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Die Konsequenzen einer Diskussion, die das Problem Literaturgeschichtsschreibung in die Trias der sie konstituierenden Begriffe Literatur, Geschichte und Text(konzept) zerlegt, betreffen […] nicht mehr allein das Gebiet literaturgeschichtlichen Arbeitens, sondern berühren auch Diskurse, in denen Fragen von Kanonisierung problematisiert werden, sowie Berührungsmomente von Geschichte/Geschichtswissenschaft und Literatur verhandelt werden. Das Verhältnis von Literatur, Geschichte und Text(ualität) soll im Folgenden unter dem Gesichtspunkt des "displacement" – verstanden als Verschiebung – von Literaturgeschichte untersucht, und unter Bezugnahme auf ausgewählte Literaturgeschichten des 20. Jahrhunderts am Beispiel von Heinrich von Kleists Aufsatz "Über das Marionettentheater" diskutiert werden.
Die durch die feministische Bewegung eingeleitete Rezeption des Werks von Ingeborg Bachmann ist für die gesamte postume Rezeption der Autorin von Bedeutung. Dank ihr ist die weitere Forschung ihres Werkes erneuert worden, wobei immer neue Tatsachen (verbunden vor allem mit der Trilogie „Todesarten“ aber auch anderen Werken der Schriftstellerin) enthüllt werden. Die intensive Aufmerksamkeit bezeugt über die immer größere Bedeutung Bachmanns für die zeitgenössische Literatur.
In der Zeitschrift Studia Germanistica werden Forschungsergebnisse zu aktuellen Themen auf dem Gebiet der germanistischen Linguistik, Literaturwissenschaft und DaF-Didaktik publiziert, die den Stand der Forschung in Tschechien sowie im Ausland dokumentieren. Bestandteile der Zeitschrift sind kulturwissenschaftliche Studien und Rezensionen.
Der zweite Band der "Studia germanistica" setzt die schon im ersten Band deklarierte Ausrichtung dieser Reihe fort: Sie soll nicht nur die Forschungstätigkeit des Lehrstuhls für Germanistik an der Universität Ostrava dokumentieren, sondern auch das Bild von seiner Zusammenarbeit mit einheimischen germanistischen Instituten sowie von seinen vielseitigen internationalen Beziehungen geben.
This is the fourth in a series of publications on Zambian languages and grammar. The intention of the series is to boost the meagre scholarship and availability of educational materials on Zambian languages, which became particularly urgent in 1996, following the decision of the Zambian government to revert to the policy of using local languages as media of instruction. Kaonde (or more correctly Kikaonde) is spoken in the part of the North-Western Province of Zambia to the east of the Kabompo River, in adjacent parts of Mumbwa and Kaoma Districts to the south, and in the Katanga Province of the Democratic Republic of Congo to the North.
Captive of Fate
(2007)
Captive of Fate is the moving story of Ann, a victim of her own need for genuine love, and her gullibility in falling head over heels into the traps of lust set up by clever men. As Ann's biographic narrative unfolds, the reader is faced again and again with the haunting question: 'Do all men want only one thing from a woman?' Hidden between the lines and yet hammering constantly at the reader's conscience are issues pertaining to gender violence and the plight of women in Africa.
The Botsotso literary journal started in 1996 as a monthly 4 page insert in the New Nation, an independent anti-apartheid South African weekly and reached over 80,000 people at a time ? largely politisized black workers and youth ? with a selection of poems, short stories and short essays that reflected the deep changes taking place in the country at that time. Since the closure of the New Nation in 1999, the journal has evolved into a stand-alone compilation featuring the same mix of genres, and with the addition of photo essays and reviews. The Botsotso editorial policy remains committed to creating a mix of voices which highlight the diverse spectrum of South African identities and languages, particularly those that are dedicated to radical expression and examinations of South Africa's complex society.
The Millennium Development Goals address poverty, hunger, disease, illiteracy, environmental degradation, and discrimination against women, by the year 2015. In this volume scholars and policymakers in the fields of population and health reflect on the attainments of some of these goals, on the basis of empirical evidence in the Ghanaian context. The eight paper, with an introduction by the editors, synthesises papers presented at a seminar held in Ghana on ?Population, Health and Development in Relation to the Millennium Development Goals?, organised by the Population Association of Ghana.
