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Direct quotation raises three major problems for grammatical modelling: (i) the variety of quoted material (which can be a non linguistic behavior, or a sign in a different language), (ii) the embedding of an utterance inside another one, (iii) a special denotation, the content of the quotation being the utterance itself. We propose a unary rule, which turns the quoted material into a linguistic sign whose content is itself a behavior, which entertains a resemblance relation to the behavior demonstrated by the speaker. Syntactically, direct quotation comes in two varieties: it can be the complement of a quotative verb, or constitutes a head sentence, modified by an adjunct containing a quotative verb whose complement is extracted and identified with its local features.
Pitch peaks tend to be higher at the beginning of longer than shorter sentences (e.g., ‘A farmer is pulling donkeys’ vs ‘A farmer is pulling a donkey and goat’), whereas pitch valleys at the ends of sentences are rather constant for a given speaker. These data seem to imply that speakers avoid dropping their voice pitch too low by planning the height of sentence-initial pitch peaks prior to speaking. However, the length effect on sentence-initial pitch peaks appears to vary across different types of sentences, speakers and languages. Therefore, the notion that speakers plan sentence intonation in advance due to the limitations in low voice pitch leaves part of the data unexplained. Consequently, this study suggests a complementary cognitive account of length-dependent pitch scaling. In particular, it proposes that the sentence-initial pitch raise in long sentences is related to high demands on mental resources during the early stages of sentence planning. To tap into the cognitive underpinnings of planning sentence intonation, this study adopts the methodology of recording eye movements during a picture description task, as the eye movements are the established approximation of the real-time planning processes. Measures of voice pitch (Fundamental Frequency) and incrementality (eye movements) are used to examine the relationship between (verbal) working memory (WM), incrementality of sentence planning and the height of sentence-initial pitch peaks.
"Ausgangssperre light" und "digitales Semester" – Wortgruppenlexeme zwischen Lexikon und Syntax
(2022)
In recent years, the relation between lexicon and syntax as distinct domains has been questioned repeatedly. For all languages under discussion word-like examples that do not fit the category word have been found, so that the boundary between lexical unit and syntactic unit becomes leaky. Furthermore, relative borderlines vary from language to language. One of the problematic domains are phrasemes (phraseological units). This article concentrates on German multi-word lexemes which are very similar to compounds in respect to structure, semantics, and cognitive aspects (rechter Winkel 'right angle'). Though mostly neglected or treated peripherally, this group is not exactly small, and patterns are productive – in contrast to the rest of phrasemes. We argue in favor of a transition between words and phrases and gradient distinctions between categories and a position of the problematic examples close to compounds and rather not among phrasemes. Finally, we look at how theoretical approaches deal with the problem.
In German, non-finite forms of verbs that are traditionally labelled as "nominalized infinitives", but are better categorized as gerunds, can show very unusual features. Although they carry a definitive article and therefore clearly seem to belong to the class of nouns, they still govern objects and adverbials in exactly the same way the verb does. It is therefore argued that in spite of the determiners, these forms are essentially verbal in nature. The syntactic functions they fulfil can be anything from subject or object to adverbial or attributive modifier, i. e. functions that are usually fulfilled by subordinate clauses. Since this is the same kind of behavior that converbs in languages like Turkish show, this leads to the suggestion that they can indeed be considered as a functionally similar to converbs.
The relation between word-formation and syntax and whether they form distinct domains of grammar or not has been discussed controversially in different theoretical frameworks. The answer to this question is closely connected to the languages under discussion, among other things, because languages seem to differ considerably in this regard. The discussion in this paper focuses on nominal compounds and phrases. On the basis of a great variety of data from a total of 14 European languages, it is argued that the relation between compounds and phrases, and, more generally, between word formation and syntax, should be characterized not in terms of a categorical but instead in terms of a gradient distinction.
The author of this article analyses 50 articles from the field of business German and 50 texts written by students of business German. The article focuses on the filling of the 'Vorfeld' (clause-initial position), using the topological sentence model developed by Drach. The following types of texts are researched: newspaper and journal articles, textbooks of business German, essays by students, and Bachelor theses. The author hypothesizes that the students fill the 'Vorfeld' more often with the subject than is the case in the authentic German business texts, where adverbials and objects are also common in this position. Didactic methods are recommended which should help students to develop a command of natural sentence structures.
Switching between reading tasks leads to phase-transitions in reading times in L1 and L2 readers
(2019)
Reading research uses different tasks to investigate different levels of the reading process, such as word recognition, syntactic parsing, or semantic integration. It seems to be tacitly assumed that the underlying cognitive process that constitute reading are stable across those tasks. However, nothing is known about what happens when readers switch from one reading task to another. The stability assumptions of the reading process suggest that the cognitive system resolves this switching between two tasks quickly. Here, we present an alternative language-game hypothesis (LGH) of reading that begins by treating reading as a softly-assembled process and that assumes, instead of stability, context-sensitive flexibility of the reading process. LGH predicts that switching between two reading tasks leads to longer lasting phase-transition like patterns in the reading process. Using the nonlinear-dynamical tool of recurrence quantification analysis, we test these predictions by examining series of individual word reading times in self-paced reading tasks where native (L1) and second language readers (L2) transition between random word and ordered text reading tasks. We find consistent evidence for phase-transitions in the reading times when readers switch from ordered text to random-word reading, but we find mixed evidence when readers transition from random-word to ordered-text reading. In the latter case, L2 readers show moderately stronger signs for phase-transitions compared to L1 readers, suggesting that familiarity with a language influences whether and how such transitions occur. The results provide evidence for LGH and suggest that the cognitive processes underlying reading are not fully stable across tasks but exhibit soft-assembly in the interaction between task and reader characteristics.
Research on the music-language interface has extensively investigated similarities and differences of poetic and musical meter, but largely disregarded melody. Using a measure of melodic structure in music––autocorrelations of sound sequences consisting of discrete pitch and duration values––, we show that individual poems feature distinct and text-driven pitch and duration contours, just like songs and other pieces of music. We conceptualize these recurrent melodic contours as an additional, hitherto unnoticed dimension of parallelistic patterning. Poetic speech melodies are higher order units beyond the level of individual syntactic phrases, and also beyond the levels of individual sentences and verse lines. Importantly, auto-correlation scores for pitch and duration recurrences across stanzas are predictive of how melodious naive listeners perceive the respective poems to be, and how likely these poems were to be set to music by professional composers. Experimentally removing classical parallelistic features characteristic of prototypical poems (rhyme, meter, and others) led to decreased autocorrelation scores of pitches, independent of spoken renditions, along with reduced ratings for perceived melodiousness. This suggests that the higher order parallelistic feature of poetic melody strongly interacts with the other parallelistic patterns of poems. Our discovery of a genuine poetic speech melody has great potential for deepening the understanding of the music-language interface.
Marie Wrona präsentiert in ihrem Beitrag "Ist das ein Komma oder kann das weg? - Topologische Felder und Kommasetzung. Erste empirische Befunde" ein Experiment zur Kommadidaktik. Sie untersucht, inwiefern sich die Kommasetzungskompetenz von SchülerInnen verbessert, wenn diese mithilfe des topologischen Feldermodells vermittelt wird, das auf der Verbklammer im Deutschen aufbaut, anstatt wie bei traditionellen Ansätzen mithilfe von Signalwörtern wie Subjunktionen. Die SchülerInnen lernten, das finite Verb zu bestimmen und so zu entscheiden, ob ein Komma gesetzt werden muss oder nicht. Nach der Unterrichtseinheit setzten die SchülerInnen v.a. deutlich weniger falsche Kommata