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A growing body of experimental syntactic research has revealed substantial variation in the magnitude of island effects, not only across languages but also across different grammatical constructions. Adopting a well-established experimental design, the present study examines island effects in Spanish using a speeded acceptability judgment task. To quantify variation across grammatical constructions, we tested extraction from four different types of structure (subjects, complex noun phrases, adjuncts and interrogative clauses). The results of Bayesian mixed effects modelling showed that the size of island effects varied between constructions, such that there was clear evidence of subject, adjunct and interrogative island effects, but not of complex noun phrase island effects. We also failed to find evidence that island effects were modulated by participants’ working memory capacity as measured by an operation span task. To account for our results, we suggest that variability in island effects across constructions may be due to the interaction of syntactic, semantic-pragmatic and processing factors, which may affect island types differentially due to their idiosyncratic properties.
Ascribing to the premise that film festivals are crucial to the production of cultural memory, this article explores different parameters through which festivals shape our reception of films. In its focus on the Asian American film festival CAAMFest, the article reveals that festivals are part of a complex network of actors whose different agendas influence the narratives produced around the film, direct its role as memory object and encourage memories to travel. What is more, it shows that festival locations—from the city in which a festival takes place to the concrete venue in which a film is screened—play a significant role in shaping our experience and understanding of films. Finally, it establishes that festivals create frames for their films, constructed through and circulated by the various festival media and live performances at the festival events. Bringing together film festival studies and memory studies, the article makes use of an interdisciplinary approach with which to explore the film festival phenomenon, thus shedding light on the complex dynamics of acts of framing, locations and networks of actors shaping the festival’s memory production. It also draws attention to the understudied phenomenon of Asian American film festivals, showing how such a festival may actively engage in constructing and performing a minority group’s collective identity and memory.
This introduction outlines new developments in the field of cultural and media memory studies in the wake of the transcultural turn. It pays specific attention to the twofold dynamics of memory’s travel and locatedness. While in recent memory studies discourse there has been a tendency to see travel as the inspiration for innovative research, locatedness has become associated with old-fashioned, bounded approaches. Rather than reproduce the positive charging of travel and negative charging of locatedness, this special issue aims to emphasise the complexity of memory dynamics resulting from the interaction of the two poles and to make visible that the production, (re)mediation, and reception of the past in the present is constituted by both travel and locatedness.
Rebecca Walkowitz’s observation that contemporary novels tend to be “born translated” involves the notion that they equally tend to be “born in motion”; they are often already, conceptually, on the road to faraway readers during their moments of conception. A first, more narrowly defined objective of my essay is to examine the narrative strategies used in Dave Eggers’s What Is the What (2007) and Chimamanda Ngozi Adichie’s Half of a Yellow Sun (2007) that facilitate and respond to this dimension of motion in particular travels of memory. In a broader scope, this analysis will be embedded into an appraisal of the potentials of recent theorizing both in narratology (i.e. the study of narrative) and in memory studies to understand the dynamics at play in the reception of far-travelled narrative memory media. It is a central proposition of this essay that the two research fields share an amplitude of common concerns with regard to questions of reception and should therefore be brought into a close dialogue. The present study explores how some of these intersections between narratology and memory studies can be approached through the notions of “distance” and “proximity.”
Language use before and after Stonewall: a corpus-based study of gay men’s pre-Stonewall narratives
(2019)
This study presents a contrastive corpus linguistic analysis of language use before and after Stonewall. It uses theoretical insights on normativity from the field of language and sexuality to investigate how the shifting normativities associated with the Stonewall Riots (1969) – widely considered the central event of gay liberation in the Western world – have shaped our conceptualization of sexuality as it surfaces in language use. Drawing on two corpora of gay men’s pre-Stonewall narratives dating from two time periods (before and after Stonewall, called PRE and POST), the analysis combines quantitative (keyword analysis, collocation analysis) and qualitative (concordance analysis) corpus linguistic methods to examine discursive shifts as evident from narrators’ language use. The study identifies the terms homosexual and normal as central contrastive labels in PRE, and gay and straight as corresponding terms in POST. Other discursive shifts detected are from sexual desire/practices to identity (and vice versa), from an individualistic to a community-based conceptualization of sexuality, and from unquestioned heteronormativity and gender binarism to a weakening of such dominant discourses. The findings are discussed in relation to the desire-identity shift, which is traditionally assumed to have taken place at the end of the 19th century, and shed new light on Stonewall as a central event for the development of an identity-based conceptualization of sexuality as we know it today.
