Refine
Year of publication
- 2009 (2387) (remove)
Document Type
- Article (943)
- Doctoral Thesis (391)
- Part of Periodical (309)
- Book (210)
- Review (125)
- Working Paper (116)
- Part of a Book (81)
- Report (65)
- Conference Proceeding (58)
- Preprint (16)
Language
- German (1397)
- English (860)
- Portuguese (47)
- Croatian (39)
- French (24)
- Multiple languages (5)
- Italian (4)
- Spanish (4)
- dut (2)
- Hungarian (2)
Is part of the Bibliography
- no (2387) (remove)
Keywords
- Deutsch (58)
- Linguistik (34)
- Literatur (25)
- Rezension (24)
- Filmmusik (21)
- Lehrdichtung (18)
- Reiseliteratur (16)
- Deutschland (14)
- Film (13)
- Mittelhochdeutsch (13)
Institute
- Medizin (287)
- Extern (195)
- Biochemie und Chemie (159)
- Biowissenschaften (93)
- Präsidium (80)
- Physik (67)
- Gesellschaftswissenschaften (61)
- Rechtswissenschaft (51)
- Geowissenschaften (48)
- Geschichtswissenschaften (48)
Oleander
(2009)
South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. And if one peruses the books that exist on South African popular music, one still finds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the musics of the black communities. Beyond Memory: Recording the History, Moments and Memories of South African Music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of a man, Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a deejay at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries.
The Trek and Other Stories
(2009)
Much has been said over the last decade about the forcible eviction of the white farmers in Zimbabwe, less about the plight of the farm-workers, while the voice of the new settlers, and militia manipulated for a cause, has remained virtually unheard. This short but powerful anthology, The Trek and Other Stories, provides sensitive and illuminating, wry and comic perspectives on those people who occupied the land believing their future was golden, only for it to crumble in front of their faces.
When George J. George mistook his white Ford Escort for the moon, he knew his time was up.' When Mr George loses his job teaching English at a private secondary school in Bulawayo, 'his pension payout, after forty years of full-time service, bought him two jam doughnuts and a soft tomato.' When he backs his uninsured white Ford Escort into a brand new Mercedes Benz, the out-of-court settlement sees him giving up his house to the complainant, Beauticious Nyamayakanuna, and becoming her domestic servant. Through the prism of this engaging post-colonial role reversal, and spiced with George's lessons on Shakespeare, John Eppel draws down the curtain on one particular white man in Africa. But before it's time to go, George will delight us with the antics of his literature classes; his various arrests - all timed to coincide with the police chief's need for help with essays on Hamlet and A Grain of Wheat; his keen eye for flora and fauna; and the long trek back through the hundred years of his family's Zimbabwean past, as he returns an abandoned child to her home. Eppel has satirized the racial politics of southern Africa in many of his previous novels. In Absent: The English Teacher he turns his gaze inwards for a generous and richly rewarding parody of the land of his birth.
Dr. Marshall Murphree is a prominent scholar in the elds of common property theory, rural development, and natural resource management. After graduating from the London School of Economics with a doctorate in social anthropology, he returned home to Zimbabwe to work as a missionary before joining the University of Zimbabwe, where he became director, and subsequently Professor Emeritus, of the Centre for Applied Social Sciences. Beyond Proprietorship presents a range of contributions to the May 2007 conference held to honour Murphreeís work, and it conveys his central concerns of equality and fairness. The focus is on marginalised people living in poor and remote regions of Zimbabwe, but also includes important discussions about the policy implications of regional tenure regimes, and the place of local resource management in global conservation politics. The book is essential reading for anyone interested in the recent history and experience of remote area development, semi-arid agriculture, conservation, and wildlife utilisation in southern Africa.
This is the first book on German-African economic relations published in Russia in the last 25 years. It covers a whole spectrum of Germany's bi-lateral and multilateral relations with the countries of Africa, including commercial ties, money transfers, direct and portfolio investment, movement of labor resources, etc. Special attention is given to the legal framework and political context of German-African cooperation. Germany's role in implementing EU joint policy in Africa is analyzed in detail for the first time in the Russian economic literature. The book will be of interest to scholars, university students as well as business people, interested in the contemporary economic, political and social development of Africa.
Soweto during the 1970s was riven with violence and brutality, the brunt of which was borne by the young people of that period, who took the lead in the struggle against apartheid oppression. Himself a product of the era, Sol Rachilo turned both to science and to art as he strove to depict the atmosphere and the emotions of the people of those tumultuous times. Not relying solely on his own deeply engraved memories, he spent 18 months researching the events which swirled around the Morris Isaacson High School, a magnet for the activists and intellectuals of the time. The book especially highlights the happenings of 1976 and 1977, two years of strife in this politically charged township which was the home of all the founding fathers of what Sol calls, 'our cherished freedom' - Nelson Mandela, Walter Sisulu, Nthato Motlana, Desmond Tutu, Mothopeng and Sobukwe.
This September Sun
(2009)
This September Sun won the Best First Book prize at the 2010 Zimbabwe Book Publishers' Association Awards. The book is a chronicle of the lives of two women, the romantic Evelyn and her granddaughter Ellie. Growing up in post-Independence Zimbabwe, Ellie yearns for a life beyond the confines of small town Bulawayo, a wish that eventually comes true when she moves to the United Kingdom. However, life there is not all she dreamed it to be, but it is the murder of her grandmother that eventually brings her back home and forces her to face some hard home truths through the unravelling of long-concealed family secrets.
Silent Cry: Echoes of Young Zimbabwe Voices is a book of twenty-eight stories and fourteen poems, written by thirty-three young people from Zimbabwe's second city, Bulawayo. The pieces cover many issues, including family, gender, relationships, race, alienation, disability, HIV/AIDS, border jumping and the struggle to survive in Zimbabwe.
Hester se Brood
(2009)
Hester se Brood, in Afrikaans, is set in a small town in the Little Karoo, where Hester van der Walt bakes bread in a woodfired oven for the local market in MacGregor. The book is inhabited by the spirit of the poets C. Louis Leipoldt and Martin Versfeld, as Hester van der Walt has the same deep rooted, intuitive connection between food and soul, especially food that is prepared with traditional ingredients and methods. Along with generous portions of soul food comes a down to earth delicious recipes that show you how to bake classic European breads, like ciabatta, focaccia, kitke and baguettes as well as good old-fashioned sourdough breads. Van der Walt's fine sense of humour, and her valuing of the magic interplay between fire and wood, grain and salt, water and yeast and time - the basics elements necessary for baking real bread, makes this book as irresistible as the savour of freshly baked bread, as it comes out of the oven.