Germanistische Beiträge 26.2010
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This essay deals with the intertextuality of the 21st century novel Zaira by the Swiss-Romanian writer Cătălin Dorian Florescu and the 21th century tragedy Zaire by Voltaire. It is analysed whether the name of the female protagonist Zaira is used by Florescu by accident or whether he refers to Voltaire. Furthermore, the differences between East and West brought up in the novel and the tragedy are examined. There are some similarities to be found as to the topoi of the selling respectively buying of women or fate deciding about the life of the protagonists. However, in the author’s opinion they don`t justify the assumption that Florescu knows the text by Voltaire or even uses it in his own novel.
Dieter Schlesak’s novel VLAD. Die DraculaKorrektur tries to deconstruct in an original manner the myth of Dracula by proposing a new approach of the subject: instead of the homonymous literary motif, the author deals with the literary figure Vlad Ţepeş. The originality of this approach lies in the fact that Schlesak does not present the reader with a classical heroic figure, instead he deliberately prefers fiction to the attributes of the classic historic novel. Thus he operates not only with a polyphonic text, but also with intertextualism, creating a novel of impressing complexity. This way of dealing with the subject is sustained by the main character, conceived as a decadent Renaissance prince and a prisoner between two antagonic universes, as well as by the whole constellation of real and fictional characters that define his contradictory personality. Dieter Schlesak has accepted the risk of being criticised by his countrymen as well as by historians, deliberately trying to change the Western readers’ perception of this legendary Romanian figure. By creating a literary character that rejects the Western stereotypes and the Romanian prejudices, he manages to prove the potential of the literary figure of Dracula.
Die Wende 1989 in Joachim Wittstocks Erzählung "In der Nachbarschaft. Von der Schwäche der Macht"
(2010)
The present article deals with Joachim Wittstock’s story In der Nachbarschaft. Von der Schwäche der Macht. Wittstock’s narration presents in the form of a diary the upheaval of 1989 in Sibiu, Romania. We try to analize the story in a wider context, as we consider that the changes of 1989 in Eastern Europe cannot be judged only within the context of their own country, they have to be judged against the European context. Overcoming dictatorship in 1989/91 in East-Central Europe can be regarded as a culturally formative era border; through the restoration of freedom there was a change within all societies of the former Soviet bloc.
How the Romanian Revolution is depicted in Wittstock’s text will be discussed in the following article. The importance of the text for the consolidation of the collective and cultural memory is also an issue stressed in the present analysis.
Zum Quellenwert deutscher Sprachzeugnisse aus Südosteuropa für die Sprachgeschichte des Deutschen
(2010)
The history of the German language is not described adequately by the classification into Old, Middle High, Early New and New High German. Looking at regional varieties shows the simultaneous existence of older and newer manifestations in the language. Examples of older Transsylvanian writings and Danube-Swabian dialects from Romania and Hungary show how German varieties of South-Eastern Europe can be used for a more profound understanding of the history of the entire German language.
The search for footing can be thought of as an essential human experience. Joachim Wittstock’s essays published in the anthology Einen Halt suchen reveal not only the socio-political repercussions of this pursuit but also establish its phenomenology and morphology. In my paper I will focus on the link between the search for footing and the mortal condition, thus demonstrating how the true nature of this pursuit for existential stability and security can be understood as life’s aversion towards death.
The novel written by the priest Schlattner, a Romanian born citizen of German origin, caught the attention of the German speaking world in 1998, the year of its publication. This novel describes the Saxon nation in Transylvania before World War II with its way of living, education, church, preachers and teachers, traditions and habits. The action takes place on August 23, 1944 when Romania turns against Germany. The story-teller, a teenager, remembers aspects of his family, which are the same with those of the whole community. The family stands for the whole community. Three generations are living under the same roof, which is typical for the middle class. Grandparents, parents and children are members of the same community, but they do not share the same beliefs. These characters are representatives of their own history and of the period of time when they lived. The grandparents had the opportunity to live in Hungary and also in Italy, but they chose to return to Transylvania. The parents are very different one from another. The mother stays at home and looks after the children. The father is a business man who has to support the family, but also to survive with his small family business on an insecure market. He is a typical example of an open-minded man without prejudices. The five children are of different ages, therefore with different preoccupations. Felix, the story-teller, is quite interesting for the reader. He tries to live in a community full of traditions, but also wants to stand up to the demands of the time. He works as a horde leader in the local Hitler-organization, but he fails. The servants also live in the same house, but they do not belong to the family. Nobody knows their last names, but without them the family wouldn’t be able to live properly. The essay ends with a conclusion about the narrator’s family, which can be seen as a model. Such families actually existed in small towns. Schlattner wrote this story in order to inform the next generations about their history and to reinforce the idea that the Saxon world as we knew does no longer exist.
In the 1930s and 40s the leading political figures of the German minority in Romania embraced a pro-fascist attitude. Therefore, after the WWII, Germans had to suffer expropriation, deportation and privation of civil rights. Since 1949 they were permitted to rebuild their cultural life which – according to the communist paradigm – had to be „Marxist in its content and national in shape“. In 1956 an Institute for Social Studies and the Humanities of the Romanian Academy was created in Sibiu in order to continue important scientific projects of the German minority, and since 1959 the review Forschungen zur Volks- und Landeskunde appeared as a tribune of Transylvanian studies. Although the editorial staff had to make concessions to the communist regime, its members tried to keep high scientific standards. Therefore the review Forschungen, the sole scientific periodical of the Romanian Academy published in German, was one of the most important reviews of the time.
The present article written by Ch. Klein on the occasion of Joachim Wittstock’s 70th birthday concentrates on a kind of balance, starting from the story Karussellpolka of the writer from Sibiu. Wittstock wrote the above mentioned story at the age of 40 and, consciously or not, he suggests the necessity of each of us to make the balance of his/her own life as soon as possible. Ch. Klein regards the story Karussellpolka adequate to this purpose, i.e. for balance, as it is the only prose narrative which deals with such a balance, not only generally as a human condition, but also with regard to the community of the Saxons of Transylvania to which Joachim Wittstock belongs.
Uwe Timm and Robert Schiff have both written an autobiographical text dealing with the premature death of an elder brother who was a combattant in the Waffen-SS in their childhood. Despite the frappantly similar biographical constellation, there are differences in narrative technique and thematical focus that stem from their respective sociocultural context. The analysis shows that Timm is in many ways a representative author of the German ‘68 generation that critically reevaluates the attitude of their parents during the national socialist period and points to omissions and falsifications in the oral family history, while the narration of Schiff, an emigrated author born in the pre-war milieu of the German minority of Southwest Romania, is mainly a reconstruction of the impact of big history on his childhood and thus also the effort to conserve the memory of a world that has passed away and to reconcile himself with the experience of loss.
Kultur und (Rechts)Sprache
(2010)
The content of the present paper can be outlined as follows:
1) Law is an integrative part of culture.
2) Legal terminology is system-bound. Thus, within one and the same language there are as many legal languages as there are legal orders that use that particular language as their legal language.
3) The representation of culture in legal texts is encountered both on word and on text level: on the one hand legal terms have often been referred to as culturemes, as they are informed by the respective legal order; on the other hand texts are being regarded as cultural products as they depend on the particular legal order.