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Exhumed, Tried and Hanged
(2010)
Exhumed, Tried and Hanged elucidates the abuse of folk good faith and ignorance by a conceited, ruthless and grasping leadership that sows carnage among the natives of Etambeng, culminating in unprecedented exodus, untold suffering and death of the people in neighbouring villages. Upon the death of the perpetrator the few returnees are made to listen to the gruesome stories of how the aggrieved children of his victims took revenge on his corpse.
The Bad Samaritan
(2009)
The Bad Samaritan is set in a kleptomaniac and highly corrupt imaginary African country called Ewawa. Due to mismanagement, financial institutions collapse. Salaries are slashed and there is unprecedented unemployment leading to country exodus. Professor Esole and his wife are not only aggrieved by the salary slashes, but also by the dubious closure of the Post Office Savings Bank with their savings. Desperate for money, they resort to borrowing from private sources at exorbitant interest rates. Esole toddles into politics with the aim of righting things. Will his nai͏̈ve approach to politics make or mar?
The Day God Blinked
(2008)
The Day God Blinked x-rays the politico-economic and socio-moral life of a rich and resourceful country called Ewawa from 1982 to 2007. The country had been ruled by a dynamic and insightful miser known as the Old Man. But because he had been in power for too long, his citizens longed for change. It happened when nobody expected it. The old man died suddenly in his sleep and was replaced by his handpicked successor. Unfortunately, the successor whom everybody had expected would do better plunged the country into terrible economic and moral crises. Lucia, the protagonist, narrates her predicament. To her, Ewawa is rotten in all totality. There is nowhere to turn for salvation. The custodians of the economic, social, moral and spiritual values of the land are not up to the task. The country is without hope. Is all doomed?
What a Next of Kin!
(2010)
This psycho-anthropological and socio-cultural novel logically and succinctly x-rays the foundations and raison d'être of patriarchy through the implied questions - Is wealth the basis of patriarchy? Have women any role in the system? And how far can a patriarch protect his lineage from alien blood? The extremely wealthy father of eight daughters protagonist Ndi, says yes, to the first question; no, to the second; and in the third questions he says, through dogged pursuance of looking for a male heir by any means; but his lone son whom he unknowingly begot in a remote village in his early life and whom he accidentally stumbled upon and adopted as his heir in his odyssey of looking for a male heir through a series of marriages, says no, to the first question; yes, to the second and to the third question, he says fate is the umpire; and succeeds in convincing his father that he is right.
Crying in Hiccoughs
(2011)
Crying in Hiccoughs is a graphic presentation of the more realistic phase of Africa's politico-economic and historico-moral evolution in general, and Cameroon's, in particular. From the colonial to the post-independence era, the poet sees nothing worthy of praise-singing and handclapping. So, he resorts to crying in hiccoughs and invites the blind, deaf and dumb brainwashed praise-singers to join him in singing his little songs so as to expose and challenge the demagogy.
Making a Difference
(2012)
'Failure is not in my vocabulary' says Libertina Inaaviposa Amathila - medical doctor, leading member of Namibia's liberation movement SWAPO, and Cabinet Minister for 20 years. Insightful, candid and amusing, this book traces Libertina Amathila's journey from a village in western Namibia travelling alone to Dar es Salaam, Tanzania in 1962; medical training in Poland, Sweden and London; and the health and education centres in Zambia and Angola that she helped develop and run for Namibians in exile; to a victorious return home in 1989; service in the Cabinet of independent Namibia; and a leading role in the World Health Organisation. Courageous, committed, cutting through difficulties that deterred others, Libertina Amathila has assisted and empowered Namibian communities, particularly women, in exile and at home. As Minister of Regional and Local Government and Housing, Minister of Health and Social Services, and Deputy Prime Minister, she focused on those in need, such as squatters, street children, and those affected by HIV/AIDS, and undertook immediate practical measures to improve their lives. Packing her tent and supplies, she drove to remote areas and camped out until houses and clinics were built for marginalized communities, assisting in the design and construction process herself. An indomitable spirit drives this remarkable woman. This is her story.
Son of the Native Soil
(2009)
Son of the Native Soil is a work whose quiet maturity glows in both subject and style. Here, love heals but the force of hate is very real. The hero, Lucas Achamba, by charisma and love undertakes to unite Dudum clan which politicking and egotism have split. His quick success stirs bitter rivalry and heartless cruelty that decide his fate. Nature is jumpy and even hysterical at this, and Ambanasom exposes it with fine evocative mastery. The style is refined and honeyed by sonal devices and visual tropes that half conceal subtle slashes at human foibles.
Here is a collection of sixty-two beautifully crafted poems on some of the deepest of human emotions. They celebrate love, constancy, beauty, marriage, birth and death; in the poems are hailed intellectual labour, leadership and duty. Occasionally, the poet depicts the states of his mind against the backdrop of nature, interfusing description, memory and meditation in a manner essentially romantic. The best in Ambanasom's poetry is matter and manner combined. The striking force of the poems lies in the intriguing relationship between romanticism and romance. Ambanasom's romanticism is concerned with the concept of nature as a universal being or a cosmic entity, nostalgia, the attempt to link his childhood with the present and the future, and the response to nature at different levels of his development. The poet also demonstrates a penchant for rural subject matter, places and people. In the poet of romance there is a more direct expression of basic human emotions, in particular of love that is enchanting, possessing, seductive, and alluring. We find in the poems, love that is reciprocal and imbued with constancy and understanding.
In 2009, Anglophone Cameroon literature celebrated its fifty years of existence. Now at the mature age of fifty plus this literature has a great deal to write home about even if it still has a lot to do in its pursuit of excellence. Part of its maturity resides in the fact that although the scale of literary creativity and literary criticism is skewed in favour of the former, Anglophone Cameroon literary criticism is gradually waking up from slumber in an attempt to catch up with the rapidly expanding creativity. The essays in this book comment practically on some aspects of all the genres of written literature that the Anglophone Cameroon creative writers have produced so far: the novel, drama, poetry, the short story, the essay and children's literature. The essays, on the whole, are a testimony of the transition and reality from the apparent drought of Anglophone Cameroon literary paucity to the actual fruitful period of Anglophone Cameroon abundance of literary creativity. The Anglophone Cameroonians have appropriated an imperial language, English, to serve their postcolonial Cameroonian vision. Their various literary texts are vehicles of representations that are essentially cultural and ideological constructs. The works examined are initially anchored on Cameroonian experiences to take on social significance. As they are grounded on moving human experiences, these works necessarily make references to the immediate Cameroonian environment of their authors before taking on universal human significance. The book abundantly evidences and crowns Shadrach Ambanasom's achievements and reputation as a skilled pedagogue on the art of practical literary criticism.
Initially considered something of a black sheep within the Anglophone Cameroon literary genres, the Anglophone novel has gradually grown to carve out a respectable niche for itself in the Anglophone Cameroon sub-system, imposing itself in a way that makes it impossible for critics to ignore it. Now a vibrant genre, it even threatens to overtake drama and poetry, both of which have enjoyed more critical attention. This book is a study of how Anglophone Cameroon has contributed in extending the possibilities of the novel as a literary form, and of some of the established conventions necessary for a fruitful evaluation of the growing body of the Cameroonian novel in English. In this eclectic and compelling book, Ambanasom sets out to achieve three primary objectives: to introduce the reader to the extensive body of Cameroonian novels in English, to re-examine the distorting and limiting criteria upon which the critical assessment of the Cameroonian novel in English has so far been based, and to bridge the widening chasm between literary theory and actual critical practice. To achieve these objectives, Ambanasom begins by elaborating an alternative and flexible theoretical framework which he christens the 'Socio-Artistic Approach' and which, according to him, is 'concerned with both a text's thematic, moral, cultural or ideological issues, on the one hand, and its central literary analysis, on the other.' He then proceeds to use this new critical framework to examine twenty-seven major Cameroonian novels in English. There are critical voices, already emerging within the Anglophone Cameroonian literary circles, calling for rigorous teaching and practice of theory in the interpretation of literary works, setting in motion a critical discourse. Such a call is salutary, and welcome. Those university lecturers whose responsibility it is to teach theoretical courses should take this call very seriously, moving from theory to hands-on practice. This book is Ambanasom's contribution to that critical debate.
