„Musen in Mülltonnen, Schutzengel auf dem Flohmarkt“ : Franz Hodjaks neue Gedichte zwischen Desillusionierung und Melancholie

  • The poetic oeuvre of Franz Hodjak takes an intermediate position between modernism and postmodernism. While his early works show the influence of German modernist poetry (Georg Trakl, Bertolt Brecht), the poems of his last volume, entitled Die Faszination eines Tages, den es nicht gibt (2008), show most clearly the approach to postmodernism. The ironic, sarcastic tone, the robust and acrobatic language as well as the rebellion against all conventional poetical structures are amplified in these poems. Besides ontological questions regarding identity, the borderline status between two worlds – neither of them a home –, also the banalities of everyday life are treated sometimes in an elated tone, sometimes almost parodied.

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Metadaten
Author:Réka Sánta-JakabháziORCiDGND
URN:urn:nbn:de:hebis:30:3-653528
URL:http://uniblaga.eu/wp-content/uploads/2016/03/26.1.7.pdf
ISSN:2247-4633
ISSN:1454-5144
Parent Title (German):Germanistische Beiträge
Publisher:Lehrstuhl für Germanistik an der Lucian-Blaga-Universität Sibiu/Hermannstadt
Place of publication:Sibiu / Hermannstadt
Document Type:Article
Language:German
Year of Completion:2010
Year of first Publication:2010
Publishing Institution:Universitätsbibliothek Johann Christian Senckenberg
Release Date:2022/01/17
Tag:Franz Hodjak; Romanian-German; poetry; postmodernism
Volume:26
Page Number:15
First Page:102
Last Page:116
HeBIS-PPN:491002270
Dewey Decimal Classification:8 Literatur / 83 Deutsche und verwandte Literaturen / 830 Literaturen germanischer Sprachen; Deutsche Literatur
Sammlungen:Germanistik / GiNDok
Zeitschriften / Jahresberichte:Germanistische Beiträge / Germanistische Beiträge 26.2010
Journal:urn:nbn:de:hebis:30:3-653459
Licence (German):License LogoDeutsches Urheberrecht