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L’immagine-tempo da Warburg a Benjamin e Adorno
- Starting from Warburg, the distinguishing mark of an image, considered as identity-difference of visible and invisible, is its offering itself as an implementation of a temporality, and at the same time of a memory that is immanent in the sensible structure of the image. It’s what we find both in Benjamin and in Adorno: in both cases, it is just because the image is marked by a “internal time” that it is able to have a critical function towards reality, and at the same time an utopian character that is all the same with its non-renounceable testimonial task.
Author: | Giuseppe Di Giacomo |
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URN: | urn:nbn:de:hebis:30:3-568104 |
URL: | https://oajournals.fupress.net/index.php/aisthesis/article/view/518 |
ISSN: | 2035-8466 |
Parent Title (German): | Aisthesis |
Publisher: | Università degli studi di Firenze, Seminario Permanente di Estetica |
Place of publication: | Firenze |
Document Type: | Article |
Language: | Italian |
Date of Publication (online): | 2012/05/15 |
Year of first Publication: | 2010 |
Publishing Institution: | Universitätsbibliothek Johann Christian Senckenberg |
Release Date: | 2020/11/10 |
Tag: | Benjamin; Image; Warburg |
Volume: | 2 |
Issue: | 2 |
Page Number: | 8 |
First Page: | 73 |
Last Page: | 80 |
HeBIS-PPN: | 473584468 |
Institutes: | Gesellschaftswissenschaften / Gesellschaftswissenschaften |
Philosophie und Geschichtswissenschaften / Philosophie | |
Angeschlossene und kooperierende Institutionen / Institut für Sozialforschung (IFS) | |
Dewey Decimal Classification: | 1 Philosophie und Psychologie / 10 Philosophie / 100 Philosophie und Psychologie |
3 Sozialwissenschaften / 30 Sozialwissenschaften, Soziologie / 300 Sozialwissenschaften | |
Sammlungen: | Universitätspublikationen |
Licence (German): | Creative Commons - Namensnennung 4.0 |