Der Mensch ist ein emotionales Tier: Gefühle beeinflussen jedes menschliche Verhalten – auch jenes von Wissenschaftler/innen. Meist wird diese Emotionalität im Dienst wissenschaftlicher Objektivität vermieden oder unterdrückt. Dabei hat sie entscheidenden Anteil an Erkenntnisprozessen sowohl in der Generierung von Daten als auch in deren Interpretation und in der Präsentation von Wissensbeständen. Dies gilt ganz besonders für die Primatologie, gerade dort, wo mit unseren nächsten Artverwandten, den anderen Affen, im Feld geforscht wird. Primatologische Erkenntnisse wiederum affizieren ein großes Publikum und können deswegen leicht popularisiert werden. - Diese Open-Access-Publikation untersucht anhand primatologischer Forschungsmemoiren die Form und Funktion von Emotionen, Affekten und Gefühlen in der Feldforschung, die Affektpoetik und Emotionsregime der Primatologie sowie die Rolle, welche Fiktionen für die Reflexion des Verhältnisses von Mensch, Affe und Affekt spielen. Sie stellt damit die Frage nach der Rolle von Emotionalität in der Primatologie als Frage nach den epistemischen, poetologischen und politischen Grundlagen einer gegenwärtigen Leitwissenschaft der Anthropologie.
"Che tempo, che tempo": Geology and Environment in Max Frisch’s 'Der Mensch erscheint im Holozän'
(2016)
Critical readings of Frisch’s Der Mensch erscheint im Holozän [Man in the Holocene] have tended to read its heterogeneous and inter-medial form as a code for the mental disintegration of its protagonist. This paper argues instead that this feature can be seen as a poetological engagement with geological and climatic timescales. Due to its hybrid form, the incorporation of a multiplicity of textual fragments and pictorial representations, the text undermines both conventional definitions of narrative and representations of nature. Holozän’s non-linear structure establishes an aesthetic of slowness that ushers in an awareness of the utterly different time schemes of geological and climatic processes. Furthermore, the importance of the material features, such as an interplay between text and image and the disconnected, paratactical arrangement of sentences mirrors the novel’s focus on natural phenomena. Frisch’s narrative establishes a poetics that tries to reach beyond the confinements of an anthropocentric perspective and thereby subverts the borders between culture and environment.
In this article we present experimental findings on the acceptability of different argument orders in the German middle field. Our study pursues two goals: First, to evaluate a number of surface constraints on German argument order that have been proposed in the literature, and second, to shed new light on how gradient constraints jointly determine sentence acceptability. In four experiments, we investigated the impact of surface constraints relating to animacy, thematic roles, definiteness and case. While we are able to confirm an influence of most constraints under investigation, the resulting constraint hierarchy does not coincide with any hierarchy put forward so far in the literature, to the best of our knowledge. With regard to gradience, our results can be accounted for either by an OT variant incorporating a notion of markedness, or by a fully quantified model using constraint weights. For the latter, however, we provide evidence against uniform penalties associated with constraint violations.
Does linguistic rhythm matter to syntax, and if so, what kinds of syntactic decisions are susceptible to rhythm? By means of two recall-based sentence production experiments and two corpus studies – one on spoken and one on written language – we investigated whether linguistic rhythm affects the choice between introduced and un-introduced complement clauses in German. Apart from the presence or absence of the complementiser dass (‘that’), these two sentence types differ with respect to the position of the tensed verb (verb-final/verb-second). Against our predictions, that were based on previously reported rhythmic effects on the use of the optional complementiser that in English, the experiments fail to obtain compelling evidence for rhythmic/prosodic influences on the structure of complement clauses in German. An overview of pertinent studies showing rhythmic influences on syntactic encoding suggests these effects to be generally restricted to syntactic domains smaller than a clause. We assume that, in the course of language production, initially, clause level syntactic projections are specified; their specification is in fact the prerequisite for phonological encoding to start. Consequently, prosodic effects may only touch upon the lower level categories that are to be integrated into the clausal projection, but not upon the syntactic makeup of the higher order projection itself.