From its modest beginnings in the mid-19th century, Dar es Salaam has grown to become one of sub-Saharan Africa?s most important urban centres. A major political, economic and cultural hub, the city stood at the cutting edge of trends that transformed twentieth-century East Africa. Dar es Salaam has recently attracted the attention of a diverse, multi-disciplinary, range of scholars, making it currently one of the continent?s most studied urban centres. This collection from eleven scholars from Africa, Europe, North America and Japan, draws on some of the best of this scholarship and offers a comprehensive, and accessible, survey of the city?s development. The perspectives include history, musicology, ethnomusicology, culture including popular culture, land and urban economics. The opening chapter offers a comprehensive overview of the history of the city. Subsequent chapters examine Dar es Salaam?s twentieth century experience through the prism of social change and the administrative repercussions of rapid urbanisation; and through popular culture and shifting social relations. The book will be of interest not only to the specialist in urban studies but also to the general reader with an interest in Dar es Salaam?s environmental, social and cultural history.
Songs and Politics in Eastern Africa brings together important essays on songs and politics in the region and beyond. Through an analysis of the voices from the margins, the authors (contributors) enter into the debate on cultural productions and political change. The theme that cuts across the contributions is that songs are, in addition to their aesthetic appeal, vital tools for exploring how political and social events are shaped and understood by citizens. Urbanization, commercialization and globalization contributed to the vibrancy of East African popular music of the 1990s which was marked by hybridity, syncretism and innovativeness. It was a product of social processes inseparable from society, politics, and other critical issues of the day. The lyrics explored socials cosmology, worldviews, class and gender relations, interpretations of value systems, and other political, social and cultural practices, even as they entertained and provided momentary escape for audience members. Frustration, disenchantments, and emotional fatigue resulting from corrupt and dictatorial political systems that stifle the potential of citizens drove and still drive popular music in Eastern Africa as in most of Africa. Songs and Politics in Eastern Africa is an important addition to the study of popular culture and its role in shaping society.
Lack of transparency and accountability in the planning practice allow for misuse and abuse of the planning system to serve the interests of the more powerful and influential groups, including those entrusted with the powers of planning. The outcomes of a non-inclusive, non-transparent and insensitive planning include: insecurity of land tenure rights and subsequently investments in land; poverty; informal land subdivision and building; unplanned spatial growth and endless conflicts in land development. These are detrimental to the residents and erode their trust and confidence in the government. It takes an organized, informed, confident and courageous group of residents or community to reject the non-inclusive form of planning and cause adoption of inclusive and collaborative planning that allows them space in the planning process. The achievement of such an organized group ? a turn towards democratic planning practice ? leads to a conclusion that informed, organized, confident and courageous civil society is a pillar of democracy. This book therefore argues that ineffective planning results, among other things, from defective land policy and legislation, and planning inability to recognize and make use of opportunities for shaping the built environment.
Paul E. Isert, a Dane, arrived in Ghana (then the Gold Coast) in 1783, taking advantage of an opening in the slave trade between Guinea and the West Indies. He was appointed as chief surgeon to the Danish establishments on the Guinea Coast. In 1786 he sailed to the West Indies with a cargo of slaves, who revolted. His experiences in Ghana and the West Indies resolved him to end the trans-Atlantic slave abuse. This book is written in the form of letters to his father. An elusive character, it is clear that he nonetheless had an unreservedly positive attitude towards Africa and its indigenous peoples, and an equally negative attitude towards the Europeans on the Guinea coast. An admirer of Rousseau?s philosophy, he was concerned about the corrupting influence of the European ?civilisation? on the ?Blacks?. His writing attempts at objectivity, seeking to find the common humanity. He claims that the ?Black? was, at least equal to that of the ?European?,which was not shared by his Danish predecessors. This is the first English language edition of his original Danish letters, previously published in German, Dutch, French, and Swedish.
The year-long celebration of Ghana's Golden Jubilee provides a fitting context for the republication of the book Kwame Nkrumah: Vision and Tragedy. In the lead-up to the celebration and over the course of the year, the life and times of Kwame Nkrumah will receive unprecedented public attention, official and unofficial. Kwame Nkrumah's very wide name-recognition is, paradoxically, accompanied by sketchy, often oversimplified knowledge about the events and processes of his life and times. For most of those born after independence in 1957, such knowledge does not extend much beyond who Kwame Nkrumah was and vague notions about he won us Independence. This book presents new material and new analysis, which helps to clarify aspects of the record, while advancing new perspectives. What comes across clearly throughout the book is the significant contribution of Nkrumah's vision and personality at a critical moment in the history of Africa and the Third World. He, perhaps more than any other, was able to identify, focus and catalyse the major factors and players driving the struggle for political independence in Ghana and liberation in other parts of Africa. In the process, he committed his life and work totally to a wide variety of activities and processes in Ghana, the continent and in the global Non-Aligned Movement.
