790 Freizeitgestaltung, darstellende Künste, Sport
Refine
Year of publication
Document Type
- Article (214)
- Part of Periodical (77)
- Part of a Book (35)
- Contribution to a Periodical (32)
- Doctoral Thesis (27)
- Book (22)
- Conference Proceeding (5)
- Working Paper (5)
- Magister's Thesis (3)
- Report (3)
Language
- German (326)
- English (104)
- French (1)
- Multiple languages (1)
- Portuguese (1)
Has Fulltext
- yes (433)
Keywords
- Film (29)
- Performance <Künste> (12)
- Theater (12)
- Horrorfilm (8)
- Reenactment (8)
- Aufsatzsammlung (7)
- Lynch, David (Regisseur) (7)
- Video (7)
- Computer (6)
- Ikone (6)
Institute
- Extern (138)
- Sportwissenschaften (83)
- Präsidium (40)
- Medizin (26)
- Psychologie und Sportwissenschaften (21)
- Kulturwissenschaften (7)
- Zentrum für Hochschulsport (ZfH) (6)
- Starker Start ins Studium: Qualitätspakt Lehre (4)
- Geographie (3)
- Gesellschaftswissenschaften (3)
Die meisten Menschen vertrauen bei Muskelkrämpfen auf Magnesium. Aber die wissenschaftliche Beweislage dafür ist dünn – und die Theorie, dass Krämpfe durch einen Elektrolytmangel entstehen, mehr als 100 Jahre alt. Sportmediziner Michael Behringer hat bei seiner Suche nach den Ursachen für Krämpfe eine interessante Entdeckung gemacht: Künstlich ausgelöste Krämpfe können die Krampfneigung deutlich reduzieren.
Can reenactments be a way to create counter-narratives in and for the museum? Through the analysis of political performance (or what the artist Tania Bruguera calls 'political-timing-specific' artworks), this essay discusses the potential of reenactment as both a practice of materializing memories and narratives of oppression and of rethinking museum policies in terms of preservation and display. Its main argument is that, while the archive can be regarded as a form of materializing the memory of these works, reenactment is more than a way of recovering the past; it is also a device for reconstructing memories of activism and oppression. This essay further suggests that reenactments of political-timing-specific works demand a change in accessioning, conservation, and presentation practices, which might be inclined to erase decentralized art-historical and material narratives.
The Neoplastic Room at the Muzeum Sztuki in Łódź was originally designed in 1948 by the avant-garde artist Władysław Strzemiński. Destroyed in 1950 and reconstructed in 1960, it became the focal point of the museum, with the 'International Collection of Modern Art' by the a.r. group being exhibited there. At the same time, it became a point of reference for contemporary artists and a strategy for building a permanent collection for the museum, as well as a reflection on how the past can give a vision of the future. This essay focuses on the gesture of 're-curating' the Neoplastic Room in relation to the performative practice of the artists involved (e.g., Daniel Buren, Elżbieta Jabłońska).
To support the practice of preservation and mediation of video works in the LIMA Collection (Amsterdam), the authors explore the possibilities of reinterpretation as a rather common practice in the performing arts. As a choreographer and a dramaturge, they establish a correlation between reinterpretation and dramaturgy - as a way to deal with non-objective or transitory aspects of the works - and describe their method in relation to the video and performance artist Nan Hoover.
Locating authenticity in artworks that are remade (all or in part) or re-performed over time presents a unique challenge for art conservators, whose activities have traditionally been oriented toward caring for the material aspects of art objects. The paper offers a brief overview of perspectives on authenticity and discusses various theoretical models that have been developed to conceptualize how media, installation, and performance artworks are displayed and cared for over time. These include the score/performance model, the concepts of autographicity and allographicity, the concept of iteration, and authenticity as a practice. The author proposes a theoretical model based on the ritual aspects of presenting artworks, arguing that authenticity, repetition, and community participation can be reconciled within a ritual context.
In the 1990s, the question of the legacy of historical performance was posed with a particular sense of urgency. In the context of most pioneers of the art form having retired from live performance, reenactments not only reproduced past works but positioned artists within the genealogy of performance. The sense of the passage of a generation and the transmission of the memory of past performances were made explicit by Marina Abramović in "The Biography" (1992), a theatre piece in which she stages the very process of accounting for her past, as well as by Takashi Murakami and Oleg Kulik, who emerged on the art scene in the 1990s and mimicked live works from the past.
