Refine
Year of publication
- 2015 (334) (remove)
Document Type
- Book (334) (remove)
Language
- German (171)
- English (145)
- French (9)
- Multiple languages (5)
- Italian (1)
- mis (1)
- Portuguese (1)
- Spanish (1)
Has Fulltext
- yes (334) (remove)
Keywords
- Biografie (4)
- Deutsch (4)
- Germanistik (4)
- Kongress (4)
- Tschechische Republik (4)
- Übersetzer (3)
- Eich, Günter (2)
- Literatur (2)
- Adorno, Theodor W. (1)
- Afrika (1)
Institute
Born with Voice
(2015)
Born with Voice examines the psyche and scrape of the victims of various crimes, especially sexual discrimination-cum-exploitation, rape, and the killing of people with albinism. The author digs deeper into the hearts and minds, and plights of victims to inspire the society to stand with, and support them. The book offers some nuggets such as, understanding the phenomenon, confronting it and stopping wars that cause sufferings such as rape and death. It champions the urgency of voice for all and sundry. It challenges the industries of technologies of crime and violence to rise above selfish self-interest in the interest of human rights and voicing the voiceless victims of their greed.
Soul On Sale
(2015)
Soul On Sale (SOS) sounds like a rap song though it isn't. It isn't purely a poem but a long- provocative and vigorous song focusing on the history of injustices and those suffering from injustice urging them to take action. It explores colonialism, corruption and neocolonialism Africa faces. It chides victims to self-reinvent so as to change the status quo manned by begging and venal potentates. It seeks to provoke readers to feel empowered and responsible. Thus, stand and change the world's status quo sui generis. It employs an enthralling-flow style in free verse to catch the attention of the reader.
In A Predicament All My Life marks out some of the distressing ills of the postcolonial elite and the challenges of present-day African societies and cultures. The Poems in this collection bring into conversation precolonial Africa and Africa since colonialism. In particular, the poems explore Cameroon's predicament, its reunification traits, and its existential challenges. They represent a people who are out of favour, have lived in misery for most of their lives but are determined to stand firm and seek justice. In addition, the poems depict how women deal with gender oppression in a patriarchal society caught between and betwixt.
Largely concerned with Family Politics and Deception in northern North America and West-Central Africa, this book is intended mostly to provoke and enlighten. The book fossungupalogizes on whether or not northern North American courts are able to live up to the standard of 'exclusively saying exactly what the law is' in regard of the apparent war between the mounting same-sex marriage legalization drive and the traditional Western religious conception of marriage as endorsed by America's 1996 Defense of Marriage Act. It also tackles some intriguingly troubling matters emanating from African customary marriages and inheritance, subjects presenting some odd faces of marriage and family very similar at times to those engendered by same-sex marriage in northern North America. Its underlying preaching is that positive things could often be found even in tragedies. Hence, you should learn to make the best of your troubles instead of letting these haunt you - a goal easily attained by cultivating the habit of looking at the larger picture of things. Even one's 'stupid' and non-professional ideas could be learning ground to more people than one ever could have imagined.
This is a comprehensive, insightful, lucid, intense and unrivalled text on the general part of the criminal law in Cameroon. Beginning with an account of the historical development of the criminal law generally, the author proceeds to analyse and discuss in detail the principles governing application of the criminal law, criminal responsibility, participation in crime, penalties, and sentencing. These principles are broadly the same in other jurisdictions. The book balances theoretical content with case-law illustrations to enhance readability, comprehension and assimilation. It is an invaluable source and essential reading for law students and teachers, and lawyers in private practice and government service.
