830 Literaturen germanischer Sprachen; Deutsche Literatur
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The border experience is the basic experience in the novel Engelszungen. There are characters who escape, emigrate, moving between several countries whose identity is unstable and changing. Life between cultures and with different identities determined their nomadic wandering around, where the transit movement as the basic experience has also a political dimension. The scientific contribution analyzes inner and outer boundaries, examines identitary border crossings, illuminates the major characters, their different identity designs, the restless in theirwandering and strategies of adaptation to the West.
The study deals with the large variety of judicial trials found in the records of the magistrate and judge of Sibiu of the 16th and 17th century. The topics of the magistratedocuments include heritage, the changing of the property right, guild regulations, rules for day laborers and servants and even orders regarding the number of persons that could attend to a feast and the number of dishes that should be served. The judicial papers deal with litigations, robberies, unpaid debts, frauds, adultery, crime and witchcraft trials.
This article addresses a little discussed popular phenomenon, namely that of internet memes as a manifestation of public criticism in the online space. Internet memes are pieces of entertainement with an extremely adaptable repertoire, defined by unexpected word associations, sentences, retorts, purposely modified images, which become viral by replication. The variation forms, the parody, puns, humorous, ironically-sarcastic allusions to current events, socially important topics, or statements of public figures make it clear how the modifications of a message built around some suggestive images with an obviously telling statement can get political relevance.
Nowadays, the Bukovinian writer and psychiatrist Robert Flinker is a familiar name only to those interested in the German literature of Bukovina. His literary legacy, which consists of poems, stories and two novels, was published more than twenty years after his death. This paper intends to analyze Flinker’s novels, Der Sturz [The Downfall] and Fegefeuer [Purgatory], from a psychiatric and psychoanalytical perspective. As a psychiatrist in the first half of the 20th century, Flinker was familiar with the benefits of psychoanalysis in treating patients. This raises the question of whether thewriter Robert Flinker was influenced by the new psychoanalytical discoveries and, if so, which theories he used in his novels. Moreover, it must be taken into consideration that Flinker, who had Jewish origins, wrote his novels during the Second World War. In this regard, the socio-cultural context had an impact on Flinker’s literary work.
This text is based on the novelette „The Disarmed Bullet – The Frost Pattern On the Thirteenth” by Walther Gottfried Seidner (from the prose volume „On The Cloud Called Transylvania, A Paradise Inmidst Of Hell – Good Night Stories” with a preface by Ph.D. Gerhard Konnerth). Both, research and critical essays on the topic of the deportation of the German minority of Transylvania to the Donetsk valley in Ukraine are marked by the tendency to victimize this ethnis group. The writer Walther Gottfried Seidner publishes his novelette as a reaction against this perspective and as a general humane reflection as well, retelling from the point of view of an six-year-old boy how his mother (a mother of four) is saved by a Russian soldier, who disarms a bullet, lying he would have killed the woman, in order for her to stay with her four small children. The story is captured from the memory of the grown-up child, from a distant perspective, valuable for its subjective but very profound reflections. The present analysis focusses on three dimensions of the post-war novelette: 1. The narrative, 2. The characters, 3. The langauge, especially the elements of the German Saxon variety. The novelette is regarded as being representative for the work of the German Saxon author, as it voices a positive humanism in the face of a warlike Regime, in the period of the Iron Curtain. The work can be seen as a cornerstone of the European idea in the context of the 100th jubilee of the Romanian Unity and of 29 years since the Romanian Revolution.
The present article is based on the premise that Europe is currently in context of migration dynamics between 'home' and 'foreign' ideas, between 'soft' strategies of inclusion, social participation on the one hand, and 'hard' tactics ofexclusion of the 'others' or 'Migrants' on the other hand. Against this background and based on some ideas of Zygmunt Bauman, Navid Kermani and Amin Maalouf, I will firstly discuss some factors of the 'We-debate'. Then, using the example of the novel So tun, als ob es regnet of the German-Romanian author Iris Wolff I will analyze how far literature uses translation and multilingualism to initiate a poetological process of understanding others and therefore counteracts cultural we-phantasms in Europe.
The anthology Vînt potrivit pînă la tare. Tineri poeţi germani din România (1982) introduced to Romanian writers and readers a new poetry that used a direct language and referred to the social and political situation of Romania. The authors – Germans from Romania whose texts where translated into Romanian – are Anemone Latzina, Franz Hodjak, Rolf Frieder Marmont, Johann Lippet, William Totok, Richard Wagner, Rolf Bossert, Hellmut Seiler, Horst Samson and Helmut Britz. The young poets engaged during the 1970’s in a dialogue with German literature, which allows an intercultural approach. The publication of the anthology was a daring gesture in the context of the 80’s politics and had also an influence on the poetry of some Romanian poets.
The National Socialist Party took control over Germany in the year 1933, which resulted in an emigration wave among those whom had been persecuted by the party. The author Erich Maria Remarque includes this thematic aspect in a series of three novels and Arc of Triumph is one of them. He combines two different perspectives on exile, on the one hand discussing the societies perception on the emigrant and on the other hand analysing the psychological status of the illegal emigrant. In the following article I intend to depict the imagine of an emigrants destiny, as illustrated by the writer and exemplified by his main character Ravic, who is living illegally in Paris in 1938.
Film is a wonderful means of reflecting upon the identity of the self and the other. A movie like Didi Danquart’s Offset (2006), which deals with intercultural conflicts, even more so. The clash of the Romanian and German cultures depicted in this movie illustrates how the construction of identity – of the self and the other – works.
Until World War 1 tried Adolf Meschendörfer differently to modernize the German-Transylvanian cultural scene. Therefore he published the magazine Die Karpathen (1907-1914), which included the novel Leonore. Roman eines nach Siebenbürgen Verschlagenen. Leonore is in several ways prototypical for the modernity