It Happened in Ghana carries a positive message. Conceived as a literary work, it demonstrates that racial prejudice based on skin colour is not a pervasive and unalterable human condition. The principal characters who are both Black and White are embroiled in various encounters, notably wars, slave trade, colonialism and post colonial reconstruction. Regardless of their skin colour and cultural differences, they make friends or fall in love secretly during these encounters. When they are forced to part company by the cessation of hostilities or whatever brought them together, they serve in various capacities in new locations outside their original places of domicile. They are accepted or integrated into existing social structures because of the warmth oftheir personalities and the manner in which they are able to adjust themselves to the pressures and challenges of new environments. Changes in the circumstances of the principal characters or their descendants enable them not only to restore broken relationships but also to identify themselves with the cause of freedom and justice or to reconnect in various ways with the development aspirations of Ghana where it all started.
The religious life of the Tonga-speaking peoples of southern Zambia is examined over the last century, in the sense of how they have thought about the nature of their world, the meaning of their own lives, and the sources of good and evil in which their cosmology and society have been transformed. The twelve chapters cover Time, Space and Language; Basic Themes, Tonga Religious Vocabulary and its Referents; the Vocabulary of Shrines and Substance; Homestead and Bush; Ritual Communities and Actors; Rituals of the Life Course; Death and its Rituals; Evil and Witchcraft; and Christianity and Tonga Experience. The author has drawn on dairies by research assistants, and field notes and research of fellow anthropologists, but above all from her own interaction with Tonga people since 1946. The older people gave first hand memories of Ndebele and Lozi raids, David Linvingstone encamped near their villages in 1856 and 1862, the arrival of colonial administrators, traders, missionaries and European and Indian settlers, and in some cases, the end of colonial rule. Their experience and that of their children, grandchildren, and great grandchildren provides the basis for understanding Tonga religious experience. Elizabeth Colson is an American anthropologist who is widely published on the Tonga. Her research interests have particularly concentrated on the Gwembe Valley.
Art, Culture and Society Vol 1 is the first in a series of books to be published by Twaweza Communications on the relationship between art and society, with special reference to Kenya. It is part of a cultural leadership initiative being undertaken by the organization through a reexamination of the arts as they are produced and studied. This volume brings together important reflections on the arts and is a major step in encouraging dialogue on the relationship between creativity and the human condition in the region. Significantly, it creates a space for university-based academics to engage in dialogue with artists and writers based outside institutions of higher learning. The conversations will bridge the gap between the two domains for knowledge production and enrich creative enterprise in Kenya, in theory and practice. As the essays in this collection show, the present global situation demands a way to conceptualise and theorise an ever growing cultural interconnectedness, sometimes manifested in art; and interconnectedness that draws from a myriad of cultures and experiences. Through the bridges of contact and cultural exchange distant images are mediated and brought closer to us. They are reinterpreted and modified. In the final analysis, culture is shown to be an important aspect of human creativity but separateness and boundedness is contested. Instead, culture is shown to be malleable and fluid. The essays bring in a new freshness to our reading of the creative arts coming out of Kenya.
The Concept of Botho and HIV
(2007)
Ever since the publication of Placide Tempel's epoch-making work Bantu Philosophy, African philosophers have worked to dispel the myth that there is no metaphysics in Africa. In the East African context we remember the names of Joseph Nyasmi and Odera Oruka, and in the West African context, Pauline Hotoundji and Kwesi Wiredu have made monumental contributions to elucidate African metaphysics. This compendium, presented by a group of scholars from the University of Botswana, seeks to build bridges between the seemingly estranged disciplines of African metaphysics, existential philosophy, and economics in the contexts of HIV/AIDS.
