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O futuro existe?
(2002)
From Vater's Thesis, I bring the discussion about the future verbal tense to the centre of discussion. The aim is to prove hat the future verbal tenses can also express time in German, and, therefore, they have to be included in the verbal System and, secondly, that the expression of modality can also be expressed by the future forms, and that it usually overlaps the notion of time.
Die Zeitschrift Pandaemonium Germanicum erscheint zweimal jährlich und versteht sich als Forum für die wissenschaftliche Diskussion in den verschiedenen Bereichen der internationalen Germanistik, nämlich der Literatur- und Übersetzungswissenschaft, Linguistik, DaF und Kulturstudien. Die Zeitschrift wird von der deutschen Abteilung der FFLCH-USP (Universität São Paulo) seit 1997 herausgegeben und will zur Verbreitung unveröffentlichter Forschungen von GermanistInnen aus Brasilien und anderen Ländern, sowie zur Förderung des Dialogs zwischen der Germanistik und anderen Wissensbereichen beitragen.
Die Zeitschrift Pandaemonium Germanicum erscheint zweimal jährlich und versteht sich als Forum für die wissenschaftliche Diskussion in den verschiedenen Bereichen der internationalen Germanistik, nämlich der Literatur- und Übersetzungswissenschaft, Linguistik, DaF und Kulturstudien. Die Zeitschrift wird von der deutschen Abteilung der FFLCH-USP (Universität São Paulo) seit 1997 herausgegeben und will zur Verbreitung unveröffentlichter Forschungen von GermanistInnen aus Brasilien und anderen Ländern, sowie zur Förderung des Dialogs zwischen der Germanistik und anderen Wissensbereichen beitragen.
This essay aimes to introduce the German-Jewish Poet Rose Ausländer (1901-1988) to the literary public of Brasil, where she has not been translated and is therefore nearly unknown. Proceeding from the translation of 12 paradigmatic poems, the crucial periods of her life, poetry and poetology are outlined: As her famous college Paul Celan, she was born in Czernovitch this multicultural town of the Austrian-Hungarian monarchy. An important number of her poems are the result of the intimate relation with her country. The early death of her father and the resulting poverty led her to try to find a new home in New York, but she came back in the period of beginning National Socialism and suffered the persecution of Holocaust. After long years of travelling, she settled down in a Düsseldorf home for elderly Jewish people. The central themes in her poetry are: the loss of country, the Holocaust, and survival in a kind of spiritual country, that is: language and writing.
This paper emphasizes the importance of intonational studies, focusing on the final intonational contour in interrogative sentences in German and Brazilian Portuguese. Following considerations about intonation in general we present some observations about effects of intonation in such sentences at both syntactic and pragmatic levels.
Rezension zu Harald Burger, Phraseologie: Eine Einführung am Beispiel des Deutschen. Berlin: Erich Schmidt Verlag 1998 (224 S., DM 69,00 ISBN 3-503-04916-9)
Rezension zu Ulrike Schilling: Kommunikative Basisstrategien des Aufforderns. Eine kontrastive Analyse gesprochener Sprache im Deutschen und im Japanischen. Tübingen, Max Niemeyer Verlag 1999 (Reihe Germanistische Linguistik 204, 335 S. ISBN 3-484-31204-1)
This paper presents results of research into syntactic negation in both German and Brazilian Portuguese dialogues. After some considerations on the nature of negation, its occurrence in a corpus is investigated based on semantic negation categories established from works by Polenz and Engel. Based on Ilari's works, possible syntactic negation forms are presented as formulae that express the relationships between their components. Use frequency of syntactic negation in the semantic categories in each language is presented, as well as possible sources of interference in the use of such elements by foreign speakers, along with considerations about negation, culture and language.
People who learn Portuguese usually have difficulties in using two of the most frequent verbs of the Portuguese verbal system: ser and estar. Native speakers of German for example fail to easily identify the differences between these verbs, which are compared with the German verb sein. Our purpose is to describe these verbs, their meaning and function, and also to attempt to find criteria to help learners to identify the differences to use these verbs. Some of the differences can be explained by the speakers experiences and the context.
