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Re-Viewing Resistance in Namibian History brings together the work of experienced academics and a new wave of young Namibian historians - architects of the past - who are working on a range of public history and heritage projects, from late nineteenth century resistance to the use of songs, from the role of gender in SWAPO's camps to memorialisation, and from international solidarity to aspects of the history of Kavango and Caprivi. In a culturally and politically diverse democracy such as Namibia, there are bound to be different perspectives on the past, and history will be as plural as the history-tellers. The chapters in this book reflect this diversity, and combine to create a remarkable collection of divergent voices, providing alternative perspectives on the past. Re-Viewing Resistance in Namibian History writes 'forgotten' people into history; provides a reading of the past that reflects the tensions and competing identities that pervaded 'the struggle'; and deals with 'heritage that hurts'.
Bites of Insanity
(2015)
In this collection of poems Nsah Mala casts a critical compassionate gaze at the predicaments in the lives of present day Cameroonians. The poet lambasts power abuse in Cameroon and Africa. He decries the lost glory of traditional values sacrificed at the altar of ingratiation and materialism. Insalubrities are condemned, ignorance and its ramifications satirised, and wanton destruction of the environment indicted. With a fascinating richness of imagery, Mala conveys the disillusionment, bitterness and traumas of ordinary Cameroonians - young and old - debased with impunity by the lethal and sterile grip on power of the high and might. The moral depravity and human frailties mused about in this exceptionally compelling collection have no room in Mala's paradise of Cameroon.
Unmasking Social Science Imperialism : Globalization Theory As A Phase Of Academic Colonialism
(2015)
Contemporary social science is a product of the capitalist world-system and Eurocentrism is constitutive of the geoculture of this system characterized by the parochiality of its universalism, assumptions about the superiority of Western civilization and imposition as the sole theory of global progress. The creation of these structures of knowledge, specifically the institutionalization of the social sciences, is a phenomenon that is inextricably linked to the very formation and maturation of Europe's capitalist world system or imperialism. There is therefore nothing that is natural, logical, or accidental about the institutionalization of the social sciences. These Europeanized structures of knowledge are imposed ways of producing knowledge of the world. This Eurocentrism of social science has justifiably come under increasingly vigorous scrutiny, especially in the period since 1945 with the formal decolonization of Africa, Asia, and much of the Caribbean. This book forcefully argues that if social science is to make any progress in the twenty-first century, it must overcome its Eurocentric heritage that has distorted social analyses and its capacity to deal with the problems of the contemporary world and embrace other non-Western funds of knowledge production.
Society, Women and Literature in Africa explores the ideological, literary, political, cultural and ethical issues related to feminist writing. She discusses how contemporary African writers have tried to counteract men?s false assumptions about sex, love, society, fecundity and womanhood, and further details how African writers have responded to the demands of feminism. ?Woman?s Cross Cultural Burden in the selected works of West African Female writers? explores the recurrent themes of motherhood, polygamy, abandonment and widowhood in the works of Nwapa, Emecheta, Alkali, Aidoo and Mariama Bâ. In ?Prostitution: A Metaphor for the Degradation of Womanhood in Bode Osanyin?s the Noble Mistress?, the author approaches the subject of woman degradation in society from the perspectives of comprehensive research and an in-depth referencing. ?Gendered Social Division of Labour in the African Novel? explores the theme of unfairness, of institutionalized differentiation in the African novel. It reveals the total emasculation of woman in patriarchy and her desire to be liberated from male-annexation. ?The Prison World of Nigeria Woman: Female Reticence in Sefi Attah?s ?Everything Good Will Come?, the author explores the dimensions of ?gender silences?. She shows how woman?s voice has been stolen in patriarchy, thus rendering her a social and political mutant. ?Womanhood as a Metaphor for Sexual Slavery in Nawal El Saddawi?s Woman at Point Zero? underscores that in patriarchy a woman is educated to make an object of herself for male pleasure. She is excluded from politics as a result of religion. ?The Ugly Face of Ghana in the New Millennium: Alienation of Children in Amma Darko?s Faceless? is a stylistic study of the consequences of globalization in postindependent Ghana. In ?The Theme of Dispossession in A.N Akwanya?s the Pilgrim Foot?, the author examines the myriad perspectives of dispossession and the dispossessor.
This is a commemorative volume devoted to the late Professor Willfried F. Feuser, a literary icon and a comparatist of no mean repute. Though German by origin, Professor Feuser showed great concern to the Africanist agenda of self-realisation, and therefore devoted the greatest part of his productive academic life to the cultural revival and socio-economic emancipation of Africa and the Diaspora through his scholarly publications. This book contains 20 essays on a wide range of issues in literary criticism.
African Short Stories: Vol 2
(2015)
Bequeathing an enduring tenet for the creative enterprise, African Short Stories vol 2 boldly seeks to upturn the status quo by the art of narration. Whether they are stories of the whistle blower estranged and yet sounding the warning for heaven and earth to hear, or a ragtag army fleeing in the wake of a monstrous reptilian onslaught upon her peace, there pervades a sense of ultimate victory in this collection. We can feel the gentle kick of a baby in the womb of a maiden in desperation, or we can muse at the two adolescent genii on the trail of their dreams from the sunset of mutual deceit into the daylight of true becoming. Victory is laid out in that awesome kindness of a total stranger which affirms the divinity latent in even our most harrowing existence. With thirty five stories in two parts these literary experiments compel attention to the courageous hearts and minds that brighten the African universe of narration. Their vibrant notes coming from all corners of north, west, east and south fill us with encouragement and optimism for the contemporary short fiction in Africa.
In twenty-five chapters this book covers phonology, morphology, syntax and semantics. The chapters are organized in four discrete parts: phonology, morphology, syntax and semantics. They are uneven in terms of scope covered, length, the density of their contents and their degrees of difficulty. Each chapter ends with ?Some References? relevant to both the topic(s) treated in the chapter, in Igbo linguistics, and in general linguistics.
This commemorative volume is the 12th edition in the Nigerian Linguists Festschrift Series devoted to Professor (Mrs.) Appolonia Uzoaku Okwudishu. The majority of the papers were presented at the 27th Annual Conference of the Linguistic Association of Nigerian (CLAN) which was held at the Benue State University, Makurdi, Nigeria, and the 26th CLAN which was held at the University of Ibadan, Nigeria. The title derives from the theme of the 27th CLAN: Language Endangerment: Globalisation and the Fate of Minority Languages in Nigeria. A large number of the papers address the major theme of the conference, while the balance address various aspects of Nigerian linguistics, languages, communication, and literature. Fifty-one papers are included, ranging from sociolinguistics through applied linguistics to formal areas of linguistics which include phonology, morphology and syntax of Nigerian languages. Papers on language endangerment and language revitalisation strategies for safeguarding the vanishing indigenous tongues of Nigeria are the major focus, and the book serves as important reference material in various aspects of language and linguistic studies in Nigeria.
NEW BLACK AND AFRICAN WRITING Vol. 2 is our concluding edition of a series that has featured many critical entries and reviews on canonical African fiction, poetry, drama and non-fiction. This second edition explores intricacies of relationships and associations, the recurrent tropes for the interpretation and understanding of historical connections, and the shaping of thought brought into fictional and cultural renditions that are evolving and continually reassessed although around the periphery of older canons. The quest for a meaningful heuristic for approaching contemporary arts is almost totally redefined by the contributions of eminent scholars of our time whose balancing and correspondence create room for complementarity of values and toward cultural understanding and value appreciation in contemporary society.