The subject of human rights and its attendant these of access to justice have remained relevant areas to the legal fraternity. This relevance resonates well in the fields of teaching and learning the law, consultancy, legal practice and advocacy, law reform, and judicial decision making. In the East African region, however, the availability of research and reference material for these two areas of learning has remained low. It is against the backdrop of the foregoing that the publishing of the Digest on Human Rights and Access to Justice in East Africa is an important aspect of the development of the law in the region. Bringing together decisions of both municipal courts within the East Africa region beyond, the digest has breathed a totally new lease of life into the practice and comparative legal studies in the area of human rights and access to justice. To a large extent, the digest has robbed practitioners of law of the excuses attendant to poor advocacy in the arena of human rights. It has robbed judicial officer of the excuses attendant to shallow and poorly reasoned judgments. It has robbed students and teachers of law the excuses attendant to poorly researched theses in the area of human rights. Definitely, it has added immense value to the consumers of human rights and access to justice. This Digest is a product of the fruitful on-going collaboration between LawAfrica Publishing Ltd and East Africa Law Society. Both LawAfrica with its East Africa Law Reports, and EALS, with its ever-growing collaboration between East African lawyers, yearn for greater integration of legal practice in the three East African countries. This Digest is a contribution to that desire.
The Jurisprudence on Regional and International Tribunals Digest is borne out of the recent developments in the judicial arena of the East African Community and other inter-state arrangements where matters are increasingly getting litigated and determined at the international fora. With such a development, there is the more current need to document the reasoning, not just of judicial officers from the East African Court of Justice but also from other regional and international tribunals. This will help in consolidating knowledge on diverse aspects of substance and procedure from these tribunals for both academic and practice purposes. This digest no doubt adds value to practitioners in the East African region and beyond who are getting absorbed into legal practice before tribunals of an international law character. It is hoped that the digest will further be of great assistance to the community of the academia that is in need of material for the dispensation of knowledge in the area of international law.
No Turning Back relives the tumultuous beginnings of Africa's democratization experiment in the early 1990s. The main theme of the collection is an investment in hope and in the resilience of Africans. The poems are loud and clear in their castigation of dictatorship and its miseries. They celebrate the mass resolve and thirst for democracy by Africans for whom there is 'No turning back!' 'A lucid and truly memorable collection of poems. Dibussi forces us to turn back and look at the pivotal volcanic moments in Cameroon's history between 1990- 1993... As a student activist and budding journalist during this historic period, Dibussi captures cadences of this struggle eloquently.' Joyce Ashuntantang, Ph.D., Department of English, University of Connecticut, Greater Hartford, USA. 'This collection is an important document chronicling, through verse, the events of an era in a given space with unmitigated passion.' Kangsen Wakai, poet, Houston, Texas, USA '. a subtle yet unapologetic critique of Cameroon's chequered history of predatory governance. The poems provide succor to a people besieged first by the unrealised dreams of a political (mis)marriage and then a false promissory note on which their democratic development is written.' George Ngwane, Chair, National Book Development Council - Cameroon
Stories from Abakwa
(2007)
Childhood and growing up in Mimboland, Cameroon are infused with fascinating stories and adventures. Discover life in Abakwa with Tom and his friend, as they are chased through an orchard for secretly harvesting avocadoes and mangoes. Smile as Mathias Chi's overloaded canoe almost loses balance. Shiver as Roland runs through the dark streets and bleeding corridors of Mvog Mvog. And cry when Big Brother discovers how his siblings suffered when he was away at school. What happens to Esther when she finds the courage to make an announcement at the Abakwa Mountain Foot Radio Station about her husband's disappearance? Will Prudencia and Collette kill or give life? How does Prisca Lum deal with her dwarf husband? Some characters will remind you of people you know - or even of yourself. Drum beats and church bells, thunder and lightning, princes and princesses, visions and deceptions fill the pages. Discover your favorite stories waiting to be told and retold, again and again.
