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The publication is the latest in the African Studies in Russia series of compilations and contains full articles and annotations of the most important - from the point of view of editors - works of Russian Africanists over a certain period. The authors work at the Institute for African Studies of the Russian Academy of Sciences (RAS).The present issue covers the years 2014 to 2016 and consists of two sections. The first section presents conceptual articles on Africa published in authoritative journals. The second section offers synopses of books by Russian authors on economics, cultural anthropology, social and political development, gender studies, and international relations of African countries.The main objective of the triennial series of compilations is to introduce new findings of Russian Africanists to interested foreign scholars who do not speak Russian.
Taking the history of trade and of traders as its subject matter, this book offers the first economic history of northern Namibia during the twentieth century. It traces Namibia's way from a rural, largely self-relying society into a globalised economy of consumption. This transformation built on colonial economic activities, but it was crucially shaped by local traders, a new social elite emerging during the 1950s and 1960s. Becoming a trader was one of the few possibilities for black Namibians to gain monetary income at home. It was a pathway out of migrant labour, to new status in the local society and often to prosperity. Politically, most traders occupied a middle ground: content of their own social position, but intent on political emancipation from colonial rule. Economically, their energy and business acumen transformed northern Namibia into an increasingly urban consumer society. The development path they chose, however, depended too much on the colonial reserve economy to remain sustainable after 1990. Their legacy still shapes spatial and social structures in northern Namibia, but most traders' businesses have today closed down. By telling the history of the rise and decline of traders and trade in northern Namibia, this book is thus also a reflection on the conundrums of economic development under conditions of structural inequality.
Not Yet Damascus
(2007)
Wading the Tide
(2009)
Wading the Tide is an expression of profound emotions touching on a wide range of issues-personal and political-from the birth of the Cameroon nation, her political meandering, until the state of emergency declared on the North West Province in 1992. Accordingly, Doh complains, ridicules, and pays tribute, even as he instructs and guides on timeless matters of life, all in an effort to draw attention to his country's gradual, downward spiral into anomy.
Africa's Political Wastelands: The Bastardization of Cameroon : The Bastardization of Cameroon
(2008)
Africa?s Political Wastelands explores and confirms the fact that because of irresponsible, corrupt, selfish, and unpatriotic kleptocrats parading as leaders, the ultimate breakdown of order has become the norm in African nations, especially those south of the Sahara. The result is the virtual annihilation of once thriving and proud nations along with the citizenry who are transformed into wretches, vagrants, and in the extreme, refugees. Doh uses Cameroon as an exemplary microcosm to make this point while still holding imperialist ambitions largely responsible for the status quo in Africa. Ultimately, in the hope of jumpstarting the process, he makes pertinent suggestions on turning the tide on the continent.
The Fire Within
(2008)
In Africa, there is unrest, and possibly tragedy, when new trends clash with traditional values. With a curmudgeonly stepmother who harasses her even as she spoils her own biological daughter, Mungeu', the protagonist, blazes a path for herself in the face of many odds. But things go terribly wrong when she falls pregnant. The dilemma of whether or not to keep the pregnancy, given society's expectations, flings this young woman into direct confrontation with a life that is beyond her years. She is bent on succeeding: she will keep her baby, and with her training at a girls' craft center, start a business and bring up her illegitimate child. But Mungeu' can only make plans as she realises before long that the authority to dispose of them does not rest with her alone; there are other powerful forces out there.
Oriki'badan
(2009)
ORIKI'BADAN, is an entertaining, revealing, and equally didactic poem in which Doh, through an enchanting metaphorical backdrop, recaptures a memorable era-rich, diverse, challenging, yet gratifying-in the life of a distinguished institution-the University of Ibadan, Nigeria. Characteristically bitter about those in power and the socio-political state of affairs on the African continent, this is a rare shot of Doh paying glaring tribute to his alma mater along with the distinguished faculty and student body that gave Ibadan its character during his days there as a student.
Before the Rainbow
(2014)
Emmanuel Fru Doh, a native of Cameroon, holds a Ph.D. from the University of Ibadan, Ibadan, Nigeria. He taught at the University of Yaounde (E.N.S. Bambili) for almost a decade-the 90s-before leaving for the US. He then had a brief stint as an Adjunct Professor at the University of Minnesota before settling into the Department of English at Century, a College within the Minnesota State Colleges and Universities (MnSCU) System. Poet, novelist, social and literary critic, Emmanuel Fru Doh is the author of Nomads: The Memoir of a Southern Cameroonian.
On March 8, 2007, one of Cameroon's foremost scholars died in a ghastly traffic accident barely hours after launching his most forthright and acerbic collection of poems: Disgrace: Autobiographical Narcissus. Dr. Bate Besong was a social activist, a critic, troubadour, and playwright; an avant-garde, steeped in the tradition of the absurd, who fought against the corrupt system of governance that transmuted Cameroonians into a comatose and apathetic citizenry neutered by fear engendered by the workings of an existing Gestapo. For the first time, Emmanuel Fru Doh has gone beyond an analysis of Besong's plays into giving an in-depth appraisal of his poems which have, for a long time, held back critics because of their opacity. Doh examines each of Besong's plays and collections of poems in separate sections and succeeds in setting Besong's work in perspective - mindful of their concerns and
In Nomads, Emmanuel Fru Doh combines historical fact, legend, and rumour to emerge with a memoir charged with nostalgia. In the process, he merges scenes and events from several lives and the process of nation building as they all unfold and mature with the passing of time. It becomes obvious that these are somber moments in Doh's life and that of the Cameroon nation, a nation that in recent decades selfish and reckless leaders without goodwill, foresight, or true love for the fatherland have succeeded in destroying. It all boils down to one fact: indeed, there has always been a socio-political agenda by the Francophone-dominated regimes, but it had nothing to do with building a truly united Cameroon. The plan has always been to tactfully subdue and eventually neutralize the Anglophone dimension of the union.
In this collection, Doh straddles the Atlantic with voices that doubt, question, and lament the black predicament; voices that evoke the wisdom of Africa's cultural values in a manner reminiscent of the continent's orality. Like the echoing of the talking drums in the forests and the savannahs, these voices acknowledge the challenges and vexing truths of the hour: the plight of a people that have been buffeted repeatedly by waves of invasion, deceit, and betrayals, yet against which onslaught they remain standing, frighteningly tall in dignity and integrity.
Boundaries
(2015)
In Boundaries, Musang, from the Grassfields, falls in love with Etonde from the Coast. Although aware of some existing tension and unfounded mistrust between both camps, the couple is ready to marry when Etonde's father, incredibly, rejects the marriage proposal at the last minute. Although traumatized, Musang, finally, deems the rejection a sign from heaven and so reconsiders a lingering vocation idea - the priesthood. Meanwhile, a devastated Etonde, now defiant of men, struggles on to regain her equilibrium. Years after, however, and barely months away from his ordination into the priesthood, Musang, an exemplary postulant, is suddenly given the deprecating choice to go on probation or leave the seminary; he leaves.
Characteristically, Africans in any Western country are asked so many different questions about 'Africa,' as Westerners love to refer to the many countries that make up that huge continent, as if Africa were a single nation state. So one begins wondering why it is that Africans, on the other hand, do not refer to individual European countries as 'Europe' simply, then the trends and consequences of stereotyping begin setting in just as one is getting used to being asked if Africa has a president, or if one can say something in African. It is some of these questions that Emmanuel Fru Doh has collected over the years and has attempted answering them in an effort to shed some light on a continent that is in many ways like the rest of the world, when not better, but which so many love to paint as dark, backward, chaotic, and pathetic.
