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The recently described Phelipanche hedypnoidis from the Orobanche (Phelipanche) ramosa group has been found in Cyprus for the first time. So far, it is known only from one site at the south coast. Hedypnois rhagadioloides as host plant is confirmed. To meet the demands of a more traditional generic treatment the new combination Orobanche hedypnoidis is proposed.
Further noteworthy records of vascular plants in Cyprus (1997–2018) and some status clarifications
(2019)
This paper deals with specimen-based records of 74 taxa, most of them having a scattered occurrence or restricted distribution range in Cyprus. The following taxa are new to Cyprus or have been found in the wild for the first time: Aristida adscensionis subsp. adscensionis, Buglossoides incrassata subsp. splitgerberi, Cenchrus setaceus, Chenopodium rubrum, Gazania rigens, Malus domestica, Mespilus germanica, Mirabilis jalapa, Pyrus communis, Sambucus nigra and Spartium junceum. The new combination Urtica cypria (H. Lindb.) Hand for the endemic nettle species is proposed.
Tradescantia fluminensis is an invasive weed that has been recorded for the first time in Cyprus. The species occurs in river banks, mainly under shady conditions. It has been recorded in three sites, always at low density: Marathasa river (Lefkosia district), Kargotis river (Lefkosia district), Kryos river (Lemesos district).
SAFE Newsletter : 2019, Q3
(2019)
SAFE Newsletter : 2019, Q2
(2019)
SAFE Newsletter : 2019, Q1
(2019)
The discipline of adaptation studies has come a long way from its academic inception in novel-to-film studies. Since George Bluestone's seminal 1957 study Novels into Film, often regarded as the starting point of modern day Anglo-American adaptation studies, the discipline has seen a continual widening of its methodology as well as of the material scholars are willing to regard as adaptations. Particularly since the turn of the 21st century and the increasing institutionalization of the discipline as distinct from literary or film studies, adaptation scholars have widened the scope to include a broad range of media, encompassing not only the traditional adaptations from novels and drama into film, but also novelizations of various other media, video game and comic adaptations, TV series, opera, theme parks and tie in vacations, and many more. Others have included the study of media franchises as dependent on adaptation. As part of this redefinition of the discipline, scholars have also widened their discussion to bring to the centre aspects that were not originally the main focus of adaptation researchers' comparative textual analyses, including industrial structures, legal frameworks, and, most frequently and emphatically, questions of intertextuality and the cultural and ideological embeddedness of adapted texts.