This paper investigates the interpretation of overt and null subject pronouns in the heritage language (European Portuguese, EP) of Portuguese heritage bilinguals (children and teenagers) in Germany and Andorra with German (Ger) and Spanish/Catalan (Span/Cat) as environmental languages and compares it to the outcomes of age-matched monolingual Portuguese children and monolingual adults. The results of an offline sentence interpretation task show that all groups of speakers differentiate between overt and null subjects. They are also sensitive to the syntactic context (intrasentential vs. intersentential) and the directionality of the anaphoric relation (anaphoric vs. cataphoric), although to different degrees. We argue that the interpretation of differences between monolingual and bilingual speakers needs to take into account these different syntactic contexts of pronominal resolution in order to gain a better understanding of the role of language-internal factors and cross-linguistic influence (CLI). With respect to the latter, the comparison between the Ger-EP and the Span/Cat-EP groups reveals no differences between these populations and shows that for the speakers’ knowledge of anaphora resolution in EP it is not decisive whether the contact language is a null subject language or not (confirming thus the results in Sorace et al. 2009).
In this paper, I investigate the suppletion patterns that are found in languages that make a clusivity distinction. I will show that in the triple 1SG-1EXCL-1INCL, ABA patterns do not arise, consonant with other work on suppletion patterns (Bobaljik 2012, Smith et al. 2016). That is, it is not possible for the exclusive pronoun to supplete on its own whilst the singular and inclusive share a common base. All other patterns are attested. I will argue that the lack of ABA patterns supports the view that the inclusive is the most marked category in this set (Noyer 1992, Siewierska 2004, Cysouw 2003, a.o.), and propose that there is a containment relation such that the feature set that makes up the inclusive properly contains the features that form the exclusive, following the reasoning laid out in Bobaljik (2012). I further consider the makeup of person features, and argue that the lack of ABA patterns in clusivity suggest that clusivity features are privative, rather than binary ('cf'. Harbour 2016).
Despite a large body of research, the linguistic nature of exhaustivity in single wh-questions is unresolved. Moreover, little empirical evidence exists as to which related structures pattern with bare wh-questions regarding exhaustivity. This paper explores the felicity of various exhaustivity violations in unembedded single bare wh-questions in German and compares them to related structures. In two novel felicity judgment experiments, a total of 441 participants rated exhaustive as well as non-exhaustive plural and non-exhaustive singleton answers to wh-questions or statements in a questionnaire. Answers were based on picture stimuli depicting individuals performing various actions. The felicity of non-exhaustive answers was compared across four main test conditions: bare wh-questions (wer ‘who’), wh-questions with a lexical exhaustivity marker (wer alles ‘who all’), plural definite descriptions contained in a restrictive relative clause (e.g., “the people who are fishing in the garden”), and the scalar quantifier “some” (e.g., “some people who are fishing in the garden”).
We employ a novel methodological approach to improve the interpretability of statistical differences between experimental conditions by using the statistical measure of Minimal Important Difference (MID). Our results from estimated MIDs reveal that adults’ felicity judgments of non-exhaustive plural answers to bare wh-questions pattern with those to wer alles-questions and to plural definite descriptions: exhaustivity violations in the bare wh, the wer alles and the plural definite conditions were rated as less felicitous than exhaustivity violations in the some-condition.
This paper investigates multi-valuation, i.e. cases where one probe agrees with multiple goals thus obtaining multiple feature values. Focusing on number agreement, I look at the cross-linguistic patterns on multi-valued Ns in the nominal Right Node Raising construction (Nominal RNR) reported in Belyaev et al. (2015); Harizanov & Gribanova (2015); Shen (2016) as well as multi-valued Ts in TP RNR construction reported in Yatabe (2003); Grosz (2009; 2015); Kluck (2009). I show that three types of languages are attested: languages like Serbo-Croatian that show singular marking on both multi-valued Ns and Ts, languages like Russian that show plural marking on both multi-valued Ns and Ts, and languages like English that show singular marking on multi-valued Ns and plural marking on multi-valued Ts. No language is attested that shows plural marking on multi-valued Ns and singular marking on multi-valued Ts. I use this 3/4 pattern to argue that multi-valuation shows the effect of the Agreement Hierarchy discussed by Corbett (1979; 2006) among others.
