830 Literaturen germanischer Sprachen; Deutsche Literatur
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Nicht jeder Innenraum ist ein Interieur. Das Interieur ist ein unter spezifischen historischen, gesellschaftlichen und kulturpoetischen Bedingungen entstandenes komplexes Gebilde. Es lässt sich durch die Bündelung von drei Aspekten rekonstruieren: 1. einer Kultur- und Komfortgeschichte de Wohnens; 2. einer Beschreibung des Widerspiels von Draußen und Drinnen und 3. der interieurspezifischen Bestimmung einer Raumästhetik, bestehend aus einer Poetik der Atmosphäre und der Dinge und konstituiert aus Erwartung, Erinnerung und Koketterie.
Die Arabeske ist ein Nachkömmling. Sie ist die jüngere Schwester
der Groteske. Die Gemeinsamkeiten wird man schwer übersehen können. Beide, Groteske und Arabeske, kennen keine strikte Trennung zwischen 'hohen' und 'niederen' Künsten, beide entwickeln sich gleichermaßen in 'klassischen' wie in Print-Medien, beide haben Teil an der Ausbildung der Künstler als Experten in Spezialbereichen. Gemeinsam ist ihnen vor allem, dass ihre Entstehung überschattet ist von Infragestellungen. Die Pointe freilich ist, dass Kritik und Abwehr der Groteske zur Geburt der Arabeske führen. Es liegt also nahe, die Ketten von Polemiken zunächst zu benennen, zumal da die Antworten und Gegenmaßnahmen auf die Kritik die ästhetischen Spielräume der Grotesken und Arabesken erst eigentlich eröffnen.
Im einleitenden Teil soll an drei markanten Beispielen die kulturpraktische Bedeutung ästhetischer Mystifikation und Verstellung in der Romantik vorgeführt werden. Im zweiten Teil soll ein Problemaufriss gegeben werden, auf welche Weise aus der Kulturpraxis der artistisch eingesetzten Mystifikation Camouflagetechniken entstehen können.
Wissenspopularisierung
(2013)
It can hardly be disputed that the theme of popularity is central to the Enlightenment. Popularity is the sociality equivalent to the individual appeal: 'Dare to know.' Parallel to this runs the following imperative: 'Dare to encourage your neighbour and your fellow man and woman to think on their own – even though they do not belong to the erudite elite.' It is also undeniable that Romantic authors and philosophers polemically attempted to tear down the popularity project of the Enlightenment, their main criticism being its tendency towards mediocrity. It is less well known that Romantic authors and philosophers themselves, around the turn of the nineteenth century, made popularity their central concern. To quote Friedrich Schlegel in the journal Athenaeum: 'The time of popularity has come.' This article explores the Romantics' alternative conception of popularity, with especial reference to Johann Gottlieb Fichte and the Grimm Brothers. To this end, it is helpful to reconstruct the background of the Romantic attempt to create an independent concept of popularity: the debate between Immanuel Kant and the German popular philosopher Christian Garve on the necessity, possibilities, and limits of popularity.
[Nachruf] Klaus von See
(2013)
The present article focuses on the organization of the “Transylvania” Summer Academy in Sibiu, which aims to stimulate, on the one hand, the promotion of German culture from Romania and Southeastern Europe, one the other hand, keeping the cultural exchanges alive. Apart from presenting a synopsis of German literature in Romania, from its origins up to the present, the article also highlights the perspectives of promoting German culture from Romania through national institutions or institutions in Germany.
The lively debate about the biblical topics and motifs in search for words and „unwords” represents the subject of the present study, which treats the poetry of two authors: Nelly Sachs and Nichita Stănescu. Jacob’s Wrestling with the Angel (chapter 32 of Genesis) turns out to be, for the two poets, a motive, which describes their own writing, a wrestling with the insufficiency and commonplaceness of language, a wrestling for the word, because poetry is doubtless creation, but first of all mystical revelation.
Goethes Begegnung mit Hafis
(2013)
The starting point of the present article is the symbolism of Oriental literature and the one present in the work of the Persian poet Hafis, indicating its importance for the work Westöstlicher Divan (West-Eastern Divan) by J. W. Goethe. The author of the article explains Goethe’s fascination with poetic images and symbols found in the works of Hafis, showing the importance of his work in understanding the broadest cycle of poems within German literature, West-Eastern Divan.
The integration of Sibiu German Language and Literature Studies in European contexts. Lecture during the International Colloquium: Effective Speech in Early New High German: Syntactic and text stylistic aspects (6th of September 2013). The Colloquium was dedicated to Prof. Dr. Monika Hager-Rössing on her 80th birthday.
The present text introduces the anthological volume of Queen-poetess Carmen Sylva Poveştile unei regine [The Stories of a Queen] and highlights the fact that both her prose – tales and stories – and her poems are representative not only of her favorite themes and motifs, but also of the specific stylistic features of the author.
The present article focuses on the typological similarities and differences at Herta Müller and Gheorghe Crăciun. As a basis serves the work of the renowned Slovak comparatist Dionýz Ďurišin, “Comparative Literature. Attempt of a methodical-theoretical framework”(1972). Unlike the genetic relationships that relate to the contact within a nation or even the world literature, the typological relationships are linked to the structure of the compared works and their internal dynamics. In this regard three kinds of typological relationships can be found between Herta Müller and Gheorghe Crãciun: social, literary and psychological-typological similarities and differences.