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The Earth Mother
(2010)
The fight against evil remains at the core of this play, pitting Kamsi and her supporters against a few daring councillors. Skilfully scripted by a renowned actor and playwright, this drama exposes the alliances and explosive tensions in Nyong village overwhelmed by unseen but supposedly harmful forces. Spiced with witty proverbs and humour, The Earth Mother will not fail to thrill its readers.
Strange Passion
(2010)
In Strange Passions John Ngong Kum Ngong's vocation and prime obsession remain constant - the soul of the nation. Passion, the central symbol in this collection is the patriotic sentiment in its various manifestations. As a self-conscious artist, Ngong summons his audacious technical dexterity to sublimate the sauciness characteristic of his style and direct it towards ideological ends. The significance of his contribution is as much in the urgency, originality and authenticity of his message as in the full range and complexity of his style, and the depth and density of his thoughts.
A remarkable feature of the collapse of the British Empire is that the British departed from almost every single one of their colonial territories invariably leaving behind a messy situation and an agenda of serious problems that in most cases still haunt those territories to this day. One such territory is the Southern British Cameroons. There, the British Government took the official view that the territory and its people were 'expendable'. It opposed, for selfish economic reasons, sovereign statehood for the territory, in clear violation of the UN Charter and the norm of self-determination. It transferred the Southern Cameroons to a new colonial overlord and hurriedly left the territory. The British Government's bad faith, duplicity, deception, wheeling and dealing, and betrayal of the people of the Southern Cameroons is incredible and defies good sense. Ample evidence of this is provided by the declassified documents in this book. Among the material are treaties concluded by Britain with Southern Cameroons coastal Kings and Chiefs; and the boundary treaties of the Southern Cameroons, treaties defining the frontiers with Nigeria to the west and the frontier with Cameroun Republic to the east. The book contains documents that attest to the Southern Cameroons as a fully self-governing country, ready for sovereign statehood. These include debates in the Southern Cameroons House of Assembly; and the various Constitutions of the Southern Cameroons. The book also reproduces British declassified documents on the Southern Cameroons covering the three critical years from 1959 to 1961, documents which speak to the inglorious stewardship of Great Britain in the Southern Cameroons. This book removes lingering doubts in some quarters that the people of the Southern Cameroons were cheated of independence. Its contents are further evidence of their inalienable right and sacred duty to assert their independence. No one who reads this book can possibly be indifferent to the just struggle of the Southern Cameroons for sovereign statehood.
What a Next of Kin!
(2010)
This psycho-anthropological and socio-cultural novel logically and succinctly x-rays the foundations and raison d'être of patriarchy through the implied questions - Is wealth the basis of patriarchy? Have women any role in the system? And how far can a patriarch protect his lineage from alien blood? The extremely wealthy father of eight daughters protagonist Ndi, says yes, to the first question; no, to the second; and in the third questions he says, through dogged pursuance of looking for a male heir by any means; but his lone son whom he unknowingly begot in a remote village in his early life and whom he accidentally stumbled upon and adopted as his heir in his odyssey of looking for a male heir through a series of marriages, says no, to the first question; yes, to the second and to the third question, he says fate is the umpire; and succeeds in convincing his father that he is right.
How else does the ramified phenomenon of greed (corruption, nepotism, extreme self-aggrandizement, megalomanic tendencies etc) become nefarious to both the physical and mental worlds of a people either individually or collectively? It brings about a retrogressing, catabatic state in their evolution in both regards, eating back into the socio-economic and political set up of a given society as well as unquestionably impairing the mindset of its people.
Bill NDI's Bleeding Red: Cameroon in Black and White is another masterpiece from a poet with a deeply political vision. This collection of poems with Cameroon as the particular focal point is a paragon of socio-political and cultural alertness in verse that will get every reader on their toes. Bill NDI's world is fraught with topsy-turvydom. It is a world darkened by experience and a keen sense of the wrongs plaguing his beloved country. He points out, without preaching, where it all went wrong, how it can, or what it will take to, be redeemed. The acerbity of Bill NDI s criticism runs from the very first poem of the collection 'Anthem for Essingang' through The Promise to the very last one 'Papa Ngando Yi Mimba for Camelun'. What a clime characterised by a 'clan of mbokos, clan of bandits' It is just natural that as they perpetrate 'death and sadness' in his beloved fatherland, nothing but 'disgrace', 'great shame', and 'repudiation' awaits them for evermore.
Each of the essays in this book is marked by a certain simplicity and clarity, a seriousness tinged with humour, masking a profundity that are unmistakably characteristic of Godfrey B. Tangwa alias Rodcod Gobata, one of the leading critical minds amongst Cameroonians. The essays are centred on the theme of democracy and meritocracy which the author believes to be the pre-conditions for genuine development in Africa. The immediate focus of these essays is Cameroon, a country remarkable for experimenting with French/English bilingualism and for having a political dictatorship which claims, wrongly or rightly, to have transformed itself into a democracy; but they are equally relevant to other countries in Africa and beyond. Each of the essays stands alone but they are all telling various aspects of the same story from various angles at various times using different modes of expression. Anyone who seeks a glimpse of understanding of the trouble with Africa and particularly with Cameroon, 10 years into the 21st century, would read this book with great profit.
Botlhodi ? The Abomination is a powerful story about British colonialism and its aftermath in Molepolole, Botswana. It is a compelling juxtaposition between Traditional Setswana ways and Christianity. The protagonist, Modiko, finds himself conflicted when both his strict father, a pastor of Motlhaoetla church, and his grandfather, an unapologetic traditionalist, expect him to choose between Setswana tradition and Christianity. Torn between the two worlds, Modiko at the end makes an informed personal decision. The road is not smooth though, as he experiences persecution, bullying, abuse, witchcraft and nightmares along the way. Other characters in the novel engage in some serious conversations that allude to some important historical developments. In this work, T.J. Pheto presents to his readers a hilarious story pregnant with themes of identity, social change, discrimination, racism, colonialism, love and, ?tradition? versus ?modernity?. This pioneering literary response to British colonialism in Botswana is an outstanding postcolonial fiction of resistance. Pheto?s humor makes the book all the more hard for a reader to put down.
The following pages, initially prepared for limited circulation in 1961, contain brief extracts and summaries of those parts of Eugen ZintgraffÍs book Nord-Kamerun (1895), of most interest concerning the colonial Bamenda and Wum Division. ZintgraffÍs book, the first by a European about the Grassfields, has not been translated and is hard to get second-hand. In using these notes the following points should be borne in mind: ZintgraffÍs knowdie;ledge of Bali (Mungaka) and Hausa was very slight, and his discussions of character, motives and political institutions are consequently superficial and open to criticisms. He had no means of checking what he was told, or thought he was told. He had no previous knowledge of any similar culture and no training in ethnographical method. He was, however, a good observer, and his descriptions of tools, dress, weapons and the like, can be regarded as fairly reliable. Finally, it must be remembered that Zintgraff wrote the book to justify his own actions and to support that small but influential section of public opinion in Germany which favoured rapid imperial expansion. A full account of the actions and motives of ZintgraffÍs opponents in the Kamerun Governdie;ment and in the Colonial Bureau of the German Foreign Office has not been written: we only have one side of the story. But there are some suggestive points made in RudinÍs Germans in the Cameroons and others referred to in these notes. What is perhaps most striking about ZintgraffÍs account is the fact that the people of the Western Grassfields were not so isolated from one another or their neighbours as might be thought. A network of trade-friendships covered the country and big men exchanged gifts over long distances. These links must be set beside the insedie;curity due to raids and slave-catching, and are well worth investigation.
We Get Nothing from Fishing : Fishing for Boat Opportunities Amongst Senegalese Fisher Migrants
(2010)
The world is regularly confronted on television and in other mass media with dramatic images of African boat migrants. Seemingly desperate, these Africans, most of them males, are willing to risk a perilous journey at sea, hoping for a better life in Europe. And, even worse, hundreds more are believed to die each year, swallowed up anonymously by the choppy waters off Africa's coast. This book focuses on fishermen who have played a pivotal role in boat migration from Senegal to Spain's Canary Islands, advancing various reasons for the fishermen's prominent role. Besides their long history of migration, their proven experience with navigating, their family's push and investment, their perceptions and ideologies about Europe, there is also their growing marginalization as a result of the deepening crisis in the Senegalese fishing sector and the inadequate policies of the Senegalese government that prevents them from having good prospects of improving their standards of living. The book provides deep insights into the meaning of boat migration, and on the effects of success or failure on the migrants and their families. It goes beyond the usual economic explanations to convincingly situate boat migration within the long-standing West African culture of migration, and highlight the significance of socio-cultural and political factors. Among the fascinating findings are the perception of migration as status enhancing and a rite de passage in the Senegalese fishing communities, and the profound roles of the extended family, social networks and, above all, religion, especially the widespread influence of the marabout. The importance of information and communication technologies in sustaining transnational networks is equally highlighted.