Shadows
(2011)
Shadows, as the title insinuates, splits open and lays bare the frightening vision of humanity, the heart of man depressed, a veritable inferno in which there is little to be enjoyed and everything to be endured, as all is vanity, a gnawing emptiness. Nothing is but what it seems. Simple but without being simplistic, there is in the damp climate of Doh's poetry broken promises, displaced emotional centres, a pervading sense of doom, of impending disaster, and a total helplessness reminiscent of Plato's proverbial mythical cave in which all reality is but shadow, devoid of substance, with the observer chained to the walls of his feelings, beliefs, and unfulfilled ambitions. The second section, Celebration, is, however, a source of warmth, of light, the sun's rays in an otherwise damp and and dark collection.
Hollywood and Africa - recycling the 'Dark Continent' myth from 1908-2020 is a study of over a century of stereotypical Hollywood film productions about Africa. It argues that the myth of the Dark Continent continues to influence Western cultural productions about Africa as a cognitive-based system of knowledge, especially in history, literature and film. Hollywood and Africa identifies the 'colonial mastertext' of the Dark Continent mythos by providing a historiographic genealogy and context for the term's development and consolidation. An array of literary and paraliterary film adaptation theories are employed to analyse the deep genetic strands of Hollywood Africa film adaptations. The mutations of the Dark Continent mythos across time and space are then tracked through the classical, neoclassical and new wave Hollywood Africa phases in order to illustrate how Hollywood productions about Africa recycle, revise, reframe, reinforce, transpose, interrogate - and even critique - these tropes of Darkest Africa while sustaining the colonial mastertext and rising cyberactivism against Hollywood's whitewashing of African history.
We provide an illustrated list of species belonging to the genus Symmachia Hübner, [1819] (Lepidoptera: Riodinidae: Symmachiini) collected during an expedition conducted between September 10-21, 2011 in the northern part of the Parque Nacional da Serra do Divisor, Acre, Brazil, a remote region of Amazon rainforest. A total of 46 individuals were collected belonging to 15 species. For all recorded species, drawings of male genitalia and behavioral information are provided to support future studies on the taxonomy of the group. A new species, Symmachia divisora Dolibaina and Leite, sp. nov., is described, and a revised status for Symmachia hetaerina hesione Stichel, 1910, stat. rev., is proposed.
"[...] In 1639, Martin Opitz rescued for us the only complete surviving text of the Annolied (circa 1083), and now Graeme Dunphy has made available a reprint of the Opitz edition and with it Opitz’s prologue and notes, a new English translation, and the translator’s informative notes on the translation and on Opitz’s commentary. In his prologue Opitz expresses the purpose of the edition, which is to demonstrate that the German language was inherited by his contemporaries in an unbroken line from earliest times. This is a strikingly early formulation of the romantic thesis the Grimm brothers developed later. Thus by including Opitz’s prologue and notes on his sources and philological explanations, Dunphy gives us the essential tools to re-invigorate research in three areas: Opitz, who is too frequently thought of as a narrowly focused poeticist, the serious study of philology and history in the sixteenth century, and most importantly, the Annolied itself. [...]" Quelle: Maria Dobozy : http://www.iaslonline.de/index.php?vorgang_id=751
'It is my duty to take the message of revolt to other[s]. is is the only way to liberate the victims of suffering and slavery,' Nazmi Durrani quotes W.L. Sohan in this book. Resistance to imperialism in pre-independence Kenya by progressive South Asian Kenyans propelled the Kenyan liberation struggle to new heights. They were active in almost every field, from publishing progressive newspapers to supplying arms and material to Mau Mau. Liberating Minds consists of biographies of progressive South Asian Kenyans written by Nazmi Durrani. Originally published in Gujarati in the 1980s, they are available here in English for the first time, together with the original Gujarati. Also included is Naila Durrani's 1987 conference paper, 'Kenya Asian Participation in People's Resistance,' while Benegal Pereira introduces Eddie H. Pereira (1915-1995) and his resistance letters to the Colonial Times Newspaper.
Kenya's War of Independence restores Kenyas stolen history to its rightful place, stripped of colonial interpretations. In this expanded and revised version of his 1986 booklet, Kimaathi, Mau Mau's First Prime Minister of Kenya, Durrani covers Mau Maus resistance to colonialism and neo-colonialism and reflects on its ideology, organisation and achievements. He sees Mau Mau in the larger context of Kenyas war of independence and looks at the influence of organised, radical trade unions as the engine of resistance, linking economic with political demands of working people. Additional chapters document the post-independence resistance by the underground December Twelve Movement-Mwakenya. Durrani captures the dynamism of transition from colonialism to neo-colonialism: Imperialism replaced colonialism, African elites replaced White Settlers, neo-colonial government replaced colonial government. Resistance changed from the War of Independence to War of Economic Independence. Worker and peasant resistance is evident once again. History is on the march.
This book looks at the third pillar of resistance to British colonialism peoples resistance, the others being Mau Mau and radical trade union movement. It brings together several aspects of peoples resistance to colonialism and imperialism before and after independence and includes resistance by nationalities, women, students, peasants and workers in what can only be described as peoples resistance. While Mau Mau and trade unions were essential in the liberation struggle, on their own they would have faced innumerable difficulties to achieve their goal. Peasants, nationalities, women, children and young people, students, independent churches, independent schools, all played a part in reinforcing the organized and ideology led resistance of Mau Mau and trade unions. Additional material is included to provide thought for reflections. The first two essays deal with the question of nationalities and with the contradictions between capitalism and socialism with the collapse of USSR. They point to the fact that that the struggle in Kenya influences, and is in turn influenced by, developments around the world. The next section is the presentation at the launch of Kenyas War of Independence in Nairobi on February 21, 2018. The final section contains solidarity messages from Shiraz Durrani, Abdilatif Abdalla and Kang'ethe Mungai at the event to commemorate and celebrate the revolutionary work of Karimi Nduthu held on March 24, 2018 at the Professional Centre in Nairobi.The Kenya Resists Series covers different aspects of resistance by people of Kenya to colonialism and imperialism. It reproduces material from books, unpublished reports, research and oral or visual testimonies. The three aspects chosen for the first three publications in the Series Mau Mau, Trade Unions and Peoples Resistance make up the three pillars of resistance of the people of Kenya.
It is due to the success of the trade union movement in the national liberation movement that the colonial government suppressed prominent trade unions and attacked TU leaders like Makhan Singh, Fred Kubai, Pio Gama Pinto and Bildad Kaggia. It also passed on colonial laws to the independent Kenya government so as to ensure that future trade unions were forced to take the non-radical approach to meet worker needs. They thus created imperialist-oriented and led trade unions that bedevil working class politics to this day. There are valuable lessons to be learnt from the history of the militant trade unions in Kenya and also from understanding how colonialism and imperialism enforced changes that made the trade unions ineffective after independence. The selections in this book recall relevant events in the history of the militant trade union movement in Kenya and record the contribution that the trade union movement made to Mau Mau and to Kenya's war of independence. The Kenya Resists Series covers different aspects of resistance by people of Kenya to colonialism and imperialism. It reproduces material from books, unpublished reports, research and oral or visual testimonies. The three aspects chosen for the first three publications in the Series - Mau Mau, Trade Unions and People's Resistance - make up the three pillars of resistance of the people of Kenya.
Very few countries hide or obscure the significance of their most important historical achievements. Kenya has managed to do so without any regrets or even a thought about the implication of such a major oversight in connection with Mau Mau Resistance. The reason for this underplay is not difficult to understand. The government that came to power at independence was not only not part of the Mau Mau movement which fought for land and freedom for working people, but actively opposed it. It sought and was given by the departing colonial power state power, land and freedom for its class, thereby sidelining the radical resistance movement and its activists. This elite then used its state power to ensure that the nation forgets its radical history which would have alerted future generations to the theft of their inheritance and country. This book provides essential facts about Mau Mau. It seeks to give voice to the Mau Mau resistance fighters. It is aimed at young people who were born after independence and who have been deprived of their historical heritage; it is also a tribute to those who played a part in the war of independence and in Mau Mau without whose contribution independence would have remained a dream. It seeks to restore Kenyas working class history of resistance to colonialism and imperialism. The Kenya Resists Series covers different aspects of resistance by people of Kenya to colonialism and imperialism. It reproduces material from books, unpublished reports, research and oral or visual testimonies. The three aspects chosen for the first three publications in the Series Mau Mau, Trade Unions and Peoples Resistance make up the three pillars of resistance of the people of Kenya.