In this fifteen-minute lecture-performance, Malin Arnell presents her dialogue with the work of French-Italian artist Gina Pane (1939–1990). Oriented around textual and visual traces of Pane and Arnell's historical intra-action, this ongoing dialogue explores performance art documentation and historical narratives. The project interrogates the operations of archives, asking: 'How do queer feminist performance archives make you vulnerable, how do they make you feel, act, react?' 'Whose bodies remain present, and which bodies are lost?' The framework of the work - its repetition with variations and its artistic and queer feminist methodologies - enables an exploration of history, documentation, and bodily epistemology as an attempt to take responsibility for what is not known by doing, through action - through performance.
In the reactivation of the feminist collective of artists Le Nemesiache, this paper looks at the tension between rhetoric and translation in relation to the dislocation of archival materials from their situatedness in place (Naples) and time (1970 to the present). Translation emerges as the conveyor of the conditions from which the addresser started, as well as the ones of the addressees, as a potential that takes place in the moment of enunciation through a plurality of subjects. Considering the epistemological tension between history and fiction, as well as the mediation that happens through the body and the different subjectivities triggered by intra-action, this essay will engage with the following question: if the archive is the memory, can dramaturgy and reenactment from the archive become the message of a prophecy?
A sense of repetition pervades contemporary South African political and cultural debate. Several recent studies have drawn attention to the fact that the renewed student protests since March 2015 parallel several features of the resistance and liberation movements of the 1970s and 1980s. At a pivotal position between the two moments of political struggle stands the 'miracle' of the peaceful transition in 1994. Within this set of circumstances a group of curators, artists, and writers, Gabi Ngcobo and Kemang Wa Lehulere, amongst others, formed a collective under the name CHR (Center for Historical Reenactments) in Johannesburg in 2010. The CHR has pursued several questions that interrogate the complexity of a shared memory bridging segregated Apartheid legacy: how do readings of the past inform contemporary urgencies, and what are the political potentials of artistic interpretations of histories? How do they participate in the formation of new subjectivities?
State security archives in Eastern Europe are shedding new light on the operative practices of the secret services and their interaction with performance art. Surveillance, tracking, undermining, disruption, writing of reports, and measure plans were different operative methods to be carried out in continuous repetitive processes. This paper argues that, through these repetitive working processes, state security agencies were permanently engaged in different forms of reenactments: of orders, legends, report writing, and inventing measure plans. With this operative reenactment, state security agencies not only tried to track down facts but also created 'fake facts' serving their agenda. These 'fake-facts' were then again repeated and reenacted by informants endlessly to be 'effective' in the surveillance and elimination of performance art.
Tracing the complex history of the term 'reenactment', back to R.G. Collingwood's philosophy of history, on the one hand, and popular practices of war reenactments and living history museums, on the other, a survey of its current contribution in art and museum practices highlights the importance of historicity - a category the postmodern was supposed to have vacated - in a wide range of examples, from Rod Dickinson and Jeremey Deller to Alexandra Pirici, Manuel Pelmuş, and Milo Rau. Performance reenactments, in particular, are premised on performance art having become historical, but also threaten to digest history in favour of a mere productivist mobilization for the needs of current attention economies. An alternative could be the attempt to counter historical with dramatic time in order to unlock unrealized possibilities and futures, as the term preenactment promises.
Sucht man in den als "Kompendium der romantischen Schule" apostrophierten 'Vorlesungen über schöne Literatur und Kunst', die August Wilhelm Schlegel in Berlin 1801 gehalten hat, nach der Einschätzung und systematischen Einordnung der Tanzkunst in die Kunstlehre der Romantik, so findet man eine zwiespältige Konstellation vor. Auf der einen Seite gehört die Tanzkunst durch ihre exzeptionelle Verbindung von Wort, Ton und Gebärde zur "Ur-Kunst", ist also somit zugleich durch ihr Bündnis mit Poesie und Musik "der Kern der sämtlichen Künste"; auf der anderen Seite ist die Tanzkunst genau durch diesen "unheilbaren Akt" der "untrennbaren" Anbindung an Poesie und Musik zu der Rolle einer "untergeordneten Kunst" verdammt. Denn, so die Argumentation Schlegels, die Tanzkunst hat "die Wortsprache nötig", genauso wie sie "nie der Musik entraten kann". Kurz: aus der Sicht August Wilhelm Schlegels ist die Tanzkunst als Einzelkunst nicht autonomiefähig, sodass sie trotz ihrer Ursprungsaura nicht zu den höchstfavorisierten Künsten um 1800 zählt.
