491 Ostindoeuropäische und keltische Sprachen
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Životopis Mije Lončarića
(2011)
Cilj je ovoga rada opis zamjeničke deklinacije u jednom hrvatskoglagoljskom rukopisu, Akademijinu brevijaru iz 14. stoljeća, i potom usporedba sa stanjem u kanonskim starocrkvenoslavenskim rukopisima, zatim u hrvatskoglagoljskim fragmentima i liturgijskim rukopisima, u zbornicima, i na koncu u tiskanim brevijarima. Nadalje se na temelju proučene i izložene građe pokušava odgovoriti na pitanje postoji li razlika, i u kojoj mjeri, kod zamjeničkih oblika između prvoga (Psaltira) i drugoga dijela brevijara (Komunala), kao što je to već ustanovljeno za neke jezične razine, odnosno koliko je u drugome dijelu prisutan utjecaj narodnoga piščeva govora.
In this paper I show that the different case marking possibilities on predicate adjectives in depictive secondary predicates in Russian constitute the uninterpretable counterpart of the interpretable tense and aspect features of the adjective. Case agreement entails that the predicate adjective is non-eventive, i.e., it occurs when the event time of the secondary predicate is identical to the event time of the primary predicate. The instrumental case, however, entails that the secondary predicate is eventive: some change of state or transition occurred prior to or during the event time of the primary predicate. I claim that case agreement occurs in conjoined tense phrases in Russian, while the instrumental case occurs in adjoined aspectual phrases. In English, secondary predication is sensitive both to the structural location of its antecedent and to the event structure of the primary predicate. I suggest that depictives with subject antecedents in English are true adjunction structures, while those with direct object antecedents occur in a conjoined aspectual phrase. This hypothesis finds support in the different movement and semantic constraints in conjunction versus adjunction phrases in both English and Russian.
Usings songs to teach aural comprehension in the intermediate-advanced foreign language classroom
(2000)
In this article, we will present an aural comprehension development technique for intermediate-advanced students of Russian which aims at expanding comprehensible input through the use of song-poems. We will argue that learning can be enhanced by expanding Krashen's notion of i+1 to i+1,2,3,4... We will discuss how the prosodic and poetic structures of song lyrics make this type of input particularly effective in the second or foreign language classroom. We will also examine the merits of this approach from the standpoint of motivating students, reducing their classroom anxiety, and encouraging the use of effective language learning strategies. Finally, we illustrate in detail the application of this method in the first author's Russian language textbook based on the songs of Bulat Okudzhava.
U radu se opisuju primjeri češće uporabe akuzativa bez prijedloga u suvremenim hrvatskim medijima i razgovornom jeziku. Primjeri se takve uporabe razvrstavaju u nekoliko skupina: 1. sintagme s nepunoznačnim glagolom i besprijedložnim akuzativom, 2. glagol + *imenska riječ (A) + imenska riječ (A) < glagol + od + imenska riječ (G) + imenska riječ (A), 3. neprijelazni glagol → prijelazni glagol. Među sintagmama s akuzativom promjene se primjećuju i u sljedećoj, 4. skupini: glagol + unutrašnji objekt → glagol + hiponimni objekt (rubni izravni objekt?). Pri opisu se potvrđuje da se akuzativ kao puni, središnji padež, kojim se predmet obuhvaća u potpunosti, nameće rubnosti ostalih perifernih padeža, pr. instrumentala (kod glagola kontaktirati). Pokazuje se da su, usprkos normi koja uz glagole traženja ne preporuča uporabu dvaju akuzativa bez prijedloga, nego jednoga besprijedložnoga akuzativa (ili dijelnoga genitiva) te drugoga genitiva s prijedlogom od, uz glagol tražiti u jeziku suvremenih medija česte potvrde dvaju besprijedložnih akuzativa.