Not Yet Damascus
(2007)
The Convert : A Two-Act Play
(2007)
' ''This play tackles the theatrically attractive but ethically complex issue of Christian fundamentalism. Nyamnjoh, as a sociologist is well qualified to explore the social problems and psychological pressures which give rise to the born-again phenomenon, and the strong appeal of fundamentalist religion. The Convert, however is no schematic sociological tract. It deals with the conflicting imperatives in 21st century West Africa, which push ordinary people into extraordinary situations, and provides no easy solutions to the issues raised. Although the play revolves around the Ultimate Church of Christ and the four main characters affected by it, the audience is given a deftly sketched picture of a corrupt world beyond it, lacking in spiritual or community values. [..] The characterization. is remarkable for its avoidance of any obvious protagonist; the audience is allowed no clear character with whom to identify. The four main characters . have both virtues and flaws, each providing insights into ways the consumer-oriented materialism of modern life impacts upon African spirituality and community values. - David Kerr, Professor in Literature and Drama, University of Botswana ''''At the core of the implicit philosophy in Nyamnjoh's The Convert . is the theatrical manifesto that contemporary society has not only to liberate itself, and its productive powers from 'Pentecostal', freak religions and distortion, it also has to liberate these same productive capacities from their present prostration. There is a deep, engaging humanism that pervades The Convert, but it is a humanism emblematic, to speak analogously, of the Aeschylean variety.'''' - Bate Besong, Africa Review of Books.'''
Mind Searching
(2007)
In Mind Searching Nyamnjoh has attempted to do something rather clever - to expose, through the attitudes, feelings and thoughts of one man and a very simple story, the hypocrisy and corruption of Cameroon society and humanity in general, often using understatement and irony in good effect. The commentary is unremittingly cynical and returns again and again to corruption, callous squandering, exploitation, prostitution, and other fairly worn butts. The book depicts a society where basic freedoms are shackled, and thinking aloud treasonable. Hence the mental ramblings of the narrator and central character Judascious Fanda Yanda, in the form of an extended monologue full of observations, anecdotes and asides written from the point of view of an apparently insouciant naive. The basic method is to foreground the opinions and conversational elegance of the narrator, while having events going on as a background to his thoughts. We trace the narrator's progress from a disenchanted 'Damn? de la Terre' to a comfortably well off Private Secretary to a Vice Minister over a number of years. It is a clear illustration of how the system perpetuates its mediocrity and buys off any spark of initiative. Nyamnjoh has a good command of ironic tone and sound control over form and structure. He employs a very fluent style, and often has very urbane and neat turns of phrase. He captures the bored, superior, cynical and ultimately predatory tone of voice of his narrator extremely well.
The Disillusioned African
(2007)
This humorous tale of the na?ve and curious African student-cum-philosopher wandering between North and South, the rural and the urban, has been in gestation for a period of nearly two decades. With allusion to traditions of the philosophical novel and the picaresque, Nyamnjoh's protagonist travels from his African village to the sharply divided and socially cruel world of 1980s Britain. By casting aside his disillusion and the traps of servitude and victimhood, The Disillusioned African reveals his creative potential for curiosity and adventure. He brings a bird's eye view, always affectionate, gently mocking, to the cultural idiosyncrasies of the new world he encounters, which throws his own African culture, politics and socio-economic realities into light relief. Praise for The Disillusioned African 'Whatever the imagined future for Africa, this courageous book will certainly provide, for both its foreign readers and the young generation of Cameroonians, a provocative insight into the complex web of despair, frustration, paradox and hope . on the eve of the 21st century.' - Louise Cuming, Catholic University of Central Africa 'In his characteristically humorous style, Nyamnjoh portrays the various social ills in society and castigates the political elite he holds largely responsible.' - Piet Konings, African Studies Centre, Leiden, The Netherlands. 'Francis Nyamnjoh . has a particular way of saying very serious things in the most unserious manner. He entertains, and in the process he moralises, he teaches, he gives you lessons. learning experience and philosophy to give you a view of the dilemma of the African.' - Sammy Beban Chumbow, Professor of Linguistics, University of Yaounde I
Fragmented Melodies
(2007)
Wisdom of the Yawo People is a collection of traditional proverbs and stories from the Yawo people of South Eastern Africa. The literature contains deep wisdom rooted in African soil, which will be applicable to people everywhere. The proverbs are told in both the Yawo language and English and reveal the end result of greed, laziness and pride. They also promote the value of welcoming strangers, belonging and being respectful. Each proverb and story is accompanied by a short interpretation, and illustration.
This report is the first independent, substantive and public assessment of the progress of the African Union. 'Towards a People-Driven African Union: Current Obstacles and New Opportunities' analyses the preparations of African Union member-states, the AU Commission and civil society organisations for the twice-yearly AU summits. The main finding is that despite some welcome new opportunities for participation, the African Union's vision of -an Africa driven by its own citizens- remains largely unfulfilled. Detailed recommendations are offered to help deliver on this vision in future. Published by AFRODAD, AfriMAP and Oxfam, this report is endorsed by more than a dozen other organisations in Africa and elsewhere, and is based on interviews with more than 50 representatives of member-states, the AU Commission and civil society organisations in eleven African countries.