Der Diskurs über Integration und Integrationsmechanismen fand seinen Beginn in der Migrationsforschung, deren Anfänge bis in die erste Hälfte des 19. Jahrhunderts zurückreichen . Innerhalb dieses Feldes fanden immer wieder Wandlungen der Ausgestaltung des Begriffs der Integration statt, da die theoretischen Konzepte in unterschiedlichen gesellschaftlichen sowie historischen Kontexten entstanden sind bzw. entstehen. Heute existiert eine Vielzahl an theoretischen Perspektiven auf Integration, die eine hohe Heterogenität und auch Interdisziplinarität aufweisen. Generell zeigt sich somit, dass, wenn von Integration gesprochen wird, nicht wirklich klar ist, was unter dem Begriff zu verstehen ist. Die vorliegende Arbeit macht es sich somit zur Aufgabe, den Begriff der Integration und damit verbundene Zielvorstellungen aus Sicht der Akteurinnen und Akteure in Sportorganisationen zu beleuchten. Dafür wird eine Studie im Mixed-Methods-Design durchgeführt, die eine fragebogenbasierte Umfrage, explorative Interviews mit Vereinsvorständen und vertiefende Leitfadeninterviews mit Vereinsmitgliedern umfasst. Ein besonderer Fokus der Gruppenvergleiche liegt dabei auf Personen mit und ohne Migrationshintergrund, um die Perspektive von Personen mit Migrationshintergrund selbst in den Diskurs einbringen zu können. Da sich subjektive Sichtweisen auch aufgrund weiterer Faktoren unterscheiden können, werden außerdem Zusammenhänge zwischen sozialstrukturellen Merkmalen sowie Merkmalen der Vereine und subjektiven Sichtweisen auf Integration untersucht.
Doping ist ein Thema, das den modernen Leistungssport – und nicht nur diesen – seit jeher begleitet. Immer wieder werden Sportler – oft noch nach Jahren – überführt, illegale Substanzen zur Leistungssteigerung eingenommen zu haben. Der Landessportbund Hessen e. V. hat im Sommer 2013 Professor Dr. Dr. Gerd Geißlinger zum Anti-Doping-Beauftragten berufen. Für den UniReport hat Dr. Beate Meichsner mit dem Direktor des Instituts für Klinische Pharmakologie am Klinikum der Goethe-Universität über die damit verbundenen Aufgaben, Ziele und
Möglichkeiten gesprochen.
Seitdem Thomas Anz im Jahre 1998 seine Klassifizierung des Kanon-Begriffs veröffentlicht hat, gilt diese als Grundlage wissenschaftlicher Kanon-Debatten und eröffnet aktuelle Themenbereiche und Perspektiven für weitere Forschung. Betrachtet man die verschiedenen gesellschaftlichen Realisierungsformen des literarischen Kanons durch das Prisma der von Anz entworfenen Begriffspaare, dann werden Trennungslinien deutlich, die bis dahin unbemerkt geblieben sind. So werden aufgrund der von Anz entworfenen Gegenüberstellung von "materiellem Kanon" und "Deutungskanon" Fragen nach der Institutionalisierung des materiellen Kanons durch die Bildungsinstitutionen einerseits und nach der Bekräftigung oder Infragestellung des Deutungskanons durch die performative Praxis in gegenwärtigen Theaterproduktionen andererseits gestellt. Der vorliegende Beitrag geht den oben erwähnten Fragen nach, indem verschiedene Brünner Inszenierungen der Jahre 2010–2020 mit Blick auf die Affirmation oder die Infragestellung der kanonisierten Interpretation der Texte analysiert werden.