The morphology of green and blue feathers of the Rose-faced Lovebird (Agapomis roseicollis) is described from light-, fluorescence-, and electron microscopical findings and discussed in relation to earlier works. The description is intended to provide a basis for future comparative studies. Special attention is given to the colour-producing elements (pigments and the short-wave reflecting spongy structure ('Blaustruktur', 'cloudy medium') of specialized medullary barb cells (spongy cells, box cells)), and the findings are correlated with macro- and microspectrophotometric measurements. Green barbs differ from those of blue ba rbs in having their cortex yellow pigmented, but are further distinguished by their spongy structure which is denser (wider keratin rods and correspondingly narrower air-filled channels) than that of blue barbs. This difference corresponds to the wave-length of maximum reflectance being shifted c. 30 nm towards longer wave-lengths compared to that of blue barbs. Thus green barbs are not the same as blue barbs only with a yellow pigmented instead of an unpigmented cortex, as usually stated. Dark green hack feathers reflect approximately half as much light throughout the visible spectrum as do green belly feathers. This difference is due to variations in yellow and black pigmentation of the barbules. These variations are described quantitatively and the importance of barbules for the resulting feather colour is stressed. Variation in size and shape of barbs and barbules are discussed, principally in relation to their optical efIects and the presumed functions of the colours. The colour produced by the spongy structure cannot be explained by Tyndall (Rayleigh) scattering as is usually done. This follows from the shapes of the barb reflectance spectra which are not in agreement with the Rayleigh equation (scattering inversely proportional to lambda4). A new model for colour production is forwarded. It is based on a model of the spongy structure in which this is considered to consist of short hollow keratin cylinders (diameter 0.3-0.35 ft) with air-filled cores. Backscattering from these cylinders is considered responsible for colour production and good agreement is obtained between values of lambda max calculated from the model and those measured spectrophotometrically. The backscattering from the Individual cylinders can be regarded as an Interference phenomenon. The colour of the spongy structure thus is an interference colour. That it appears diffuse and not iridescent, as is generally the case for interference colours in feathers, is due to the presence of many hollow cylinders oriented in all directions in the spongy structure.
Jealous in Jozi
(2011)
Ntombi travels to Jozi for the finals of the Teen Voice competition. But it is not a bed of roses. She has left her boyfriend, Olwethu in Cape Town. Her jealous little sister Zinzi is out to make trouble while she's away. And, she must deal with the other contestants she's up against: the cool, talented and gorgeous Alex and the nasty twins, Lindiwe and Sindiwe. Thank goodness her room mate Mahlodi can help her make sense of her confusing emotions. (This is a sequel to Broken Promises.)
Writing the history of archaeology has become increasingly diverse in recent years due to developments in the historiography of the sciences and the humanities. A move away from hagiography and presentations of scientific processes as an inevitable progression has been requested in this context. Historians of archaeology have begun to utilize approved and new historiographical concepts to trace how archaeological knowledge has been acquired as well as to reflect on the historical conditions and contexts in which knowledge has been generated. This volume seeks to contribute to this trend. By linking theories and models with case studies from the nineteenth and twentieth century, the authors illuminate implications of communication on archaeological knowledge and scrutinize routines of early archaeological practices. The usefulness of different approaches such as narratological concepts or the concepts of habitus is thus considered.
Zhero
(2011)
An inspiring and intriguing tale of heroism, Zhero's quest for education and self-worth takes him from the rustic village of Amabra to the cities of Port Harcourt and Lagos. Armed with a determination to succeed against all odds, his quest unearths a malignant problem in the society, which is the degradation and loss of human values. Vincent Egbuson's book is compendium of issues pervading contemporary Nigerian society. It beckons on its readers to emulate acts of kindness and self-sacrifice.
Two Mothers and Son explores the seeming needless, perpetual conflict between wife and mother-in-law in a typical African marriage; it is set in twenty-first century Nigeria which itself is a victim of conflicting and confusing interruptions of life. The son who is at the centre of it all, is caught between two loves, both possessive and obsessive, equally important but suffocating in a most debilitating manner. Added to this is the issue of religion which attempts to resolve the crisis but inadvertently contributes to the sad resolution of the conflict.
Nation, Power and Dissidence in Third Generation Nigerian Poetry in English is a theoretical and analytical survey of the poetry that emerged in Nigeria in the 1980s. Hurt into poetry, the poets collectively raise aesthetics of resistance that dramatises the nationalist imagination bridging the gap between poetry and politics in Nigeria. The emerging generation of poetic voices raises an outcry against the repressive military regimes of the 1980s and 1990s. Ingrained in the tradition of protest literature in Africa, the third-generation poetry is presented here as part of the cultural struggles that unseat military despotism and envisage a democratic society.
This study explores the nationalist imagination, artistic philosophy and the overtly political dimension of Remi Raji's poetry. It is an attempt to construct a sustained critical discourse on Raji's ongoing body of works. Raji is one of the major poetic voices on the Nigerian literary scene today. With the publication of his first collection, A Harvest of Laughters, in 1997 Raji has continued to strengthen his craft and vision through subsequent volumes: Webs of Remembrance (2000), Shuttlesongs: America - a Poetic Guided Tour (2003), Lovesong for My Wasteland (2005); and Gather My Blood Rivers of Song (2009). Evidently he has attained poetic maturity and, given the frequency of his output, is set to realise a fulfilled poetic career. His maturation thus far through these five volumes deserves a major critical assessment, and a possible prediction for the direction of his artistic vision.
Wholesome Whole Poetry
(2019)
A Grammar of Igala
(2016)
The book establishes 28 phonemic consonants and 7 vowels, as well as lexical and grammatical tones in Igala. It shows the canonical syllable types as V and CV with no complexity, and relates resyllabification to the retiming of segments as tone bearing units and the duration of their mora. The work discusses nine word classes, as well as ideophones and clitics in Igala. There are splitting verbs of various structures and fully-fledged pronouns with morphologically toneless clitic counterparts that are toned in their syntactic context, among other elements of the Igala morphology. The work establishes clitics as generally bearing the grammatical tones of various categories as a result of their morphological tonelessness and their availability for post-lexical tone assignment. It also accounts for the generally complex interaction of clitics and tones in the organisation of the morphosyntax and the tone-syntax interface. Igala has both verbal and nominal extensional affixes with various semantic features. Some interesting discussions in the Igala syntax include the structural and functional types of serial verb constructions, the detransitivizing process of verb movement in object demoting structures, coreferentiality in relativised constituents and the future/non-future temporal distinction. Complementary binominals are conjoined with a specified binominal morpheme, and their rigidly irreversible structures have implications in the Igala semantics. The binominals demonstrate a grammatically specified pattern defined over a conceptual space, showing the network among conceptual categories, such as kinship, marital, social, hunter-hunted, more-less and cause-effect relationships as reflected in the Igala grammar.