Education of the Deprived is a perceptive socio-artistic examination of the key works of some major writers of Anglophone Cameroon literary drama today. For over two decades now socio-political developments in Cameroon, including the liberalization of the press, have led to an unprecedented proliferation of political, journalistic and imaginative writings. Availing themselves of their new-found freedom of expression, Cameroonians in general are forcefully articulating their views more than even before, and creative writers, in particular, are artistically recording intimate and painful experiences in the on-going endeavour to make sense of the socio-political environment; they are mapping out, through images and symbols, the peculiar contour of the collective Cameroonian soul. What observers have noticed, with regard to Anglophone Cameroon imaginative writing, however, is that there are few significant critical works to match the burgeoning creative literature. While in the 1970s there was a cry concerning the scarcity of imaginative works by Anglophone Cameroonians, the complaint now, at the turn of the 21st century, is that there is a dearth of critical literature capable of catapulting, on to the international literary scene, the Anglophone Cameroon literature being written. This book covers both traditional and modern drama as written by Anglophones, lays bare the technical differences between the two dramatic traditions, and brings out the central themes developed by these committed dramatists.
Taming My Elephant
(2016)
In Oshiwambo, the elephant is likened to the most challenging situation that people can face. If an elephant appears in the morning, all planned activities are put on hold and the villagers join forces to deal with it. For Tshiwa Trudie Amulungu, the elephant showed up on many mornings and she had no choice but to tame it. Growing up in a traditional household in northern Namibia, and moving to a Catholic school, Amulungus life started within a very ordered framework. Then one night in 1977 she crossed the border into Angola with her schoolmates and joined the liberation movement. Four months later she was studying at the UN Institute for Namibia in Lusaka Zambia, later going on to study in France. Amulungu recounts the cultural shocks and huge discoveries she made along her journey with honesty, emotion and humour. She draws the reader into her experiences through a close portrayal of life, friends and community in the different places where she lived and studied in exile. This is a compelling story of survival, longing for home, fear of the return, and overcoming adversity in strange environments. It is also a love story that brought two families and cultures together.
Piece Work
(2010)
Ingrid Andersen was born in Johannesburg, read for a degree in English literature at Wits and is presently completing her Masters. Her work has been published in literary journals for 16 years. Excision, her first volume of poetry, was published in 2004. Her influences include the French Romantic poets, Imagism and the writings of Basho. She is the founding editor of Incwadi, an SA journal that explores the interaction between poetry and image. An Anglican priest, she works in human rights, healing and reconciliation.
Die vorliegende Arbeit stellt die Phonologie, Morphologie und Syntax des Nyam, einer westtschadischen Minoritätensprache Nordostnigerias, dar. Es handelt sich um eine Erstbeschreibung, die im Zuge eines von der DFG finanzierten Projekts mit dem Titel „Das Nyam – Dokumentation einer westtschadischen Minoritätensprache“ durchgeführt werden konnte.
Ziel dieser Arbeit ist es, eine grammatische Beschreibung des Nyam – eine bis dato unbekannte Sprache – vorzulegen. Mit nur ca. 5000 Sprechern ist sie schon im Hinblick auf die geringe Zahl, vor allem aber durch die regionale Dominanz der mit ihr genetisch verwandten Verkehrssprache Hausa, akut in ihrer Existenz bedroht. Zudem befindet sich diese Sprache in einer geographisch exponierten Lage, d.h. sie ist weitgehend von Benue-Kongo-Sprachen umgeben. Vor diesem Hintergrund kann die Dokumentation des Nyam einerseits den Nyam-Sprechern selbst zur Erhaltung ihrer kulturellen Identität und der damit verbundenen Traditionen dienen. Andererseits ist dieser wissenschaftliche Beitrag als Ergänzung zu den noch fehlenden Grammatiken innerhalb der tschadischen Sprachfamilie und im Besonderen der Bole-Tangale-Sprachgruppe zu sehen und kann als Grundstein zukünftiger Forschungen für vergleichende Arbeiten mit den benachbarten Benue-Kongo-Sprachen betrachtet werden.
This is a comprehensive text on the function of thought in the history and political sociology of Cameroon. The book brings out how the 'hidden hand of history' fashions a political thought which, in turn, creates its own history. Instead of Cameroonians making history, history makes Cameroonians. The book shows how political ideas are fashioned in a post-colonial context in which Europeans impose a superordinate arrangement on a people together with its philosophers. 'Thinking the nation' in Cameroon on behalf of Europeans, especially after the leaders of the national liberation struggle were all eliminated, European philosophers put in place a 'repressive machine' under which Cameroonians were subjected between 1958 and 1990. Repression gave way to a refined form of enslavement - a modernised version of slavery. Cameroonians joined the bandwagon and have been producing and reproducing Western industrial economies while day-dreaming of what they will never become. The whole idea of nation-building in post-colonial Africa is put in question. This book offers students of political studies, sociology, anthropology and history compelling evidence to grapple with questions as to whether Cameroon is a state or a nation and questions of sovereignty and citizenship.
Finding the peripheries : sovereignty and colonialism in nineteenth-century international law
(1999)
Royalty and Politics is the fascinating autobiographical account of a life rich in controversy, leadership, service, achievement and innovation. Born 1925 into the prominent and influential royal family of Mankon in the Bamenda Grassfields of Cameroon, Solomon Anyeghamotü Ndefru least expected becoming king, only to find himself the chosen one following the death of his father in 1959. As Fo Angwafo III of Mankon, one of the most educated 'traditional rulers' at the dawn of independence, he succeeded into Parliament first as an independent, and subsequently as a member of the Cameroon National Union. He has served as First National Vice-President of Paul Biya's Cameroon People's Democratic Movement since 1990. In this unique, analytical and insightful reflection 50 years into his reign, Fo Angwafo III discusses growing up in colonial times; his surprise appointment as king; the 1961 Cameroon Plebiscite and his initiation into politics; being king and politician; coping with the hostility of the modern power elite towards his active involvement in politics; churches, schools and politics; life as an agriculturist; and investments in tending the Kingdom of Mankon. He argues that the best way of consolidating traditions is to make them modern, and that modernity can only make sense to the extent that it is firmly grounded in traditions. In many ways he feels his life encapsulates this negotiation and reconciliation of continuity and change.
Cameroon's Predicaments
(2014)
This book deals with a variety of socio-cultural, economic and political problems facing Cameroon and the rest of Africa, with particular reference to unemployment, corruption, poverty, criminality, violence, insecurity, and moral decadence. It presents a critical analysis of government policies from the colonial era to the present time; arguing that most of these policies have been stalled by an uncommitted leadership. The regime in Cameroon has drifted away from basic managerial and democratic principles in in favour of the ethnicisation of politics, sterile consumption, clientelism and patronage. The book contends that corruption has become the main instrument of governance whereby the political and economic elites control the wealth of the nation at the expense of a majority who wallow in abject poverty and misery. Faced with the difficult economic and political situation, most youth and the intelligentsia have adopted ?official and ?unofficial? means to circumvent all immigration rules to travel to affluent Western countries, the consequences notwithstanding. Brain drain is often the outcome. Further, it examines issues of social exclusion, political representation and marginalization with special focus on the predicament of Anglophone Cameroonians as a socio-cultural community. The inclusion of examples and case studies based on empirical and secondary data from Africa is intended to foreground the importance of comparison, and attract the interest of both academic and non-academic readership.
Justice Mary Ang'awa holds LL.B. and LL.M. degrees from the University of Nairobi. She is an advocate of the High Court of Kenya and a Puisne Judge. She is a fellow of the Chartered Institute of Arbitrators. She has taught the law of succession to judicial officers and advocates of the High Court of Kenya.
The book examines the nexus between youth conflict and the occult drawing its insights from the oil-rich Niger Delta of Nigeria. It sees the occult represented by the Egbesu deity in this conflict as a form of religious belief imbued in this case with the powers of good. Thus, the religious occult is regenerated and re-energised as an idiom of justice and fairness within the Nigerian state by militant youth fighting the forces of the Nigerian state. Ingeniously, the young men simply dug into the cultural repertoire of the people for a hitherto popular expression of justice and perceived source of potency which they felt would not only provide spiritual protection but also pander to the popular imagination of justice. Even against the background prevalent Christianity, the Egbesu does not generate tension in beliefs but responds to the critical exigency of the immediate socio-political milieu of the people.
Kinsmen of the President
(2016)
Being a journalist in Nigeria is very risky business especially when you decide to go against the grain and print the truth. Jerry comes to see just how risky his job is when he is whisked away to jail after publishing a particularly scathing article. While in custody we see the prison system through his eyes and he takes us back as he feeds us with anecdotes of his former life.
There is a growing body of literature on what was originally envisioned as a free political association of the French and British Cameroons and its dramatic effects on the 'British Cameroons' community. Anyangwe's new book is an attempt to write the history of the Southern Cameroons from a legal perspective. This authoritative work describes in great detail the story of La Republique du Cameroun's alleged annexation and colonization of the Southern Cameroons following the achievement of its independence, while highlighting the seeming complicity of the United Nations and the British Trusteeship Authority. In the process, Anyangwe unravels a number of myths created by the main actors to justify this injustice and, in the end, makes useful suggestions to reverse the situation and to restore statehood to the Southern Cameroons. The book is rich in archival research and informed by a global perspective. It convincingly shows the uniqueness of the Southern Cameroons case.
