Refine
Year of publication
Document Type
- Part of a Book (3882) (remove)
Language
- German (2773)
- English (1055)
- French (20)
- Italian (12)
- Turkish (12)
- Multiple languages (5)
- mis (2)
- Hungarian (1)
- Portuguese (1)
- Spanish (1)
Has Fulltext
- yes (3882)
Keywords
- Literatur (196)
- Deutsch (180)
- Rilke, Rainer Maria (133)
- Rezeption (103)
- Syntax (101)
- Geschichte (90)
- Spracherwerb (72)
- Benjamin, Walter (70)
- Begriff (67)
- Lyrik (61)
Institute
- Extern (421)
- Sprach- und Kulturwissenschaften (59)
- Rechtswissenschaft (58)
- Universitätsbibliothek (53)
- Gesellschaftswissenschaften (51)
- Neuere Philologien (27)
- Erziehungswissenschaften (25)
- studiumdigitale (23)
- Geschichtswissenschaften (21)
- Kulturwissenschaften (18)
Hugh Blairs umfangreiche "Lectures on Rhetoric and Belles Lettres" sind eines der erfolgreichsten Werke der englischsprachigen Rhetoriktradition. Der Stilbegriff bildet das Zentrum von Blairs Ästhetikkonzept. Blair greift einerseits auf die rhetorische Tradition zurück, bezieht sich andererseits aber auch auf wahrnehmungstheoretische Überlegungen aus der zeitgenössischen empiristischen Psychologie. Neben den ästhetischen Qualitäten des Stils rücken dabei Fragen der Verständnissicherung durch stilistische Klarheit in den Fokus. Blairs "Lectures" greifen damit über das Feld der Ästhetik entscheidend hinaus.
Um 1750 gelangt die ethopoetische Funktion des Stils in den Fokus verschiedener Autoren, welche die Kategorie in Rhetorik, Poetik und Ästhetik neu vermessen. Johann Christoph Gottscheds Rhetorik weiß den Stil als Übung zu nutzen, um Empfinden und Denken der Schüler zu trainieren. Der Charakter der Schüler resultiert somit aus einem Ausbildungsprogramm, das vom Spracherwerb bis zum Verfassen von Reden reicht. Johann Jacob Breitinger erläutert in seiner Poetik, wie die Sprache auf einer semiotischen Ebene auf verschiedene Arten Kraft ausübt, um das Gemüt zu bewegen und damit sinnliche Erkenntnisse zu generieren. Stil als Übung und Stil als Darstellungsverfahren vereint Alexander Gottlieb Baumgarten in seiner Wissenschaft der sinnlichen Erkenntnis, die sowohl eine Vervollkommnung des sinnlichen Erkennens anstrebt als auch die Verfahren beleuchtet, die für die Darstellung der sinnlichen Erkenntnis verantwortlich sind.
Der interdisziplinäre Sammelband eröffnet neue Perspektiven auf den Stil als bislang unterkonturierte literaturwissenschaftliche Leitkategorie unter transnationalen, wissens-, gattungs- und sprachgeschichtlichen Gesichtspunkten. Im 18. Jahrhundert zeichnet sich im Nachdenken über Schreibarten eine Neujustierung der Stilkategorie ab, die den Stil zur Reflexionsgröße für ästhetische Diskurse macht. Der Band sondiert die Pluralisierung, Historisierung und Individualisierung der Stilkategorie, die ihr neue literatur- und kulturtheoretische Anwendungsbereiche eröffnet. Die Bewegungen zwischen den Sprachen, Literaturen, Medien und semantischen Feldern erschließt die Publikation, indem sie europäische Vergleichshorizonte eröffnet und literatur- ebenso wie sprachwissenschaftliche Ansätze präsentiert. Damit leistet sie einen Beitrag zum Feld der komparatistisch ausgerichteten Germanistik, insbesondere der Literatur- und Kulturgeschichte des 18. Jahrhunderts und des europäischen Kulturtransfers.
How can music history help us understand the establishment of national character? This article discusses a prosaic text by Johann Friedrich Rochlitz as a medium for implementing stereotypical ideas of "the Italian" in German music historiography and, thereby, in public consciousness. It shows how particular musical qualities of the story's fictional protagonists are blurred with ideas of national character. Against this background, the predominant reception of the author Rochlitz in the realm of German music historiography can be reevaluated from a more transnational scholarly perspective. Key to this reassessment is investigation into the categories of fictional and musical characters with regard to notions of both "the German" and "the Italian."
This article contributes to the European history of musical nationalism with regard to operatic debates in the eighteenth century. The investigation reveals that within operatic debates national categories were used for all levels of the multimedia genre of opera: music, text, composer, and actor. Moreover, the relationship between national character and national taste was a highly critical point: there was general agreement that only outstanding aesthetic abilities enable composers to go beyond their own particular national character. Only in this respect could aesthetic abilities stand above national taste, which was said to be shaped by national character.
Throughout history, songs have been considered effective instruments to strengthen the formation of collective identities. Eighteenth-century Dutch songwriters engaged with this idea in their striving for national unity. Political songs from that period employ several tropes, and the music often reinforces such images through musical imagery and intertextual references. Moreover, the imagined identities voiced in the songs might have become embodied identities through the performative act of singing. Therefore, for an investigation of the construction of collective identities in songs, the imagological approach can be expanded to musical imagery and take into account cognitive theories explaining the effects of singing.
Italy has experienced a high number of earthquakes. However, the identity of "the Italians" has not yet been defined by their "landscape of wounds." Referring to an earthquake in central Italy (Amatrice) in August 2016, the French satirical magazine Charlie Hebdo published a controversial caricature of two wounded Italians standing alongside the "Lasagnes," a pile of bodies layered like the well- known Italian pasta dish. By analysing the caricature's text, intertext, and context, while drawing on imagology and geopoetics, this article aims to show how earthquakes are linked to Italian cultural stereotypes and national identity.
In visual narratives such as comics, national images are actually depicted. While Franco-Belgian comics have been the subject of detailed studies regarding the national stereotypes they convey, Flemish comics have been largely ignored. This article focuses on three albums of the Flemish comic series "Suske en Wiske", in which the heroes travel to a fictitious Eastern Bloc country, Japan, and China. It will examine how both heteroimages and auto-image are presented (visually, textually, and as part of the plot), and how comic characters may combine contradictory ethnotypes. As it will turn out, in the early album (1945) ethnotypes are perpetuated, whereas in later ones (1984, 2008) they are rather undermined.
Visual representations of sexual violence in the Bosnian War in Jasmila Žbanić's "Grbavica" (2006) and Angelina Jolie's "In the Land of Blood and Honey" (2011) reveal different dimensions of victim feminism. Both directors sought to raise awareness of the issue of wartime rape and to direct viewers' attention to the pain of the distant Other. An intersectional analysis of the two productions (one domestic and one US-based) helps convey the impact of national and gender stereotyping both on self-representations and on representations of Otherness. Moreover, the analysis of a cinematic response to the Western gaze encourages rethinking prevalent images of the so-called Balkans.
This article examines striking similarities between stereotypical characters in Caroline Lee Hentz's US-American plantation novel "The Planter's Northern Bride" (1854), and Charlotte Brontë's classic "Jane Eyre" (1847). Especially, a connection can be made between Hentz's Italian "Madwoman in the attic" Claudia, and Brontë's transatlantic Caribbean counterpart Bertha. An intersectional methodology performed through a close reading will show how both women are literally and metaphorically trapped within spaces and stereotypes. This article transfers imagology into a global setting while extending its scope beyond investigating national characteristics.