This is a book of reading on religion and culture in Africa comprising ten papers by experts in religion and cultural matters and an introductory note by the editor himself. Covered in the volume are papers covering: the impact of secularisation and urbanisation on a most cherished socio-cultural practice of the extended family system of the Isoko people in Nigeria; the traditional medical practices in Urhobo with particular focus on the use of local herbs to treat ailments; the socioreligious as well as the political significance of Obiri (family hall) in Ikwerreland; the rationale behind the use of the concept 'Dunamis' in the Gospel According to Staint Mark. Although his paper does not focus on African (traditional) religion, its inclusion here is based purely on the theological significance of the concept of 'Dunamis'; the extent to which evil spirits and mysterious forces have influenced the religion and culture of the Urhobo people of Nigeria; the significance of festivals in the traditional African society; John Wesley's innovations in Christendom and their implications for Africa; the recent unprecedented upsurge in the assumed use of religious powers to cast out evil spirits as well as for prayer healing among Muslims in Nigeria; the culture of alienation, anxiety and violence, drawing inspiration from the Fall Story of Genesis 3; and the widowhood practices of some areas in Nigeria.
In a series of excellent studies, DENNIS and co-workers, 1962, have described a new method for left heart bypass without thoracotomy. A cannula was placed in the left atrium via the superior caval vein and the right atrium, according to a method described by BEVEGARD et al., 1960, where the atrial septum is punctured with a needle from the superior vena cava. DENNIS et al. used a manually regulated roller pump for the left heart bypass. ...
The House of Falling Women
(2008)
House of Falling Women is the story of a young woman with quixotic ideas about improving the lot of women who finds out that the crusader's cloak is an uncomfortable one. Martha Elive, armed with a university education and a substantial legacy from a Dutchwoman she meets while studying abroad on a scholarship, decides to create an institute for the empowerment of women, only to find that the contradictions to be resolved are more firmly anchored in her psyche than elsewhere. In addition to her unexorcised ghosts and the legacies of a chequered love life, she has to contend with recalcitrant public opinion and moral inertia, the opposition of old-guard reactionaries, and the incomprehension of her small-town parents. House of Falling Women is a poignant, often hilarious story of the search by a group of women for a new place in society in a world where women are dissatisfied with the old values and bewildered by the new.
This is a story of Nigeria, told from the inside. After a successful career in the private sector, Nasir El-Rufai rose to the top ranks of Nigeria's political hierarchy, serving first as the privatization czar at the Bureau for Public Enterprises and then as Minister of the Federal Capital Territory of Abuja under former President Olesegun Obasanjo. In this tell-all memoir, El-Rufai reflects on a life in public service to Nigeria, the enormous challenges faced by the country, and what can be done while calling on a new generation of leaders to take the country back from the brink of destruction. The shocking revelations disclosed by El-Rufai about the formation of the current leadership and the actions of prominent statesmen make this memoir required reading for anyone seeking to understand the dynamics of power politics in Africa's most populous nation.
A Brutal State of Affairs analyses the transition from Rhodesia to Zimbabwe and challenges Rhodesian mythology. The story of the BSAP, where white and black officers were forced into a situation not of their own making, is critically examined. The liberation war in Rhodesia might never have happened but for the ascendency of the Rhodesian Front, prevailing racist attitudes, and the rise of white nationalists who thought their cause just. Blinded by nationalist fervour and the reassuring words of the Ministry of Internal Affairs and army commanders, the Smith government disregarded the advice of its intelligence services to reach a settlement before it was too late. By 1979, the Rhodesians were staring into the abyss, and the war was drawing to a close. Salisbury was virtually encircled, and guerrilla numbers continued to grow. A Brutal State of Affairs examines the Rhodesian legacy, the remarkable parallels of history, and suggests that Smith's Rhodesian template for rule has, in many instances, been assiduously applied by Mugabe and his successors.
In twenty-five chapters this book covers phonology, morphology, syntax and semantics. The chapters are organized in four discrete parts: phonology, morphology, syntax and semantics. They are uneven in terms of scope covered, length, the density of their contents and their degrees of difficulty. Each chapter ends with ?Some References? relevant to both the topic(s) treated in the chapter, in Igbo linguistics, and in general linguistics.
Remembering a Legend: Chinua Achebe recaptures for the literary world the inimitable legacies of Chinua Achebe (1930-2013), Africa's leading novelist and literary philosopher of the 20th century. It addresses the questions of Achebe's role in establishing the African art of the novel, his theories and standards for the criticism of African writing. The volume articulates unequivocally how Achebe provided the message and pioneered a confident voice to African writers to express the message with audacity; repudiate without equivocation, any form of distortions of African past and present realities. The essays remind the reader how Achebe brought to the field of world literature new perspectives and vitality that distinguished the African art of storytelling from imaginative creativities elsewhere. This volume presents Achebe's articulation of the traditional and modern in African narrative techniques-linking the skills of the traditional artist (oral performer) to those of the modern writer; how the modern African creative artist can embellish his/her art with oral resources such as folktales, proverbs, sayings, festivals, songs, riddles, and myths. Chinua Achebe's unique distinctions as a novelist lie in the areas of informed vision and artistic integrity. His greatest legacy to 20th century world literature probably is his pioneer role in the 'nativization' and ingenious use of the English language. The exceptional genius of Achebe touched many traditional and cultural bases in his fiction, essays, and memoirs. The critical responses to Achebe's works in this book, address adequately almost every aspect of his creative imagination and craftsmanship. The reader will find in this convenient volume several seminal studies by two eminent scholars of Achebe's intriguing genius that authenticate him as among the best literary craftsmen of the 20th century and undeniably Africa's best.
Discussing existing controversies and illustrating landmark cases drawn from several jurisdictions, Medical Law and Ethics in Nigeria is one of the most comprehensive books on the subject to date. Some of the topics covered are: Reproductive medicine; Surrogate Motherhood; Abortion; Neonatal treatment decisions; Euthanasia of Mercy Killing; Medical malpractice; and Informed Consent.
During the 1990s, as the Internet in general and e-mail in particular grew in popularity as a means of communication, a number of Cameroonians residing in various parts of the world established a vibrant and lively electronic forum for the discussion of various issues related to their native land. The forum, known as Camnet, demonstrated that Cameroonians living abroad could actively participate in the political, economic and social processes taking place at home. This ability to remain actively engaged in the development of one's nation through the Internet is what Endeley calls 'virtual activism.' Camnet thus distinguished itself as the first and most influential breeding ground for Cameroonian 'virtual activism.' Although Camnet appeared to be dominated by political discussions, it was a truly multi-dimensional forum. No topic was explicitly forbidden and on some occasions the participants conducted extensive debates on issues that had nothing to do with Cameroon or with politics. In this publication, however, the author has chosen to present only a representative sample of his own contributions from the late 1990s with a direct bearing on Cameroon's development. Some of the contributions are in French and in order to reflect the bilingual nature of the debates that took place on Camnet, these have not been translated into English. The informed reader will be struck by the issues which were being debated over 15 years ago as well as by the fact that some of the predictions the author made in the 1990s are a reality today.
Telecommunications Law and Practice in Nigeria -Perspectives on Consumer Protection is intended primarily to provide an indigenous source of information on the theoretical and legal framework of the regulation of telecommunications in Nigeria with respect to how such legal framework assists in addressing the consumers problems in the field of telecommunications. The book covers the evolution of telecommunications the world over and its variant in Nigeria, a variety of issues including the early controlling organs, regulatory regimes, the deregulation era, interconnectivity and privacy law, telecommunications and intellectual property, international trade and drafting of international trade contracts, encryption technology and privacy in telecommunications. The book should be an invaluable companion on the Nigerian telecommunications law and practice with perspectives on consumer protection.
The Law of Banking in Nigeria - Principles, Statutes and Guidelines captures the general principles of banking law, statutes and guidelines relating to banking transactions. The book is presented in a very simple, precise, and clear language and contains three parts of thirty-one chapters in all covering the general principles of banking. It should create considerable awareness among the general public, law students, law teachers, bank customers as well as banks and bankers. Most certainly, it is a book that will assist the students and researchers in this area of law in wading through the general principles of banking law as well as the numerous Legislation and Guidelines on banking business.
