Linguistik
Refine
Year of publication
Document Type
- Article (1213)
- Part of a Book (784)
- Working Paper (254)
- Review (181)
- Conference Proceeding (166)
- Preprint (122)
- Book (108)
- Part of Periodical (64)
- Report (58)
- Doctoral Thesis (23)
Language
- English (1397)
- German (1061)
- Croatian (298)
- Portuguese (120)
- Turkish (43)
- Multiple languages (25)
- French (21)
- mis (16)
- Spanish (7)
- Polish (4)
Keywords
- Deutsch (437)
- Syntax (151)
- Linguistik (129)
- Englisch (123)
- Semantik (112)
- Spracherwerb (96)
- Phonologie (85)
- Rezension (77)
- Kroatisch (68)
- Fremdsprachenlernen (67)
Institute
- Extern (438)
- Institut für Deutsche Sprache (IDS) Mannheim (113)
- Neuere Philologien (43)
- Sprachwissenschaften (43)
- Universitätsbibliothek (4)
- Sprach- und Kulturwissenschaften (3)
- Gesellschaftswissenschaften (2)
- Medizin (2)
- Präsidium (2)
- SFB 268 (2)
This paper deals with complex prefix-particle structures like aberkennen in German. First, it presents a scheme to analyse these double complex words from a synchronic point of view. Second, it is shown for words with ab-, that this type of word formation is typical for Middle and Early Modern High German and reasons for the decrease are discussed.
The International Morphology Meeting is a biennial event held alternately in Vienna and Budapest. The eighteenth edition took place in Budapest in May 2018 and it was organised by the Research Institute for Linguistics of the Hungarian Academy of Sciences, in collaboration with the Department of Theoretical Linguistics and the Department of English Linguistics of Eötvös Loránd University (ELTE). The meeting has invariably dealt with all aspects of morphology, with no preference for any particular framework or approach, albeit offering a leitmotif to orient authors who wish to give a presentation in the main session. This edition’s main theme was "Paradigms in inflection and word formation synchronically and diachronically", which provided potential presenters with the opportunity to submit abstracts in a wide range of topics. In addition to the main session, the conference hosted three workshops: (1) Models and methods in morphology; (2) The learnability of complex constructions from a cross-linguistic perspective; (3) Morphological aspects of Uralic and Turkic languages.
This paper approaches productivity by considering three case studies: compounds, blends and phrasal verbs. The aim of the paper is to encourage a discussion about the factors involved in the notion of productivity, and to show why so many of the established measures are not completely satisfactory or are interpreted in a way that is not.
Combining the methods of linguistics and literary criticism, this article takes a fresh look at two texts that have been analysed ad nauseam: Henry James’s The Portrait of a Lady and Edith Wharton’s The Age of Innocence. I use James’s late style as a touchstone to compare and contrast the two texts. Analysing syntax by means of close textual analysis of the novels’ opening paragraphs as well as their metaphorical language, and employing the corpus analysis programme AntConc to survey the entire texts, I aim to show that James’s 1880 text anticipates his late style and Wharton’s 1920 text appropriates it to suit her own agenda. However, in respectively anticipating and appropriating this style, James and Wharton create different effects. James intensifies his female protagonist’s ‘world of thought and feeling’ (Eliot 1963: 56), creating a fictional world with literary equality for both genders, while Wharton subverts gender roles in a scathing critique of Gilded Age society, which did not allow for this other ‘world of thought and feeling’. In addition to positioning both novels as feminist, this article compares Wharton’s writing to James’s, but without presupposing the latter’s influence on the former. Instead, acknowledging the fluidity of style, I aim to put forward a convincing case that there are subtle differences that make these authors’ styles Jamesian and Whartonian, respectively.
The shared communicative act of theatrical texts in performance: a relevance theoretic approach
(2020)
This article adopts a relevance theoretic approach to meaning making in theatrical texts and performances. Theatrical texts communicate immediately to multiple audiences: readers, actors, directors, producers, and designers. They communicate less directly to the writer’s ultimate audience – the playgoer or spectator – through the medium of performance. But playgoers are not passive receptacles for interpretations distilled in rehearsal, enacted through performance, or developed in study and reflection. Rather, in the framework of communication postulated by relevance theory, the audience is an active participant in making meaning. I will briefly review a range of approaches to meaning making in theatre, and then outline my view of a relevance theoretic account of the vital contributions of the audience in constructing the interpretation of performance, treating it as a communicative act.
"You don’t mind my calling you Harry?" : Terms of address in John Updike’s "Rabbit" tetralogy
(2020)
This paper examines the use of address terms in John Updike’s Rabbit tetralogy (Updike 1995). The first part of the analysis provides a comprehensive overview of the great variety of terms used to address the protagonist, Harry Angstrom, in the decades covered by the novels. The second part focuses on two important side characters, Reverend Eccles and Harry’s mother-in-law. It demonstrates how address term usage with these two characters reflects ongoing changes in their relationship with Harry. The main aim of the paper is to demonstrate the potential of fictional data for the study of address terms and, in return, to capture the manifold functions of address terms as a literary device in fiction.
Four main informational elements have been suggested and studied as central aspects of narrative discourse: causality, character, location, time. The research that scholars have previously undertaken on these aspects has been primarily on Indo-European languages, and more specifically on the European side of that language family. The linguistic limitations have indicated that character is the aspect of narrative that readers/listeners attend to most closely. However, in examining narrative discourses from non-Indo-European languages, challenges to the presumed primacy of character emerge. In a partial report on field work conducted in Borneo in 2012-2015, I compare and contrast patterns in the rankings of the four main aspects of narrative in three languages, English, Hobongan and Daqan. I also note the strategies by which the languages make their respective rankings clear, including focus particles (Hobongan), specificity of description (each), and amount of information provided about the aspects (each). I suggest that analyses of the patterns and rankings of information in narrative be included in typological categorizations and linguistic descriptions of languages.