German free relative constructions allow for case requirement mismatches under two types of circumstances. The first is when the case required in the embedded clause is more complex (NOM < ACC < GEN < DAT) than the case required in the main clause, and the relative pronoun takes the form of the embedded clause case. The second type of circumstance is when the form that corresponds to the two required cases is syncretic. I propose an analysis that combines Caha’s (2009) case hierarchy in Nanosyntax with Van Riemsdijk’s (2006a) concept of Grafting. By placing case features as separate heads in the syntax, a less complex case can be Grafted into a different clause, explaining the first type of circumstance. The second type makes reference to the fact that syncretic forms are inserted via the same lexical entry (Superset Principle). A cross-linguistic comparison shows that it is language-specific whether a more complex case requirement in the main or embedded clause causes non-matching non-syncretic free relatives to be grammatical. For all languages it holds that the relative pronoun appears in the most complex case required, which provides additional evidence for case being complex and more complex cases being able to license less complex cases.
This essay discusses the current Europeanization of national museums in different European countries and considers it against the background of media theories and feminist epistemologies. Taking the example of the European Solidarity Centre Gdansk, the Deutsches Historisches Museum Berlin and the Musée des civilisations de l’Europe et de la Méditerranée Marseille, it suggests two approaches to the dynamics of travel and locatedness in the museum. Firstly, using the concept of what I call “Europoeic media” this essay shows how “Europe” as a travelling memory is shaped by and in media. Secondly, I argue that the locatedness both of memories and the memory researcher are not detrimental but instead produce “situated knowledges”. Thus, in combining media-sensitivity and standpoint-reflexivity, the paper proposes new ways of taking into account the travels and locatedness of both memories and memory research.
Der vorliegende Beitrag diskutiert, wie mithilfe von Unterrichtsvideographien die Reflexionskompetenz angehender Englischlehrkräfte bereits in der ersten Ausbildungsphase angebahnt und geschult werden kann. Er geht von der Annahme aus, dass praktizierenden Lehrkräften häufig die Gelegenheiten oder auch die Kompetenzen zur systematischen Reflexion fehlen (vgl. Kittel & Rollett, 2017) und diese bereits vorher grundgelegt werden müssen. Anhand von zwei Seminarbeispielen aus der Englischdidaktik, welche sich auf die disziplinspezifischen Heterogenitätsdimensionen Mehrsprachigkeit (vgl. u.a. Elsner & Wildemann, 2012; Niesen, 2018) und Transkulturalität (vgl. u.a. Viebrock, 2018; Kreft, 2019a, 2019b) beziehen, werden praktische Umsetzungsmöglichkeiten bzw. die wechselseitige Integration theoretischer Konzepte und unterrichtlicher Handlungen/Interaktionen illustriert. Die vorgestellten Aufgabenformate beziehen sich auf die kasuistische Fallarbeit (nach Lindow & Münch, 2014) sowie auf VierSchritt-Analysen (nach Santagata & Guarino, 2011). Als grundlegende Struktur für die Entwicklung von Reflexionskompetenz in videobasierten Lernsettings wird eine adaptierte Fassung des Modells von Aeppli und Lötscher (2016) mit den Verfahrensschritten „Erleben“, „Erkennen“, „Darstellen“, „Analysieren“ und „Alternative Szenarien entwickeln“ verwendet. Es zeigt sich, dass die gewählte Vorgehensweise Studierende in die Lage versetzt, die konzeptionelle und unterrichtspraktische Bedeutung von sprachlicher und kultureller Heterogenität im Englischunterricht zu erkennen und, in einem weiteren Schritt, Möglichkeiten zur Förderung von transkulturalitäts- bzw. mehrsprachigkeits-sensitivem Handeln zu identifizieren und somit ihre Reflexionskompetenzen zu schulen.