This book is a compendium of the law relating to contractual obligations and covers specific areas of law of contract, sale of goods contract, hire purchase contract, agency contract, labour contract, banking contract, insurance contract in Nigeria. Essentially, it summarises the basic principles of contractual obligations that are prevalent in day-to-day engagements.
Hatchings
(2006)
' It is New Year in Bulawayo, and anybody who is anybody is out celebrating. Hatchings, with an introduction by Khombe Mangwanda, was chosen by Professor Anthony Chennells in the Times Literary Supplement as his choice for the most significant book to have come out of Africa. ''The story is simple. In a sentence it can be described as a love story centered on a young couple who discover the true power of love amid the social, economic and moral decay that threatens to swallow their love and everything else. But to say Hatchings is merely a love story would be criminal. It is more than that. Hatchings is a story about Bulawayo, about Zimbabwe, about corruption and cultural decay. In Hatchings John Eppel spares no one. With his sharp and yet witty pen he exposes corruption and pokes fun at those that are abusing power and this means literally everyone. Rich, poor, white, black , Indian, foreigner or local.'' - Raisedon Baya, Sunday News, Zimbabwe'
O Suburbia
(2018)
Born in South Africa in 1947, John Eppel was raised in Zimbabwe, where he still lives, now retired, in Bulawayo. Eppel's poetry collections include Spoils of War, which won the Ingrid Jonker prize, Sonata for Matabeleland, Selected Poems: 1965 - 1995, Songs My Country Taught Me, and Landlocked: New and Selected Poems from Zimbabwe, which was a winner in the international Poetry Workshop Prize, Judged by Billy Collins. Furthermore he has collaborated with Philani Amadeus Nyoni in a collection called Hewn From Rock, and with Togara Muzanenhamo in a collection called Textures, which won the 2015 NOMA Award. He has published three collections of poetry and short stories: The Caruso of Colleen Bawn, White Man Crawling, and, in collaboration with the late Julius Chingono, Together. His single collection of short stories is entitled White Man Walking.
White Man Crawling
(2007)
White Man Crawling is a collection of short stories and poems by the award winning Bulawayo writer John Eppel. His stories are uncomfortably funny; his poems uncomfortably sad. His stories speak first to all of us, then to his own quirky nature; his poems speak first to himself and to those few who know him nearly, and then to all of us. For more than forty years John Eppel has been a unique double-voice in the annals of Zimbabwean literature: the satirist and the lyricist.
The Curse of the Ripe Tomato
(2001)
When George J. George mistook his white Ford Escort for the moon, he knew his time was up.' When Mr George loses his job teaching English at a private secondary school in Bulawayo, 'his pension payout, after forty years of full-time service, bought him two jam doughnuts and a soft tomato.' When he backs his uninsured white Ford Escort into a brand new Mercedes Benz, the out-of-court settlement sees him giving up his house to the complainant, Beauticious Nyamayakanuna, and becoming her domestic servant. Through the prism of this engaging post-colonial role reversal, and spiced with George's lessons on Shakespeare, John Eppel draws down the curtain on one particular white man in Africa. But before it's time to go, George will delight us with the antics of his literature classes; his various arrests - all timed to coincide with the police chief's need for help with essays on Hamlet and A Grain of Wheat; his keen eye for flora and fauna; and the long trek back through the hundred years of his family's Zimbabwean past, as he returns an abandoned child to her home. Eppel has satirized the racial politics of southern Africa in many of his previous novels. In Absent: The English Teacher he turns his gaze inwards for a generous and richly rewarding parody of the land of his birth.
The Caruso of Colleen Bawn and Other Short Writings is a collection of short stories and poems from the Zimbabwean author John Eppel. The pieces range from poetry evocative of the sights, sounds and smells of the Zimbabwean bush and suburbia to bitingly satirical prose about present day Zimbabwe. Eppel has proved himself in both fields of writing, being awarded the M-Net Prize for fiction and the Ingrid Jonker Prize for poetry.
The Holy Innocents
(2002)
Textures
(2014)
Developing a Transformation Agenda for Zimbabwe analyses the political and economic constraints on the nation's reconstruction and democratic transformation and suggests options for transformation in key sectors as well as lessons learnt from other transformations. The challenges in relation to transitional justice are analysed from an historical context as well as in light of the political dynamics in the country. The urgent need to launch a stabilisation programme is discussed, along with key issues for economic reconstruction. The book also looks at military involvement in politics in Zimbabwe and concludes that robust intervention is needed to reform the security sector.
Bakari and Omari live on the island of Zanzibar and are the best of friends. It is the beginning of a long holiday and they are excited about what adventures are in store. Bakaris beloved grandmother comes to visit the family, bringing with her many gifts including a new friend for the boys! One day while exploring the boys discover hidden treasure. The boys, nicknamed The Detectives of Shangani, embark on a quest to discover the secrets of what they have found. They travel around the Spice Islands and meet strange characters, all to discover the mystery of the lost rubies! Nahida Esmail has crafted an exciting adventure tale with memorable characters. Young readers and adults alike, will enjoy this award-winning novel and the mysteries they uncover!
Ivory Stars is Tanzanias first ever all-girls football team, but what makes this team even more unique is that they are people with albinism. Disregarded by society, the team is determined to show the world that they wont be held back. As International Albinism Awareness Day approaches, climbing Mount Kilimanjaro would defy stereotypes and prove that they are extraordinarily capable. Join Tatu, the team leader, and the Ivory Stars on their quest to reach the summit of the highest peak in Africa. Find out whether their determination will meet the challenges ahead. How will they manoeuvre through the twists and turns that lie in wait for them? What would it mean for them if they failed?
This book demonstrates the place of women's movements during a defining period of contemporary Zimbabwe. The government of Robert Mugabe may have been as firmly in power in 2000 as it was in 1995, but the intervening years saw severe economic crisis, mass strikes and protests, the start of land occupations, intervention in the war in the DRC, and the rise of the opposition Movement for Democratic Change. Shereen Essof shows how Zimbabwean women crafted responses to these and other events, and aimed for a feminist agenda that would prioritise the interests of the rural and urban poor. Rejecting both the strictures of patriarchy and the orthodoxies of established feminism, she demands that Zimbabwe's women be heard in their own voices and in their own contexts. In doing so she writes a book that combines scholarly integrity with a wild, joyous cry for liberation.
The known distribution of a rarely collected omethid, Omethes marginatus LeConte (Coleoptera), includes Arkansas, Connecticut, District of Columbia, Indiana, Maryland, New Jersey, New York, North Carolina, Ohio, Pennsylvania, Tennessee, Virginia, and West Virginia. Collection and ecological notes on recent collections in Arkansas, Indiana, and Virginia are presented.
Tanzania has been independent in 2011 for 50 years. While most neighbouring states have gone through violent conflicts, Tanzania has managed to implement extensive reforms without armed political conflicts, Hence, Tanzania is an interesting case for Peace and Development research. This dissertation analyses the political development in Tanzania since the introduction of the multiparty system in 1992, with a focus on the challenges for the democratisation process in connection with the 2000 and 2005 elections. The question of to what extent Tanzania had moved towards a consolidation of democracy, is analysed by looking at nine different institutions of importance for democratisation grouped in four spheres: the state, the political, civil and economic society. Focus is on the development of the political society, and the role of the opposition in particular. The analysis is based on secondary and primary material collected between September 2000 to April 2010. The main conclusion is that even if the institutions of liberal democracy have gradually developed, in practice single-party rule has continued, manifested in the 2005 election when the CCM won 92% of seats. Despite impressive economic growth, poverty remains deep and has not been substantially reduced. On a theoretical level this brings the old debate between liberal and substantive democracy back to the fore. Neither the economic nor the political reforms have brought about a transformation of the political and economic system resulting in the poor majority gaining substantially more political influence and improved economic conditions. Hence, it is argued that the interface between the economic, political and administrative reforms has not been sufficiently considered in the liberal democratic tradition. Liberal democracy is necessary for a democratic development, but not sufficient for democracy to be consolidated. For that a substantive democratic development is necessary.