In sports and clinical settings, roller massage (RM) interventions are used to acutely increase range of motion (ROM); however, the underlying mechanisms are unclear. Apart from changes in soft tissue properties (i.e., reduced passive stiffness), neurophysiological alterations such as decreased spinal excitability have been described. However, to date, no study has investigated both jointly. The purpose of this trial was to examine RM’s effects on neurophysiological markers and passive tissue properties of the plantar flexors in the treated (ROLL) and non-treated (NO- ROLL) leg. Fifteen healthy individuals (23 ± 3 years, eight females) performed three unilateral 60-s bouts of calf RM. This procedure was repeated four times on separate days to allow independent assessments of the following outcomes without reciprocal interactions: dorsiflexion ROM, passive torque during passive dorsiflexion, shear elastic modulus of the medial gastrocnemius muscle, and spinal excitability. Following RM, dorsiflexion ROM increased in both ROLL (+19.7%) and NO-ROLL (+13.9%). Similarly, also passive torque at dorsiflexion ROM increased in ROLL (+15.0%) and NO-ROLL (+15.2%). However, there were no significant changes in shear elastic modulus and spinal excitability (p > 0.05). Moreover, significant correlations were observed between the changes in DF ROM and passive torque at DF ROM in both ROLL and NO-ROLL. Changes in ROM after RM appear to be the result of sensory changes (e.g., passive torque at DF ROM), affecting both rolled and non-rolled body regions. Thus, therapists and exercise professionals may consider applying remote treatments if local loading is contraindicated.
Background: Treatment of first-time shoulder dislocation (FSD) is a topic of debate. After high rates of recurrent instability after nonoperative management were reported in the literature, primary repair of FSD significantly increased. At the same time, new concepts were proposed that had promising results for immobilization in external rotation (ER) and abduction (ABD). Purpose: The aim of this study was to evaluate the recurrence rates (primary outcome) and clinical outcomes (secondary outcome parameters) of immobilization in ER+ABD versus arthroscopic primary stabilization after FSD. Study Design: Randomized controlled trial; Level of evidence, 1. Methods: In a multicenter randomized controlled trial, patients with FSD were randomized to either treatment with immobilization in 60° of ER plus 30° of ABD (group 1) or surgical treatment with arthroscopic Bankart repair (group 2). Clinical evaluation was performed 1, 3, and 6 weeks as well as 6, 12, and 24 months postoperatively or after reduction, including range of motion, instability testing, subjective shoulder value, Constant-Murley score, Rowe score, and Western Ontario Shoulder Instability Index. Recurrent instability events were prospectively recorded. Results: Between 2011 and 2017, a total of 112 patients were included in this study. Of these, 60 patients were allocated to group 1 and 52 to group 2. At the 24-month follow-up, 91 patients (81.3%) were available for clinical examination. The recurrence rate was 19.1% in group 1 and 2.3% in group 2 (P = .016). No significant differences were found between groups regarding clinical shoulder scores (P > .05). Due to noncompliance with the immobilization treatment protocol, 4 patients (6.7%) were excluded. Conclusion: Immobilization in ER+ABD versus primary arthroscopic shoulder stabilization for the treatment of FSD showed no differences in clinical shoulder scores. However, recurrent instability was significantly higher after nonoperative treatment.
Charlies Maschinensturm, so triumphal er streckenweise auch anmuten mag, währt nicht eben lange: Schon bald erklingt die Sirene des herannahenden Krankenwagen, der den geistig verwirrten Helden in die Irrenanstalt abtransportiert. Eine Abblende folgt, womit der erste, ohne Frage berühmteste(und wohl auch gelungenste) Abschnitt von "Modern Times" sein Ende findet. In formalästhetischer Hinsicht außerordentlich homogen, bildet dieser zugleich Kulminationspunkt und "summa" der mechanisierungsbasierten Körperkomik Chaplins und lädt - die sollte auf den vorangegangenen Seiten deutlich gewor-d nein - wie kaum eine andere Sequenz der Filmgeschichte zu einer komiktheoretischen Betrachtung im Sinne Bazin und Bergsons ein. Ja, man ist versucht zu behaupten, letzterer hätte, gesetzt den Fall, "Das Lachen" wäre nicht schon wenige Jahre nach der Geburtsstunde des Films, sondern erst nach der Uraufführung von Chaplins Komödie geschrieben worden, deren Fabrikszenen zur Veranschaulichung einer Argumentation und Thesen bemüht.
Motiviert für Tokio
(2021)
Background: It is often advised to ensure a high-protein intake during energy-restricted diets. However, it is unclear whether a high-protein intake is able to maintain muscle mass and contractility in the absence of resistance training.
Materials and Methods: After 1 week of body mass maintenance (45 kcal/kg), 28 male college students not performing resistance training were randomized to either the energy-restricted (ER, 30 kcal/kg, n = 14) or the eucaloric control group (CG, 45 kcal/kg, n = 14) for 6 weeks. Both groups had their protein intake matched at 2.8 g/kg fat-free-mass and continued their habitual training throughout the study. Body composition was assessed weekly using multifrequency bioelectrical impedance analysis. Contractile properties of the m. rectus femoris were examined with Tensiomyography and MyotonPRO at weeks 1, 3, and 5 along with sleep (PSQI) and mood (POMS).
Results: The ER group revealed greater reductions in body mass (Δ −3.22 kg vs. Δ 1.90 kg, p < 0.001, partial η2 = 0.360), lean body mass (Δ −1.49 kg vs. Δ 0.68 kg, p < 0.001, partial η2 = 0.152), body cell mass (Δ −0.85 kg vs. Δ 0.59 kg, p < 0.001, partial η2 = 0.181), intracellular water (Δ −0.58 l vs. Δ 0.55 l, p < 0.001, partial η2 = 0.445) and body fat percentage (Δ −1.74% vs. Δ 1.22%, p < 0.001, partial η2 = 433) compared to the CG. Contractile properties, sleep onset, sleep duration as well as depression, fatigue and hostility did not change (p > 0.05). The PSQI score (Δ −1.43 vs. Δ −0.64, p = 0.006, partial η2 = 0.176) and vigor (Δ −2.79 vs. Δ −4.71, p = 0.040, partial η2 = 0.116) decreased significantly in the ER group and the CG, respectively.
Discussion: The present data show that a high-protein intake alone was not able to prevent lean mass loss associated with a 6-week moderate energy restriction in college students. Notably, it is unknown whether protein intake at 2.8 g/kg fat-free-mass prevented larger decreases in lean body mass. Muscle contractility was not negatively altered by this form of energy restriction. Sleep quality improved in both groups. Whether these advantages are due to the high-protein intake cannot be clarified and warrants further study. Although vigor was negatively affected in both groups, other mood parameters did not change.
Lockdown measures including the closure of physical activity facilities were installed against the spread of the novel coronavirus in March 2020. The aim of the current online survey was to assess the lockdown effects on physical activity in German adults. We assessed physical activity using the European Health Interview Survey (EHIS) questionnaire. Pre-lockdown vs. lockdown differences were tested with the X2 test and the Student’s t-test for paired data. Predictor variables to explain compliance with physical activity recommendations were identified using a fixed effects binary logistic regression analysis. Data of 979 respondents were analyzed. Transport related and leisure time physical activity decreased (p < 0.001, d = 0.16; p < 0.001, d = 0.22, respectively). Compliance with physical activity recommendations decreased from 38.1% to 30.4% (chi2 [1, 1958] = 12.754, p < 0.001, V = 0.08). In the regression analysis, BMI (OR 0.944, 95% CI 0.909–0.981; p = 0.003), education (OR 1.111, 95% CI 1.021–1.208; p = 0.015), transport related (OR 1.000, 95% CI 1.000–1.000; p = 0.008) and leisure time physical activity (OR 1.004, 95% CI 1.003–1.004; p < 0.001), muscle strengthening (OR 5.206, 95% CI 4.433–6.114; p < 0.001), as well as the ‘lockdown vs. normal’ categorical variable (OR 0.583, 95% CI 0.424–0.802; p = 0.001) showed a contribution, while sex (p = 0.152), age (p = 0.266), work related physical activity (p = 0.133), and remote working (p = 0.684) did not. Physical activity declined in German adults, and should also be promoted in light of the emerging evidence on its protective effects of against COVID-19. Special attention should be given to muscle strengthening activities and groups with lower educational attainment.
