Paket Afrikanistik
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This is a story about a house with a history and about the people who lived or worked there. It captures something of the spirit of the times in the worlds of politics and development, and it discusses the links which were established between Oxfam GB in Zambia and the African National Congress of South Africa.
This collection of articles is based on presentations and discussions at the 2018 African Potentials Forum, held in Accra, Ghana. This forum was a part of the African Potentials Project, which aims to clarify the latent problem-solving abilities, ways of thinking, and institutions that have been created, accumulated, unified, and deployed in the everyday experiences of Africans. The notion of Africas latent power/potential is not related to romanticisation of the traditional knowledge of African society and its institutions as fixed, essentialised magic wands. This notion also raises objections against political dogmas that seek to smoke out and eliminate thought and values originating in Western modernity. The keyword of the Accra Forum was futurity. Africas future is laden with possibilities, latent power, and potential. It is bright and hopeful but, simultaneously, bleak and thought-provoking. For nascent democracies and economically challenged communities, the value of this potential lies not in its static qualities but in how these qualities can be harnessed and translated into beneficial practical outcomes. As a concept, potential connotes a time to come; a futurity that is full of known and unknown possibilities, challenges, and opportunities.
Selena Axelrod Winsnes has been engaged, since 1982, in the translation into English, and editing of Danish language sources to West African history, sources published from 1697 to 1822, the period during which Denmark-Norway was an actor in the Transatlantic Slave Trade. Five major books have been published. They describe all aspects of life on the Gold Coast [Ghana], the Middle Passage and the Danish Caribbean islands [US Virgin Islands], as seen by five different men. Each had his own agenda and mind-set, and the books, both singly and combined, hold a wealth of information - of interest both to scholars and lay readers. They provide important insights into the cultural baggage the enslaved Africans carried with them to the America's. One of the books, L.F. Rømer's 'A Reliable Account of the Coast of Guinea' was runner-up for the prestigious International Texts Prize awarded by the U.S. African Studies Association.
Selena Axelrod Winsnes has been engaged, since 1982, in the translation into English, and editing of Danish language sources to West African history, sources published from 1697 to 1822, the period during which Denmark-Norway was an actor in the Transatlantic Slave Trade. Five major books have been published. They describe all aspects of life on the Gold Coast [Ghana], the Middle Passage and the Danish Caribbean islands [US Virgin Islands], as seen by five different men. Each had his own agenda and mind-set, and the books, both singly and combined, hold a wealth of information - of interest both to scholars and lay readers. They provide important insights into the cultural baggage the enslaved Africans carried with them to the America's. One of the books, L.F. Rømer's 'A Reliable Account of the Coast of Guinea' was runner-up for the prestigious International Texts Prize awarded by the U.S. African Studies Association.
With the demographic explosion of young people in major African cities, we are witnessing the emergence of youth languages and new speech forms. In search of well-being, these young people, plagued by poverty, social injustice, unemployment and idleness, invent linguistic codes that allow them to find themselves. The linguistic and sociolinguistic description of these youth languages is the object of this volume. The contributions inform on the statutes and functions of the youth languages of Africa, their forms and structures, their representations, and envisage perspectives and prospective didactics.
Knowledge for justice : critical perspectives from southern african-nordic research partnerships
(2017)
With the adoption of the United Nations Sustainable Development Goals (SDGs) and the Paris Agreement, the purpose of development is being redefined in both social and environmental terms. Despite pushback from conservative forces, change is accelerating in many sectors. To drive this transformation in ways that bring about social, environmental and economic justice at a local, national, regional and global levels, new knowledge and strong cross-regional networks capable of foregrounding different realities, needs and agendas will be essential. In fact, the power of knowledge matters today in ways that humanity has probably never experienced before, placing an emphasis on the roles of research, academics and universities. In this collection, an international diverse collection of scholars from the southern African and Nordic regions critically review the SDGs in relation to their own areas of expertise, while placing the process of knowledge production in the spotlight. In Part I, the contributors provide a sober assessment of the obstacles that neo-liberal hegemony presents to substantive transformation. In Part Two, lessons learned from NorthSouth research collaborations and academic exchanges are assessed in terms of their potential to offer real alternatives. In Part III, a set of case studies supply clear and nuanced analyses of the scale of the challenges faced in ensuring that no one is left behind. This accessible and absorbing collection will be of interest to anyone interested in NorthSouth research networks and in the contemporary debates on the role of knowledge production. The Southern AfricanNordic Centre (SANORD) is a network of higher education institutions that stretches across Denmark, Finland, Iceland, Norway, Sweden, Botswana, Namibia, Malawi, South Africa, Zambia and Zimbabwe. Universities in the southern African and Nordic regions that are not yet members are encouraged to join.
