Refine
Year of publication
Document Type
- Article (16054)
- Part of Periodical (2820)
- Working Paper (2358)
- Preprint (2226)
- Doctoral Thesis (2069)
- Book (1736)
- Conference Proceeding (1172)
- Part of a Book (1071)
- Report (471)
- Review (165)
Language
- English (30337) (remove)
Keywords
- taxonomy (749)
- new species (449)
- morphology (178)
- Deutschland (142)
- Syntax (126)
- Englisch (120)
- distribution (117)
- biodiversity (103)
- inflammation (100)
- Deutsch (98)
Institute
- Medizin (5408)
- Physik (4061)
- Wirtschaftswissenschaften (1928)
- Frankfurt Institute for Advanced Studies (FIAS) (1857)
- Biowissenschaften (1568)
- Center for Financial Studies (CFS) (1499)
- Informatik (1496)
- Biochemie und Chemie (1090)
- Sustainable Architecture for Finance in Europe (SAFE) (1077)
- House of Finance (HoF) (714)
The Bafaw Language (Bantu A10) is a product of the language research programme of the Department of Linguistics of the University of Buea. It is the first serious piece of work on this highly endangered language, and aims to account generally for the data of Bafaw. The work therefore lays the foundation for more advanced work in the future. It provides a description of: the phonology, i.e. the sound system; the morphology or lexis; and the syntax of the Bafaw language. The work goes far beyond to provide a sociolinguistic survey of the Bafaw language community, and offers a discussion of functional literacy in Bafaw, the development of an orthography and the thematic glossary of the language. The book provides a useful resource for the Bafaw language development and an inspiration for further research and scholarship.
This book is a descriptive and documentary analysis of the Mankon I-language and E-language mirrored through aspects of history, geography, flora and fauna. These aspects manifest in the taxonomic nomenclatures attributed to referents in society. Because these referents were hitherto transmitted orally from generation to generation, the author has painstakingly analysed and documented aspects of Mankon culture for posterity. The work focuses in particular on Mankon proverbs for insights into the structure and function of the language. As a vehicle of communication, language plays a primordial role in encoding and decoding 'metalinguistic' data. Through thorough scientific linguistic universals and principals, Chi Che has proposed orthography for Mankon pedagogy that is simple, tenable and practicable. This book is the answer to the international clarion call for societies to analyse and document their endangered indigenous cultures. Schools, linguists, sociolinguists, anthropologists, historians and others will find this book especially useful.
This volume, from an Africa perspective, examines the relationship between ethnicity and citizenship within the framework of nation-state. Its objective and scope engage relational aspects of political integration, awaken public conscience, and motivate civic engagement. It provides a platform that could be considered prerequisite for political transformation. Such a framework is indispensable not only for challenging the politics of exclusion and marginalization, but also for reconstructing fractured social relationships. The test of its validity and relevancy is not whether it accounts for particular traditions, but whether it provides a framework through which we can comprehend the dynamics of ethnic identities as an avenue for promoting participatory governance and democratic accountability. An interdisciplinary study of this kind brings forth practical and theoretical contributions to the evolving concepts of ethnicity and citizenship.
A Legend of the Dead
(2009)
When the admirable Kevin Beckongncho becomes the new Paramount Chief of the much-coveted throne of Nkokonoko Small Monje as well as its new DO, Chieftaincy could finally be said to have been redeemed. But he quickly becomes a marked man, as he runs into fatal collision with an unscrupulous governmental system with which he cannot co-exist. How this great man suddenly dies, and why his people must not mourn for him, is the unresolved mystery with which Asong closes both the book and his trilogy that includes The Crown of Thorns and No Way to Die.
Leopard Watch
(2011)
In beautifully constructed verse, JK Bannavti's Leopard Watch tells the story of a Fon who out of greed and veiled impiety devastates the land over which he rules. The Fon, The King of Bamkov is in a perpetual state of slumber while an illusive beast drives terror into the heart of the kingdom, killing children as well as cattle. Neither the cries of the people nor pressure from the notables seems to have any effect on him. The population of the clan diminishes daily while the Fon sleeps, snores, and drools in the day, and growls, chews, and laps in the night. When finally the notables join the youth vigilante group to hunt down the beast, they come face to face with the devourer who narrowly escapes. A day later, one of the notables, Gwei, in a drunken state encounters and kills the leopard at night as he returns from the market. Amidst jubilation and in honor of Gwei the Fon collapses off his horse and dies. His carcass lies in the same state as that of the dead leopard.
