization in coda position (i.e. only voiceless obstruents may occur in coda position) even though the obstruent should 'regularly' be syllabified in head position (i.e. bl is a wellformed syllable head in German). Here the stern is syllabified on an initial cycle, obstruent devoicing applies (i.e. lie[p]) and this structure is left intact when affixation applies (i.e. lie[p ]Ios ) (cf. Hall 1992). As a result the stern of lie[p]los is identical to the base lie[p].
I argue in this study that consonantal strength shifts can be explained through positional bans on features, expressed over positions marked as weak at a given level of prosodic structure, usually the metrical foo!. This approach might be characterized as "templatic" in the sense it seeks to explain positional restrictions and distributional patterns relative to independently motivated, fixed prosodic elements. In this sense, it follows Dresher & Lahiri's (1991) idea of metrical coherence in phonological systems, namely, "[T]hat grammars adhere to syllabic templates and metrical patterns of limited types, and that these patterns persist across derivations and are available to a number of different processes ... " (251). [...] The study is structured as follows: section 1 presents a typology of distributional asymmetries based on data from unrelated languages, demonstrating that the stress foot of each of these languages determines the contexts of neutralization and weakening of stops. Section 2 elaborates the notion of a template, exploring some of its formal properties, while section 3 presents templatic analyses of data from English and German. Section 4 explores the properties of weak positions, especially weak onsets, in more detail, including discussion of templates in phonological acquisition. Section 5 summarizes and concludes the study.
The aim of this paper is to show what role prosodic constituents, especially the foot and the prosodic word play in Polish phonology. The focus is placed on their function in the representation of extrasyllabic consonants in word-initial, word-medial, and word-final positions.
The paper is organized as follows. In the first section, I show that the foot and the prosodic word are well-motivated prosodic constituents in Polish prosody. In the second part, I discuss consonant clusters in Polish focussing on segments that are not parsed into a syllable due to violations of the Sonority Sequencing Generalisation, i.e. extrasyllabic segments. Finally, I analyze possible representations of the extrasyllabic consonants and conclude that both the foot and the prosodic word play a crucial role in terms of licensing. My proposal differs from the ones by Rubach and Booij (1990b) and Rubach (1997) in that I argue that the word-initial sonorants traditionally called extrasyllabic are licenced by the foot and not by the prosodic word (cf. Rubach and Booij (1990b)) or the syllable (cf. Rubach (1997)). For my analysis I adopt the framework of Optimality Theory, cf. McCarthy and Prince (1993), Prince and Smolensky (1993), in which derivational levels are abandoned and only surface representations are evaluated by means of universal constraints.
In this work, I examine a set of languages which appear to require resyllabification postlexically; in less derivational terms, a word's syllabification in isolation differs from its syllabification in a phrase-internal context. Although many people, myself included, have been looking at such cases in isolation over the years, I bring together several examples here to see what features they share and how an Optimality Theory analysis improves upon rule-based derivational approaches.
The purpose of this paper is to provide a unified (i.e. independent of lexical categories) account of Persian stress. I show that by differentiating word- and phrase-level stress rules, one can account for the superficial differences exemplified in (1) above and many of the stipulations suggested by previous scholars. The paper is organized as follows. In section 1, I look at nouns and adjectives and propose a rule that would account for their stress pattern. In section 2, I extend the stress rule to verbs and show the problem this category poses to our generalization. The main proposal of this paper is discussed in section 3. I introduce the phrasal stress rule in Persian and show that by differentiating word-level and phrase-level stress rules, one can come to a unified account of Persian stress. Section 4 deals with some problematic eases for the proposed generalization and discusses some tentative solutions and their theoretical consequences. Section 5 concludes the paper.
While the perilinguistic child is endowed with predispositions for the categorical perception of phonetic features, their adaptation to the native language results from a long evolution from the end of the first year of age up to the adolescence. This evolution entails both a better discrimination between phonological categories, a concomitant reduction of the discrimination between within-category variants, and a higher precision of perceptual boundaries between categories. The first objective of the present study was to assess the relative importance of these modifications by comparing the perceptual performances of a group of 11 children, aged from 8 to 11 years, with those of their mothers. Our second objective was to explore the functional implications of categorical perception by comparing the performances of a group of 8 deaf children, equipped with a cochlear implant, with normal-hearing chronological age controls. The results showed that the categorical boundary was slightly more precise and that categorical perception was consistently larger in adults vs. normal-hearing children. Those among the deaf children who were able to discriminate minimal distinctions between syllables displayed categorical perception performances equivalent to those of normal-hearing controls. In conclusion, the late effect of age on the categorical perception of speech seems to be anchored in a fairly mature phonological system, as evidenced the fairly high precision of categorical boundaries in pre-adolescents. These late developments have functional implications for speech perception in difficult conditions as suggested by the relationship between categorical perception and speech intelligibility in cochlear implant children.