Nembe Numerals
(2007)
This monograph highlights the necessity for taking preventive measures in the form of peace-building as a sustainable and long-term solution to conflicts in West Africa, with a special focus on the Mano River Union countries. Apart from the Mano River Union countries, efforts at resolving other conflicts in say, Guinea Bissau, Senegal, C?te d'Ivoire and Nigeria, have suffered from a lack of attention on the post-conflict imperatives of building peace in order to ensure that sustainable peace is achieved. Given the often intractable and inter-related nature of conflicts in this region, it argues for the need to revisit the existing mechanisms of conflict resolution in the sub-region with a view to canvassing a stronger case for stakeholders towards adopting the peace-building strategy as a more practical and sustainable way of avoiding wars in the sub-region. Peace-building in consonance with its infrastructure is a more sustainable approach to ensuring regional peace and stability and, therefore, ensuring development for the peoples of West Africa. Dr Osita Agbu is currently a Senior Research Fellow at the Nigerian Institute of International Affairs, Lagos. His areas of specialization include Peace and Conflict studies, Governance and Democratization and Technology and Development. He was until recently, a Visiting Research Fellow at the Institute of Developing Economies, Chiba, Japan.
Scholars in the Marketplace : The Dilemmas of Neo-Liberal Reform at Makerere University, 1989-2005
(2007)
Scholars in the Marketplace is a case study of market-based reforms at Uganda's Makerere University. With the World Bank heralding neoliberal reform at Makerere as the model for the transformation of higher education in Africa, it has implications for the whole continent. At the global level, the Makerere case exemplifies the fate of public universities in a market-oriented and capital friendly era. The Makerere reform began in the 1990s and was based on the premise that higher education is more of a private than a public good. Instead of pitting the public against the private, and the state against the market, this book shifts the terms of the debate toward a third alternative than explores different relations between the two. The book distinguishes between privatisation and commercialisation, two processes that drove the Makerere reform. It argues that whereas privatisation (the entry of privately sponsored students) is compatible with a public university where priorities are publicly set, commercialisation (financial and administrative autonomy for each faculty to design a market-responsive curriculum) inevitably leads to a market determination of priorities in a public university. The book warns against commercialisation of public universities as the subversion of public institutions for private purposes.
Rethinking Security in Nigeria adopts an alternate conceptual and methodological framework for rethinking national security in Nigeria by using the humanities' multidisciplinary perspective against the backdrop of the hitherto restrictive analysis of the nature of national security. By expounding the largely unexplored cosmological, conceptual, ethical and aesthetic dimensions as key contributors to national survival and social integration, the volume argues systematically for a basic redefinition of the meanings of security, the value of life, government action and social re-engineering in order to create a new system of social order an integration. The authors attempt to extend the boundaries of previous theorizing on security by identifying alternate ethical and aesthetic approaches to national reconciliation and human development in present-day Nigeria, which faces major security challenges requiring the clarification of the basis for developing a just and harmonious society. The study is a contribution to the quest for defining the vital socio-cultural norms and doctrinal imperatives needed for responsible cooperative human action. It examines the roles of dominant works of philosophy, literature, plays and performances in the creation of a basis for political stability and social reconciliation in the society. It extends the boundaries of previous aesthetic studies and redefines the roles of ethics and aesthetics as crucial contributors to security, human development and world civilisation.
This volume discusses a number of issues on the contested nature of intellectual property rights (IPR) and Indigenous Knowledge Systems (IKS) in the context of Southern Africa. The issues addressed include the protection of folklore, IKS in a digital era, the valuation and safeguard of heritage sites, the need for appropriate IKS legislation, community based control of natural resources and the role played by traditional music in the maintenance of community. It is this extensive exploration of IKS from the vantage points of communication and culture, and explored in terms of policy, cultural survival, international as well as intra-national politics, economics, philosophy and ethics that makes this empirical grounded collection of papers unique, a distinctive contribution to the literature and 'cause' of IKS. The specific IKS-related issues raised and dealt with in this volume are generic in the sense that the very same issues are being contested in different parts of the world. In this respect, this book highlights the particular as a means of comprehending the universal.