Shadows
(2011)
Shadows, as the title insinuates, splits open and lays bare the frightening vision of humanity, the heart of man depressed, a veritable inferno in which there is little to be enjoyed and everything to be endured, as all is vanity, a gnawing emptiness. Nothing is but what it seems. Simple but without being simplistic, there is in the damp climate of Doh's poetry broken promises, displaced emotional centres, a pervading sense of doom, of impending disaster, and a total helplessness reminiscent of Plato's proverbial mythical cave in which all reality is but shadow, devoid of substance, with the observer chained to the walls of his feelings, beliefs, and unfulfilled ambitions. The second section, Celebration, is, however, a source of warmth, of light, the sun's rays in an otherwise damp and and dark collection.
Dust, Spittle and Wind
(2011)
Dust, Spittle and Wind is a story of youth, dreams of innocence and transcendence told within a postcolonial setting. It follows Olu Ray, the main character of the novel through a bitter-sweet journey of loss and self-realisation. The novel focuses on the final moment before actual emotional maturity when dreams either become flowers of brilliance or cold ashes. The novel describes the cold hand of fate as it swings between both extremes. Olu Ray eventually survives at the price of the abrupt loss of his innocence. The book teems with colourful characters and the blistering heat of the physical terrain appears to mirrors the lush sexuality on display. It explores the nature of taboo, the frustrations caused by it and the compulsions it provokes. In Sanya Osha's telling, society seems to be on the verge of irreparable breakdown but somehow manages to pull itself back from the abyss. The tension that runs through the novel is relentless but then, there is also much tenderness and subtlety that balances everything out. This is unquestionably a feat of powerful artistry. It deservedly won the Association of Nigerian Authors' Prize for prose in 1992.
For millennia, Africans have lived on the African continent, in close contact with the diversities of nature: floral, faunal and human; and in so doing they have developed cultures, values, attitudes and perspectives to the problems, ethical and otherwise, that have arisen from the existential pressures of their situation. The problem, however, is that such values and perspectives do not necessarily form coherent ethical theories. Theory-making is a second order activity requiring a certain amount of leisure and comfort which the existential conditions of life on the African continent have not easily permitted in the retrospect-able past. The elements of African bioethics are to be found in its cultural values, traditions, customs and practices. These are research-able, highlight-able and usable by those who would. The bioethical problems of our current global existential situation are such that all possible solutions, no matter their provenance, ought to be tried. Western culture has far too loud a voice combined with deaf ears in contemporary ethical discourse. But it should never be forgotten that other cultures have their own word to say and that alternative values, ways of thinking and practices exist, and attempt should always be made to bring these out and to highlight them, if they could possibly contribute to the satisfactory solution of a global problem. This book brings together various papers on bioethical issues and problems, written at different times, some previously published, each of which attempts to bring out some African elements, perspective or concern. The African narrative style predominates through these essays but their framing conforms, more or less, to the Western paradigm for presenting academic issues.
This is a timely book on the contemporary African priesthood. Just as in other parts of the globe, the African priesthood currently faces a serious crisis of identity. The unfolding crisis puts stress on the clerics and augments the tension with lay people. The model of the Church-as-Family of God opted for by the Church in Africa is a new milestone that puts pressure on Catholic priests to define their role in the new context. The identity and image of priests need to be specified as lay ministries render the Church active from the grassroots. Reflection about the ministry of the clergy in Africa is urgent, and indeed it is an important aspect of enculturation. Nyenyembe demonstrates an admirable capacity to situate his rich theological reflections in an African context.
Bernard Nsokika Fonlon, 1924-1986, rose from humble origins to become one of Cameroon's most famous sons. He was a scholar, a poet, a politician, a philosopher, a man of action and a man of courage. He was never too busy to see someone who was troubled, never too tired to take up the case of the oppressed or the downtrodden. He was a man who could communicate, with style, in half a dozen world languages but who could also use Pidgin English if it meant putting his listeners at ease. He was a man who moved in opulent circles but who collected for himself not money but the hearts of those who got to know him. It is easy to use superlatives of someone like Bernard Fonlon, easy to make him sound like a sage or a saint; it is less easy to describe the humour and the courtesy and the gentleness that irradiated all that he said and did. This book describes briefly the life and times of a man whose story incorporates the history of a young nation and whose autobiography, The Pathfinder, has all the excitement of an adventure novel. We could use a lot of words and still not get to the heart of the matter because ordinary words are for ordinary men and Bernard Fonlon was unique. To those who knew him, no introduction is necessary; to those who did not know him, no short introduction is enough. Bernard Fonlon did not leave a worldly legacy to his family and friends and country. He left much more. He left ideas that can never be buried and ideals that will challenge new generations.