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Impairment in past tense production as well as interaction between tense and aspect have been found in both fluent and non-fluent aphasia (e.g. Dragoy & Bastiaanse, 2013). Inflection has been found to be relatively preserved in semantic dementia (SD) (Thompson et al., 2012). The aims of the present study are a) to compare the morphosyntactic abilities of patients with aphasia and SD in tense and aspect marking and b) to explore the interaction of lexical (+/- telic) and grammatical (perfective/imperfective) aspect in aphasia and SD. A sentence completion task was administered to 30 native speakers of Greek: 10 patients with aphasia (6 anomic, 2 Wernicke and 2 agrammatic), 10 age and education-matched controls, 5 patients with SD and 5 controls. The material consisted of unergative, unaccusative and transitive verbs (12 of each verb class) and the participants had to apply present (imperfective) and past (perfective) tense. Unergative and unaccusative verbs differ in terms of their aspectual properties with the unergative being [-telic], and unaccusative [+telic]. Transitive verbs vary. A principal distinction between the tested conditions was the standard ummarked combination ([+telic] verbs in past perfective and [–telic] verbs in present imperfective) vs. the marked one ([+telic] verbs in present imperfective and [–telic] in past perfective). Both control groups performed at ceiling in all conditions. Aphasic participants were significantly more impaired than the control group in all conditions. SD participants were significantly more impaired than the controls only in the production of present tense (M-W U= 1.5, p= 0.024). There was no difference between past perfective and present imperfective for neither group, but there was an interaction between verb class and tense for the aphasic participants, as performance in unaccusative verbs in past perfective (unmarked condition) was significantly better than in unergatives in past perfective (marked condition) (Z=2.512, p=0.012) but performance in unaccusatives in present imperfective (marked condition) was significantly worse than performance in unergatives in present imperfective (unmarked condition) (Z=2.680, p=0.004). In sum, aphasic participants performed significantly better in the unmarked than in the marked conditions. Such an interaction was not found for the SD group. Aphasic participants performed significantly worse than the SD subjects in past perfective tense (M-W U= 7.5, p=0.029) in total, and the difference was significant only for unaccusative verbs (M-W U= 6.5, p=0.021), although both groups performed very well in this condition. There was no difference in present, neither for each verb class separately nor for the total score. A general past tense deficit cannot be upheld for either group. Rather, SD participants appear relatively impaired in producing present tense. We argue for slight morphosyntactic impairment in SD, although with a different underlying cause than in aphasia. Moreover, our data suggest an effect of aspectual markedness in aphasia but not in SD. We discuss this finding in the light of the different neuropathology of the two populations.
This publication's objective is to serve as the documentation of a graduate student symposium with the same name held in July 2017. The goal of the symposium was to discuss problems in current film culture with a focus on filmic heritage and innovative projects in the field of film education. Think Film! is a compilation of most of the talks given at the symposium. As quite often conferences or workshops are not documented, the goal of the publication is on the one hand to preserve the results for other scholars, as well as to make them accessible for the general public, and on the other hand to give the panelists a designated space to present their research.
The authors discuss questions of film heritage and digitization, funding, film festivals, film museums and local film culture with a focus on the conditions in Germany, Czech Republic and India as well as relate their findings to the changes film and media studies have undergone in recent years.
Wir konnten unseren eigenen Weg gehen, jeder von uns hatte am Ende ein anderes Ergebnis und es war keines falsch. Das macht für mich die Qualität beim Lernen aus, dass mir genug Platz für meine Gedanken gegeben wird und ich ernst genommen werde. […] Dieses Gefühl ist bis heute nicht verloren gegangen und der Gedanke, wie es sein könnte, hilft mir, aus mir raus zukommen und andere zu motivieren, das ebenfalls zu tun, um auch um mich herum anregende Gespräche zu führen, die an die während der Akademie geführten heranreichen. (Feedback einer Teilnehmerin der HSAKA-M 2018)
Bildung durch Wissenschaft im Sinne des Forschenden Lernens ist ein zentrales Thema schulischer Bildung und findet beispielsweise im Konzept Kultur.Forscher! eine didaktische, schulische Umsetzung und wird vom Wissenschaftsrat als Leitgedanke ebenfalls für Universitäten mit dem Ziel empfohlen, Studium und Lehre deutlicher an der Forschung auszurichten.
Cette communication a pour but de révéler l'implication du personnage dans des discours hégémoniques qui mettent en scène une société de la diversité par une apparente absence de la ligne de couleur. Deux générations seront confrontées existentiellement- et ontologiquement avec des imaginaires interchangeables autour de la notion de « Noir de France ». Les deux romans Blues pour Élise (2010) et Ces âmes chagrines (2011) offrent un parallélisme dans leur description similaire, tant sur le plan diachronique que dans la variation des significations des points de vue.
L'auteur sénégalaise Ken Bugul focalise dans son oeuvre surtout des destins féminins. Dans le cas du roman La Folie et la Mort les mouvements des héroïnes se réalisent dans un paysage urbain et rural centralisé par le pouvoir d'un parti unique. En subissant constamment la violence, les deux femmes se métamorphosent. À travers leurs changements intérieurs et extérieurs le récit réalise la mise en scène d'une dictature qui ne laisse guère une lueur d'espoir. Cette conversation propose une lecture qui perçoit l'ouverture d'un discours critique par un tiers espace littéraire, voyant la métamorphose autant comme destruction que comme point de départ.
