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Kagbeni and its irrigated oasis are surrounded by subdesert dwarf scrubland. In the present study, a list of 78 species of vascular plants is presented for Kagbeni and its immediate surroundings, supplemented with data on the distribution of the species within the entire Mustan District. The data are arrived from own investigations and the geobotanical literature. A phytogeographical analysis shows the prevalence of western over eastern elements. Species with a wide distribution in Eurasia, which constitute one third of the total flora of Kagbeni, are of great importance as weeds on arable fields and in ruderal places within the irrigated oasis. Their occurrence is closely related to human activity. Presumably, most of these weeds have reached the area under study in connection with agriculture a long time ago. Weeds from the New World, although recorded in other villages of Mustan District, have not been found in Kagbeni. The weed vegetation of Kagbeni is documented by nine vegetation releves, and is compared to releves from Jomsom and Mzrpha. A floristic gradient from south to north that has been detected by earlier investigations throughout the whole district can be reproduced at the local scale. With regard to the weed flora, the effects of different crops are minimal, compared to effects of altitude and other factors related to altitude.
Proceeding chronologically in terms of the events covered, Raimund Schieß in his paper „Too close to call: CNN’s politics of captions in the coverage of the Florida Recount“ focusses on Nov. 11, 2000, when the Bush campaign applied to Miami Federal Court to stop the manual recount of ballots which had been started in some counties. The paper studies the discursive practices employed by the CNN journalists to construct a particular version of the events, focussing on captions, i.e. the lines of text inserted at the bottom of the tv screen, and on the way in which they interact with the other verbal and visual components of the television text. Raimund Schieß concludes that captions, far beyond providing mere details of a speech event (who is talking to whom about what, where and when), are used to select, to highlight and hide, and thus to invite a preferred interpretation of the event. He is also able to show that captions are often employed to exploit a story’s potential for drama and sensation. His detailed micro-analysis of the verbal and visual dimensions of the television text is supported by careful documentation of the data, either through screen shots or via transcriptions of the stretches of broadcast discussed.