After troy
(2021)
after troy, Taban lo Liyong's booklength poem, is an expansive and engaging elaboration of two classical Greek texts, Homer's Odyssey and Aeschylus's Oresteia. Its focus is the homecoming from the Trojan war of two hero-kings, Odysseus and Agamemnon. Lo Liyong recreates their thoughts and speech, adding dialogue from other characters, most of them women, who are not given a voice in the original stories. after troy is also a philosophical enquiry into retribution and justice.
Covid stories from East Africa and beyond : lived experiences and forward-looking reflections
(2020)
The coronavirus has rattled humanity, tested resolve and determination, and redefined normalcy. This compelling collection of 29 short stories and essays brings together the lived experiences of covid19 through a diversity of voices from across the African continent. The stories highlight challenges, new opportunities, and ultimately the deep resilience of Africans and their communities. Bringing into conversation the perspectives of laypeople, academics, professionals, domestic workers, youth, and children, the volume is a window into the myriad ways in which people have confronted, adapted to, and sought to tackle the coronavirus and its trail of problems. The experiences of the most vulnerable are specifically explored, and systemic changes and preliminary shifts towards a new global order are addressed. Laughter as a coping mechanism is a thread throughout.
Another collection of exciting stories, articles and poems by young South Africans. We hope you will enjoy them so much that you #Can't StopReading. All of these pieces have been read and enjoyed by thousands of readers on FunDza's online library. Each piece also has discussion and writing activities for reading clubs and classes.
At Independence in 1980, Julius Nyerere called Zimbabwe 'the jewel of Africa', and cautioned its new leaders not to tarnish it. Tragically, they paid no heed to Africa's esteemed elder statesmen. Arguably - and only if one ignores the carnage of Gukurahundi - the first decade was a developmental one, with resources being used prudently to benefit the formerly disadvantaged majority population. However, the 1990s witnessed a transition from a developmental to a predatory leadership which saw Zimbabwe cross the millennial line in crisis, where it has remained ever since. While many African countries have moved forward over the last three decades, Zimbabwe has gone relentlessly backwards, save for the four-year interregnum of the tripartite coalition government, 2009-2013. Virtually all development indicators point in the wrong direction and the crisis of poverty, unemployment, and the erosion of health. education and other public goods continues unabated. The imperatives of political survival and power politics supersede those of sound economics and public welfare. Moreover, unless good politics are conjoined with a sound people-first policy, the country will continue sliding downhill. Zimbabwe's Trajectory tells the story of the country's post-independence dynamics and its recent descent into becoming one of the three most unhappy countries in the world.
A Brutal State of Affairs analyses the transition from Rhodesia to Zimbabwe and challenges Rhodesian mythology. The story of the BSAP, where white and black officers were forced into a situation not of their own making, is critically examined. The liberation war in Rhodesia might never have happened but for the ascendency of the Rhodesian Front, prevailing racist attitudes, and the rise of white nationalists who thought their cause just. Blinded by nationalist fervour and the reassuring words of the Ministry of Internal Affairs and army commanders, the Smith government disregarded the advice of its intelligence services to reach a settlement before it was too late. By 1979, the Rhodesians were staring into the abyss, and the war was drawing to a close. Salisbury was virtually encircled, and guerrilla numbers continued to grow. A Brutal State of Affairs examines the Rhodesian legacy, the remarkable parallels of history, and suggests that Smith's Rhodesian template for rule has, in many instances, been assiduously applied by Mugabe and his successors.
Over the past fifteen years, Weaver Press has published seven anthologies of some one hundred short stories giving voice to new and established Zimbabwean writers. In Windows into Zimbabwe Franziska Kramer and Jürgen Kramer have selected from these anthologies twenty-three stories, which they consider the best or most representative of a particular period in the Zimbabwean narrative since 1980. They present the stories within sections which frame certain themes such as Independence, Gukurahundi, Land, Gender Relations, Money Matters, Social Relations, Exile and Resilience. For the general reader, Windows into Zimbabwe contains some wonderful stories rich in insight, perception, nuance and humour. Writers such as Charles Mungoshi, Petina Gappah, NoViolet Bulawayo, Valerie Tagwira and Shimmer Chinodya are included as well as relative newcomers with new perceptions and fresh voices. The compilers have also provided an introductory overview casting light on the relationship between fiction and society; and for teachers(in schools, colleges and universities) each story is accompanied by explanatory notes, questions and study tasks to further the reader's understanding. Windows into Zimbabwe will positively deepen your appreciation of the country and its people.
