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The Greenlandic oral story-telling tradition, Oqaluttuaq, meaning “history,” “legend,” and “narrative,” is recognized as an important entry point into Arctic collective memory. The graphic artist Nuka K. Godtfredsen and his literary and scientific collaborators have used the term as the title of graphic narratives published from 2009 to 2018, and focused on four moments or ‘snippets’ from Greenland’s history (from the periods of Saqqaq, late Dorset, Norse settlement, and European colonization). Adopting a fragmentary and episodic approach to historical narrativization, the texts frame the modern European presence in Greenland as one of multiple migrations to and settlements in the Artic, rather than its central axis. We argue that, in consequence, the Oqaluttuaq narratives not only “provincialize” the tradition of hyperborean colonial memories, but also provide a postcolonial mnemonic construction of Greenland as a place of multiple histories, plural peoples, and heterogenous temporalities. As such, the books also narrativize loss and disappearance—of people, cultures, and environments-as a distinctive melancholic strand in Greenlandic history. Informed by approaches in the field of cultural memory and in the study memorial objects, Marks’ haptic visuality and Keenan and Weizman’s forensic aesthetics, we analyze the graphic narratives of Oqaluttuaq in regard to their aesthetic dimensions, as well as investigate the role of material objects and artifacts, which work as narrative “props” for multiple stories of encounter and survival in the Arctic.
This thesis examines the referential properties of prenominal possessive modifiers in Serbian. The focus of the investigation is on the configurations that have been claimed to violate Binding Principles B and C: lexical or pronominal possessives modifying a noun in subject position binding a pronoun or an R-expression in object position. Such constructions have been claimed to be ungrammatical in Serbian due to the alleged adjectival status of the possessive and its respective syntactic position as NP-adjoined (Despić 2013).
The present thesis takes up the ongoing debate about the categorial status of Serbian possessives as adjectives or determiners. Based on several arguments, such as word order, binding of anaphora, coordination, and the fact that they are typically represented by either nouns or pronouns, it is concluded that possessives rather behave like full noun phrases than adjectives. Therefore, I analyse possessives as DPs from a categorial point of view.
In a second step, the syntactic position of the possessives within the Serbian noun phrase has been investigated. Based on theoretical arguments (cf. Bašić 2004) and empirical evidence, I propose a structural position that would accommodate the binding facts and the referential possibilities in these configurations. In line with Kayne (1994), Bernstein and Tortora (2005) and Alexiadou et al. (2007), I assume that possessives occupy SpecAgrP in Serbian, where they move from their base position (SpecPossP). Thirdly, I question the (im)possibility of coreference with possessives in comparison to ‘typical’ binding constructions without possessives by providing empirical evidence from three experimental studies, showing that coreference between possessive modifiers and objects is indeed available in Serbian.
The results from Experiment 1 (a picture selection task) have shown that coreference between a lexical possessive and a (clitic or strong) pronoun is allowed in Serbian. Further, there is a tendency that the coreferential reading is preferred with clitics, while the disjoint reference is preferred with strong pronouns. The fact that coreference is possible, does not necessarily mean that it is always available as the only interpretation, but can be influenced by other (pragmatic) factors. The same is observed in Experiments 2 and 3 as coreference was chosen between pronominal possessives modifying a noun in subject position and R-expressions but rejected between pronouns and R-expressions in a forced-choice task, suggesting a structural difference – no c-command – in the former case. The results from the self-paced reading task corroborate this finding.
Importantly, the experimental results provide evidence that possessive configurations are not violating Binding Principles B and C. This implies that Serbian possessive constructions do not c-command out of the noun phrase, as predicted by the proposed syntactic analysis.
The findings from all experiments contribute to the bigger picture concerning the nature and behaviour of Serbian possessives and cast doubt on the cross-linguistic DG/AG parameter. Instead, the theoretical arguments and the empirical results from the experiments rather speak for a parallel structure of possessive noun phrases in Serbian and English and ultimately in favour of the Universal DP Hypothesis.
