830 Literaturen germanischer Sprachen; Deutsche Literatur
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Desafios à tradução do texto satírico : alguns exemplos de "Dritte Walpurgisnacht" de Karl Kraus
(2012)
Último texto de fôlego de Kraus, "Dritte Walpurgisnacht" ("Terceira noite de Valpúrgis") foi a reação do satirista à tomada do poder por Hitler. Do ponto de vista tradutório, oferece grande variedade de problemas, visto que o autor faz um uso exuberante de citações, trocadilhos, aliterações, neologismos e variações de ditos, provérbios, máximas e lugarescomuns. Este artigo apresenta alguns desses problemas e discute possibilidades para sua solução, não sem antes definir uma abordagem teórica.
A língua como pátria
(2006)
It is our aim to focus on certain aspects of the complex relationship between language – particularly German – and homeland/identity as seen in the work of a number of Jewish poets and authors. Initially we wish to point out this conflicting relationship in the work of Paul Celan and Rose Ausländer, two Jewish poets born in Romania. The examples of Viktor Klemperer and Ruth Klüger emphasize the complexity of this specific characteristic in the biography/work of German authors of Jewish origin. Elias Canetti, the Nobel Laureate born in Bulgaria, is a literary personality whose biography shows the importance of German culture influence in Eastern Europe at the beginning of the Twentieth Century: Canetti considers himself a German poet who belongs to the German-speaking cultural and literary world.
The objective of this article is to present a brief study on the wrong path of the poetry in the service of the Third Reich, whose roots raise to the tradition of the proto-nationalist and romantic nationalist poetry of the 19th Century. By interpreting the poems “Die Mutter” (“The Mother”) by Josepha Berens-Totenohl, “Deutsche Ostern 1933” (“German Easter of 1933”) by Heinrich Anacker, “Dem Führer” (“To the Führer”) by Will Vesper, and “Wir” (“We”) by Anne Marie Koeppen, we can observe the presence of discursive marks that remit to the Nazi jargon, what make them mere instruments of the totalitarian propaganda.