The water cycle
(2018)
The Water Cycle is tremendously scenic and realistic in depiction of the plight of the African child in the midst of clash of Western and African cultures. This novel presents a captivating rendition of a clash of cultures and is a well-woven, heart rending tragedy of a man at the crossroads of two cultures.
As the Chinese economy continues to grow, increased commercial engagement with Africa will offer the continent new and rewarding prospects for trade, investment and economic development. The challenge is for Africa to grasp these opportunities and take full advantage of China's friendship and willingness to co-operate. The Forum on China-Africa Co-operation (FOCAC) provides a mechanism for all-inclusive diplomatic consultation to advance China Africa co-operation and to effectively manage expanding economic inter-dependence. FOCAC is a political arena for developing Sino-African co-operation and problem solving. FOCAC also provides an important framework for developing a common development agenda. Given new global trends towards antiglobalisation, FOCAC's importance is expected to increase in the years ahead. This book seeks to strengthen the China-Africa relationship and offer new suggestions for both policy makers and scholars seeking to understand and advance FOCAC for mutual benefit. FOCAC holds the key to Africa's development and long-term prosperity. The new policy initiatives and proposals outlined in this study make a very valuable contribution to strengthening FOCAC and advancing Africa's economic development.
The stone ruins of the Nyanga area of eastern Zimbabwe have aroused much interest since they were first reported to the outside world at the end of the 19th century. Early fanciful speculations about their meaning have slowly given way to better understanding based on archaeological research, most recently by the University of Zimbabwe in co-operation with the National Museums and Monuments of Zimbabwe and the British Institute in Eastern Africa. The ruins represent the remains of family homesteads and extensive stone-built agricultural terraces. Successive stages of development have been traced, starting with settlements on some of the highest peaks around AD 1300 and expanding gradually for five centuries to cover an area of over 5000 square kilometres. These stages show how the farming community adapted to and exploited the opportunities offered by the varied environments of the Nyanga highlands and lowlands to develop a specialised agricultural system integrating cultivation and livestock. In this book, Robert Soper sets out the accumulated knowledge and understanding of the old Nyanga society, in particular the significance of its agricultural works to which the landscape bears eloquent witness.
Phenomenology of decolonizing the university : essays in the contemporary thoughts of afrikology
(2019)
The epistemic Eurocentric boarders, expand towards the global south, they dehumanise and obliterate existing forms of thinking through colonialism and coloniality. In doing so, the global south has lost the sense of being self, Africans have become non-thinking objects. This has led to a series of ceaseless conflicts, poor leadership, and developmental crisis and provides fertile ground for Eurocentric superiority. This book Phenomenology of Decolonizing the University: Essays in the Contemporary Thoughts of Afrikology is a diagnosis of the problems of the mind in the global south and provides solutions in the decolonisatiom of the mind such as humanising the university, the rewriting of African stories and facilitates an epistemic rebellion.
Women, visibility and morality in Kenyan popular media explores familiar constructions of femininity to assess ways in which it circulates in discourse, both stereotypically and otherwise. It assesses the meanings of such discourses and their articulations in various public platforms in Kenya. The book draws together theoretical questions on 'pre-convened' scripts that contain or condition how women can circulate in public. The book asks questions about particular interpretations of women's bodies that are considered transgressive or unruly and why these bodies become significant symbolic sites for the generation of knowledge on morality and sexuality. The book also poses questions about genre and representations of femininity. The assertion made is that for knowledges of femininity to circulate effectively, they must be melodramatic, spectacular and scandalous. Ultimately, the book asks how such a theorisation of popular modes of representation enable a better understanding of the connections between gender, sexuality and violence in Kenya.
Hollywood and Africa - recycling the 'Dark Continent' myth from 1908-2020 is a study of over a century of stereotypical Hollywood film productions about Africa. It argues that the myth of the Dark Continent continues to influence Western cultural productions about Africa as a cognitive-based system of knowledge, especially in history, literature and film. Hollywood and Africa identifies the 'colonial mastertext' of the Dark Continent mythos by providing a historiographic genealogy and context for the term's development and consolidation. An array of literary and paraliterary film adaptation theories are employed to analyse the deep genetic strands of Hollywood Africa film adaptations. The mutations of the Dark Continent mythos across time and space are then tracked through the classical, neoclassical and new wave Hollywood Africa phases in order to illustrate how Hollywood productions about Africa recycle, revise, reframe, reinforce, transpose, interrogate - and even critique - these tropes of Darkest Africa while sustaining the colonial mastertext and rising cyberactivism against Hollywood's whitewashing of African history.