This is a pioneer, long overdue and truly original book that off ers a unique, comprehensive and thorough exposition of the criminal law of Cameroon by a leading scholar. This latest book by Professor Carlson Anyangwe adopts a thematic approach, each chapter covering a specific aspect of the criminal law. The text is a clear, simple and comprehensive exposition of all the offences codified in the Penal Code. It offers a rich, clear, learned and discerning analysis to understanding of the criminal law. The book is designed to instruct and to contribute to a deeper understanding of the subject, the treatment of which is unique, informative and makes for compelling reading. This is the first textbook ever on the subject in Cameroon and it is undoubtedly an indispensable tool of trade for judges, prosecutors, lawyers in private practice, academic lawyers, law students and law enforcement officers.
This is a comprehensive, insightful, lucid, intense and unrivalled text on the general part of the criminal law in Cameroon. Beginning with an account of the historical development of the criminal law generally, the author proceeds to analyse and discuss in detail the principles governing application of the criminal law, criminal responsibility, participation in crime, penalties, and sentencing. These principles are broadly the same in other jurisdictions. The book balances theoretical content with case-law illustrations to enhance readability, comprehension and assimilation. It is an invaluable source and essential reading for law students and teachers, and lawyers in private practice and government service.
The subject of revolutionary overthrow of constitutional orders in Africa is at the intersection of three disciplines: jurisprudence and legal philosophy, constitutional law and power politics, and civil-military relations, that is, military security policy which is one aspect of national security policy. The subject is of interest in at least four ways. It problematizes the inescapable question of governance in the African continent. It challenges the democratization agenda in Africa - how does one democratize not only political governance but also the instruments of violence in the state? It also challenges African constitutional lawyers and policy makers to seek a constitutional model that addresses the enduring menace of the power of the gun in African affairs and the changing role of the military in African politics. Finally, it underscores concerns about sovereignty and national security. This book contributes to a fuller understanding of the coup syndrome in African. To this end, it vigorously interrogates the place of coups in the governance of Africa, and explores the relevance of Kelsen's theory of revolutionary legality in the context of coup d'états in Africa. It is a major contribution by a leading thinker in the field.
A remarkable feature of the collapse of the British Empire is that the British departed from almost every single one of their colonial territories invariably leaving behind a messy situation and an agenda of serious problems that in most cases still haunt those territories to this day. One such territory is the Southern British Cameroons. There, the British Government took the official view that the territory and its people were 'expendable'. It opposed, for selfish economic reasons, sovereign statehood for the territory, in clear violation of the UN Charter and the norm of self-determination. It transferred the Southern Cameroons to a new colonial overlord and hurriedly left the territory. The British Government's bad faith, duplicity, deception, wheeling and dealing, and betrayal of the people of the Southern Cameroons is incredible and defies good sense. Ample evidence of this is provided by the declassified documents in this book. Among the material are treaties concluded by Britain with Southern Cameroons coastal Kings and Chiefs; and the boundary treaties of the Southern Cameroons, treaties defining the frontiers with Nigeria to the west and the frontier with Cameroun Republic to the east. The book contains documents that attest to the Southern Cameroons as a fully self-governing country, ready for sovereign statehood. These include debates in the Southern Cameroons House of Assembly; and the various Constitutions of the Southern Cameroons. The book also reproduces British declassified documents on the Southern Cameroons covering the three critical years from 1959 to 1961, documents which speak to the inglorious stewardship of Great Britain in the Southern Cameroons. This book removes lingering doubts in some quarters that the people of the Southern Cameroons were cheated of independence. Its contents are further evidence of their inalienable right and sacred duty to assert their independence. No one who reads this book can possibly be indifferent to the just struggle of the Southern Cameroons for sovereign statehood.
Blood Lines and other Plays
(2014)
Chris Anyokwu's new creative offerings are snapshots of a the quotidian reality in the playwrights homeland, Nigeria, where polygamy and its associated evils, crass materialism and its classless followers still predominate. Even the ivory towers are not left out as petty rivalry, dirty politics and even fetishism seem to be the name of the game.
Poetic encounter: Rhapsodies from the South is compilation of poems by Southern African Writers from South Africa and Zimbabwe. The poems, were written not only to depict life but also tell tales of socio-political and economic history that Southern African people traversed from colonialism, apartheid to freedom. Therefore, readers from all walks-of-life can identify with themes such as apartheid, economic deprivation, religion and culture, love and so forth that are carefully ensconced in this compilation. The authors invite the readers, to not only indulge the lived injustice and violent nature of both our historic past and trajectory to the current state of affairs, but also appreciate, cry, smile and reminiscence about the life in general as encapsulated in this refreshing and aesthetic work of art - the poetic encounter.
Southern African protected areas (PAs) harbour a great diversity of animals, which represent a large potential for wildlife tourism. In this region, global change is expected to result in vegetation changes, such as bush encroachment and increases in vegetation density. However, little is known on the influence of vegetation structure on wildlife tourists’ wildlife viewing experience and satisfaction. In this study, we collected data on vegetation structure and perceived mammal densities along 196 road transects (each 5 km long) and conducted a social survey with 651 questionnaires across four PAs in three Southern African countries. Our objectives were 1) to assess visitors’ attitude towards vegetation, 2) to test the influence of perceived mammal density and vegetation structure on the easiness to spot animals, and 3) on visitors’ satisfaction during their visit to PAs. Using a Boosted Regression Tree procedure, we found mostly negative non-linear relationships between vegetation density and wildlife tourists’ experience, and positive relationships between perceived mammal densities and wildlife tourists’ experience. In particular, wildlife tourists disliked road transects with high estimates of vegetation density. Similarly, the easiness to spot animals dropped at thresholds of high vegetation density and at perceived mammal densities lower than 46 individuals per road transect. Finally, tourists’ satisfaction declined linearly with vegetation density and dropped at mammal densities smaller than 26 individuals per transect. Our results suggest that vegetation density has important impacts on tourists’ wildlife viewing experience and satisfaction. Hence, the management of PAs in savannah landscapes should consider how tourists perceive these landscapes and their mammal diversity in order to maintain and develop a sustainable wildlife tourism.
This book, with contributions in both English and French, is a product of collaborative research between the Institut de recherche pour le développement (IRD, France), the University of Ghana, Legon and CODESRIA. It examines various economic, social and environmental challenges of urbanization that critically affect the capital of Ghana, which has experienced high demographic growth and territorial expansion. The study analyses the Greater Accra city dwellers residential practices, and focuses on two main factors influencing land and rental markets. On the one hand, it interrogates the constraints and dynamics of urban families, their needs and gender characteristics in terms of accommodation. On the other hand, it explores the opportunities and interests in investment on the part of land owners and real estate developers. At these two levels of describing the social and spatial discriminations, the book attempts to explain the difficult choices that this fragmented city faces. It emphasizes the role of mobility in structuring the metropolitan area, and the negative impact of lack of mobility which results in some households and communities suffering more than others. Light is thrown on diagnostics and prospects in the matter of urban planning.
Claude E. Ake, radical African political philosopher of the first four decades of the postcolonial era, stands out as a progressive social force whose writings continue to have appeal and relevance long after his untimely death in 1996. In examining Akes intellectual works, Jeremiah O. Arowosegbe sets out the framework of his theoretical orientations in the context of his life, and reveals him as one of the most fertile and influential voices within the social sciences community in Africa. In tracing the genesis and development of Akes political thought, Arowosegbe draws attention to Akes compelling account of the material implications and political costs of European colonisation of Africa and his conception of a different future for the continent. Approaching his subject from a Gramscian and Marxist perspective, Arowosegbe elucidates how Akes philosophy demonstrates the intimate entanglement of class and social, cultural and historical issues, and how, as a contributor to endogenous knowledge production and postcolonial studies on Africa, Ake is firmly rooted in a South-driven critique of Western historicism. It is Arowosegbes conviction that engaged scholars are uniquely important in challenging existing hierarchies, oppressive institutions, and truth regimes and the structures of power that produce and support them; and much can be drawn from their contributions and failings alike. This work contributes to a hitherto neglected focus area: the impact across the continent of the ideas and lives of African and other global South academics, intellectuals and scholar-activists. Among them, Ake is representative of bold scholarly initiatives in asserting the identities of African and other non-Western cultures through a mindful rewriting of the intellectual and nationalist histories of these societies on their own terms. In foregrounding the contribution of Ake with respect to both autochthonous traditional insights and endogenous knowledge production on the continent, Arowosegbe aims at fostering the continuance of a living and potent tradition of critique and resistance. Engaging with the lingering impact of colonialism on previously colonised societies, this timely book will be of immense value to scholars and students of philosophy and political science as well as African intellectual history, African studies, postcolonial studies and subaltern studies.