This paper, written by an anthropologist, describes his fieldwork experience in the Afro-Brazilian temple Casa das Minas, São Luis do Maranhão, in 1981-1982, done with the German writer Hubert Fichte. Although correcting some statements in Fichte's book on the same subject and criticizing his indiscretion towards several of his informants, the article emphasizes the learning process with the German "ethnopoet": his skillful interview technique, the priority given to subjects of general interest, the importance of card files, the sought for beauty in the statements… As to the methodological differences between ethnography and ethnopoetry, the latter is free from the conventions of anthropological work, being able to concentrate on the beauty of the text and to conceive ethnography as a literary form. On the other hand, the advantages of ethnography, especially in Malinowski's tradition, are in the commitment with true facts and the precision of details. – See also, in this number of Pandaemonium Germanicum, Willi Bolle's complementary article on "Ethnopoetry and Ethnography".
For the learners of Portuguese and German as foreign languages the subjunctive mood represents a learning problem. Based on syntactic and pragmatic categories, the subjunctive is classified in a way that describes its use and permits the comparison between the Portuguese subjuntivo and the German Konjunktiv.
Rezension zu Elke Hentschel, Negation und Interrogation. Studien zur Universalität ihrer Funktion. Tübingen: Max Niemeyer Verlag 1998 (Reihe Germanistische Linguistik 195, ix + 250 S., 112,00 DM, ISBN 3-484-31195-9)
Rezension zu Lorenz Hofer, Sprachwandel im städtischen Dialektrepertoire. Eine variationslinguistische Untersuchung am Beispiel des Baseldeutschen. Tübingen: A. Francke Verlag 1997 (Basler Studien zur deutschen Sprache und Literatur 72, xiv + 306 S., 68,00 DM, ISBN 3-7720-2671-0)
Aspectos românticos, naturalistas e simbolistas em "A mulher sem sombra" de Hugo von Hofmannsthal
(2000)
'Die Frau ohne Schatten' ('The Woman without Shadow') by the Austrian author Hugo von Hofmannsthal, is a kind of fairy tale in which a large and complex web of symbols is woven around an abstract landscape and characters of an enigmatic nature. Despite its intangible atmosphere reminiscent of the Romantic era, a rather Naturalistic world is revealed as the narrator leads us through a huge city and follows the poor people in their lives of misery and suffering. This paper analyses this hybrid character of Hofmannsthal's text and identifies the various aesthetic traits present in it.
Drei Erfahrungsberichte über Bertolt Brechts Theater auf brasilianischen Bühnen. Caco Coelho spricht über den Zyklus der Brecht-Lesungen, -Aufführungen und -Vorträge seiner Theatergruppe 'Os Fodidos Privilegiados ' 1998 in Rio de Janeiro. Fernando Peixoto vertritt die Ansicht, daß der zentrale Punkt von Brechts Theater darin besteht, Emotionen im zwischenmenschlichen Verhalten und in ihren politisch-historischen Kontexten verstehbar zu machen. Er erzählt unter anderm von einer "Wiederentdeckung" der Brechtschen Theaterästhetik durch eine Laiengruppe in Amazonien und vertritt insgesamt ein undogmatisches, auf die heutigen Verhältnisse ausgerichtetes Lernen mit Brecht. Willi Bolle berichtet von seiner Inszenierung von Brechts 'Die Hochzeit ' (1919) mit einer Laien-Theatergruppe in São Paulo 1997-1998, in der die lineare Struktur des Textes durchbrochen wurde durch die Einführung einer neuen Perspektive sowie einer neuen Figur, der Braut, die sich das Hochzeitsfest in der Erinnerung vergegenwärtigt.
The purpose of this paper is to present to the Brasilian reader some aspects of the most important German prose text from the 17th century, the novel 'Simplicissimus Teutsch' (1668), and its author, Hans Jacob Christoffel von Grimmelshausen (1621/2-1676). In addition, it treats Grimmelshausen's possible contacts with the political theories of his time.
Brecht's early play 'Baal' contains an allusion to Brazil. The interpretation of the image of Brazil designed in this play might raise a profitable discussion in order to introduce Brecht's theatre into the classroom and to motivate the students to study it. Therefore, the present paper suggests that the study of Brecht's theater should be started with the analysis of his first play and sketches a possible way to do this.
The topic of this paper concerns the interrelations between poets and their works across linguistic and political borders. Taking as examples Brecht's poem 'An die Nachgeborenen' (1938) and the song 'Aos nossos filhos' ('An unsere Kinder' – late 70s) by Ivan Lins and Vitor Martins, it is shown that the interpretation cannot be limited to an immanent perspective. In order to be able to give an adequate analysis, it is necessary to lake the historical and socio-political context into consideration.