This Book is the outcome of a long project begun thirty years ago. It is a book on the makings of pan-Africanism through the predicaments of being black in a world dominated by being white. The book is a tribute and celebration of the efforts of the African-American and African-Caribbean Diaspora who took the initiative and the audacity to fight and liberate themselves from the shackles of slavery. It is also a celebration of those Africans who in their own way carried the torch of inspiration and resilience to save and reconstruct the Free Humanism of Africa. As a story of the rise from the shackles of slavery and poverty to the summit of Victors of their Renaissance Identity and Self-Determination as a People, the book is the story of African refusal to celebrate victimhood. The book also situates women as central actors in the Pan-African project, which is often presented as an exclusively masculine endeavour. It introduces a balanced gender approach and diagnosis of the Women actors of Pan-Africanism which was very much lacking. The problem of balkanisation of Africa on post-colonial affiliations and colonial linguistic lines has taken its toll on Africa's building of its common identity and personality. The result is that Africans are more remote to each other in their pigeon-hole-nation-states which put more restrictions for African inter-mobility, coupled by education and cultural affiliations, the communication and transportation and trading networks which are still tied more to their colonial masters than among themselves. This book looks into the problem of the new wave of Pan-Africanism and what strategies that can be proposed for a more participatory Pan-Africanism inspired by the everyday realities of African masses at home and in the diaspora. This book is the first book of its kind that gives a comprehensive and multidimensional coverage of Pan-Africanism. It is a very timely and vital compendium.
The Swamps
(2015)
The Swamps presents a debauched tapestry of an utterly dehumanised Cameroonian society seeking regeneration through s a judicious deployment of myth, history, parables, song, mimicry and dance. The inclusion of these features of orature in this political allegory creates particular moods and atmospheres and lends colour and movement to dramatic action. The structure and function of the play defines the individual's identity within the cosmic context which approximates the past and present. Inyang's analysis of class political behaviour in Cameroon exposes the complete erosion of civil liberties by corrupt and venal elite. He impresses the theatre audience with his dramatic eloquence and the fervour of his commitment, and emblazones his name in the front ranks of alternative theatre. This is a rare theatrical gem that demonstrates a brilliant, sustained invention, with great depth and suggestive power.
Usually shunned, condemned or narcotised as quickly as acknowledged, the absurd remains nevertheless a large part of reality. Loyal to their poetic pen, Teena and Yanee Dewoo choose to embrace and transcribe a fragment thereof in this book, in the manner in which it coloured their own thoughts or materialised around them in the past year in Mauritius - as zealous objection to human existence as defined by Science or Religion, and consequently, as a sort of de-stigmatisation of psychosis.
A Pebble In The River
(2015)
Akli is an old man now. He is in prison. It is from there that he begins telling his story of the colonisation of Northern Africa. Of his village especially, Thadarth. It is a narrative of revolution, war, torture, dispossession, corruption, intolerance, betrayal, terrorism, religious extremism but, above all, resistance. A narrative of inevitability and loss. The loss of faith in a higher power. The loss of those closest to him, which he would endlessly try, in vain, to prevent since his adolescence. He would forever carry the burden of their death and absence, the regret of not having been able to protect them, to be with them. This forged him into a cynic, a man without hope for a better future, a man who wishes for death every day that passes. But his is also a story of love. Unconditional. Pure love. The ineffable kind which he has for his country, his land, the mountains, his family, his friends, his people. A story of his life's first love, Martine, daughter to the French settler, Fino, who left him with a lot of frustrations but also good remembrances. If his story begins in gloom, it is one through which secretly, intimately and ultimately runs the thread of hope. Hope because he is released from prison at the time of the narration. Hope that his daughter, Zira, the fruit of the rape of his wife by terrorists, brings back into his life. It is a story about the persistence of beauty, of good and goodness, even in the face of chaos. It is a story about truth. His truth. Eternal even when obscured. No man can be broken badly enough to not feel love, to not see and enjoy beauty. No man can tear the world apart so much that love and beauty no longer exist. Once this truth is accepted, however chaotic or scary the outside world can be, peace can be found. Peace within one's own being. Peace which Akli finds too.
Coffee Time
(2015)
In Coffee Time, Mary Njeri Kinyanjui uses her childhood experiences in a rural coffee farm to show the struggles that farmers go through to earn a living. They linger in poverty as intermediaries along the coffee value chain rake huge profits. It is a story of trade injustice in an asymmetrical world.