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Initially considered something of a black sheep within the Anglophone Cameroon literary genres, the Anglophone novel has gradually grown to carve out a respectable niche for itself in the Anglophone Cameroon sub-system, imposing itself in a way that makes it impossible for critics to ignore it. Now a vibrant genre, it even threatens to overtake drama and poetry, both of which have enjoyed more critical attention. This book is a study of how Anglophone Cameroon has contributed in extending the possibilities of the novel as a literary form, and of some of the established conventions necessary for a fruitful evaluation of the growing body of the Cameroonian novel in English. In this eclectic and compelling book, Ambanasom sets out to achieve three primary objectives: to introduce the reader to the extensive body of Cameroonian novels in English, to re-examine the distorting and limiting criteria upon which the critical assessment of the Cameroonian novel in English has so far been based, and to bridge the widening chasm between literary theory and actual critical practice. To achieve these objectives, Ambanasom begins by elaborating an alternative and flexible theoretical framework which he christens the 'Socio-Artistic Approach' and which, according to him, is 'concerned with both a text's thematic, moral, cultural or ideological issues, on the one hand, and its central literary analysis, on the other.' He then proceeds to use this new critical framework to examine twenty-seven major Cameroonian novels in English. There are critical voices, already emerging within the Anglophone Cameroonian literary circles, calling for rigorous teaching and practice of theory in the interpretation of literary works, setting in motion a critical discourse. Such a call is salutary, and welcome. Those university lecturers whose responsibility it is to teach theoretical courses should take this call very seriously, moving from theory to hands-on practice. This book is Ambanasom's contribution to that critical debate.
Education of the Deprived is a perceptive socio-artistic examination of the key works of some major writers of Anglophone Cameroon literary drama today. For over two decades now socio-political developments in Cameroon, including the liberalization of the press, have led to an unprecedented proliferation of political, journalistic and imaginative writings. Availing themselves of their new-found freedom of expression, Cameroonians in general are forcefully articulating their views more than even before, and creative writers, in particular, are artistically recording intimate and painful experiences in the on-going endeavour to make sense of the socio-political environment; they are mapping out, through images and symbols, the peculiar contour of the collective Cameroonian soul. What observers have noticed, with regard to Anglophone Cameroon imaginative writing, however, is that there are few significant critical works to match the burgeoning creative literature. While in the 1970s there was a cry concerning the scarcity of imaginative works by Anglophone Cameroonians, the complaint now, at the turn of the 21st century, is that there is a dearth of critical literature capable of catapulting, on to the international literary scene, the Anglophone Cameroon literature being written. This book covers both traditional and modern drama as written by Anglophones, lays bare the technical differences between the two dramatic traditions, and brings out the central themes developed by these committed dramatists.
Son of the Native Soil
(2009)
Son of the Native Soil is a work whose quiet maturity glows in both subject and style. Here, love heals but the force of hate is very real. The hero, Lucas Achamba, by charisma and love undertakes to unite Dudum clan which politicking and egotism have split. His quick success stirs bitter rivalry and heartless cruelty that decide his fate. Nature is jumpy and even hysterical at this, and Ambanasom exposes it with fine evocative mastery. The style is refined and honeyed by sonal devices and visual tropes that half conceal subtle slashes at human foibles.
Here is a collection of sixty-two beautifully crafted poems on some of the deepest of human emotions. They celebrate love, constancy, beauty, marriage, birth and death; in the poems are hailed intellectual labour, leadership and duty. Occasionally, the poet depicts the states of his mind against the backdrop of nature, interfusing description, memory and meditation in a manner essentially romantic. The best in Ambanasom's poetry is matter and manner combined. The striking force of the poems lies in the intriguing relationship between romanticism and romance. Ambanasom's romanticism is concerned with the concept of nature as a universal being or a cosmic entity, nostalgia, the attempt to link his childhood with the present and the future, and the response to nature at different levels of his development. The poet also demonstrates a penchant for rural subject matter, places and people. In the poet of romance there is a more direct expression of basic human emotions, in particular of love that is enchanting, possessing, seductive, and alluring. We find in the poems, love that is reciprocal and imbued with constancy and understanding.
Making a Difference
(2012)
'Failure is not in my vocabulary' says Libertina Inaaviposa Amathila - medical doctor, leading member of Namibia's liberation movement SWAPO, and Cabinet Minister for 20 years. Insightful, candid and amusing, this book traces Libertina Amathila's journey from a village in western Namibia travelling alone to Dar es Salaam, Tanzania in 1962; medical training in Poland, Sweden and London; and the health and education centres in Zambia and Angola that she helped develop and run for Namibians in exile; to a victorious return home in 1989; service in the Cabinet of independent Namibia; and a leading role in the World Health Organisation. Courageous, committed, cutting through difficulties that deterred others, Libertina Amathila has assisted and empowered Namibian communities, particularly women, in exile and at home. As Minister of Regional and Local Government and Housing, Minister of Health and Social Services, and Deputy Prime Minister, she focused on those in need, such as squatters, street children, and those affected by HIV/AIDS, and undertook immediate practical measures to improve their lives. Packing her tent and supplies, she drove to remote areas and camped out until houses and clinics were built for marginalized communities, assisting in the design and construction process herself. An indomitable spirit drives this remarkable woman. This is her story.
The Oryctini (Coleoptera: Scarabaeidae: Dynastinae) is a large tribe of worldwide distribution with approximately 26 genera and 230 species. Fourteen genera and 113 species are found in the Neotropical region. Knowledge of the tribe in the Neotropics is fragmentary, necessitating further studies that address taxonomy, biology, and geographical distribution patterns. This study surveyed the Oryctini of the Brazilian Amazon. The composition of the group in the study area consisted of 7 genera, 18 species and 2 subspecies found in 7 states, 91 municipal districts, and approximately 167 specific localities. States with larger number of species are Amazonas and Pará, with 17 and 13 species respectively. Heterogomphus eteocles Burmeister, Heterogomphus aidoneus (Perty), Heterogomphus telamon Burmeister, Megaceras crassum Prell, and Megaceras laevipenne Prell are reported for the first time from the study area. Megaceras laevipenne is reported for the first time from Brazil. The taxonomy, descriptions, distribution maps, and biological and ecological data are provided for all species. A character analysis is provided as well as an identification key for all oryctine species that occur in the Brazilian Amazon.