Das Unsichtbare hat Konjunktur. Dies spiegeln nicht nur akademische Diskurse, sondern auch populärkulturelle Erzeugnisse wider. Die Aktualität des Themas scheint hierbei mit Neudefinitionen des Wissens, mit veränderten medialen Möglichkeiten und dadurch erschlossenen epistemischen Feldern, mit neuen ways of seeing und den damit einhergehenden Verunsicherungen zu tun zu haben. Idee der Tagung war es daher, den Blick zurück ans Ende des 19. bzw. den Beginn des 20. Jahrhunderts lenken, auf einen historischen Moment, der ebenfalls von einer Krise der Wahrnehmung geprägt ist. In der Medialisierung des "Unsichtbaren" treffen sich hier technischer Optimismus und phantasmatisches Begehren, die Verfahren der wissenschaftlichen Visualisierung und die entpragmatisierten Spiel-Räume der Kunst. ...
The languages of the world differ with respect to argument extraction possibilities. In languages such as English, wh-movement is possible from Spec IP and from the complement position, whereas in languages such as Malagasy only extraction from Spec IP is possible. This difference correlates with the fact that these language types obey different island constraints and behave differently with respect to wh-in situ and superiority effects. The goal of this paper is to outline an analysis for these differences. The basic idea is that in contrast to languages such as English, in Malagasy-type languages every argument can be merged in the complement position of the selecting head.
Expletives as features
(2000)
Expletives have always been a central topic of theoretical debate and subject to different analyses within the different stages of the Principles and Parameter theory (see Chomsky 1981, 1986, 1995; Lasnik 1992, 1995; Frampton and Gutman 1997; among others). However, most analyses center on the question how to explain the behavior of expletives in A-chains (such as there in English or Þad in Icelandic). No account relates wh-expletives (as one finds them in so-called partial wh-movement constructions in languages such as Hungarian, Romani, and German) to expletives in Achains. In this paper, I argue that the framework of the Minimalist Program opens up the possibility of accounting for expletive-associate relations in A-/A'-chains in a unified manner. The main idea of the unitary analysis is that an expletive is an overtly realized feature bundle that is (sub)extracted from its associate DP. There in an expletive-associate chain is a moved D-feature which orginates inside the associate DP. Similarily, in A'-chains, the whexpletive originates as a focus-/wh-feature in the wh-phrase with which it is associated. This analysis provides evidence for the feature-checking theory in Chomsky (1995). The paper is organized as follows. Section 2 contains the discussion of expletive there. In section 3 I suggest an analysis for whexpletives, and I also explore whether this analysis can be extended to relations between X°-categories such as auxiliary and participle complexes.
In this paper I show that Clitic Climbing (CC) in Spanish and Long Scrambling (LS) in German (and Polish) are (im-)possible out of the same environments. For an explanation of this fact I propose a feature-oriented analysis of incorporation phenomena. The idea is that restructuring is a phenomenon of syntactic incorporation. In German and Polish, Agro incorporates covertly into the matrix clause and licenses LS out of the infinitival into the matrix clause. Similarily the clitic in Spanish, which is analysed as an Agro-head, incorporates into the matrix clause. I argue that this movement is necessary for reasons of feature-checking, i. e. for checking of an [+R]- or Restructuring-feature. In section 2 I discuss several differences between CC and LS. For example, the proposed analysis correctly predicts that clitics in contrast to scrambled phrases are subject to several serialization restrictions. Throughout the paper I use the term restructuring only in a descriptive sense, in order to describe the phenomenon in question.
Innerhalb der Reihe "GrenzBereiche des Lesens" gehaltener Vortrag. "GrenzBereiche des Lesens" ist eine kulturwissenschaftliche Vortragsreihe, die 2003 und 2004 an der Universität Frankfurt stattfand. Thomas Küpper nimmt in seinem Beitrag das Kriterium der Wiederholungslektüre, das als Qualitäts- und Differenzmerkmal ästhetisch anspruchsvoller Literatur gilt, zum Anlass, die Grenzziehung zwischen Kitsch und Kunst genauer zu überdenken. Nicht die Wiederholungslektüre an sich macht bereits den Unterschied, vielmehr muss eine Unterscheidung zwischen verschiedenen Formen der Wiederholungslektüre getroffen werden. In systemtheoretischer Perspektive lässt sich eine solche typologische Differenzierung anhand des je spezifischen Verhältnisses von Medium, d.h. hier: der Gattungen, und der Form, d.h. der Texte, präzise vornehmen. Trivialliteratur unterscheidet sich dann von der Kunst, insofern ihre Medien der eigentlichen Formrealisierung nur wenig Spielraum lassen: Nicht die Abweichung, sondern die Bestätigung der gegebenen Schemata wird honoriert. Auch der Kitsch bietet Variationen des Bekannten, doch – und hier nähert er sich der Kunst an – die vertrauten und wiederholten Muster werden als einmalige und besondere Formen von bleibendem Wert inszeniert. Am Beispiel des Kultfilms "Pretty Woman" spielt Thomas Küpper diese unterschiedlichen Lektüren durch und zeigt an diesem vermeintlich eindeutig trivialen Fall, dass sich die Faszination des Films den vielen Wiederholungen verdankt.