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The shocks of the unexpected outbreak of violent internal armed conflicts in post Cold War West Africa continue to linger in policy and academic circles. While considerable attention is devoted to explaining the civil wars, there is little understanding of the delicate and unpredictable processes of reconstruction. Post-war reconstruction programmes in Africa have become, by and large, externally driven processes; and while externalisation may not be negative per se, it is important to interrogate how such intervention recognises and interacts with local dynamics, and how it manipulates and conditions the outcomes of post-conflict reconstruction agenda. Investigating the interface between power elite, the nature of post-war regimes and the pattern which post-war reconstruction takes is important both for theory and practice. This original study, by some of West Africa's leading scholars, interrogates post-war reconstruction processes in the twin West African countries of Liberia and Sierra Leone, focusing on the effects of regime types on the nature, scope, success or failure of their post-war reconstruction efforts. Political scientists, diplomats, the international community, donor and humanitarian agencies, advocacy groups, the United Nations and its agencies, would find it an important resource in dealing with countries emerging from protracted violence and civil war.
Whiplash
(2009)
I'm gonna tell you all about it, Mom. I'm gonna tell it like I'm on the end of your bed, talking to you. I'm not gonna cover up, cause there's no need. You'll see how it's all a flippin miracle. The whole weird year. It's only one year in my life, Ma, but it's all the stuff you slept through when I was a kid. All the stuff you fished through when you got up. I'm warning you, Ma, this is the truth. Startling poetry in the grittiest of emotional word go ... raw, tender and laugh-out-loud Whiplash digs its nail into you from the funny - a kickarse gem of a book. Told with landscapes, Whiplash puts Farren on the map as a wordsmith of astonishing talent.
Malika Ndlovu takes us right into the heart of her grief - the loss of her third child, who was stillborn. The book breaks the silence around stillbirth, often seen as a non-event, something women are expected to 'get over' as soon as possible, Invisible Earthquake is placed in the wider South African context by Sue Fawcus, who writes tenderly and expertly about stillbirth from the point of view of an obstetrician, and by Zubeida Bassadien and Muriel Johnstone, social workers who accompany women going through this shattering experience.
This report is the result of research that started in 2008 with the aim of collecting, collating and writing up information about regulation, ownership, access, performance as well as prospects for public broadcasting reform in Africa. The Zimbabwe report is part of an 11-country survey of African broadcast media, evaluating compliance with the agreements, conventions, charters and declarations regarding media that have been developed at regional and continental levels in Africa. The research was carried out by Dr Sarah Chiumbu who has worked in different capacities in media in Zimbabwe and currently teaches media studies at Wits University in Johannesburg, and edited by Jeanette Minnie and Hendrik Bussiek.
Effective and transparent government budgeting is vital to any democracy. In South Africa, massive poverty, inequality and unemployment remain, despite the successful political transformation, citizens and Parliament have a particularly important role to play in shaping budget policy and overseeing its implementation. South Africa reached a crossroads in fiscal governance when it passed the Money Bills Amendment Act in 2009, a law which granted Parliament strong powers to amend the budget prepared by the executive. This publication explores the content of the new law as well as the challenges and opportunities arising from it. It also discusses the role of Parliament in ensuring pro-poor budgeting. Good fiscal governance is too important for the wellbeing of South Africans to not be a part of our public conversations.
Developing a Transformation Agenda for Zimbabwe analyses the political and economic constraints on the nation's reconstruction and democratic transformation and suggests options for transformation in key sectors as well as lessons learnt from other transformations. The challenges in relation to transitional justice are analysed from an historical context as well as in light of the political dynamics in the country. The urgent need to launch a stabilisation programme is discussed, along with key issues for economic reconstruction. The book also looks at military involvement in politics in Zimbabwe and concludes that robust intervention is needed to reform the security sector.
Strange Fruit
(2009)
Strange Fruit is a courageous debut with a remarkable range in theme and tone, from the nostalgic to the comedic to the bawdy, and to the angry, the melancholic and the steadfast and comforting. It will delight, shock, anger, induce laughter, shock more, delight more. And make you blush. It's a full range. There are poems of brutally honest self-scrutiny - the heart of the collection being a series of poems on the ageing body, loss of love and infertility - and there are poems that capture landscapes with imagist skill and the botanist's detail.
Please, Take Photographs
(2009)
Sindiwe Magona's poems conspire with her. Even years after being written, they still seem warm from her lips, and it is this residue of her telling them that draws you into their confidence. From the languid innocence of the poems about her village, to her shattering images of Africa at war, Magona leads you headlong into her fireside circle where archetypes flicker like shadows on a face that has seen, and been. Please, Take Photographs is defiant and tender, horrific and homely, at once irreverent, outspoken and beautiful.
Oleander
(2009)
South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. And if one peruses the books that exist on South African popular music, one still finds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the musics of the black communities. Beyond Memory: Recording the History, Moments and Memories of South African Music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of a man, Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a deejay at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries.