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Institute
This paper proposes to analyse contrastively the phraseological expressions which include proper names in German and Romanian languages and also, to interpret them as cultural elements that generate problems when trying to translate them. It is intended to establish equivalence relations between the onimical expressions of the two languages, suggesting, where it will be the case, the translation strategies.
This article discusses one of many possible strategies that translators use in rendering an idiom from a L1 to a L2, i.e. the verbatim or the literal translation. The points of view according to this strategy differ very much among the researchers: some treat them as semantic false friends. Based on the replies to a questionnaire that was handed out to 10 Romanian native speakers, one could state that the context in which the literal translation of a source-idiom is situated plays an important role for the understanding of the text. Beyond that, the translation of an idiom cannot be judged only by virtue of the denotative meaning – the pragmatic function of the translation as a whole is just as important. The questionnaire was compiled of literal translations of Swedish idioms into Romanian (from different translations of different novels). The article further discusses some of the text examples from this questionnaire and describes some of the phenomena related to idioms which hinder the so-called idiom-understanding and which probably led to misinterpretation and a failed literal translation.
"Spieglein, Spieglein an der Wand ..." : das Diminutiv im Überzetzungsvergleich Deutsch-Rumänisch
(2012)
The paper presents some aspects connected to the system of diminution in German and Romanian, by offering a comparative analysis of the German version of the fairy tale “Snow White” and six Romanian translations of the text. The focus lies on the ways in which the nouns in the text are marked as ‘diminutives’ in German (mainly by adding suffixes, the synthetic diminutives) and the equivalences suggested by the Romanian translators. Although the category ‘diminution’ is common to both languages, there are significant differences in the way it is linguistically expressed. A main part of the paper is devoted to these differences and their reflection in the text.
The present study intends to analyze the literary personality of the German-language writer and translator Alfred Margul-Sperber and his approach to Romanian folk poetry and Romanian folk ballads. Alfred Margul-Sperber is known as a classical German-language poet from Romania, as a discoverer and supporter of literary talent, but also as a brilliant translator. Impressions from his childhood and life experiences contributed to Alfred MargulSperber’s interest for Romanian poets and especially for Romanian folk poetry, which left its own mark on Sperber’s literary creation. The author was fascinated by its plurality of forms, its richness of rhymes, images and sounds. The masterpiece of Romanian folk poetry, “Mioriţa/The little Ewe”-ballad raised the interest of the multilingual translator who proved his outstanding talent by translating the original text into German as accurately as possible and remarkably close to the spirit of the Romanian folk poetry, thus popularizing it among the German readers at home and abroad.
The present paper reflects upon the relevance of certain criteria that are decisive for the quality of a dictionary and interrelates them with the current bilingual lexicographic practice in Romania concerned with German language. The focus lies here on the lexicographic registration and presentation of phraseologisms in a general bilingual dictionary, which, contrary to phraseological dictionaries, is known not to be specialized in the codification of the phraseological stock. For illustration purpose the author provides a critical analysis of the new edition of the German-Romanian Comprehensive Dictionary published by the Romanian Academy (2007). The paper aims at showing to what extent the description of the selected phraseologisms is adequate with regard to potential users and the specifics of phraseological phenomena.
The present paper is part of an ample research in a field, which was so far mainly in the limelight of the historical analysis. It relates about the dignities and titles in the Romanian Principalities in the Middle Ages and focuses on the linguistic, etymological and historical point of view of the topic. The denominations borrowed from German are particularly highlighted in this paper.
Sibiu was in the 19th century an important centre, with a vivid cultural life, despite of the difficult political context in Transylvania. The close cohabitation of the Romanian and German people leads to a very important multicultural experience. The study deals with the ways of reception of German culture in the Romanian press of the 19th century reflected in the three most important publications of the time: Telegraful Român, Tribuna and Transilvania. The results of the research are presented in thematic groups (translations, theatre and concert announcements, reviews, travel literature, aphoristic or biographical writings).
The following analysis is based on a practical experience of translation and tries to offer a series of solutions to the problem posed by culture-specific elements known in German translation studies as „Realia”. The recent translation studies generally acknoledge the importance of maintaining certain culture-specific elements as such in the target text; Antoine Berman speaks about ethic versus ethnocentric translation. Several authors describe four possible solutions for dealing with culture-specific elements in translation in order to preserve to a certain degree the cultural identity of the target text. The translation of „Realia” belonging to the sphere of nationalsocialism raised a series of difficulties during the actual translation of Das Buch Hitler, a document which was put together for Stalin by soviet intelligence in the years following WW II. Three types of „Realia” were identified in the source text and treated as such in the translation, following the theoretical guidelines proposed by Markussen and Berman.
Presenting the actual theoretical debates (of Göhlich, Welsch, de Nancy, Bachmann-Medick) with respect to the concept of transculturality, underlining the related aspects such as hybridity, intertextuality, globalisation, the author traces the aspects of transculturality in the process of the translations from Romanian to German. The success of the literary transfer is conditioned by the intra- and intercultural competence, by the knowledge of the identity factors, of the specific operational frame and of the key texts (translations or originals) from the literatures that come into contact with it. As in other countries, where there are specific basic cultural notions with a certain symbolic charge like „birch” in Russia, „hut” in the Czech republic, the traditional cultural universe affirmatively or polemically resorts to cultural words such as „plai” (poetic realm), „codru” (forest), „mioritic” (mioritical). Tracing by means of rich examples the history of translations, the author distinguishes the stages of translations motivated by philological, ethnographic, political interests and lastly and parallel to it, by aesthetical interests. These translations contribute to the identitary image of the Romanians, being normally recorded with an increased attention and sensibility. Concretely applying the discussed theoretical concepts on a text, the author presents the German translation of an essayistic text by Andrei Pleşu, arguing the possible interest of the German public for the writer, emphasizing the ironical hybrid and ludic signs that are important for the translation, with all untranslatabilities of the word games, in order to find at least an adequate, if not equivalent, transfer. The annotations and the translation (starting with the analysis of the title) constitute a demonstration of transculturality applied live.
In this work we aim to analyze the statute of the Romansh language and of its idioms in the Grison/Graubűnden Canton (Switzerland), from the Sursilvan lyrics perspective of Tresa Rűther-Seeli and her contemporary, Linard Candreia. Because of the massive split of the five Romanic idioms with own writing, of the fact that none of them had developed into a standard literary language, as well as of the massive decrease in the population who speaks them, the situation of these idioms becomes dramatic, in spite of and because of the intervention of the political factor to impose a standard official language – Romansh.