Captive of Fate
(2007)
Captive of Fate is the moving story of Ann, a victim of her own need for genuine love, and her gullibility in falling head over heels into the traps of lust set up by clever men. As Ann's biographic narrative unfolds, the reader is faced again and again with the haunting question: 'Do all men want only one thing from a woman?' Hidden between the lines and yet hammering constantly at the reader's conscience are issues pertaining to gender violence and the plight of women in Africa.
In the olden days, after a day's work in the farms, children and parents returned home feeling worn out. As a sort of evening entertainment, children of the same family, compound or village then gathered round a story-teller to listen to folk tales and riddles. This was common in every African home. The listeners participate with joy by joining in the songs and choruses. Sometimes the children were given the opportunity to tell stories that they had known while the adult story-teller listened attentively in order to add more details where necessary. In telling these stories and riddles, children were expected to learn something through all those activities connected with the customs, environment, language and religious practices of their people. This book provides children with stories, riddles and some proverbs that parents ought to have told their children at home but have failed because of their present day busy schedules. Teachers will fill that vacuum at school as they guide the children in reading the stories, riddles and proverbs in their second language-English. As an instructional tool, this collection will foster literacy, promote cultural awareness and create situations where learners share with one another their personal experiences and traditions.
This is a foundational text on the production and dissemination of Anglophone Cameroon literature. The Republic of Cameroon is a bilingual country with English and French as the official languages. Ashuntantang shows that the pattern of production and dissemination of Anglophone Cameroon literature is not only framed by the minority status of English and English-speaking Cameroonians within the Republic of Cameroon, but is also a reflection of a postcolonial reality in Africa where mostly African literary texts published by western multi-national corporations are assured wide international accessibility and readership. This book establishes that in spite of these setbacks, Anglophone Cameroon writers have produced a corpus of work that has enriched the genres of prose, poetry and drama, and that these texts deserve a wider readership.
A Basket of Flaming Ashes
(2010)
Ashuntantang is an extraordinary weaver of words who showcases vivid pictures that compete with 3D simulation. Her greatest asset is her use of the beautiful traditional Cameroonian anchor that evokes folk tales with its moonlight romance and glory. You feel, laugh, weep, shiver, wonder, and hail the triumphant spirit of the persona as it navigates African postcolonial and global experiences with the melancholy of an exile who is purposeful, strategic, and a lot of fun.
Asomne amwue nda (Sorrow in the House) is an exposition of brutality, suffering, and sadness associated with destruction; citizens running scared, living in fear and don't know what to do. The poems illustrate how Africans find themselves lost in the midst of destruction. The collection exposes the emotions and sad feelings of soldiers and civilians; their experiences as a result of instability and suicide attacks. The poems are an expression of sorrow for a society that was once hailed for its communality but now is in ruins with conflicts and misunderstanding tearing society apart.
In A Predicament All My Life marks out some of the distressing ills of the postcolonial elite and the challenges of present-day African societies and cultures. The Poems in this collection bring into conversation precolonial Africa and Africa since colonialism. In particular, the poems explore Cameroon's predicament, its reunification traits, and its existential challenges. They represent a people who are out of favour, have lived in misery for most of their lives but are determined to stand firm and seek justice. In addition, the poems depict how women deal with gender oppression in a patriarchal society caught between and betwixt.
The personality of the highly charismatic foremost African Nationalist, Kwame Nkrumah as featured once in a while in Ghanaian fiction. For example, the celebrated Ghanaian novelist, Ayi Kwei Armah draws attention to the corrupt nature of the Nkrumah regime in his famous novel, The Beautyful Ones Are Not Yet Born. But this is by far the very first time that Kwame Nkrumah and his era have been made the main subject of a full-length novel.
The Akroma File
(2009)
Faced with debts at home and threatened by poverty, Akroma a brilliant and well-educated Ghanaian, using unorthodox means, successfully gets into Cameroon. He is bent on making a fortune. Drawing on his tremendous presence of mind and, capitalising on the early discovery that in Cameroon there is no conscience that money cannot buy, this illegal alien, travelling under three criminal identities, builds up a great amount of wealth. But he cannot buy the entire police force. One police man, Inspector Kum Dangobert, will get even with him, even if it means death. The rest of this very readable novel is about what happens when the Ghanaian evil genius is pitted against the best Cameroonian police superintendent. It is the clash of giants that ends in a cataclysm.
The Crown of Thorns
(2009)
Chief Nchindia held the Elders of his Council in total contempt, inwardly vowing to disagree with them at every point where disagreement was possible. What starts like a big joke develops into grim tragedy: the statue of the god of Nkokonoko Small Monje is discovered to have been stolen and sold to a white man! The tradition demands instant execution of the culprits. Was their Chief involved in the theft? What was worse, the crime or the punishment? Linus Asong was born in the South West Region of Cameroon in 1947. With a combined B.A honours in Education, in 1980 he entered the University of Windsor in Canada whence he graduated with a terminal degree in Creative Writing. He holds an M.A and a PhD in Comparative Literature from the University of Alberta, in Edmonton Canada, and is presently Associate Professor of Literature and Creative Writing at Ecole Normale Superieure Bambili (University of Yaounde 1). Asong is a stand-up humorist, a consummate portrait painter, an accomplished literary scholar, and a celebrated prolific writer with over a dozen novels to his credit.
Chopchair
(2010)
The extremely irritable and quick-tempered chieftain, Akendong II has 14 children, all girls, and is saddened by the fact that he has no chopchair, a male heir to his throne. Then news comes to him that his favourite wife has given birth to a pair of twins, boys. He is even more angered by the fact that he has two heirs, a source of trouble for his kingdom. To avoid his wrath, his councillors change the story, sending away one of the boys to grow in hiding. Learning of the truth about his birth 15 years afterwards, the prince in hiding returns, kidnaps the palace prince and demands his full share of the kingdom. His will is done, but at a very great cost to the chief's peace of mind and relationship with his people. This is by far the shortest of Asong's novels and the least complicated by comparison. But the conflicts, the hallmarks of his art are still there, so also is his breathtaking suspense.
Stranger in his Homeland
(2010)
Stranger in His Homeland completes the long-awaited trilogy of Linus Asong's fictitious village of Nkokonoko Small Monje, separately treated in The Crown of Thorns and its sequel A Legend of the Dead. However, it leads us back not to events after A Legend of the Dead, but to the crisis that created the passionately exciting The Crown of Thorns. Honest, enthusiastic, arrogant and self-righteous, Antony Nkoaleck, the first graduate of his tribe means well. But his society, entrenched in corruption, sees things differently and therefore judges him according to its own norms. Just one or two errors on Antony's part are enough to cost him his job with the government, the coveted throne of Nkokonoko Small Monje, and finally his life. It is a sad story, strongly reminiscent of Myshkin's fate in Dostoevysky's novel The Idiot, a story in which the Russian novelist vividly shows the inability of any man to bear the burden of moral perfection in an imperfect world.
No Way to Die
(2009)
What happens when a young man of talent and visions of greatness falls victim to a cruel set of circumstances over which he has no control? No Way to Die is such a story. Dennis Nunqam Ndendemajem gives up! Even when he is given a second chance to start again, he refuses to gather the broken pieces of his life together. He refuses to rebuild, and refuses to live. But he also finds no way to die.
Salvation Colony
(2009)
Dennis Nunqam Ndendemajem, the spectral social misfit of No Way To Die, having failed to die by suicide, is pursued by the hatred of friends and family relations. He seeks refuge in The Salvation Colony of the Angels of Limbo Church of Africa - a veritable paradise for all whom society has sidelined and whom chance or choice have led thereto. Refuge Dennis finds at the Salvation Colony, thanks to the kindly founding spiritual and material patron, the highly reputable but extremely devilish Pastor Sixtus Shrapnell, fondly referred to as Our Father. At the Colony, though completely dehumanized, Dennis maintains self-value and something to live for in life - God. In dispensing so completely and successfully with any authorial presence in this extremely rare but deeply psychological novel, Asong pushes the art of African fiction to a great new height. The novel shows his intellectual and perhaps formal vortex. His iridescent flushes of exquisite know-how in art, philosophy and psychology make the work worth a thinker's time.
Doctor Frederick Ngenito
(2010)
Dr. Frederick Ngenito shocks his entire ethnic community by finally marrying a girl whose rejection of him had cost him an enviable job. But this is nothing compared to the ire of the ancestors when he hides the facts surrounding his irate father's suicide and he is buried without the traditional cleansing, and which reduces him to a wreck. Harrowing but thoroughly enjoyable, this spellbinder of a novel is a brash standoff between filia and eros, science and fetish fears. Bloodcurdling premonitions and raspy raw effects make of this novel of many parts a story of dogged intolerance and catastrophe of half measures and falsification as quick solutions. Here is an unputdownable teeming with vivid true blood characters you cannot forget: Fred, brilliant, handsome, nai͏̈vely supercilious, the dream of every beautiful young girl; Beatrice, his wife, beautiful, proud, sensitive but unforgiving; Chief Mutare, Fred's father, the very incarnation of brute force, raw, untouched either by surface culture or inner human feelings. Upon the fatalistic relationship between these three characters, Asong builds this grim tale of great passions, of a love that is doomed. In this book stamped with an incomparable aura of authenticity, we see why Asong's novels are sometimes mistaken for case histories.
From its very inception, detective fiction has enjoyed a great popularity among the young and the old, the learned and the not so learned. By some unfortunate stroke of irony, its respect has not kept pace with its enormous popularity. For over half a century now, it has remained the bane of creative writing. In strict intellectual circles, it is very rare to find people talk defensively and interestingly about the genre. Yet Asong has chosen to do just that. He has stoutly defended the weak by putting up a good case for its continued existence. He has also shown how irresistible key elements of the genre are to even the best respected novelists. Finally he has demonstrated for the first time, how the genre has been domesticated by African writers of very great repute such as Ngugi, Sembene and Lessing. That he has been able to prove that these writers have used techniques of detective fiction is a significant broadening of the horizons for appreciating creative writing in Africa.
The Crabs of Bangui
(2010)
Every man lives for himself, using his freedoms to attain his personal aims, and feels with his whole being that he can at any moment perform or not perform this or that action. The higher a man stands in the social scale, the more connections he has with others and the more power he has over them, the more conspicuous is the predestination and inevitability of every act he commits. Upon this philosophy, a former banker, Hansel Bolingo, suddenly finds [or makes] himself the regional representative of a Chinese firm that deals in crabs in Bangui. This catapults him into a position of instant wealth. His mouth-watering affluence draws immediate attention while his hypnotic powers cause hundreds of [not-so-honest]citizens to clamour for shares from which he builds up a huge fortune. But he soon discovers that he cannot deceive everybody all the time.
A Legend of the Dead
(2009)
When the admirable Kevin Beckongncho becomes the new Paramount Chief of the much-coveted throne of Nkokonoko Small Monje as well as its new DO, Chieftaincy could finally be said to have been redeemed. But he quickly becomes a marked man, as he runs into fatal collision with an unscrupulous governmental system with which he cannot co-exist. How this great man suddenly dies, and why his people must not mourn for him, is the unresolved mystery with which Asong closes both the book and his trilogy that includes The Crown of Thorns and No Way to Die.
Laughing Store is just what we need in times of troubles and uncertainties such as these. A book of humour from an acclaimed master of laughter, it lifts our hearts and raises our spirits. Jokes that touch about every domain of existence - from sex to religion, from births to deaths, from politics to the beer parlour, from the courtroom to the hospital. And most important of all, conceived in the supremely original Cameroonian flavour of jokes.
This rich conversational auto-biography tells the story of the political life of Ndeh Ntumazah who was born in Mankon in 1926, spent the best part of his life suffering and sacrificing for the freedom of Cameroon, and died in London on January 21, 2010, at the age of 83, as President of the Union of the Populations of Cameroon (UPC). Ntumazah was a political activist for nearly 60 years. He joined the UPC around 1950 and remained a militant of the party until his demise. When the UPC was banned in French Cameroon in 1955, he was advised by his comrades to create another party in the Southern Cameroons, which would be the UPC in disguise. The party was called 'One Kamerun Movement - OK', with Ndeh Ntumazah as its President. Following its banning, the UPC started a war of liberation in French Cameoon, so Ntumazah from the safety of Southern Cameroons, liaised with his comrades in French Cameroon to carry out their underground operations. Ndeh Ntumazah left Cameroon to seek political asylum abroad in 1962. He stayed in Ghana, Guinea, Algeria and finally in Britain where he spent most of his time sensitising the world about the plight of Cameroon using various avenues like writing, conferences and deputations. Ntumazah is dead, but he lives on because his life stands out as a point of focus.
Child of earth
(2010)
Child of Earth is the story of Achu, a young African boy who loses his mother when he is still a baby. He is raised by his father in a household teeming with wives and children. Then the father dies and the task of raising Achu devolves on his aunt, his father's sister, who is married to one of the richest and most powerful men in the country. But the aunt is jealous because Achu is doing better in school than her own children . . .
Born to Rule
(2009)
Born to Rule is the autobiography of an African-president monarch who does not want to pass away without leaving anything in writing to future generations. The book is more than just the autobiography of a president in that it has responded to all the key issues that most people have been asking about the development and underdevelopment of Africa. It is a seminal contribution to the world's collective knowledge of African and world history. At times it is compellingly incisive, satiric, and tongue-in-cheek and, in some places, trenchantly hard-hitting and humorous in its brutal portrayal of the way Mandzah and, by extension, the African continent, is managed and mismanaged.
This paper traces the historical development of lexicography in Gabon. Gabon, like most African countries, is multilingual. The recent inventories of languages spoken in Gabon are those established by Jacquot (1978) and Kwenzi-Mikala (1998). According to Kwenzi-Mikala (1997), there are 62 speech forms divided into 10 language groups or language-units in Gabon. These speech forms co-exist with French, the official language. In fact, in article 2 of paragraph 8 of the revised Constitution of 1994 the following can be read: "The Gabonese Republic adopts French as the official language. Furthermore, she endeavours to protect and promote the national languages." This constitutional arrangement naturally makes French the language used in education, administration and the media. The survey of lexicography in Gabon that is presented here includes the linguistic situation in and the language policy of Gabon, the lexicographic survey itself, as well as the lexicographic needs of the different speech forms (including languages and dialects). Initially, the pioneers of Gabonese lexicography were missionaries or colonial administrators. Very little was done in this field by the Gabonese themselves. Although credit is to be given to these early works, there are a number of shortcomings regarding the linguistic as well as the metalexicographic contents of dictionaries and lexicons produced during this period. In fact, the main weak point of those studies was the lack of tones in the written transcription of oral productions and orthographic problems. Furthermore, in those contributions, the theory of lexicography is largely unknown and lexico-graphic works are hardly ever based on authentic data corpora of the languages being described.
Touring Girls
(2014)
Touring Girls tells the story of Jacob Mbuy a young Cameroonian whose primary objective in life is having affairs with as many women as possible. He is obsessed with abusing young girls as well as instilling hopeless hope in adult women. His demise comes when he changes his world from the Christian to the Moslem world where he confronts a new type of women who behave strangely and cannot dance to his tunes. Protected by Islamic traditions and strict government laws, Jacob lands into a hell of unprecedented problems.
The Last Of The Virgins
(2015)
Evelyn Ndangeh, a pretty Cameroonian teenager brought up in a strict Christian home, vows to preserve her maidenhood until she gets married to a man she truly loves. While in Our Lady of Lourdes College Mankon, she is approached by Lesley Njapa a student of Cameroon Protestant College Bali, after a student of CCAST Bambili. Evelyn turns him down only to find later that she can't stay alone without a man who must be none other than Lesley. Evelyn begins frantic moves to entice Lesley but on meeting him it seems too late though she gets close to his heart. Tragedy strikes when Lesley is involved in a motor accident. Evelyn arrives Bamenda general hospital wailing and settles beside Lesley to console and comfort him in his agony. Anxiety builds up to a crescendo and a medical team is mobilised to save Lesley's life.
This book brings to light work done in the area of gender with a penchant to language within the Cameroonian context. It looks at different domains of gender study where language is a significant variable. It is the very first edited collection that examines language and gender side by side. Contributors draw richly on their current theoretical leanings and on the current gendered discourses within the Cameroonian context to interrogate the interconnections between gender and language through social relationships and interactions. This is a pluri-disciplinary study informed by perspectives from anthropology, sociology and applied linguistics. The book hinges on gender, discourse and social change in historical perspective. Gender and language studies contribute to knowledge of new problems in view of a better understanding of relations between women and men, and its amelioration in the social space. Gender and language studies necessarily incorporate gender and discourse studies. Discourse serves as a unifying factor to these diverse disciplines which bring external support to pure linguistic studies, not only to deepen the understanding of gender but more so to describe how it works in discourse. Here, discourse is seen as being at the centre of gender ideology.
This book investigates gender and power relations in the Cameroonian parliament using a critical discourse analytical approach, which focuses on social issues and seeks to expose unequal relations within institutions. The study identifies different gendered discourses within the speeches of Members of Parliament and government ministers. Consciously or unconsciously, these participants within parliamentary debates draw on topics that construct women and men in specific ways, sometimes sustaining gender stereotypes or challenging existing conditions. The way men and women are constructed using language also is indicative of gender and power relations within this particular community. The study also looks at the way men and women are constructed using traditional discourses of gender differentiation and how some of these discourses get challenged, appropriated or subverted using progressive gendered discourses that advocate equal opportunities, gender equality and gender partnership in development.