This meticulous and comprehensive documentation of Cameroonian Youth Day Messages and leadership discourse on youth from 1949 - 2009 is a gold mine for researchers, historians and anyone interested in studying youth, politics and society in Africa. The book presents and explores themes and content of Youth Day Messages: how these messages tied in with, or veered away from, key events and issues of the time; how they served as a platform for West Cameroon governments, and the Ahidjo and Biya regimes to articulate their political vision, justify their policies, sell their respective ideologies to the youth; and what lessons could be drawn from them on competing, conflicting and complementary perspectives on youth agency in Cameroon and Africa. Churchill links the Youth Day to ongoing discussions in Africa about the role and place of youths as agents of development in Africa. Most significantly, he finally puts Cameroon's controversial Youth Day in its appropriate historical context - not as a political device created by the Francophone politicians to distort Cameroonian history and erase 'plebiscite day' from the collective memory as Anglophone nationalists claim, but as a British Cameroons colonial legacy, successfully sold to the Ahidjo regime as a day to be commemorated throughout the federation, by leaders of the federated state of West Cameroon. Churchill Ewumbue-Monono, a senior career diplomat, is Minister Counsellor in the Cameroon Embassy in Moscow. A graduate of the International Higher School of Journalism, and the International Relations Institute of Cameroon in the University of Yaounde, he was a 1991-92 Fellow in Public Diplomacy in Boston University, USA. He has served in Cameroon in various professional capacities. Ewumbue-Monono has written extensively on Cameroon's political history, and his books include Men of Courage, published in 2005.
The Love Sheet
(2017)
The title should have warned me. On reading the title poem, I realise any of the poems is a gateway into this passion with compassion, into a garden whose fragrances colour every sound lovers make when words have to cope. Make the lovers poets, see how each facet is etched, each jewel worked and polished. Wonderful, wonderful, wonderful. Hugh Hodge
This report is an in-depth study of electoral commissions in six countries of West Africa - Benin, Cape Verde, Ghana, Nigeria, Senegal and Sierra Leone - assessing their contribution in strengthening political participation in the region. As institutions that apply the rules governing elections, electoral management bodies (EMBs) have occupied, over the last two decades, the heart of discussion and practice on the critical question of effective citizen participation in the public affairs of their countries. The way in which they are established and the effectiveness of their operations have continued to preoccupy those who advocate for competitive elections, while reforms to the EMBs have taken centre stage in more general political reforms. Election Management Bodies in West Africa thus responds to the evident need for more knowledge about an institution that occupies a more and more important place in the political process in West Africa. Based on documentary research and detailed interviews in each country, the study provides a comparative analysis which highlights the similarities and differences in the structure and operations of each body, and attempts to establish the reasons for their comparative successes and failures.
Tiger in an African palace collects eight essays about kinship and belonging that Richard Fardon wrote to complement his monographs on West Africa. The essays extend those book-length descriptions by pursuing their wider implications for theory in social anthropology: exploring the relationship between comparison and historical reconstruction, and questioning the fit between personal, ethnic and cosmopolitan identities in contemporary West African nations. In an Introduction written specially for this Langaa collection, Richard Fardon retraces the career-long development of his preoccupation with concepts of identification and transformation, and their relevance to understanding West African societies comparatively and historically.
Whiplash
(2009)
I'm gonna tell you all about it, Mom. I'm gonna tell it like I'm on the end of your bed, talking to you. I'm not gonna cover up, cause there's no need. You'll see how it's all a flippin miracle. The whole weird year. It's only one year in my life, Ma, but it's all the stuff you slept through when I was a kid. All the stuff you fished through when you got up. I'm warning you, Ma, this is the truth. Startling poetry in the grittiest of emotional word go ... raw, tender and laugh-out-loud Whiplash digs its nail into you from the funny - a kickarse gem of a book. Told with landscapes, Whiplash puts Farren on the map as a wordsmith of astonishing talent.
After The Tears
(2014)
Busi is pregnant with Parks' baby. Her granny is sick, there is no money for food, and her mother is still in Jozi. Her friends are supportive, but they don't understand how lonely it feels to be pregnant while they are out partying. She knows she should forget Parks, but she can't. So when he sends her an SMS telling her to meet him she goes - only to find out that he is not alone. And so Busi's life becomes more complicated than she can ever imagine.
Gegenstand dieser Dissertation war das Ermitteln der Verbesserung der peroralen Bioverfügbarkeit Fenofibrat (FFB) durch lipid-basierte Formulierung (LBF). Eine weitere Aufgabe bestand darin, verschiedene analytische Methoden zur Bewertung der Verbesserung der oralen Bioverfügbarkeit von Fenofibrat einzusetzen. Diese schlossen in vitro biorelevante Löslichkeits-, Dispersions-, Auflösungs- und Präzipitationstests ein. Auf Basis der analytischen Ergebnisse wurden dann PBPK-Modelle verwendet, um menschliche Plasmaprofile nach der Verabreichung der FFB-Formulierungen zu simulieren. Die daraus resultierenden in silico-Vorhersagen stimmten mit den in vivo-Beobachtungen überein. Durch Anwendung der Parametersensitivitätsanalyse war es weiterhin möglich, ein mechanistisches Verständnis der beteiligten geschwindigkeitsbegrenzenden Schritte zu erreichen.
Formulierungen auf Lipidbasis können nach dem Pouton-Klassifizierungssytem eingeteilt werden. Typ I Formulierungen bestehen ausschließlich aus Ölen, während am anderen Ende der Skala die Typ IV Formulierung weitestgehend aus Tensiden ist. In dieser Arbeit wurden in erster Linie Lipidformulierungen Typ IIIA und Typ IIIB untersucht.
Es wurde gezeigt, dass Dispersionstests an FFB-Lipidformulierungen am besten unter Verwendung der USP 3-Apparatur durchgeführt werden, da in diesem Apparat die GI-Motilität in vivo am besten reflektiert wird. Um die Hydrodynamik in verschiedenen Auflösungsapparaten zu vergleichen, wurde der Auflösungsversuch von LBF Nr. 1 – Nr. 4 von FFB auch unter Verwendung von USP 2 durchgeführt. Ungeachtet von kompendialen oder biorelevanten Medien führten die meisten dieser Lipidformulierungen zur Auflösung eines Großteils des beladenen Medikaments, im Gegensatz zum unformulierten Fenofibrat, das sich in nüchternem Zustand kaum auflöst. Weiter zeigten die Transfermodellexperimente an den Lipidformulierungen von FFB, dass eine intestinale Präzipitation nach einer Magenauflösung unwahrscheinlich ist.
Durch mathematische Transformation der Noyes-Whitney-Gleichung kann ein Excel-Toolkit zur Berechnung des z-Werts aus in-vitro-Auflösungsprofilen verwendet werden. Die z-Werte werden dann in physiologisch-basierte pharmakokinetische in silico Modelle, STELLA® und Simcyp®, eingesetzt. Anhand der erforderlichen post-absorptiven Parameter kann mithilfe dieser Modelle die Plasma-Arzneistoff-Konzentration nach oraler Verabreichung von verschiedenen Formulierungen vorhergesagt werden. Darüber hinaus ermöglicht der Simcyp®-Simulator eine Reihe von virtuellen Versuchen, die PK-Variabilität vom Wirkstoff in verschiedenen Bevölkerungsgruppen zu bestimmen. Um diese Möglichkeiten für LBF von Fenofibrat zu testen, wurde LBF Nr. 4 modelliert. Das Simulationsergebnis von Simcyp® entsprach dem aus der STELLA®-Software. Weiterhin wurden die Plasmafenofibrinsäure-Konzentrationsprofile von den Modellen genau vorhergesagt. Die Punktschätzwerte für Cmax und AUC, berechnet aus den In-silico und in vivo Plasmaprofilen, lagen sogar im Bereich von 0,8-1,25 für die SMEDDS Lösung und Kapselformulierungen. Diese Übereinstimmung von in vitro-in silico mit in vivo wurde weiterhin durch Berechnung der jeweiligen f2 Faktoren unterstützt.