Ausgehend von einer Definition von Themenparks als Heterotopien entwickelt der Beitrag ein vierstufiges Modell geschichtstransformatorischer Strategien, die in Themenparks einen affektiven Zugang zu einer ideologisierten, kommodifizierten und präsentifizierten Vergangenheit ermöglichen. Diese grundlegende Neukonzeption von Vergangenheit, die sich allenfalls punktuell an Maßstäben von Authentizität orientiert, gleichwohl jedoch als ungemein wirkmächtig erachtet werden muss, verortet der Beitrag in einer breiteren ästhetischen und kulturellen Entwicklung der Postmoderne, die als 'affective turn' bezeichnet worden ist. Das Modell der geschichtstransformatorischen Strategien wird in der Folge anhand von zwei Fallbeispielen - Main Street, U.S.A. in Disneyland und Grecia in Terra Mítica - illustriert, wobei besonders auf den historischen und kulturellen Kontext der Parks eingegangen wird, der bei Geschichtstransformationen in Themenparks eine kaum zu überschätzende Rolle spielt.
Introduction: The purpose of this study was to clarify whether blood-flow restriction during resting intervals [resting blood-flow restriction (rBFR)] is comparable to a continuous BFR (cBFR) training regarding its effects on maximum strength, hypertrophy, fatigue resistance, and perceived discomfort.
Materials and Methods: Nineteen recreationally trained participants performed four sets (30-15-15-15 repetitions) with 20% 1RM on a 45° leg press twice a week for 6 weeks (cBFR, n = 10; rBFR, n = 9). Maximum strength, fatigue resistance, muscle thickness, and girth were assessed at three timepoints (pre, mid, and post). Subjective pain and perceived exertion were determined immediately after training at two timepoints (mid and post).
Results: Maximum strength (p < 0.001), fatigue resistance (p < 0.001), muscle thickness (p < 0.001), and girth (p = 0.008) increased in both groups over time with no differences between groups (p > 0.05). During the intervention, the rBFR group exposed significantly lower perceived pain and exertion values compared to cBFR (p < 0.05).
Discussion: Resting blood-flow restriction training led to similar gains in strength, fatigue resistance, and muscle hypertrophy as cBFR training while provoking less discomfort and perceived exertion in participants. In summary, rBFR training could provide a meaningful alternative to cBFR as this study showed similar functional and structural changes as well as less discomfort.
The title of the conference that took place in the Dance Studies department of the University of Salzburg on January 23rd and 24th - Post-utopia and Europe in the performing arts - was an invitation to grapple not only with the subject matter announced, but also with the very conception of its terms. The interdisciplinary contributions to the conference - from dance studies, musicology, literature, cultural policy and film studies - presented a multifaceted range of ideas both about Europe and European-ness and about (post-)utopia, pushing and pulling the notions in a tense field of reflection.
The spread of the COVID-19 virus was met by a strict lockdown in many countries around the world, with the closure of all physical activity (PA) facilities and limitations on moving around freely. The aim of the present online survey was to assess the effect of lockdown on physical activity in Italy. Physical activity was assessed using the European Health Interview Survey questionnaire. A total of 1500 datasets were analyzed. Differences between conditions were tested with a chi2-based (χ2) test for categorical variables, and with the Student’s t-test for paired data. A fixed effects binary logistic regression analysis was conducted to identify relevant predictor variables to explain the compliance with World Health Organisation (WHO) recommendations. We found a substantial decline in all physical activity measures. Mean differences in walking and cycling metabolic equivalent of task minutes per week (METmin/week), respectively, were 344.4 (95% confidence interval (95% CI): 306.6–382.2; p < 0.001) and 148.5 (95% CI: 123.6–173.5; p < 0.001). Time spent in leisure time decreased from 160.8 to 112.6 min/week (mean difference 48.2; 95% CI: 40.4–56.0; p < 0.001). Compliance with WHO recommendations decreased from 34.9% to 24.6% (chi2 (1, 3000) = 38.306, p < 0.001, V = 0.11). Logistic regression showed a reduced chance (OR 0.640, 95% CI: 0.484–0.845; p = 0.001) to comply with WHO PA recommendations under lockdown conditions. Measures to promote physical activity should be intensified to limit detrimental health effects.