This study explores the predicament of Anglophone Cameroon - from the experiment in federation from 1961 to the political liberalisation struggles of the 1990s - to challenge claims of a successful post-independence Cameroonian integration process. Focusing on the perceptions and actions of people in the Anglophone region, Atanga argues that what has come to be called the 'Anglophone Problem' constitutes one of the severest threats to the post-colonial nation-state project in Cameroon. As a linguistic and cultural minority, Anglophone Cameroonians realised that the Francophone-led state and government were keener in assimilation than in implementing the federal and bilingual nation agreed upon at reunification in 1960. Calls for national integration became simply a subterfuge for the assimilation of Anglophones by Francophones who dominated the state and government. The book details the various measures undertaken to exploit the Anglophone regionís economy and marginalise its people. Principally the economic structures meant to facilitate self-reliant development were undermined and destroyed. Institutionalised discrimination took the form of the exclusion of Anglophones from positions of real authority, and depriving the region of any meaningful development. With the advent of multi-party politics, most Anglophone Cameroonians increasingly have made vocal demands for a return to a federation, in order to adequately guarantee their rights and recognition for them as a political and cultural minority. Actively encouraged by France, the Francophone-led regime in Cameroon has refused to yield to such demands, despite the grave danger of violent conflict and possible secession.
From Momany's wealthy and agonizing expibasketism so much can be drawn to teach about, demote or promote, and to portray Canada as it has never been properly understood; not only by outsiders but also by Canadians themselves. This book makes an extensive and detailed use of that basket of experience to deliver the message that Canada is not at all the 'children's-best-interests-friendly' nation that it is often mistaken for. Canada may be entitled to what it claims to be. But, since a country or community can only be correctly seen through the workings of the institutions that incarnate it, this study has dared to show a contrary portrait. It documents and proves the theorization that most of the country's institutions that are supposedly there to carter for and protect children and promote their wellbeing and glowing avenir often end up in reality instead actively working against the said children and all what their best interest should properly signify. The hope is that the experts in the relevant fields can find the material presented herein useful for their further specialized and in-depth analyses and sane policy formulation.
This book is about transnational migration (familiarly called bushfalling) and remittance flows to Cameroon. With the current dire economic state, Cameroonians increasingly aspire to go abroad to make a living. Migrants achieve this through a collective (family) strategy and with the help of migration brokers. Relations between migrants and the family that stays in Cameroon can be characterized as follows: Families raise and educate their children to become adults. In return to giving their children the gift of life, families expect reciprocity, best secured through economic success abroad and the sending of remittances by migrants. As families in Cameroon heavily contribute to the funding of migration trajectories, often by selling properties such as land or houses or borrowing money, they also expect a return on their investments. All that constitutes this study explores under the notion of the moral economy of transnational remittances. In this study, remittances are understood to be a composite of financial, material, and cultural flowsmaintaining and transforming social and kinship ties. The book proposes also a large exploration of themes in relation to transnational migration: why and how Cameroonians migrate (the role of the operational family in terms of decision and funding; the role of migration brokers through the identification of lines and the provision of the necessary papers); the moral justification for migration; the ways social relations and customs are changed by status gained through migration; the ways people explain the failure of migration projects, the difficulties to stay abroad; the matrimonial strategies to go and stay abroad. This is an empirically rich and theoretically sophisticated study that takes thinking on transnational migration informed by African strategies and experiences a step further.
Conflict in Northern Ghana appears to be increasing in amplitude and frequency and its effects are getting more devastating. It is the view of this book that the Government of Ghana and civil society organisations involved in aspects of conflict management have approached peace issues in the region with an inadequate understanding of the local issues that divide and unite the people, or using sufficient resources to preempt conflict. In 2003 The Mole V summit was held in Damongo to discuss strategic directions for comprehensive development and poverty reduction in Northern Ghana as a mechanism for supporting conflict management. It is the aim of this publication to contribute to the proposed plan by suggesting past and current conflict management resources and mechanisms which could be employed. The suggestions are informed by surveys, which are oulined in the book, of particular conflicts in the three northern Regions of Ghana between 2006 and 2008 - their histories, causes and effects and their resolution.
This book critically discusses missionary Christianity and colonization in Africa as twin enterprises with a common ambition. While the colonialist set out to invest capital and reap profit, the missionary desire was to tend and turn African souls from damnation. It was this desire that drove the missionaries into the interior, propelled by the belief that no land was too remote to escape their attention and vigilance. It equally kept missionary zeal buoyant. The clarification of the concept of salvation within the Roman Catholic Church during the Vatican II Council set in motion the current lethargy that has in some places crippled the mission itself. In retrospect, one can begin to wonder why Africans became Christians. What reasons motivated the early adherents to cling to this foreign religion? Were there some internal deficiencies in African traditional religions, which the Africans hoped to remedy by joining the new religion? Or was it just part of the wholesale flirting with whatever was foreign and perceived to be modern? What baits were used by the missionaries to entice Africans? Christianity posed a danger to many of the time-honoured answers to African problems. These were the values Africans converting to Christianity were expected to abandon. Why have Christians continually returned to their abandoned roots in time of crisis? This moving, well argued, richly documented and empirically substantiated study concludes by cautioning against the stubborn drive at radical conversion to Christianity with scant regard to the imperatives of enculturation.
This book is the fascinating study of Christian enclaves in the Southern Cameroons of the colonial era. The Christian enclaves came into being with absolute spontaneity as a modus vivendi. Oblivious of the danger in store both colonial governments and traditional authorities provided the conditions in which these Christian villages took root and flourished. However what had taken root in the territory as a self-protection mechanism, soon unleashed its lethal, enticing tentacles luring both the wives of royals and commoners into their bosom. This disruptive influence of Christian villages threatened the survival of ethnic groups, arousing the rancour of traditional authorities and civil administrators. In many ways the Christian enclaves inhibited the potential of colonial governments to administer the territory. These states within a state propagated by the missionary in the most insidious and perfidious of all manners sowed within their own bosom the seed of self-destruction. The whole issue of runaway wives of royals and commoners alike who took refuge in the Christian villages troubled both the colonial and traditional authorities. By offering a safe haven to these runaway wives and welcoming women who were outside the traditional male authority in a tribal setup, the missionaries began sowing within the Christian communities the seeds of their own self destruction. Records of wives of Fons and commoners escaping into these enclaves, eloping with a man and returning pregnant remained the regular subject of several colonial intelligence reports. Highhanded methods by missionaries in these villages brought both the missionaries and their work into disrepute. In less than a quarter of a century these enclaves had lost the war of attrition waged by colonial and traditional authorities. Worn out by endless strife and dissension within and without and forced by contingency, what had been conceived to be ideal Christian communities with snowballing effects, saw its premature demise.
Trends in Nollywood: A Study of Selected Genres is a welcome addition to the growing body of works on the Nigerian cinema. It is part film history and part film theory and criticism. The history part traces the origin of the Nigerian cinema up to the present era of video productions. The work examines in detail, the contextual issues which have helped to define emergent trends within the industry.
Reforming the African Public Sector: Retrospect and Prospectsis an in-depth and wide-ranging review of the available literature on African public sector reforms. It illustrates several differing country experiences to buttress the main observations and conclusions. It adopts a structural/institutional approach which underpins most of the reform efforts on the continent. To contextualize reform of the public sector and understand its processes, dynamics and intricacies, the book examines the state and state capacity building in Africa, especially when there can be no state without an efficient public sector. In addition, the book addresses a number of theories such as the new institutional economics, public choice and new public management, which have in one way or another influenced most of the initiatives implemented under public sector reform in Africa. There is also a survey of the three phases of public sector reform which have emerged and the balance sheet of reform strategies, namely, decentralization, privatization, deregulation, agencification, co-production and public-private partnerships. It concludes by identifying possible alternative approaches such as developing a vigorous public sector ethos and sustained capacity building to promote and enhance the renewal and reconstruction of the African public sector within the context of the New Partnerships for Africa's Development (NEPAD), good governance and the Millennium Development Goals (MDGs).
In this collection Ayuninjam attempts to capture his sentiments on many plains. He also takes the liberty to capture the sentiments of other persons in his life and in society as a whole as well as the sentiments of other creatures that are part of the chain of life. As a result, much of what follows is occasional poetry, as he has more often than not responded or reacted to his sensations while also being a surrogate for those who could (or would) not express theirs. Having lived abroad for as long as he lived in Cameroon, his perspective has, accordingly, been coloured, though not necessarily transmuted. The poems transcend space and time.