Basierend auf diesen Ergebnissen scheint es, dass der In-vitro-In-Silico-In-vivo-Ansatz ein nützliches Werkzeug zum Identifizieren und Vergleichen von Beschränkungen der oralen Absorption für Formulierungen auf Lipidbasis und zum Optimieren der Lipidformulierungsentwicklung von schlecht löslichen Arzneimitteln darstellt.
The russian experiment
(1931)
The volume constitutes Klaus Fiedler's crowning contribution to scholarship. Essays in the first half of the book focus on Malawian Christianity and how contrasting Powers, Gospel and Secular, engage each other, creating social, political and cultural conflict in the process. In the second half, Fiedler examines general missiological themes. These essays provide a broader missiological background, offering a theoretical framework necessary for appreciating the essays in the first half. He concludes with a chapter that reviews selected seminal books on themes under study. Throughout the volume Fiedler applies the 'restorationist revival theory' he constructed in The Story of Faith Missions, an earlier 1994 work putting emphasis on non classical missions and churches, not systematically covered in earlier scholarship. This volume, the first of its kind on Malawian Christianity, will long remain an indispensable text for those interested in Missiology and Malawian Christianity.
It was not the European and American churches which evangelised Africa, but the mission societies. The missions from the Great Awakening such as the London Missionary Society and Church Missionary Society, or the Holy Ghost Fathers and the White Fathers, which started the process of Sub-Saharan Africa becoming a Christian continent are well known and documented. Less known, and less documented are the interdenominational faith missions which began in 1873 with the aim of visiting the still unreached areas of Africa: North Africa, the Sudan Belt and the Congo Basin. Missions such as the Africa Inland Mission or Sudan Interior Mission gave birth to some of the big churches like ECWA in Nigeria and Africa Inland Church in Kenya. It is the aim of this book to describe faith missions and their theology and to present an overview of the early development of faith missions insofar as they touched Africa.
In this book Klaus Fiedler offers a candid critique of religious faith healing claims - a critique that extents to the Voluntary Male Medical Circumcision Campaign (VMMCC). The book reveals the lack of substantive evidence to back such healing claims and the contradiction between the VMMCC claims and the consequences of those claims in sexual health and practice.
The Christian faith is comprehensive and diverse, so the question, what the centre is, can be asked. Different answers have been given, to which this book adds another. The venture of the Christian faith is missions, following Kenneth Scott Latourette's thesis that the Holy Spirit moves forward the history of the church by bringing in ever new revivals, which produce ever new organisations. Therefore missions are not the children of the churches, but of the revivals, and Africa was not evangalised by the European and American churches, but by the Europeans and American mission societies.
When African Theology was first formulated, women played just a small role. In 1989 Mercy Amba Oduyoye set out to change this by creating the Circle of Concerned African Theologians in order to them a voice. The Circle of Concerned African Women Theologians is an African Baby, born in an ecumenical surrounding. Though there were other movements addressing the issue of gender inequalities in church and society, circle theologies are distinct from other women's liberation movements in that they are theologies formed in the context of African culture and religion. This book traces the Circle history from 1989 to 2007.
The genus Gromphas Brullé (Coleoptera: Scarabaeidae) comprises four species, of which G. aeruginosa (Perty) and G. amazonica Bates are known to occur in Peru. This paper presents a revised description of Gromphas as well as illustrated diagnoses and distributional and ecological data on the Peruvian species.
That Kind of Door
(2017)
Oral Literature in Africa
(2012)
Ruth First papers
(2001)
Scope and content: The collection includes personal material of First and her immediate family such as correspondence and financial records, papers relating to First's work as a journalist in South Africa, as a university lecturer, an anti-apartheid activist, and as an author and editor of numerous books and articles on Africa and other political topics. Also included are research papers and printed material relating to First and her family, collected both during her lifetime and after her death. System of arrangement: The collection is divided into individual deposits which have been presented separately to the Institute of Commonwealth Studies. As far as has been possible, the arrangement of the material within each deposit reflects the system of arrangement used by First, although much has been resorted. Throughout this catalogue the series into which the collection is divided are shown with the reference, title and date underlined. Orderable files are described without underlining.
What precisely is the state of the African continent today? Depending on one's perspective, the answer may either dwell on Africa's recent economic and political accomplishments or focus on the long-standing single-story of failure, disaster and eternal dictatorships. This book provides a nuanced, forceful and balanced assessment of Africa's political and economic performance since independence. While acknowledging Africa's tragic pitfalls, dating to the transatlantic slave trade and colonialism, State of the Continent skillfully argues that theories associated with the dependency school are no longer enough to explain the continent's failures in governance and economic performance. For a continent so richly blessed and endowed with both human and material resources, the blame for Africa's lackluster performance falls squarely on its leadership. To get things right, Nkrumah's vision of the primacy of the 'political kingdom'? must be prioritized whereupon economic gains shall predictably, follow. In lucid and persuasive prose, this volume is an ideal book for scholars as well as students of international studies and African politics.
This study analyses the effects of democratic transition in two African countries - Cameroon and South Africa - on chiefs and the institution of chieftainship. Based on ethnographic fieldwork, the monograph explores the cultural and socio-political conditions that enabled chiefs to reinvent themselves in the new era of democratic politics despite their status as 'old political actors'. It explores the kinds of legitimacies claimed by chiefs in the new era and the responses of their subjects to such claims, particularly with respect to chiefs' involvement in national politics. The monograph makes a case for the importance of comparative research on chiefs in the era of democracy and the predicaments they face therein. It contends that contrary to exhortations about the incompatibility of chiefs and democracy, the reality is that political transition in both South Africa and Cameroon produced contradictions, creating space and a role for chiefs in a fascinating and negotiated interplay of legitimacies and history.
A Dictionary of Popular Bali Names is an exceptional minefield of Chamba names, meticulously assembled and expatiated for the curious user. As a pioneer in the field of dictionary-writing in the Cameroon grassfields, Fokwang's third edition counts for more than a regular dictionary. It skilfully combines a short history of the Chamba people in Cameroon as well as ethnographic issues on the naming ritual. John Fokwang's work stands in a class of its own and will serve as reference material for people of Chamba descent and those who favour the use of African names in general. This edition is an exceptionally worthy contribution to the ethnography of the Cameroon grassfields and of course, the growing literature and interest on African names and languages.
Duce Kingdom
(2013)
Duce Kingdom is a compelling mythical story of magic, sacrilege and violence, written in fine-styled first and third person dialogue and narration. The story commences with the rage of darkness into the official inauguration of the king, amid popular frustrations with the rigid laws and traditions of the kingdom. Sacrifice of virgins to gods, wars, romance and beheadings of criminals, make the future uncertain. The birth of Zalinda, a powerful sorcerer, redeems the kingdom from its woes.