This volume highlights the proceedings of the two policy dialogue conferences held by the Working Group on Finance and Education (WGFE) in 2004. Part I of the document discusses the endemic crisis that higher educationhas been beset with since the outset of the post colonial period in Africa. It highlights the critical state of higher education systems in Burkina Faso, Mali, Nigeria and Senegal by scrutinizing the causes, manifestations and consequences of the crisis to posit useful recommendations and possible solutions. Part II is a comprehensive review of the challenges facing the financing and planning of all levels and types ofeducation - from kindergarten to graduate school - in selected African countries. The papers reveal the sources and mechanisms of funding education in Africa, drawing attention to the experiences of communities confronted with new funding sources. A new trend, which consists of designing decade long educational development plans, has emerged and is rapidly expanding in numerous African countries. This experience is examined and shared by the authors. This book has contributions in both French and English.
This empirically grounded study provides a critical reflection on the land question in Africa, research on which tends to be tangential, conceptually loose and generally inadequate. It argues that the most pressing research concern must be to understand the precise nature of the African land question, its land reforms and their effects on development. To unravel the roots of land conflicts in Africa requires thorough understanding of the complex social and political contradictions which have ensued from colonial and post-colonial land policies, as well as from Africa's 'development' and capital accumulation trajectories, especially with regard to the land rights of the continent's poor. The study thus questions the capacity of emerging neo-liberal economic and political regimes in Africa to deliver land reforms which addr
Reason is not the monopoly of any particular group or culture. It is a universal human quality. Nevertheless, it should be recognised that reason manifests itself differently from one culture to another. Do we therefore admit that these forms are distinctly plural or should we, on the contrary, recognise the possibility of a meeting and, if need be, of an ordered confrontation that would guarantee, beyond this obvious diversity, a unity of human reason? This book with contributions in both English and French is the result of a debate on this question, during a conference co-organised by UNESCO and the 'Centre Africain des Hautes Etudes de Porto-Novo' on the theme 'The Meeting of Rationalities' held in Porto-Novo in Benin in September 2002, during the 26th General Assembly of the International Board of Philosophy and Human Sciences (CIPH). Several well-known researchers participated in that debate, amongst whom Richard Rorty (United States), Meinrad Hebga (Cameroon), Harris Memel-Fot? (C?te d'Ivoire), and more than seventy philosophers, historians, anthropologists, literary critics, and psychoanalysts from various countries. Paulin J. Hountondji is a Professor of Philosophy at the National University of Benin Republic, joint-laureate of Mohamed El Fasi 2004 prize. He is the Director of the African Centre of Higher Education in Porto-Novo. The American version of his book ? philosophie africaine ? : critique de l'ethnophilosophie (Paris, Maspero 1976) (African philosophy, Myth and Reality, Bloomington : Indiana University Press, 1983) was awarded the Herskovits Prize in 1984. The book is part of the 100 best African books of the 20th century selected in Accra in the year 2000. Hountondji has recently published The Struggle for Meaning: Reflections on Philosophy, Culture and Democracy in Africa (Ohio University Press, 2002) and edited several publications, including Endogenous Knowledge: Research Trails, (Dakar: CODESRIA, 1997). Paulin J. Hountondji has served as the Vice-President of the International Board of Philosophy and Human Sciences (CIPH) and also of CODESRIA.
This book highlights the importance of Pan-Africanism in view of reasserting its pivotal role in the economic integration of the continent. For Africans to co-exist and aspire to a much needed dynamic and social community, there is need for a common understanding of their shared histories and projects. The contributions analyse regional identities that derive from an observed syncretism between traditional culture, Islamic religion and modernity. The example of interregional relations is tangible proof of the difficult negotiation of imposed international axiological constraints. From this perspective, the new partnership between the North and the South ought to be the responsibility of all and sundry, in which social or state actors are capable of communicating and putting forward their various rationalities for discussion. In this way, the South-South dialectic will find its place: regionalisation will as such promote solidarity between peoples and the reinvention of great democratic values.
' ''The 30th Anniversary of CODESRIA, held in Dakar in December 2003 under the theme ''''Intellectuals, Nationalism and the Pan-African Ideal'''', yielded an impressive crop of papers. This book brings together eight of the numerous papers presented on Regional Integration, Democracy and Pan-Africanism, amongst which are those by Bernard Founou-Tchuigoua, Jean-Pierre Olivier de Sardan and Alexis Adand?. Each author explores from a special angle questions related to regional integration, democracy or Pan-Africanism. The contributions explore the diversity of paradigms which have been forged or applied on the African continent during the last century, especially in the course of the liberation movement and early post- independence era. Indeed, these paradigms, which largely remain relevant, are re-appraised in the light of contemporary realities.'''