The rebellious spirit of 1968 was characterised, among other things, by a strong aversion to authority of any form. In Dutch children’s literature, this spirit is personified by the author Miep Diekmann. From the end of the 1950s until the end of the 1980s, Diekmann contested all kinds of social injustice, both in her children’s books and in her critical work. This article discusses how she challenged the status quo in Dutch children’s literature, firstly through her efforts to improve the cultural status of children’s literature, and secondly through writing books with a different view of the world than the one with which children were then familiar. In interviews, reviews, and discussions with politicians, she successfully appealed for more academic and critical attention for books for young readers. With her children’s books she wanted to make her readers think independently about all kinds of social injustice. Whereas in her first books a tension can be observed between her ambition to make children aware of forms of inequality and her intention to let her reading audience judge for themselves, in her later novels, in particular in De dagen van olim, [The Days of Yore] (1971), she presents social injustice in a way that leaves more to the imagination of her readers.
Understanding a sentence and integrating it into the discourse depends upon the identification of its focus, which, in spoken German, is marked by accentuation. In the case of written language, which lacks explicit cues to accent, readers have to draw on other kinds of information to determine the focus. We study the joint or interactive effects of two kinds of information that have no direct representation in print but have each been shown to be influential in the reader's text comprehension: (i) the (low-level) rhythmic-prosodic structure that is based on the distribution of lexically stressed syllables, and (ii) the (high-level) discourse context that is grounded in the memory of previous linguistic content. Systematically manipulating these factors, we examine the way readers resolve a syntactic ambiguity involving the scopally ambiguous focus operator auch (engl. “too”) in both oral (Experiment 1) and silent reading (Experiment 2). The results of both experiments attest that discourse context and local linguistic rhythm conspire to guide the syntactic and, concomitantly, the focus-structural analysis of ambiguous sentences. We argue that reading comprehension requires the (implicit) assignment of accents according to the focus structure and that, by establishing a prominence profile, the implicit prosodic rhythm directly affects accent assignment.
This paper investigates how French signals prominence in prosody in the post-verbal domain of sentences with two objects or two adjuncts that vary in information status and prosodic length. The information status of particular interest here is dual focus, defined as the presence of two foci in a mono-clausal sentence, but other information states are investigated as well. The controlled production experiment we report on allows for a detailed examination of prosodic prominence. High boundary tones at the end of non-final prosodic phrases are pervasive, as has been documented in many studies before the present one. An important but less documented result is the variation in different prosodic curs, in particular in the number and position of high tones, as well as the particular scaling relationship between them, providing a powerful tool for the expression of (dual) focus. We also report on a perception experiment with our data, showing a clear tendency for French listeners to select the intended context question, recognizing dual focus better than other information states. Overall, this article provides elements of answers as to why French prosody is so difficult to pin down, and why contradictory results and analyses have been proposed for this language.
Professionalization of service-learning in higher education – an academic development approach
(2018)
In an attempt to professionalize service-learning in higher education, teachers and their teaching skills are considered a determining factor and require particular attention. To promote the teaching skills necessary for service-learning courses, an academic development approach addressing these specific requirements has been implemented at Goethe University Frankfurt as part of the academic development program for teaching staff. This article presents the particularities of this approach and illustrates one of its central elements, i.e., the concept of a workshop on planning service-learning courses. Both practical and research implications are discussed.
Attributive participle constructions in German behave like adjectives in terms of inflection and position, but keep their verbal arguments. They can be extended by adjuncts or arguments and these extended attributive present participles mainly occur in written language (Weber, 1994). As the same content can also be expressed in a relative clause (RC), I compare both constructions in order to find out under which conditions a participle construction could lead to processing difficulties and how this relates to RC processing.
Based on previous assumptions for production (e.g. Weber, 1971; Fabricius-Hansen, 2016), three potential factors on the comprehension of prenominal modifiers and RCs are investigated: modifier length, the internal structure and multiple levels of embedding. The hypotheses for an effect on modifier length are mainly based on two processing accounts that make opposite predictions under specific circumstances: memory-based accounts such as the dependency locality theory (DLT) (e.g. Gibson, 2000) and expectation-based accounts such as surprisal (e.g. Levy, 2008). An increase in modifier length results in more intervening material between determiner and noun for the participle construction, contrary to RCs where these elements are adjacent. This separation of the DP could increase memory load. Therefore, longer participles would slow down processing of the noun, while there should be no difference for RCs. Two acceptability judgment experiments showed a tendency for longer participle phrases to receive lower ratings. The modifier length was further investigated in online processing. Contrary to the predicted locality effect, self-paced reading data reveals an anti-locality effect for participle phrases, with lower RTs on the noun when additional material was present inside the modifier. This experiment was followed up by an eye-tracking experiment which replicated the anti-locality effect, but at the participle instead at the noun.