Governments have restricted public life during the COVID-19 pandemic, inter alia closing sports facilities and gyms. As regular exercise is essential for health, this study examined the effect of pandemic-related confinements on physical activity (PA) levels. A multinational survey was performed in 14 countries. Times spent in moderate-to-vigorous physical activity (MVPA) as well as in vigorous physical activity only (VPA) were assessed using the Nordic Physical Activity Questionnaire (short form). Data were obtained for leisure and occupational PA pre- and during restrictions. Compliance with PA guidelines was calculated based on the recommendations of the World Health Organization (WHO). In total, n = 13,503 respondents (39 ± 15 years, 59% females) were surveyed. Compared to pre-restrictions, overall self-reported PA declined by 41% (MVPA) and 42.2% (VPA). Reductions were higher for occupational vs. leisure time, young and old vs. middle-aged persons, previously more active vs. less active individuals, but similar between men and women. Compared to pre-pandemic, compliance with WHO guidelines decreased from 80.9% (95% CI: 80.3–81.7) to 62.5% (95% CI: 61.6–63.3). Results suggest PA levels have substantially decreased globally during the COVID-19 pandemic. Key stakeholders should consider strategies to mitigate loss in PA in order to preserve health during the pandemic.
Das Konflikterleben von Schiedsrichtern im Amateurfußball : eine empirisch-qualitative Arbeit
(2020)
Bei der Austragung von Amateurfußballspielen nehmen Schiedsrichter die Rolle von Beobachtern ein, die bei Konflikten selbst zu Betroffenen werden können. Dabei treten auch extreme Formen wie Beleidigungen und Diskriminierungen sowie physische und psychische Gewalt auf. Anliegen der Masterthesis „Das Konflikterleben von Schiedsrichtern im Amateurfußball“ ist es, die Wahrnehmung von Schiedsrichtern in Bezug auf Konflikte im Amateurfußball empirisch-qualitativ zu erfassen und bisherige Forschungsansätze zu erweitern. Grundlage der Arbeit bilden vom Autor geführte problemzentrierte Interviews mit hessischen Unparteiischen, deren Auswertung neue Perspektiven im Gewaltdiskurs des Amateurfußballs anbietet.
9/11. - "Es wird nichts mehr so sein, wie es war." Dieser Satz war nur leicht abgewandelt am 12. September 2001, dem Tag nach den Terroranschlägen auf das New Yorker World Trade Center, einstimmig in Bild und Frankfurter Allgemeiner Zeitung zu lesen. Die Feststellung, daß dies eine Floskel sei, ist längst selbst zu einer Phrase in der Auseinandersetzung mit dem 11. September verkommen. Jan Philipp Reemtsma hat darauf hingewiesen, daß man diesen Satz schon aufgrund seiner Omnipräsenz in den ersten Tagen nach den Anschlägen "nicht einfach als Unsinn abtun" könne: Er markiere unser Verständnis dieses Datums als Zäsur von welthistorischer Bedeutung. Wenn nichts mehr so sein wird, wie es war - wie wird es dann sein? Diese Frage impliziert für Künste und Medien eine weitere Frage, nämlich die nach der Darstelbarkeit. Wie kann man den zumindest in den Monaten nach 9/11 empfundenen Singularität des Ereignisses gerecht werden?
Die Fußball-Weltmeisterschaft ist ein internationales Sportereignis, an dem dank der Massenmedien die ganze Welt teilhaben kann. Ungeachtet dieser globalen Dimension steht zumindest in den Ländern, die an der WM teilnehmen, die eigene Nation im Mittelpunkt des Interesses. Aus sport- und mediensoziologischer Sicht stellt sich daher die Frage, auf welche Weise in der medialen Berichterstattung die eigene – und kontrastierend dazu auch die gegnerische – Nation thematisiert wird. Dieser Frage sind Studierende des Masterstudiengangs Sozialwissenschaften des Sports an der Goethe-Universität in einem Seminar zur Soziologie des Mediensports nachgegangen. Sie haben dazu das erste WM-Spiel der deutschen Mannschaft gegen Mexiko analysiert.