The Uncertainty of Hope
(2007)
The Uncertainty of Hope by Valerie Tagwira, a novel which Charles Mungoshi calls 'an astonishing debut'. Through the various and complex lives of Onai Moyo - a market woman and responsible mother of three children, and her best friend Katy Nguni - a vendor and black-market currency dealer - we are given an insight into the challenges that face those who only survive by their wits, their labour and their mutual support. In doing so Tagwira aptly captures how precarious the future is for the inhabitants of Mbare, Zimbabwe in 2005. The story of these two close friends is situated in a high-density suburb. However, the author also introduces a much wider cross-section of Zimbabwean society: Tom Sibanda, a young business man and farmer, his girlfriend, Faith, a law student, Tom's sister Emily, a health professional, and Mawaya, the ostensible beggar. With depth and sensitivity, Tagwira pulls these many threads into a densely woven novel that provides us with of some of the many faces of contemporary Zimbabwe.
Weaver Press's previous collections of short stories, Writing Now and Writing Still, were highly praised for the quality of their prose and the imagination of their writers. They confirmed, for one reviewer, 'the paradoxical truth that troubled societies somehow produce some of the most interesting writing available. Laughing Now goes further, and demonstrates the enduring capacity of Zimbabweans to find humour in even the most difficult of circumstances. The stories embrace funerals, dancing competitions, family tensions, rampant inflation and endless queues for scarce goods. They take a wry look at pompous politicians, foreign filmmakers and the aspirations of the so-called 'new' farmers. Those by Gappah, Chingono and Eppel won the first three prizes in the recent Mukuru.com short story competition. Zimbabwean fiction in English has become world-renowned in recent decades, but its concerns - war, trauma and the trials of independence - have chronicled the pain of those periods. Laughing Now suggests that we are finding new ways to reflect our reality; that however many zeros we add to the rate of inflation, and however hungry we may become, humour is as good a responce as any.
In the context of AIDS and a declining economy, one strategy for children to ensure their own livelihood is to engage in domestic employment. Here, Michael Bourdillon presents the findings of research based on interviews and discussions with child domestic workers in Zimbabwe. It looks at the circumstances that pushed them into employment, the hardships and humiliations they face therein, as well as the benefits they derive, including, in some cases, education. Most children wanted improvements in their living and working conditions. They did not want to be stopped from working, perceiving that this would worsen their already harsh lives. While child domestic wok is problematic, and often lays children open to various types of abuse, it can also offer critical support and patronage to very disadvantaged children.
Azanian Love Song
(2007)
Donato Francesco Mattera has been celebrated as a journalist, editor, writer and poet. He is also acknowledged as one of the foremost activists in the struggle for a democratic South Africa, and helped to found both the Union of Black Journalists, the African Writer's Association and the Congress of South African Writers. Born in 1935 in Western Native Township (now Westbury) across the road from Sophiatown, Mattera can lay claim to an intriguingly diverse lineage: his paternal grandfather was Italian, and he has Tswana, Khoi-Khoi and Xhosa blood in his veins.
White Man Crawling
(2007)
White Man Crawling is a collection of short stories and poems by the award winning Bulawayo writer John Eppel. His stories are uncomfortably funny; his poems uncomfortably sad. His stories speak first to all of us, then to his own quirky nature; his poems speak first to himself and to those few who know him nearly, and then to all of us. For more than forty years John Eppel has been a unique double-voice in the annals of Zimbabwean literature: the satirist and the lyricist.
Not Without Flowers
(2007)
A new novel from a scion of the new generation of writers in Africa. She tells the story of women in Africa: here it is misery, pain, agony , dilemmas, frustrations. She floats the reader on a world of inverted reality, which yet becomes the norm. With creative imagination, confronting the social realities, she seeks out the world of peace and tranquillity. But not without verisimilitude. The extremes of moral turpitude beget horrid outcomes, leaving suspense rather than resolution. Amma Darko is one of the most significant contemporary Ghanaian literary writers. She is the author of three previous novels: Faceless (Sub-Saharan, 2003), The Housemaid (Heinemann, 1999) and Beyond the Horizon (Heinemann, 1995).