This collection represents, in substance and style, folk tradition in the North-West Region of Cameroon. Contained herein is a sampling of various human emotions, parental concerns, and societal conflicts: emotional insecurity, deceit, obstinacy, power and control, trickery, malevolence, greed, jealousy, and more. The stylistic representation is reflected in the double writing, as shown by the dialogues, the songs, and the use of choruses. These tales are ageless, placeless, and, therefore, anonymous; yet they are also the collective wisdom of a people who are supposed once to have walked the planet and communed with other animals and non-animals on the same terms. That is how humans, animals, vegetation, water, and hills/mountains are equally animate and have linguistic expression for their thoughts and sentiments. Folktales served primarily as entertainment, and also as a convenient way of teaching history and culture, and they invariably promoted good listening and speaking skills in the vernacular language as children learned to model the rhetorical patterns of their adult folklorists - with children taking turns night after night till they had gone full circle and then started recounting the same tales over. While the morale of some of the tales is obvious, that of other tales is not; and that, again, is typical both of the traditional mind set and of the educational backdrop of storytelling.
Seit 20 Jahren entwickelt das Zentrum für interdisziplinäre Afrikaforschung (ZIAF) an der Goethe-Universität immer neue Perspektiven der afrikabezogenen Forschung, etwa durch interdisziplinäre und transkontinentale Konzepte. Doch historisch gewachsene Ungleichheiten erschweren auch heute noch ein angemessenes Verständnis des Kontinents, der zu häufig als Forschungsgegenstand betrachtet wurde und wird.
Réussite scolaire, Faillite Sociale : Généalogie mentale de la crise de l'Afrique Noire Francophone
(2010)
Two volumes of school textbooks have notably led to self repulsion and attraction by the other peculiar to the black African elite. These are the collection put together by the missionary brothers Macaire and Grill: Mamadou et Bineta authored by Andre Davesne alone or in collaboration with J. Gouin. To have an understanding of the kind of scholar produced by the foreign school in the colonies a century after, it is worthwhile retracing the itinerary, followed through readings by generation of pupils, to know the sources that fed their imagination. Out of tune with the universe of their birth, unable to efficiently concretize school teaching, but having certainly perceived that education and education alone is the new pedigree of distinction, school pupils have had to simulate the appropriation of fetishist models of knowledge without necessarily assimilating the spirit of the new civilization and much less taking the challenge to preserve self integrity redeemed through a complaisant dependence that spares from taking any action by fear of doing wrong or being called to order by the overbearing world. If not, how can one explain, in spite of the material and symbolic crises, that the elite since independence have not initiated a discursive strategy for another effective school system? Now, with aspiration or repugnance to discontinuity, the intentions are to rid Africa of the unhealthy residual French complexes in order to engage on the path of double acknowledgement and difference. This seems the most likely to restore trust amongst the peoples and to assure the endorsement of men worthy of being called such.
Ousmane Semb ne started writing by 1952. The Black Docker, his first novel inspired by the Marseille experience was published in 1956 by Debresse. In 1957, Amiot Dumont published O Pays, mon beau Peuple, a caustic critic of the colonial plight. This second inaugural piece, clearly autobiographical and sentimental is followed up by a vast knowledge of the strike of the Dakar-Niger railway workers: God s Bits of Wood published in 1960 by Livre Contemporain. In 1961, Pr sence Africaine pulished his collection of short stories, Volta que, in 1964 the first volume of l Harmattan which is a replay of the 28th September 1958 referendum in black Africa and in 1966 Vehi-Ciosane followed by The Money Order. To this date with six published novels and a renown Cinematographer, Ousmane Semb ne with the help of his sharp pen and his critical and observant look decides to examine the fate that the new bourgeoisie and the administrative bureaucracy mete on the downtrodden of this ignominious beauty, Dakar, the Capital of an African nation in the wake of independence. Thanks to a money order that Ibrahima Dieng wants to cash, the film maker/writer takes this character through the urban administrative labyrinth, through neighbourly disputes and through family life in the neighbourhood, highlighting and pointing in passing the crossings, abuses, vices and vicissitudes which make up this segment of life, in every aspect, exemplary. The story unfolds with the arrival of a postman carrying a letter and a problematic money order; it ends on the image of the postman handing a letter to Dieng, when a woman carrying a baby on her back comes in and interrupts them to expose the origins of her misfortunes, asking for help.
The Wooden Bicycle and Other Stories is a compilation of eight compelling short stories which immediately engage the reader, regardless of which story is selected for reading. Just like the author's other collection of short stories, Cup Man and Other Stories, the book is a depiction of the joys and pains of everyday life in the typical African country or even in the West Indies. This dimension includes an in-depth look at life within the African community in the West - an experience which is, of course daunting as the immigrant struggles to adjust to the new dispensation. Azonga once again shows outstanding skill in narrative techniques by adopting a style that is at once simple and intricate, entertaining and instructive.
Feathers in Reverse
(2014)
Feathers in Reverse is the ideal gift for a loved one who is scared of poetry. It engages and immerses readers with the luring subtlety of a serpent. Themes treated include good and evil, heaven and earth, man and woman, birth and death, urbanism and rural life, wealth and poverty. As much as the poet highlights salient issues and conflicts in everyday life, he suggests answers to burning problems as well. A common thread runs through the over 300 poems feathered and featured in this collection. The notion of the 'feather' is cross-cultural. It reminds us of the feather used as a pen in ancient Europe and the 'red feather' that is stuck on the caps of African notables as a mark of distinction. Feathers in Reverse is a magic pudding to be sampled, shared and indulged.
Cup Man and Other Stories
(2009)
Cup Man and Other Stories is a collection of eight fictional short stories on themes such as the intrigues of the civil service, drunkenness, theft, matrimonial relations and living as an African immigrant in the West. The stories are a reflection of everyday life with all that goes with it. Each story is complete it itself, with all its humour, wit and figures of speech. Azonga's attention to detail and alert memory enable him to draw on memory and things past in a fascinating way. He excels in the craft of using simple and down-to-earth language, a factor which makes the collection an easy and compelling read.
The Cowrie Necklace is a graphic account of the struggle for meaning in life. The poems are a carefully woven sizzling and cracking attempt to mirror society. The poet runs a long and wide gamut of poetic themes which include the intricacies of joy and sadness, God and the devil, nature and nurture, good and evil, love, deceit and treachery. The narrative style is reminiscent of Wole Soyinka, Francesco Nditsouna and D.H. Lawrence. The Cowrie Necklace is a "must read".
Modern-day Namibian history has largely been shaped by three major eras: German colonial rule, South African apartheid occupation, and the Liberation Struggle. It was, however, not only military conquest that laid the cornerstone for the colony, but also how the colony was imagined, the dream of this colony. As a tool of discursive worldmaking, literature has played a major role in providing a framework in which to dream Namibia, first from outside its borders, and then from within. In Fictioning Namibia as a Space of Desire, Renzo Baas employs Henri Lefebvres city-countryside dialectic and reworks it in order to uncover how fictional texts played an integral part in the violent acquisition of a foreign territory. Through the production of myths around whiteness, German and South African authors designed a literary space in which control, destruction, and the dehumanisation of African peoples are understood as a natural order, one that is dictated by history and its linear continuation. These European texts are offset by Namibias first novel by an African, offering a counter-narrative to the colonial invention that was (German) South West Africa.
The Reader includes sample works of modern writers starting with the first story by Afewerk Ghebre Jesus written in 1908 up to the writings of the early 2000s, which continue Amharic literature in various genres. The Chrestomathy is supplemented with linguistic and cultural comments of lexical, grammatical and ethno-cultural nature. Short biographies of the writers are included. Ethiopian literature is justly considered young, though it is based on a very old cultural foundation. Its major benefit is the focus on an individual person displaying moral integrity and unity with the environment.
Wholeness Living
(2010)
Wholeness Living is about recognizing the power that exists within us, in others and in the Higher Power. When these powers are in harmony we experience growth in the sense of physical health, high self-esteem, high social interest, and high optimism. Therefore, wholeness living is the openness to the truth about the relationship with the physical self, the psychological self, others and the Higher Power. Based on years of clinical practice, academic research and personal investigation, Dr Bonaventura Balige's approach to leading a full, rich and happy life focuses on four main areas - the physical, the psychological, the social and the spiritual - any one or more of which can be at the root of our difficulties. In this book are lessons and heartfelt advice to help us address the issues interfering with our enjoyment of life. While it is true that life is often difficult, we have the tools to deal with any situation. Dr Balige shows us that every person has the power to create the wholeness that can see us through the storms of life. Every person can find happiness by following the steps explaining what wholeness living entails.
Harman Dahl's legacy
(2001)
It was midnight on Friday 31, December 1999. Harman Dahl fell off his seat at the sound of all hell letting loose around him. He held on to the bench on which he had dozed off and wobbled onto his feet. His senses returned, even though he was still tipsy, under the influence of alcohol. He had been drinking with colleagues for most of the day. ...
