Benjamin, Adorno e la "fisiognomica"
- This study points out the methodological centrality assumed by the notion of “physiognomy”, both in Benjamin and in Adorno, namely the idea that the forms of the works of art, and generally those of the visual phenomena, are direct “expression”, in a micro-monadological way, of an historical-social sense, not otherwise attainable. On the one hand Benjamin’s physiognomy shows a particular interpretative “openness” to its objects, on the other that of Adorno remains subjected to an epistemological model of “totality”, from the Hegelian-Marxian tradition, which risks compromising the hermeneutic efficacy of its own original philosophical approach.
Author: | Giovanni Gurisatti |
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URN: | urn:nbn:de:hebis:30:3-564577 |
URL: | https://oajournals.fupress.net/index.php/aisthesis/article/view/570 |
ISSN: | 2035-8466 |
Parent Title (German): | Aisthesis |
Publisher: | Università degli studi di Firenze, Seminario Permanente di Estetica |
Place of publication: | Firenze |
Document Type: | Article |
Language: | Italian |
Year of Completion: | 2010 |
Year of first Publication: | 2010 |
Publishing Institution: | Universitätsbibliothek Johann Christian Senckenberg |
Release Date: | 2020/10/31 |
Tag: | Adorno; Benjamin; Physiognomy |
Volume: | 2 |
Issue: | 2 |
Page Number: | 11 |
First Page: | 181 |
Last Page: | 191 |
HeBIS-PPN: | 471416401 |
Institutes: | Gesellschaftswissenschaften / Gesellschaftswissenschaften |
Philosophie und Geschichtswissenschaften / Philosophie | |
Angeschlossene und kooperierende Institutionen / Institut für Sozialforschung (IFS) | |
Dewey Decimal Classification: | 1 Philosophie und Psychologie / 10 Philosophie / 100 Philosophie und Psychologie |
3 Sozialwissenschaften / 30 Sozialwissenschaften, Soziologie / 300 Sozialwissenschaften | |
Sammlungen: | Universitätspublikationen |
Licence (German): | Creative Commons - Namensnennung 4.0 |