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Tra Benjamin e Adorno: il valore testimoniale del realismo di Kafka

  • As an exemplum of that kind of “modern” art, in terms of Adorno, Kafka’s work is marked not only by its strictly “realistic” character, but also by the unavoidable critical and testimonial value of that realism. According to this perspective, both in Adorno and in Benjamin the testimonial aspect of Kafkian writing – that is of a writing as “dialectical image”, as memory of the unfullfilled possibility – it’s all the same not with its symbolical or “epiphanical” aspect but instead with its “allegorical” one.

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Metadaten
Author:Antonio Valentini
URN:urn:nbn:de:hebis:30:3-568094
URL:https://oajournals.fupress.net/index.php/aisthesis/article/view/525
ISSN:2035-8466
Parent Title (German):Aisthesis
Publisher:Università degli studi di Firenze, Seminario Permanente di Estetica
Place of publication:Firenze
Document Type:Article
Language:Italian
Year of Completion:2010
Year of first Publication:2010
Publishing Institution:Universitätsbibliothek Johann Christian Senckenberg
Release Date:2020/11/10
Tag:Adorno; Benjamin; Kafka
Volume:3
Issue:2
Page Number:11
First Page:141
Last Page:151
HeBIS-PPN:47358431X
Institutes:Gesellschaftswissenschaften / Gesellschaftswissenschaften
Philosophie und Geschichtswissenschaften / Philosophie
Angeschlossene und kooperierende Institutionen / Institut für Sozialforschung (IFS)
Dewey Decimal Classification:1 Philosophie und Psychologie / 10 Philosophie / 100 Philosophie und Psychologie
3 Sozialwissenschaften / 30 Sozialwissenschaften, Soziologie / 300 Sozialwissenschaften
Sammlungen:Universitätspublikationen
Licence (German):License LogoCreative Commons - Namensnennung 4.0