L'osservazione secondo la quale lo scarto come oggetto di ricerca sia allo stesso tempo un effetto della sua ricerca è ciò che l'articolo traccia in tre studi sulla spazzatura: Rubbish! di William Rathje e Cullen Murphy, Un mondo usa e getta di Guido Viale e Das Miill-System di Volker Grassmuck e Christian Unverzagt. Questi tre studi esemplificano tre modi di presentare lo scarto: esplorazione, problema e ricie/aggio. Guardarli come argomenti scientifici ci permette di discutere di ciò che è considerato scarto ponendo domande di presentazione testuale e, allo stesso tempo, di chiedere quali conseguenze abbia la presentazione per il concetto scientifico dello scarto.
This paper offers a description and account of the patterns of 'ex-situ' focus in Dagbani. We show that there are two syntactic strategies for creating 'ex-situ' focus in the language, one involving A’-movement to the left periphery, and the second involving base generation in the left periphery combined with coreference to a resumptive pronoun. Furthermore, we argue that subjects are difficult to move from Spec,TP to Spec,CP in the left-periphery because of 'anti-locality', which creates a tension when trying to focus subjects, which are required to derivationally fill the specifier of both positions. We further show that what looks to be a two-way distinction between the behaviour of subjects and non-subjects in the language is in fact a three-way distinction between subjects that are focussed to a local left-periphery, subjects that are focussed to a non-local left-periphery, and non-subjects. These distinctions arise due to there being two methods for Dagbani to resolve the antilocality problem of subject movement, and so local subjects solve the problem differently to non-local subjects.
Vom Terror : [Szene aus einer Montage-Fassung des Dramenfragments "Moloch" von Friedrich Hebbel]
(2004)
Szene aus einer Montage-Fassung des Dramenfragments "Moloch" von Friedrich Hebbel. Die Szene steht als Einschub zwischen dem Ersten und Zweiten Akt der Tragödie, als eine Art Interludium. Im Laufe des Stückes wechselt die Perspektive mehrmals zwischen den Schauplätzen Germanischer Wald und Rom, dem Zentrum des Imperiums. Geplant ist eine Aufführung der Gesamtbearbeitung an der Volksbühne Berlin, voraussichtlich Ende 2004.
Am anderen Ende derWelt, in einem argentinischen Städtchen im Bundesstaat Buenos Aires, versetzten die epochalen Ereignisse in Europa nach dem Fall des Eisernen Vorhangs den Bürger Dinko Šakić in Entzücken. Fünfzig Jahre nachdem er aus seiner Heimat geflüchtet war, führten die tektonischen Umwälzungen nach dem Ende des Kommunismus und der europäischen Teilung sogar zur staatlichen Verselbständigung seiner einstigen Heimat Kroatien – zu einer jahrzehntelang nicht einmal im Traum denkbaren Entwicklung. Dinko Šakić setzte sich daraufhin öffentlich für seine frühere Heimat ein. Es fiel ihm gar nicht ein, dass ihn seine Vergangenheit einholen könnte. Wahrscheinlich weil er "ein gutes Gewissen" hatte, ein von ihm gern benutzter Ausdruck, oder weil er in der jungen Republik Kroatien eine Art Fortsetzung jenes Staatsgebildes sah, dem er in seiner Jugend "gedient" hatte (auch ein beliebter Ausdruck Šakićs). In der größten lateinamerikanischen Kroatengemeinde in Argentinien gab es wahrscheinlich nichts, was ihn zur Vorsicht hätte mahnen können. Er schien die Öffentlichkeit geradezu gesucht, womöglich sogar eine Anerkennung erwartet zu haben. Bei einem Empfang zu Ehren des kroatischen Präsidenten während dessen Staatsbesuchs in Argentinien wurde Šakić von Journalisten beobachtet, wie er Tudjman nicht von der Seite weichen wollte, was diesen sichtlich irritierte und zu Hause für Empörung sorgte. Šakić, der sich selbst bei mehreren Gelegenheiten als glühenden kroatischen Nationalisten schilderte, weshalb er schon als Jugendlicher Anhänger der Ustascha-Organisation geworden sei, ahnte offensichtlich nicht, dass seine Art der Heimatliebe dort Entsetzen hervorrufen würde. ...