The second factor that was investigated is the argument structure of the participle (or RC verb). My hypothesis is that more “prototypical” adjectives in terms of syntactic structure and semantics are more acceptable and easier to process. Attributive participles are considered hybrids between verbs and adjectives (e.g. Fuhrhop & Teuber, 2000; L¨ubbe & Rapp, 2011) due to their modifier internal verbal function, but adjectival position and agreement with the noun. This double role could lead to difficulties, in particular with a more complex verbal structure. Therefore, the prediction was that the presence of an accusative object inside a participle phrase would lead to lower acceptability ratings and higher reading times in online processing. In the first two acceptability experiments, this prediction was borne out. In addition, an SPR experiment was conducted which manipulated the presence of either an accusative object or adjunct for participles (of verbs that could be used intransitively and transitively) and the corresponding RCs. The experiment showed an effect of the presence of an accusative object on the participle, with higher reading times if an object was present, compared to an adjunct. No such difference was found for the RC verb, which indicates that only participles are processed more slowly when there is an accusative object. An alternative explanation for this finding is the inherent imperfective aspect of the present participle: a direct object could change the event structure in such a way that the aspect no longer matches.
The third factor I investigate is an effect of double embedding on the acceptability of participle phrases and RCs. While double embedded participles are rated lower than double embedded RCs, there is a smaller decrease from single to double embedding for participles than for RCs, contrary to the predictions calculated by the metric of the DLT.
Overall, the results provide evidence for experience-based processing, but they cannot be explained by either memory- or experience-based accounts alone. The effect concerning the presence of an accusative object suggest that properties of the participle distinguish the construction from RCs and affect its processing. The thesis suggests that the latter effect needs to be investigated further in future research. Furthermore, the findings have implications for the role of attributive present participles in German and for hypotheses about similar constructions in other languages.
This article provides a comprehensive overview of the contribution of linguistic research on Portuguese as a heritage language in Germany to the general understanding of heritage language development. From 1955 to 1973, nearly 166,000 Portuguese migrants found work in Germany as so-called ‘guest workers’ (Gastarbeiter). Because the aim of many Portuguese migrant families was to return to Portugal, their children met relatively good conditions for the acquisition of their heritage language. Nonetheless, second-generation heritage speakers (HSs) show some linguistic particularities in comparison to monolingual Portuguese speakers in Portugal. Based on the results of previous research, we show that the following factors shape the linguistic knowledge of this group of bilinguals: (1) Restricted exposure to the heritage language may cause a delay in the development of certain linguistic structures, (2) deviations from the standard norm may be related to the lack of formal education and the primacy of the colloquial register and (3) heritage bilinguals may accelerate ongoing diachronic development. We argue that apparent effects of influence from the environmental language can often have alternative explanations.
Polish-German film relations in the process of building German cultural hegemony in Europe 1933-1939
(2022)
The article presents Polish-German film relations in the framework of Nazis cultural diplomacy between 1933 and 1939. The Nazi effort to create a cultural hegemony through the unification of the European film market under German leadership serves as an important point of reference. On the example of the Polish-German relationship, the article analyses the Nazi “soft power” in terms of both its strength and limits. Describing the broader geopolitical context, the article proposes a new trail in the research on both the film milieus and the cinema culture in Poland in the 1930s. In mythological terms, it belongs to cultural diplomacy and adds simultaneously to film history and New Cinema History.
Research on the music-language interface has extensively investigated similarities and differences of poetic and musical meter, but largely disregarded melody. Using a measure of melodic structure in music––autocorrelations of sound sequences consisting of discrete pitch and duration values––, we show that individual poems feature distinct and text-driven pitch and duration contours, just like songs and other pieces of music. We conceptualize these recurrent melodic contours as an additional, hitherto unnoticed dimension of parallelistic patterning. Poetic speech melodies are higher order units beyond the level of individual syntactic phrases, and also beyond the levels of individual sentences and verse lines. Importantly, auto-correlation scores for pitch and duration recurrences across stanzas are predictive of how melodious naive listeners perceive the respective poems to be, and how likely these poems were to be set to music by professional composers. Experimentally removing classical parallelistic features characteristic of prototypical poems (rhyme, meter, and others) led to decreased autocorrelation scores of pitches, independent of spoken renditions, along with reduced ratings for perceived melodiousness. This suggests that the higher order parallelistic feature of poetic melody strongly interacts with the other parallelistic patterns of poems. Our discovery of a genuine poetic speech melody has great potential for deepening the understanding of the music-language interface.