Germanistische Beiträge 36.2015
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There was always a close connection between human beings and plants, mammals and insects, but also birds, which enlivened yards and gardens, fields and forests with their flight, playfulness and their voices. Therefore it does not come as a surprise that some of our linguists and folklorists like the North-Transylvanian linguist Gustav Kisch and the South-Transylvanian linguist and folklorist Pauline Schullerus refer in some minor works to wellknown bird names as they appear in traditions, fairy tales, rhymes, idioms (sayings) and proverbs. But they never mention any owl species. This presentation provides the names of certain owl species as they appear in Transylvanian-Saxon and neighboring languages, as they were grouped by certain criteria according to their appearance. Descriptive idiomatic examples reflect their specific features and way of life.
Im Geflecht der Identitäten : Kulturgeschichtliches, dargestellt am Beispiel von János Bolyai
(2015)
The Transylvanian-born János Bolyai (1802-1860) never ceases to attract the attention of all those interested in the history of science, as he is one of the founders of non-Euclidean geometry. Bolyai also concerns the philosophy researchers, due to a social utopia, which he presents in his works, unpublished during his lifetime. From older and newer documentation, it is known that the Hungarian Bolyai nobility descent also has a German origin, from German Grafs. On the Calvaserului Valley, situated north of the Hârtibaciului Valley, lies the Buia parish, named Bolya by the Hungarians, Bell by the Germans, where the Bolyai family owned an estate and a castle. In this work, the author presents approaches concerning the genealogy of János Bolyai and reports about visits to the places where Bolyai has lived, such as Buia, Domald (Viişoara parrish) and Târgu Mureş.
Aspects of the use of language can be discussed from different perspectives. This article discusses, among other things, the resort to jargon, the stylistic classification and the lexicographic description of phrasemes, insisting on standards that define the value of a lexicographic work.
According to Arthur Rimbaud’s famous saying “Je est un autre” Max Frisch develops in his early diaries an idea of love which has to orient itself by the ban on images in the Old Testament and which, as a modern concept, has to renounce every image of oneself and the other at all. In Max Frisch’s novel Stiller the roots of this seemingly biblical belief can be found both in an aesthetic attitude towards life (as pointed out in Sören Kierkegaardʼs scriptures, especially in Entweder-Oder) and in an existentialist understanding of life (as set forth in the philosophical work of Jean-Paul Sartre). Max Frisch’s novel Stiller can be read as a literary experiment of achieving the ultimate goal of love and self-acceptance by radical self-negation and negation of the other.