This paper describes the processing of MRI and CT images needed for developing a 3D linear articulatory model of velum. The 3D surface that defines each organ constitutive of the vocal and nasal tracts is extracted from MRI and CT images recorded on a subject uttering a corpus of artificially sustained French vowels and consonants. First, the 2D contours of the organs have been manually extracted from the corresponding images, expanded into 3D contours, and aligned in a common 3D coordinate system. Then, for each organ, a generic mesh has been chosen and fitted by elastic deformation to each of the 46 3D shapes of the corpus. This has finally resulted in a set of organ surfaces sampled with the same number of 3D vertices for each articulation, which is appropriate for Principal Component Analysis or linear decomposition. The analysis of these data has uncovered two main uncorrelated articulatory degrees of freedom for the velum's movement. The associated parameters are used to control the model. We have in particular investigated the question of a possible correlation between jaw / tongue and velum's movement and have not find more correlation than the one found in the corpus.
This paper contributes to the understanding of vocal folds oscillation during phonation. In order to test theoretical models of phonation, a new experimental set-up using a deformable vocal folds replica is presented. The replica is shown to be able to produce self sustained oscillations under controlled experimental conditions. Therefore different parameters, such as those related to elasticity, to acoustical coupling or to the subglottal pressure can be quantitatively studied. In this work we focused on the oscillation fundamental frequency and the upstream pressure in order to start (on-set threshold) either end (off-set threshold) oscillations in presence of a downstream acoustical resonator. As an example, it is shown how this data can be used in order to test the theoretical predictions of a simple one-mass model.
A visual articulatory model and its application to therapy
of speech disorders : a pilot study
(2005)
A visual articulatory model based on static MRI-data of isolated sounds and its application in therapy of speech disorders is described. The model is capable of generating video sequences of articulatory movements or still images of articulatory target positions within the midsagittal plane. On the basis of this model (1) a visual stimulation technique for the therapy of patients suffering from speech disorders and (2) a rating test for visual recognition of speech movements was developed. Results indicate that patients produce recognition rates above level of chance already without any training and that patients are capable of increasing their recognition rate over the time course of therapy significantly.
In order to investigate the articulatory processes of the hasty and mumbled speech of clutterers, the kinematic variability was analysed by means of electromagnetic midsagittal articulography (EMMA). In contrast to stutterers, clutterers improve their intelligibility by concentrating on their speech task. Variability is an important criterion in comparable studies of stuttering and is discussed in terms of the stability of the speech motor system. The aim of the current study was to analyse the spatial and temporal variability in the speech of three clutterers and three control speakers. All speakers were native speakers of German. The speech material consisted of repetitive CV-syllables and foreign words, because clutterers have the most severe problems with long words which have a complex syllable structure. The results showed a higher quotient of variation for clutterers in the foreign word production. For the syllable repetition task, no significant differences between clutterers and controls were found. The extremely large and variable displacements were interpreted as a strategy that helps clutterers to improve the intelligibility of their speech.
This paper summarizes our research efforts in functional modelling of the relationship between the acoustic properties of vowels and perceived vowel quality. Our model is trained on 164 short steady-state stimuli. We measured F1, F2, and additionally F0 since the effect of F0 on perceptual vowel height is evident. 40 phonetically skilled subjects judged vowel quality using the Cardinal Vowel diagram. The main focus is on refining the model and describing its transformation properties between the F1/F2 formant chart and the Cardinal Vowel diagram. An evaluation of the model based on 48 additional vowels showed the generalizability of the model and confirmed that it predicts perceived vowel quality with sufficient accuracy.
We measure face deformations during speech production using a motion capture system, which provides 3D coordinate data of about 60 markers glued on the speaker's face. An arbitrary orthogonal factor analysis followed by a principal component analysis (together called a guided PCA) of the data has showed that the first 6 factors explain about 90% of the variance, for each of our 3 speakers. The 6 derived factors, therefore, allow us to efficiently analyze or to reconstruct with a reasonable accuracy the observed face deformations. Since these factors can be interpreted in articulatory terms, they can reveal underlying articulatory organizations. The comparison of lip gestures in terms of data derived factors suggests that these speakers differently maneuver the lips to achieve contrast between /s/ and /R/. Such inter-speaker variability can occur because the acoustic contrast of these fricatives is shaped not only by the lip tube but also by cavities inside the mouth such as the sublingual cavity. In other words, these tube and cavity can acoustically compensate each other to produce their required acoustic properties.
The contribution of von Kempelen's "Mechanism of Speech" to the 'phonetic sciences' will be analyzed with respect to his theoretical reasoning on speech and speech production on the one hand and on the other in connection with his practical insights during his struggle in constructing a speaking machine. Whereas in his theoretical considerations von Kempelen's view is focussed on the natural functioning of the speech organs – cf. his membraneous glottis model – in constructing his speaking machine he clearly orientates himself towards the auditory result – cf. the bag pipe model for the sound generator used for the speaking machine instead. Concerning vowel production his theoretical description remains questionable, but his practical insight that vowels and speech sounds in general are only perceived correctly in connection with their surrounding sounds – i.e. the discovery of coarticulation – is clearly a milestone in the development of the phonetic sciences: He therefore dispenses with the Kratzenstein tubes, although they might have been based on more thorough acoustic modelling.
Finally, von Kempelen's model of speech production will be discussed in relation to the discussion of the acoustic nature of vowels afterwards [Willis and Wheatstone as well as von Helmholtz and Hermann in the 19th century and Stumpf, Chiba & Kajiyama as well as Fant and Ungeheuer in the 20th century].