Not your day to die
(1995)
Labour migration from Malawi to South Africa is a 'century-old phenomenon'. It dates as far back as the 1880s following the establishment of diamond and gold mines. In the period up to the 1980s, this migration took either formal or informal nature whereas in the post-1990 period it became exclusively informal, popularly known as selufu in Malawi. This book is an attempt to shed light on both forms of migration over time. By using the case of Mzimba, one of the major labour migration districts in Malawi, Perspectives of Labour Migration shows that migration, especially in the post-1990 period, remains a preoccupation of the different categories of both men and women in selected areas in the country. A cross-section of Malawians continue to regard emigration to South Africa as a means to an end: a way of fulfilling their heart-felt and life-time goals at household and societal levels. Because of their distinguished and unparalleled determination, these labour migrants continue to flock to South Africa in the midst of such challenges as xenophobia, crime, arrests and deportations. The book advances the argument that Malawian labour migrants are purposive and rational human beings who are ready to overcome these challenges, at times using the most improbable means, for example, through the use of mankhwala gha mwabi (luck medicine).
This book makes a rare contribution towards the preservation and promotion of ukhaliro wa bene Malawi (Malawian culture) that is fast waning. This dilution of culture was put in motion by the British colonial masters and got exacerbated with the inception of democratic governance in 1994. There is need for concerted efforts amongst various practitioners and stakeholders, led by the government itself, if the situation is to be put under control. Otherwise, sooner or later, it will simply be remote history that long time ago, there was a unique culture in Malawi. The book is a collection of twenty short stories that generally promote such themes as nkharo yiwemi (good behaviour); uheni wa chigolo na sanje (the bad side of selfishness and jealousy); kulimbikira pa vinthu (hard working spirit); and uheni wa mitala (the folly of polygamy), among others. The strength of the book lies in the fact that there is room for the reader to draw their own lessons based on their understanding of a particular story, in addition to the lesson already highlighted there-in. The book is a must read for all, young and old, especially those interested in understanding the societal values, not only about Malawi, but of Africa as a whole.
Migration from Malawi to South Africa : A Historical and Cultural Novel ; Real-life Experiences
(2017)
Since the discovery and exploitation of minerals like gold, diamond and copper in South Africa, Zimbabwe and Zambia in the late nineteenth and early twentieth centuries, Malawi has played the role of a labour supplier. Malawians were attracted by the relatively higher wages obtaining in the South African mines up to the period of the decline in mine migrancy at the end of the 1980s. Following this decline, a cross-section of Malawians continued to emigrate to South Africa to seek various jobs in the burgeoning informal sector and also for trade purposes. Migration from Malawi to South Africa sheds light on the problems that labour migrants and traders encounter as they are 'toing' and 'froing' between Malawi and South Africa in pursuit of their respective goals. It shows that migration, which initially was exclusively done for wage employment, is becoming more complex by the day. This is a result of the infusion of elements of commercial migration, smuggling and human trafficking. The book advances the argument that the numbers of migrants to South Africa increased in the post-1994 period partly as a result of mal-administration by the successive democratically-elected governments in Malawi. This development weakened Malawi's otherwise promising economy and impoverished the rural masses. The book 'sees' forlorn hope in the future of labour migrants and traders, unless the Malawi Government starts to genuinely have the welfare of the populace at heart! The book is relevant and accessible to policy-makers, university and college students interested in migration studies, general readers and migrants, themselves.
The missionary work of the Seventh-day Adventist Church started in Southern Malawi in 1902, and histories of churches are usually told from that starting point. This book uses a different approach, it tells the story of Lunjika Mission (earlier called Mombera Mission) which begins in 1932, showing how the SDA Church met a new culture, that of the strongly patrilineal Ngoni and their neighbours to the North, and how it dealt with other churches that had started missionary work in that broad area up to two generations before.
The Luck Charm
(2018)
Tomasi Manda, an intelligent boy whose rational mind rejects belief in witchcraft, does something that causes his mother and elder brother to fear that he might be bewitched. They decide to put 'protective medicine' into his blood. But their problem is how to get Tomasi to accept the medicine, having once before failed to convince him to have such protection. However, when Tomasi passes his primary school examinations and is selected for a boarding secondary school away from home, the two approach him with the medicine disguised as a charm, something that would bring him good luck from the strangers among whom he will now be living. Tomasi initially rejects the o?er, but when, to his surprise, he sees that this causes his mother great pain, he lets her insert into his blood 'the totally useless powder.' Then certain things begin to happen to Tomasi which, unable to explain them otherwise, he can't help thinking are being caused by the potion his mother has put in his blood. Eventually he becomes convinced that he now has a potent luck charm in his body, and reaches the frightening conclusion that from now on his life will be run by this charm. What is he to do?
Sekani's Solution
(2018)
Andreya Soko manages to win the love of his college mate, Sekani Zuza, the most beautiful, most sought-after girl in college. After ?nishing college, Andreya works hard to save for Sekani's bride price from his meager salary as a primary school teacher. From the same slim salary he also struggles to ?nance the education of his younger brothers. When his parents get killed in an accident and the problems providing the bride price are further increased, Sekani steps in with an unusual solution...
The Campaign Trail
(2011)
In an uncomplicated plot, The Campaign Trail takes its readers through the independence of a state in fiction, the introduction of a multiparty system, to its demise owing to poor governance and power struggle; this novel has a universal appeal to the political scientist, the literary critic, the sociologist, the anthropologist and just anyone who needs entertainment. The author blends the comic and the tragic to good effect.
Leopard Watch
(2011)
In beautifully constructed verse, JK Bannavti's Leopard Watch tells the story of a Fon who out of greed and veiled impiety devastates the land over which he rules. The Fon, The King of Bamkov is in a perpetual state of slumber while an illusive beast drives terror into the heart of the kingdom, killing children as well as cattle. Neither the cries of the people nor pressure from the notables seems to have any effect on him. The population of the clan diminishes daily while the Fon sleeps, snores, and drools in the day, and growls, chews, and laps in the night. When finally the notables join the youth vigilante group to hunt down the beast, they come face to face with the devourer who narrowly escapes. A day later, one of the notables, Gwei, in a drunken state encounters and kills the leopard at night as he returns from the market. Amidst jubilation and in honor of Gwei the Fon collapses off his horse and dies. His carcass lies in the same state as that of the dead leopard.
Rock of God (Kilán ke Nyùy)
(2010)
Rock of God centres on a significant war that Nso fought with Bamoun in the 1880s, and which war resulted in a devastating defeat for the Bamouns. During this war, a major Nso combat rule was broken: the Sultan (king) of Bamoun was decapitated. Both local story tellers and historians have indicated that the Sultan was only supposed to be captured alive. The play explores some very compelling reasons for this violation. It mocks any attempt at categorization because the events involved are as historically relevant as they are anthropologically profound; as literarily dense as they are linguistically compelling. It surely stands on its own because it clearly combines concepts of docu-drama, morality play, classical theatre, historical drama, and much more. But beyond all else, it is great artistry that demonstrates the genius of experimentation.
Mary Elizabeth Barber (1818-1899), born in Britain, arrived in the Cape Colony in 1820 where she spent the rest of her life as a rolling stone, as she lived in and near Grahamstown, the diamond and gold fields, Pietermaritzburg, Malvern near Durban and on various farms in the eastern part of the Cape Colony. She has been perceived as 'the most advanced woman of her time', yet her legacy has attracted relatively little attention. She was the first woman ornithologist in South Africa, one of the first who propagated Darwin's theory of evolution, an early archaeologist, keen botanist and interested lepidopterist. In her scientific writing, she propagated a new gender order; positioned herself as a feminist avant la lettre without relying on difference models and at the same time made use of genuinely racist argumentation. This is the first publication of her edited scientific correspondence. The letters - transcribed by Alan Cohen, who has written a number of biographical articles on Barber and her brothers - are primarily addressed to the entomologist Roland Trimen, the director of the Royal Botanic Gardens Kew, London. Today, the letters are housed at the Royal Entomological Society in St Albans. This book also includes a critical introduction by historian Tanja Hammel who has published a number of articles and is about to publish a monograph on Mary Elizabeth Barber.
Library Catalog
(2000)
This report argues that it is essential to understand the dynamics of the informal food retail sector because of its vital role in ensuring greater access to food by the urban poor. Existing policy frameworks to address food security and to govern the informal sector tend to neglect informal retail in the food system. As a result, the sector is poorly understood. The report therefore attempts to identify the characteristics of the sector that impact on its ability to address the food needs of the neighbourhoods in which the businesses are located. Although the research is focused on Cape Town, the findings are of broader relevance.
Game Plan
(2018)