In the 1960s and 1970s, Third World governments prescribed and imposed a certain kind of journalism variously called 'objective' journalism or 'development journalism'. They understood this as journalism restricted to reporting 'facts' as dished out by their propagandists and did not tolerate the questioning of government policy. By 'development journalism', they meant the mere reporting of government efforts to provide services, amenities and infrastructures and the singing of praises anytime a bridge was inaugurated, irrespective of whether it was well-built or whether the contract to build was awarded according to the norms of transparency and probity. This one-sided journalism was prevalent especially in state-owned media and media practitioners in the few private news publications that existed who did not toe the line were subjected to constant harassment and incarceration. However, with the coming of well-trained journalism graduates into the scene in the 1970s and the advent of global liberalization in the late 1980s and 1990s, daring journalists like Sam-Nuvala Fonkem thought it was time to take the bull by the horn and start taking a more critical look at government pronouncements, matching policy statements with real action in the field; in short, moving from 'objective' journalism to interpretative and investigative journalism. This collection of Sam-Nuvala Fonkem's writings is a sampling of the fruit of that new spirit to dare where angels hitherto feared to tread, to hold public officials to account and to expose the falsehood cached behind the political masquerade of the ruling class.
The Sunbird
(2012)
The travails of day-to-day existence notwithstanding, Scolastica is an ordinary woman in Tobeningo who has struggled to carve a fairly successful life for herself. She is not a novice when it comes to putting out fires, thanks to a bubbling teenage daughter, a sugar-daddy chairman of the local Native Authority and the sudden re-appearance of a former sweetheart. But when her son sets out to commemorate his father's passing, on a false alarm, it is her life skills and sense of purpose that are tested to the limit. As the sole privy to the true situation, she is in a race against time to avert a calamity from befalling her son and her people. In her path, besides the vicissitudes of daily living, are the high-handedness and ineptitude of local politics, as well as the straightjacket and mysticism of both religion and tradition. How will she fare?
Life, Love, Lies
(2015)
Life, Love, Lies is a collection of reflections on perhaps the two most mundane yet fundamental aspects of human existence: love and the concept of living. In between, are matters benign and not so benign - on life - amassed, experienced and/or lived, for well over half a century now; on everything from the tabula rasa of childhood to the flow of world history.
Forty Acres and a Mule
(2013)
These traveler's impressions across cultural and psychological spaces portray the two sides of this coin called life, oftentimes belligerent toward each other. In casting light on that dream of total freedom and the daunting contradictions inherent in its being and attainment, they represent a dialectic in our seemingly unending journey toward the shadow of the good life as we ceaselessly jettison virtue against vice. At a level, they confront a certain tyranny of thought, in more ways than one, challenging us to go beyond the comfort of our ideas and our upbringing and to dare to look at the world in ways hitherto only dreamed of. Another way this challenge is portrayed is in regard to language and the cannons of poetry. Because literary writing in this so-called global society may rightfully be considered as war by other means, the reader will quickly observe the, literally, take-no-prisoner approach embedded in many of the pieces the generalized despondency on the ground and the unprecedented cacophony of voices in the 'global village' calling for nothing less. The general conclusion of these poems would be the deferment promise of living even as they constitute a heightened harkening for us to live beyond existence.
This book was first published as a two-part essay in 1965 and 1967 in ABBIA - Cameroon Cultural Review - under the title 'Idea of Culture'. Its main argument is that indigenous Africans cultures must be the foundation on which the modern African cultural structure should be raised; the soil into which the new seed should be sown; the stem into which the new scion should be grafted; the sap that should enliven the entire organism. This culture, the object of imperialist mockery and rejected, needs rehabilitation. However, such rehabilitation of African culture cannot be a mere archaeological enterprise. It will not answer to dig up the past and live it as it was. Not only is African culture not without its imperfections, times change and African culture must adapt itself, at every turn, to the changing times. In restoring African culture, it is imperative to steer clear of two extremes: on the one hand, the imperialist arrogance which declared everything African as only fit for the scrap-heap and the dust-bin, and, on the other hand, the overly enthusiastic and rather naive tendency to laud every aspect of African culture as if it were the quintessence of human achievement.
This book, slim as it looks, took Bernard Nsokikia Fonlon the best part of five laborious years to write 1965-9 inclusive. He writes 'I was penning away as students in France were up in arems against the academic Establishment, and their fury almost toppled a powerfful prestigious, political giant like General de Gaulle. In America students, arms in hand, besieeged and stormed the building of the University Administration, others blew up lecture halls in Canada - the student revolt, a very saeva indignatio, was in paroyysm. But in England (save in the London School of Economincs where students rioted for teh lame reason that the College gate looked like that of a jail0house) all was calm. 'Fonlon drew on these events to define the role of university education in this precious treasure of a book, which he dedicates to every African freshman and freshwoman. The book details his reflections and vision on the scientific and philosophical Nature, End and Purpose of university studies. He calls on African studens to harness the Scientific Method in their quest for Truth, and to put the specialised knowledge they acquire to the benefit of the commonwealth first, the, to themselves. To do this effectively, universities mus jealously protect academic freedom from all non-academic interferences. For any university that does not teach a student to think critically and in total freedom has taught him or her nothing of genuine worth. Universities are and must remain sacred places and spaces for the forging of genuine intellectuals imbued with skills and zeal to assume and promote social responsibiliti4es with self abnegation.
This book brings together six seminal essays by Professor Bernard Nsokika Fonlon, essays first published mostly in the 1960s in ABBIA (Cameroon Cultural Review) and in the pages of leading newspapers in Cameroon. Preoccupied with the cultural dignity, humanity and freedom of Africa and Africans, Fonlon never contented himself with stating the problem. In a very Socratic and scientifically systematic approach, he proposed solutions as well. Patiently pedagogical, philosophical and steeped in the classics he convinced his readers through the force of argument. In 'The Task of Today;' Fonlon invites Cameroonians and Africans to face the challenge of nation-building and development in a world where imperialism is far from dead and buried. 'Random Leaves from My Diary' shares his aspirations and challenging experiences as a young seminarian learning to be relevant to God and the Catholic Church. In 'Will We Make or Mar' Fonlon is worried, and indeed frustrated, by the temptations of material pursuits and the love of money threatening to derail modern elites charged with the postcolonial destiny of African nations. As a member of the Cameroon National Union, in 'Under the Sign of the Rising Sun, ' Fonlon preaches patriotism and compromise. In 'Idea of Literature, ' Fonlon expresses his passion for art as the pursuit of beauty and the sublime, stressing, as he was wont to do, that no race or culture has a monopoly of this aspiration. 'A Case for Early Bilingualism' invites Cameroonians to take advantage of their English and French linguistic colonial heritage, by embracing bilingualism in early childhood and playing a major role in an interconnected world where interpretation and translation is eternally needed.
In most African countries, banana production has been consigned to subsistence production. However, a few countries, especially in Francophone West Africa, have recognised the commercial importance of banana, and have used their special relationship with France to export bananas. This has led to the dualization of the banana sector, with the traditional system existing side by side with a modern sector geared towards export trade. This book is one of the few comprehensive studies that have incorporated both the agronomic and economic aspects of banana production and marketing in Africa. It looks at all facets of banana production, from an historical perspective to the various traditional and modern technologies involved. The marketing aspect covers both the domestic and international trade, with emphasis on the preferential (ACP / DOM Lome Convention) and the open markets of the European Union. The book is a major contribution to understanding the internationalisation of the banana trade and to its ever-increasing investment portfolio, as the backbone of many a developing tropical economy. Although the emphasis is placed on Cameroon, other relevant African, tropical and subtropical banana-producing countries are mentioned where necessary, especially in the export sector where a degree of competition existed. Further, agricultural practices, soils, meteorological and climatological characteristics, pests and diseases, personnel and banana varieties grown, mean that findings in Cameroon are of relevance to other banana-producing countries, especially in Africa. Meanwhile, other African and tropical countries still contemplating entry into banana exports would benefit from the Cameroon experience. The book is of especial relevance to agronomists, entomologists, economists, farm managers, government policy makers, large, medium and small scale banana growers, and students and teachers in universities and schools of agriculture.